Marine art
Encyclopedia
Marine art or maritime art is any form of figurative art
(that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre
.
s from 12,000 BCE showing reed boat
s in the Gobustan Petroglyph Reserve in modern Azerbaijan
, which was then on the edge of the much larger Caspian Sea
. Both men and gods are shown on river "barges" in Ancient Egyptian art; these boats were made of papyrus
reed for most uses, but the vessels used by the pharaoh
s were of costly imported cedar
wood, like the 43.6 m (143 ft) long and 5.9 m (19.5 ft) wide Khufu ship
of c. 2,500. Nilotic landscape
s in fresco
in Egyptian tombs often show scenes of hunting birds from boats in the Nile delta
, and grave goods
include deatiled models of boats and their crews for use in the afterlife
.
Ships sometimes appear in Ancient Greek vase painting, especially when relevant in a narrative context, and also on coins and other contexts, though with little attempt at a seascape setting. As in Egyptian painting, the surface of the water may be indicated by a series of parallel wavy lines. Ancient Roman painting, presumably drawing on Greek traditions, very often shows landscape views from the land across a lake or bay with distant land on the horizon, as in the famous "Ulysses" paintings in the Vatican Museums
. The water is usually calm, and objects that are submerged, or partly so, may be shown through the water. The large Nile mosaic of Palestrina
(1st century BCE) is a version of such compositions, with a view intended to show all the course of the river.
From Late Antiquity
to the end of the Middle Ages
marine subjects were shown when required for narrative purposes, but did not form a genre in the West, or in Asian ink painting traditions, where a river with a small boat or two was a standard component of scholar landscapes. Marine highlights in Medieval art
include the 11th century Bayeux Tapestry
showing the Norman Invasion of England. From the 12th century onwards, seals of ports often featured a "ship portrait". The ship functioned as an image of the church, as in Giotto's lost Navicella above the entrance to Old St Peter's in Rome, but such representations are of relatively little interest from the purely marine point of view.
, with two lost miniatures in the Turin-Milan Hours
, probably by Jan van Eyck
in about 1420, showing a huge leap in the depiction of the sea and its weather. Of the seashore scene called The Prayer on the Shore (or Duke William of Bavaria at the Seashore, the Sovereign's prayer etc.) Kenneth Clark
says: "The figures in the foreground are in the chivalric style of the de Limbourgs; but the sea shore beyond them is completely outside the fifteenth-century range of responsiveness, and we see nothing like it again until Jacob van Ruisdael's beach-scenes of the mid-17th century." There was also a true seascape, the Voyage of St Julian & St Martha, but both pages were destroyed in a fire in 1904, and only survive in black and white photographs. For the rest of the 15th century illuminated manuscript
painting was the main medium of marine painting, and in France and Burgundy in particular many artists became skilled in increasingly realistic depictions of both seas and ships, used in illustrations of wars, romances and court life, as well as religious scenes. Scenes of small pleasure boats on rivers sometimes feature in the calendar miniatures from books of hours by artists such as Simon Bening
.
During the Gothic period
the nef, a large piece of goldsmith
's work in the shape of a ship, used for holding cutlery, salt or spices, became popular among the grand. Initially just consisting of the "hull
", from the 15th century the most elaborate had masts, sails and even crew. As the exotic nautilus shell began to reach Europe, many used these for their hull, like the Burghley Nef
of about 1528. Lower down the social scale, interest in shipping was reflected in many early prints
of ships. The earliest are by Master W with the Key
, who produced several engraving
s of ships; for some time such "ship portraits" were confined to prints and drawings, and typically showed the ship with no crew, even if under sail. They also usually anticipated the low horizon that painting would not achieve until the 17th century. The first print of a naval battle is an enormous (548 x 800 mm) woodcut
of the Battle of Zonchio
in 1499 between the Venetians
and the Turks. The only surviving impression is coloured with stencil
s; most were probably pasted onto walls. The earliest comparable painting to survive comes from several decades later.
At the same time artists were often involved in the expansion of Western cartography
, and more aware than might always seem evident of the scientific and nautical advances of the age. According to Margarita Russell, one of Erhard Reuwich
's woodcut
s from the first printed travel book (1486) shows him trying to demonstrate his understanding of the curvature of the earth with a ship half-seen on the horizon. The many coastal views in the book's woodcuts are important in the development of such representations. Birds-eye plans of cities, often coastal, which we would today usually consider as cartography, were often done by artists, and considered as much as works of art as maps by contemporaries.
Italian Renaissance art showed maritime scenes when required, but apart from the Venetian
artist Vittore Carpaccio
there were few artists in this or the next century who often returned to such scenes, or did so with special sensitivity. Carpaccio's scenes show Venetian canals or docksides; there are several arrivals and departures in his Legend of Saint Ursula
. In the German-speaking lands, Konrad Witz
's Miraculous Draught of Fishes (1444) is both the first landscape painting to show a recognisable rural location, and an atmospheric view across Lake Geneva
.
in the 1420s, once again begins to include a wide expanse of water in a rather similar way to the classical paintings, which these artists cannot have been aware of. These paintings were essentially landscapes in the guise of history painting
s, with small figures usually representing a religious subject. A strong marine element was therefore present as landscape painting began to emerge as a distinct genre. The Protestant Reformation
greatly restricted the uses of religious art, accelerating to the development of other secular types of art in Protestant countries, including landscape art and secular forms of history painting
, which could both form part of marine art. An important work by a Flemish "follower of Patenir" is the Portuguese Carracks off a Rocky Coast of about 1540 (787 x 1447 mm), in the National Maritime Museum
, Greenwich
, London, "which has justly been labelled the earliest known pure marine painting". This probably represents the meeting of two small fleets involved in escorting a Portuguese princess going to be married; a type of ceremonial maritime subject which remained very common in court art until the late 17th century, although more often set at the point of embarkation or arrival. Another example is the painting in the Royal Collection
showing Henry VIII
embarking for the Field of the Cloth of Gold
, which is typical in clearly showing the ships side-on, with no attempt to adjust for the high view point. A superb coloured drawing by Hans Holbein the Younger
of a ship crowded with drunken lansquenet
s was perhaps done in preparation for a mural in London. This adopts the low viewpoint typical of the ship portrait.
Pieter Bruegel the Elder is famous for his development of genre painting
scenes of peasant
life, but also painted a number of marine subjects, including Landscape with the Fall of Icarus
(c. 1568); the original is now recognised as lost, and the painting in the Royal Museums of Fine Arts of Belgium
in Brussels
is now seen as a good early copy of Bruegel's original. He also painted a large Naval Battle in the Gulf of Naples, of 1560, Galleria Doria-Pamphilj, Rome
, and a small but dramatic late shipwreck scene. A larger storm scene in Vienna
, once regarded as his, is now attributed to Joos de Momper
. Such subjects were taken up by his successors, including his sons.
The highly picturesque and historically useful Anthony Roll
was a luxury illuminated manuscript
inventory of the ships of the Royal Navy
prepared for Henry VIII
in the 1540s. However it is neither very visually accurate nor artisticly accomplished, having perhaps been illustrated by the official concerned. As in France, 16th century English paintings of elaborate royal embarkations and similar occasions are formulaic, if often impressive. Most used Netherlandish artists, as did representations in prints of the defeat of the Spanish Armada
in 1588. The Virgin of the Navigators
is a Spanish work of the 1530s with a group of ships at anchor, presumably in the New World
, protected by the Virgin.
Mannerism
in both Italy and the North
began to paint fantastic tempests with gigantic waves and lightening-filled skies, which had not been attempted before but were to return into fashion at intervals over the following centuries. As naval warfare became more prominent from the late 16th century, there was an increased demand for works depicting it, which were to remain a staple of maritime painting until the 20th century, pulling the genre in the direction of history painting, with an emphasis on the correct and detailed depiction of the vessels, just as other trends pulled in the direction of increasingly illusionist and subtle effects in the treatment of the sea and weather, parallelling those of landscape painting. Many artists could paint both sorts of subject, but others specialized in one or the other. However at this date seascapes showing a large portion of sea and with no vessels at all were very rare.
relied on fishing and trade by sea for its exceptional wealth, had naval wars with Britain and other nations during the period, and was criss-crossed by rivers and canals. By 1650 95% of ships passing from the North Sea
into the Baltic
were Dutch. Pictures of sea battles told the stories of a Dutch navy at the peak of its glory, though today it is usually the "calms", or more tranquil scenes that are highly estimated. It is therefore no surprise that the genre of maritime painting was enormously popular in Dutch Golden Age painting
, and taken to new heights in the period by Dutch artists. As with landscapes, the move from the artificial elevated view typical of earlier marine painting to a low viewpoint was a crucial step, made by the first great Dutch marine specialist Hendrick Cornelisz Vroom
.
More often than not, even small ships fly the Dutch tricolour, and many vessels can be identified as naval or one of the many other government ships. Many pictures included some land, with a beach or harbour viewpoint, or a view across an estuary. Other artists specialized in river scenes, from the small pictures of Salomon van Ruysdael with little boats and reed-banks to the large Italianate landscapes of Aelbert Cuyp
, where the sun is usually setting over a wide river. The genre naturally shares much with landscape painting, and in developing the depiction of the sky the two went together; many landscape artists also painted beach and river scenes. Artists probably often had precise models of ships available to help them achieve accurate depictions. Artists included Jan Porcellis
, Simon de Vlieger
, Jan van de Cappelle
, and Hendrick Dubbels. The prolific workshop of Willem van de Velde the Elder
and his son
was the leader of the later decades, tending, as at the beginning of the century, to make the ship the subject, but incorporating the advances of the tonal works of earlier decades where the emphasis had been on the sea and the weather. The Younger van de Velde was very strongly influenced by Simon de Vlieger, whose pupil he was. The Elder van de Velde had first visited England in the 1660s, but both father and son left Holland permanently for London in 1672, leaving the master of heavy seas, the German-born Ludolf Bakhuizen, as the leading artist in Amsterdam. Reinier Nooms
, who had been a sailor and signed his works Zeeman ("seaman"), specialized in highly accurate battle scenes and ship portraits, with less interest in effects of light and weather, and it was his style that was to be followed by many later specialized artists. Abraham Storck
and Jan Abrahamsz Beerstraaten
were other battle specialists. Nooms also painted several scenes of dockyard maintenance and repair operations, which are unusual and of historical interest.
The tradition of marine painting continued in the Flemish part of the Netherlands, but was much less prominent, and took longer to shake off the Mannerist style of shipwrecks amid fantastic waves. Most paintings were small zeekens, whereas the Dutch painted both large and small works. The leading artist was Bonaventura Peeters
. The Dutch style was exported to other nations by various artists who emigrated, as well as mere emulation by foreign artists. The most important emigrants were the leading Amsterdam marine artists, the father and son Willem van de Velde. Having spent decades chronicling Dutch naval victories over the English, after the collapse of the art market in the disastrous rampjaar
of 1672, they accepted an invitation from the English court to move to London, and spent the rest of their lives painting the wars from the other side. Artists said to have "followed" their style include Isaac Sailmaker
, although he was a much earlier Dutch emigrant who had preceded their arrival in England by at least 20 years, and whose style is very different from theirs, Peter Monamy
, whose style derives from numerous marine painters besides the van de Veldes, and others.
By now, marine art was already mostly left to specialists, with rare exceptions like Rembrandt's powerful The Storm on the Sea of Galilee
of 1633, his only true seascape. Van Dyck made some fine drawings of the English coast from boats off Rye
, apparently when waiting for his ship to the continent, but never produced any paintings. Some of Ruben's paintings involve the sea and ships, but are so extravagant and stylised that they can hardly be called marine art. However Claude Lorrain
developed an influential type of harbour scene, usually with a view out to a sea with a rising or setting sun, and extravagant classical buildings rising on both sides of the channel. This elaborated on a tradition of Italianate harbour scenes by Northern artists (Italian ones took little interest in such scenes) that goes back at least as far as Paul Brill
and was especially popular in Flanders, with Bonaventura Peeters
and Hendrik van Minderhout
, an emigrant from Rotterdam
, as the leading exponents there, and Jan Baptist Weenix
in the Republic.
the English and French had roughly equal numbers of victories to celebrate. There were a considerable number of very accomplished specialist artists in several countries, who continued to develop the Dutch style of the previous century, sometimes in a rather formulaic manner, with carefully accurate depictions of ships. This was insisted on for the many paintings commissioned by captains, ship-owners and others with nautical knowledge, and many of the artists had nautical experience themselves. For example Nicholas Pocock
had risen to be master of a merchantman, learning to draw while at sea, and as official marine painter to the king was present at a major sea battle, the Glorious First of June
in 1794, on board the frigate HMS Pegasus. Thomas Buttersworth
had served as a seaman in several actions up to 1800. The Frenchman Ambroise Louis Garneray
, mainly active as a painter in the following century, was an experienced sailor, and the accuracy of his paintings of whaling
is praised by the narrator in Herman Melville
's Moby Dick, who knew them only from prints. At the bottom end of the market, ports in many European countries by now had "pierhead artists" at the docks, who would paint cheap ship portraits that were typically fairly accurate as to the features and rigging of the ship, which was demanded by sailor customers, but very formulaic in general artistic terms.
The Venetian artists Canaletto
and Francesco Guardi
painted vedute in which the canals, gondola
s and other small craft, and lagoon of Venice are most often prominent features; many of Guardi's later works barely show land at all, and Canaletto's works from his period in England also mostly feature a river and boats. Both produced a large quantity of work, not all of the same quality, but their best paintings handle water and light superbly, though in very different moods, as Canaletto's world is always bright and sunny, where Guardi's is often overcast, if not misty and gloomy.
Naval cadets were now encouraged to learn drawing, as new coastal charts made at sea were expected to be accompanied by "coastal profiles", or sketches of the land behind, and artists were appointed to teach the subject at naval schools, including John Thomas Serres
, who published Liber Nauticus, and Instructor in the Art of Marine Drawings in 1805/06. Professional artists were now often sent on voyages of exploration, like William Hodges
(1744–1797) on James Cook
's second voyage to the Pacific Ocean
, and exotic coastal scenes were popular as both paintings and prints. These had become as significant as a source of income as the original painting for some artists, for example the much-engraved French painter Claude Joseph Vernet (1714–1789), who both revived something of the spirit of the Mannerist tempest, and looked forward to Romanticism
, in his large and extremely dramatic scenes of storms and shipwrecks. He was also commissioned by the French government to produce a series of views of French harbours, with the strange result that many of his works showing merchant shipping are very violent, and most showing naval vessels very tranquil. He also developed a type of large Claudeian harbour-scene, at sunset and with a generalized Mediterranean setting, which were imitated by many artists. Another early Romantic French, or at least Alsatian-Swiss, artist was Philip James de Loutherbourg
(1740–1812), who spent most of his career in England, where he was commissioned by the government to produce a number of works depicting naval victories. Watson and the Shark
is a famous marine history subject of 1778 by John Singleton Copley
.
and sons dominated maritime art in Marseille throughout the 1800s with detailed portraits of ships and maritime life.
Arguably the greatest icon of Romanticism in art is Théodore Géricault
's The Raft of the Medusa (1819), and for J.M.W. Turner painting the sea was a lifelong obsession. The Medusa is a radical type of history painting, while Turner's works, even when given history subjects, are essentially approached as landscapes. His public commission The Battle of Trafalgar
(1824) was criticised for inaccuracy, and his most personal late works make no attempt at accurate detail, often having lengthy titles to explain what might otherwise seem an unreadable mass of "soapsuds and whitewash", as The Athenaeum
described Turner's Snow Storm - Steam-Boat off a Harbour's Mouth making Signals in Shallow Water, and going by the Lead. The Author was in this Storm on the Night the Ariel left Harwich of 1842.
The new force in painting, the art of Denmark
, featured coastal scenes very strongly, with an emphasis on tranquil waters and still, golden light. These influenced the German Caspar David Friedrich
, who added an element of Romantic mysticism, as in The Stages of Life
(1835); his The Sea of Ice
is less typical, showing a polar shipwreck. Ivan Aivazovsky
continued the old themes of battles, shipwrecks and storms with a full-blooded Russian Romanticism, as in The Ninth Wave
(1850).
River, harbour and coastal scenes, typically with only small boats, were popular with Corot
and the Barbizon school
, especially Charles-François Daubigny
; many of the most famous works of the most important Russian landscapist, Isaac Levitan
, featured tranquil lakes and also the huge rivers of Russia, which he and many artists treated as a source of national pride. Gustave Courbet
painted a number of scenes of beaches with cliffs and views looking out to sea of waves breaking on a beach, usually with no human figures. During the 1860s Édouard Manet
painted a number of paintings depicting important and newsworthy events including his 1864 'marine' painting of the Battle of the Kearsarge and the Alabama, memorializing a sea battle that took place in 1864 during the Civil War
in the United States.
The ship portrait genre was taken to America by a number of emigrants, most English like James E. Buttersworth
(1817–1894) and Robert Salmon
. The Luminist
Fitz Henry Lane (1804–1865) was the earliest of a number of artists who developed American styles based in landscape art; he painted small boats at rest in tranquil small bays. Martin Johnson Heade
was a member of the Hudson River School
, and painted tranquil scenes, but also threatening storms of alarming blackness. Winslow Homer
increasingly specialized in marine scenes with small boats towards the end of the century, often showing boats in heavy swells on the open sea, as in his The Gulf Stream. Thomas Eakins
often painted river scenes, including Max Schmitt in a Single Scull
(1871).
Later in the century, as the coast became increasingly regarded as a place of pleasure rather than work, beach scenes and coastal landscapes without any shipping became prominent, often including cliffs and rock formations, which had earlier been mostly found in scenes of shipwreck. Many later beach scenes became increasingly crowded, as holidaymakers took over the beaches of Europe. Eugene Boudin
's scenes of the beaches of north France strike a familiar note to the modern viewer, despite the heavy clothing worn by the ladies sitting on chairs in the sand. The Impressionists painted many scenes of beaches, cliffs and rivers, especially Claude Monet
, who often returned to Courbet's themes, as in Stormy Sea in Étretat
. It was his Impression, Sunrise
(1872), a view over the waters of the harbour at Le Havre
, that had given the movement its name. River scenes were very common among the Impressionists, especially by Monet and Alfred Sisley
. The Spanish painter Joaquín Sorolla painted many beach scenes, typically concentrating on a few figures seen close up, in contrast to the smaller figures of most beach paintings. American artists who painted beaches and shores, typically less populated, include John Frederick Kensett
, William Merritt Chase
, Jonas Lie
, and James Abbott McNeill Whistler, who mainly painted rivers and the canals of Venice
. Towards the end of the 19th century the American
painter Albert Pinkham Ryder
created moody and darkly visionary early modernist seascapes. The Fauve
and Pointilliste
groups included fairly tranquil waters in large numbers of their work, as did Edvard Munch
in his early paintings. In England the Newlyn School
and the naive fisherman-artist Alfred Wallis
are worth noting.
The rather traditional British marine artist Sir Norman Wilkinson
was during World War I
the inventor of dazzle camouflage
, by which ships were boldly painted in patterns, achieving results not dissimilar to Vorticism
, inspiring the naval ditty: "Captain Schmidt at the periscope / You need not fall or faint / For it’s not the vision of drug or dope / But only the dazzle paint". When the American navy adopted the idea in 1918, Frederick Judd Waugh
was put in charge of design.
Specialized marine painters concentrating on ship portraits continue to the present day, with artists such as Montague Dawson
(1895–1973), whose works were very popular in reproduction; like many, he found works showing traditional sailing ships more in demand than those of modern vessels. Even in 1838 Turner's The Fighting Temeraire tugged to her last Berth to be broken up
, still probably his most famous work, displayed nostalgia for the age of sail. Marine subjects still attract many mainstream artists, and more popular forms of marine art remain enormously popular, as shown by the parodic series of paintings by Vitaly Komar
and Alexander Melamid
called America's Most Wanted Painting, with variants for several countries, almost all featuring a lakeside view.
coloured woodblock prints very often featured coastal and river scenes with shipping, including The Great Wave off Kanagawa
(1832) by Hokusai
, the most famous of all ukiyo-e images. The more realist court school of Chinese painting included marine scenes of the Emperors progressing across the Empire, or festivals like the one shown above.
:Category:Marine artists
:Category:Maritime paintings
Figurative art
Figurative art, sometimes written as figurativism, describes artwork—particularly paintings and sculptures—which are clearly derived from real object sources, and are therefore by definition representational.-Definition:...
(that is, painting, drawing, printmaking and sculpture) that portrays or draws its main inspiration from the sea. Maritime painting is a genre that depicts ships and the sea—a genre particularly strong from the 17th to 19th centuries. In practice the term often covers art showing shipping on rivers and estuaries, beach scenes and all art showing boats, without any rigid distinction - for practical reasons subjects that can be drawn or painted from dry land in fact feature strongly in the genre
Genre
Genre , Greek: genos, γένος) is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria. Genres are formed by conventions that change over time...
.
Earliest times to 1400
Vessels on the water have featured in art from the earliest times. The earliest known works are petroglyphPetroglyph
Petroglyphs are pictogram and logogram images created by removing part of a rock surface by incising, picking, carving, and abrading. Outside North America, scholars often use terms such as "carving", "engraving", or other descriptions of the technique to refer to such images...
s from 12,000 BCE showing reed boat
Reed boat
Reed boats and rafts, along with dugout canoes and other rafts, are among the oldest known types of boats. Often used as traditional fishing boats, they are still used in a few places around the world, though they have generally been replaced with planked boats. Reed boats can be distinguished from...
s in the Gobustan Petroglyph Reserve in modern Azerbaijan
Azerbaijan
Azerbaijan , officially the Republic of Azerbaijan is the largest country in the Caucasus region of Eurasia. Located at the crossroads of Western Asia and Eastern Europe, it is bounded by the Caspian Sea to the east, Russia to the north, Georgia to the northwest, Armenia to the west, and Iran to...
, which was then on the edge of the much larger Caspian Sea
Caspian Sea
The Caspian Sea is the largest enclosed body of water on Earth by area, variously classed as the world's largest lake or a full-fledged sea. The sea has a surface area of and a volume of...
. Both men and gods are shown on river "barges" in Ancient Egyptian art; these boats were made of papyrus
Papyrus
Papyrus is a thick paper-like material produced from the pith of the papyrus plant, Cyperus papyrus, a wetland sedge that was once abundant in the Nile Delta of Egypt....
reed for most uses, but the vessels used by the pharaoh
Pharaoh
Pharaoh is a title used in many modern discussions of the ancient Egyptian rulers of all periods. The title originates in the term "pr-aa" which means "great house" and describes the royal palace...
s were of costly imported cedar
Cedar wood
Cedar wood comes from several different trees that grow in different parts of the world, and may have different uses.* California incense-cedar, from Calocedrus decurrens, is the primary type of wood used for making pencils...
wood, like the 43.6 m (143 ft) long and 5.9 m (19.5 ft) wide Khufu ship
Khufu ship
The Khufu ship is an intact full-size vessel from Ancient Egypt that was sealed into a pit in the Giza pyramid complex at the foot of the Great Pyramid of Giza around 2500 BC. The ship was almost certainly built for Khufu , the second pharaoh of the Fourth Dynasty of the Old Kingdom of Egypt...
of c. 2,500. Nilotic landscape
Nilotic landscape
Nilotic landscape is term used to describe artistic representations of landscapes which emulate or are inspired by the Nile river in Egypt. The term was coined to refer primarily to such landscapes created outside of Egypt, especially in the Aegean, though it is occasionally used to refer to scenes...
s in fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
in Egyptian tombs often show scenes of hunting birds from boats in the Nile delta
Nile Delta
The Nile Delta is the delta formed in Northern Egypt where the Nile River spreads out and drains into the Mediterranean Sea. It is one of the world's largest river deltas—from Alexandria in the west to Port Said in the east, it covers some 240 km of Mediterranean coastline—and is a rich...
, and grave goods
Grave goods
Grave goods, in archaeology and anthropology, are the items buried along with the body.They are usually personal possessions, supplies to smooth the deceased's journey into the afterlife or offerings to the gods. Grave goods are a type of votive deposit...
include deatiled models of boats and their crews for use in the afterlife
Afterlife
The afterlife is the belief that a part of, or essence of, or soul of an individual, which carries with it and confers personal identity, survives the death of the body of this world and this lifetime, by natural or supernatural means, in contrast to the belief in eternal...
.
Ships sometimes appear in Ancient Greek vase painting, especially when relevant in a narrative context, and also on coins and other contexts, though with little attempt at a seascape setting. As in Egyptian painting, the surface of the water may be indicated by a series of parallel wavy lines. Ancient Roman painting, presumably drawing on Greek traditions, very often shows landscape views from the land across a lake or bay with distant land on the horizon, as in the famous "Ulysses" paintings in the Vatican Museums
Vatican Museums
The Vatican Museums , in Viale Vaticano in Rome, inside the Vatican City, are among the greatest museums in the world, since they display works from the immense collection built up by the Roman Catholic Church throughout the centuries, including some of the most renowned classical sculptures and...
. The water is usually calm, and objects that are submerged, or partly so, may be shown through the water. The large Nile mosaic of Palestrina
Nile mosaic of Palestrina
thumb|300 px|The Nile Mosaic of Palestrina.The Nile mosaic of Palestrina is a late Hellenistic floor mosaic depicting the Nile in its passage from Ethiopia to the Mediterranean...
(1st century BCE) is a version of such compositions, with a view intended to show all the course of the river.
From Late Antiquity
Late Antiquity
Late Antiquity is a periodization used by historians to describe the time of transition from Classical Antiquity to the Middle Ages, in both mainland Europe and the Mediterranean world. Precise boundaries for the period are a matter of debate, but noted historian of the period Peter Brown proposed...
to the end of the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
marine subjects were shown when required for narrative purposes, but did not form a genre in the West, or in Asian ink painting traditions, where a river with a small boat or two was a standard component of scholar landscapes. Marine highlights in Medieval art
Medieval art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art history in Europe, and at times the Middle East and North Africa...
include the 11th century Bayeux Tapestry
Bayeux Tapestry
The Bayeux Tapestry is an embroidered cloth—not an actual tapestry—nearly long, which depicts the events leading up to the Norman conquest of England concerning William, Duke of Normandy and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings...
showing the Norman Invasion of England. From the 12th century onwards, seals of ports often featured a "ship portrait". The ship functioned as an image of the church, as in Giotto's lost Navicella above the entrance to Old St Peter's in Rome, but such representations are of relatively little interest from the purely marine point of view.
15th century
A distinct tradition begins to re-emerge in Early Netherlandish paintingEarly Netherlandish painting
Early Netherlandish painting refers to the work of artists active in the Low Countries during the 15th- and early 16th-century Northern renaissance, especially in the flourishing Burgundian cities of Bruges and Ghent...
, with two lost miniatures in the Turin-Milan Hours
Turin-Milan Hours
The Turin-Milan Hours is an incomplete illuminated manuscript, despite its name not strictly a book of hours, of exceptional quality and importance, with a very complicated history both during and after its production...
, probably by Jan van Eyck
Jan van Eyck
Jan van Eyck was a Flemish painter active in Bruges and considered one of the best Northern European painters of the 15th century....
in about 1420, showing a huge leap in the depiction of the sea and its weather. Of the seashore scene called The Prayer on the Shore (or Duke William of Bavaria at the Seashore, the Sovereign's prayer etc.) Kenneth Clark
Kenneth Clark
Kenneth McKenzie Clark, Baron Clark, OM, CH, KCB, FBA was a British author, museum director, broadcaster, and one of the best-known art historians of his generation...
says: "The figures in the foreground are in the chivalric style of the de Limbourgs; but the sea shore beyond them is completely outside the fifteenth-century range of responsiveness, and we see nothing like it again until Jacob van Ruisdael's beach-scenes of the mid-17th century." There was also a true seascape, the Voyage of St Julian & St Martha, but both pages were destroyed in a fire in 1904, and only survive in black and white photographs. For the rest of the 15th century illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
painting was the main medium of marine painting, and in France and Burgundy in particular many artists became skilled in increasingly realistic depictions of both seas and ships, used in illustrations of wars, romances and court life, as well as religious scenes. Scenes of small pleasure boats on rivers sometimes feature in the calendar miniatures from books of hours by artists such as Simon Bening
Simon Bening
Simon Bening was a 16th century miniature painter of the Ghent-Bruges school, the last major artist of the Netherlandish tradition....
.
During the Gothic period
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
the nef, a large piece of goldsmith
Goldsmith
A goldsmith is a metalworker who specializes in working with gold and other precious metals. Since ancient times the techniques of a goldsmith have evolved very little in order to produce items of jewelry of quality standards. In modern times actual goldsmiths are rare...
's work in the shape of a ship, used for holding cutlery, salt or spices, became popular among the grand. Initially just consisting of the "hull
Hull (watercraft)
A hull is the watertight body of a ship or boat. Above the hull is the superstructure and/or deckhouse, where present. The line where the hull meets the water surface is called the waterline.The structure of the hull varies depending on the vessel type...
", from the 15th century the most elaborate had masts, sails and even crew. As the exotic nautilus shell began to reach Europe, many used these for their hull, like the Burghley Nef
Burghley Nef
The Burghley Nef is a silver-gilt salt cellar made in Paris in 1527-8 . In medieval France the word nef was applied to various types of boat-shaped containers, including the most magnificent objects intended for the dining tables and buffets of the rich...
of about 1528. Lower down the social scale, interest in shipping was reflected in many early prints
Old master print
An old master print is a work of art produced by a printing process within the Western tradition . A date of about 1830 is usually taken as marking the end of the period whose prints are covered by this term. The main techniques concerned are woodcut, engraving and etching, although there are...
of ships. The earliest are by Master W with the Key
Master W with the Key
Master W with the Key also known as Master WA and Master of the Housemark was an anonymous Netherlandish engraver, who is thought to have been a goldsmith in Bruges. The name given to him refers to his monogram, which is a W followed by a key symbol. 82 works signed with that monogram are extant...
, who produced several engraving
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
s of ships; for some time such "ship portraits" were confined to prints and drawings, and typically showed the ship with no crew, even if under sail. They also usually anticipated the low horizon that painting would not achieve until the 17th century. The first print of a naval battle is an enormous (548 x 800 mm) woodcut
Woodcut
Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges...
of the Battle of Zonchio
Battle of Zonchio
The naval Battle of Zonchio took place on four separate days: August 12, 20, 22 and 25, 1499. It was a part of the Ottoman–Venetian War of 1499–1503...
in 1499 between the Venetians
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
and the Turks. The only surviving impression is coloured with stencil
Stencil
A stencil is a thin sheet of material, such as paper, plastic, or metal, with letters or a design cut from it, used to produce the letters or design on an underlying surface by applying pigment through the cut-out holes in the material. The key advantage of a stencil is that it can be reused to...
s; most were probably pasted onto walls. The earliest comparable painting to survive comes from several decades later.
At the same time artists were often involved in the expansion of Western cartography
Cartography
Cartography is the study and practice of making maps. Combining science, aesthetics, and technique, cartography builds on the premise that reality can be modeled in ways that communicate spatial information effectively.The fundamental problems of traditional cartography are to:*Set the map's...
, and more aware than might always seem evident of the scientific and nautical advances of the age. According to Margarita Russell, one of Erhard Reuwich
Erhard Reuwich
Erhard Reuwich was a Dutch artist, as a designer of woodcuts, and a printer, who came from Utrecht but then worked in Mainz. His dates and places of birth and death are unknown, but he was active in the 1480s....
's woodcut
Woodcut
Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges...
s from the first printed travel book (1486) shows him trying to demonstrate his understanding of the curvature of the earth with a ship half-seen on the horizon. The many coastal views in the book's woodcuts are important in the development of such representations. Birds-eye plans of cities, often coastal, which we would today usually consider as cartography, were often done by artists, and considered as much as works of art as maps by contemporaries.
Italian Renaissance art showed maritime scenes when required, but apart from the Venetian
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
artist Vittore Carpaccio
Vittore Carpaccio
Vittore Carpaccio was an Italian painter of the Venetian school, who studied under Gentile Bellini. He is best known for a cycle of nine paintings, The Legend of Saint Ursula. His style was somewhat conservative, showing little influence from the Humanist trends that transformed Italian...
there were few artists in this or the next century who often returned to such scenes, or did so with special sensitivity. Carpaccio's scenes show Venetian canals or docksides; there are several arrivals and departures in his Legend of Saint Ursula
Legend of Saint Ursula
The Legend of Saint Ursula is a series of large wall-paintings on canvas by the Italian Renaissance artist Vittore Carpaccio, originally created for the Scuola di Sant'Orsola in Venice...
. In the German-speaking lands, Konrad Witz
Konrad Witz
Konrad Witz - c. Winter 1445/Spring 1446 in Basel, Switzerland) was a German painter, active mainly in Basel, Switzerland.Witz is most famous for painting three altarpieces, all of which survive only partially...
's Miraculous Draught of Fishes (1444) is both the first landscape painting to show a recognisable rural location, and an atmospheric view across Lake Geneva
Lake Geneva
Lake Geneva or Lake Léman is a lake in Switzerland and France. It is one of the largest lakes in Western Europe. 59.53 % of it comes under the jurisdiction of Switzerland , and 40.47 % under France...
.
16th century
The Netherlandish tradition of the "world landscape", a panoramic view from a very high viewpoint, pioneered by Joachim PatinirJoachim Patinir
Joachim Patinir, also called de Patiner , was a Flemish Northern Renaissance history and landscape painter from the area of modern Wallonia...
in the 1420s, once again begins to include a wide expanse of water in a rather similar way to the classical paintings, which these artists cannot have been aware of. These paintings were essentially landscapes in the guise of history painting
History painting
History painting is a genre in painting defined by subject matter rather than an artistic style, depicting a moment in a narrative story, rather than a static subject such as a portrait...
s, with small figures usually representing a religious subject. A strong marine element was therefore present as landscape painting began to emerge as a distinct genre. The Protestant Reformation
Protestant Reformation
The Protestant Reformation was a 16th-century split within Western Christianity initiated by Martin Luther, John Calvin and other early Protestants. The efforts of the self-described "reformers", who objected to the doctrines, rituals and ecclesiastical structure of the Roman Catholic Church, led...
greatly restricted the uses of religious art, accelerating to the development of other secular types of art in Protestant countries, including landscape art and secular forms of history painting
History painting
History painting is a genre in painting defined by subject matter rather than an artistic style, depicting a moment in a narrative story, rather than a static subject such as a portrait...
, which could both form part of marine art. An important work by a Flemish "follower of Patenir" is the Portuguese Carracks off a Rocky Coast of about 1540 (787 x 1447 mm), in the National Maritime Museum
National Maritime Museum
The National Maritime Museum in Greenwich, England is the leading maritime museum of the United Kingdom and may be the largest museum of its kind in the world. The historic buildings forming part of the Maritime Greenwich World Heritage Site, it also incorporates the Royal Observatory, Greenwich,...
, Greenwich
Greenwich
Greenwich is a district of south London, England, located in the London Borough of Greenwich.Greenwich is best known for its maritime history and for giving its name to the Greenwich Meridian and Greenwich Mean Time...
, London, "which has justly been labelled the earliest known pure marine painting". This probably represents the meeting of two small fleets involved in escorting a Portuguese princess going to be married; a type of ceremonial maritime subject which remained very common in court art until the late 17th century, although more often set at the point of embarkation or arrival. Another example is the painting in the Royal Collection
Royal Collection
The Royal Collection is the art collection of the British Royal Family. It is property of the monarch as sovereign, but is held in trust for her successors and the nation. It contains over 7,000 paintings, 40,000 watercolours and drawings, and about 150,000 old master prints, as well as historical...
showing Henry VIII
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...
embarking for the Field of the Cloth of Gold
Field of the Cloth of Gold
The Field of Cloth of Gold is the name given to a place in Balinghem, between Guînes and Ardres, in France, near Calais. It was the site of a meeting that took place from 7 June to 24 June 1520, between King Henry VIII of England and King Francis I of France. The meeting was arranged to increase...
, which is typical in clearly showing the ships side-on, with no attempt to adjust for the high view point. A superb coloured drawing by Hans Holbein the Younger
Hans Holbein the Younger
Hans Holbein the Younger was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century. He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history...
of a ship crowded with drunken lansquenet
Lansquenet
Lansquenet is a card game. Lansquenet also refers to 15th and 16th century German foot soldiers; the lansquenet drum is a type of field drum used by these soldiers.-Game play:The dealer or banker stakes a certain sum, and this must be met by the nearest to the dealer first, and so...
s was perhaps done in preparation for a mural in London. This adopts the low viewpoint typical of the ship portrait.
Pieter Bruegel the Elder is famous for his development of genre painting
Genre painting
Genre works, also called genre scenes or genre views, are pictorial representations in any of various media that represent scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, and street scenes. Such representations may be realistic, imagined, or...
scenes of peasant
Peasant
A peasant is an agricultural worker who generally tend to be poor and homeless-Etymology:The word is derived from 15th century French païsant meaning one from the pays, or countryside, ultimately from the Latin pagus, or outlying administrative district.- Position in society :Peasants typically...
life, but also painted a number of marine subjects, including Landscape with the Fall of Icarus
Landscape With The Fall of Icarus
Landscape with the Fall of Icarus is a painting in oil on canvas long thought to be by Pieter Bruegel, although following technical examinations in 1996, that attribution is regarded as very doubtful, and it is now seen as a good early copy by an unknown artist of Bruegel's original, perhaps...
(c. 1568); the original is now recognised as lost, and the painting in the Royal Museums of Fine Arts of Belgium
Royal Museums of Fine Arts of Belgium
The Royal Museums of Fine Arts of Belgium , is one of the most famous museums in Belgium.-The museum:...
in Brussels
Brussels
Brussels , officially the Brussels Region or Brussels-Capital Region , is the capital of Belgium and the de facto capital of the European Union...
is now seen as a good early copy of Bruegel's original. He also painted a large Naval Battle in the Gulf of Naples, of 1560, Galleria Doria-Pamphilj, Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, and a small but dramatic late shipwreck scene. A larger storm scene in Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
, once regarded as his, is now attributed to Joos de Momper
Joos de Momper
Joos de Momper the Younger , also known as Josse de Momper, is one of the most important Flemish landscape painters between Pieter Brueghel the Elder and Peter Paul Rubens...
. Such subjects were taken up by his successors, including his sons.
The highly picturesque and historically useful Anthony Roll
Anthony Roll
The Anthony Roll is a record of ships of the English Tudor navy of the 1540s, named after its creator, Anthony Anthony. It originally consisted of three rolls of vellum, depicting 58 naval vessels along with information on their size, crew, armament, and basic equipment. The rolls were...
was a luxury illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
inventory of the ships of the Royal Navy
Royal Navy
The Royal Navy is the naval warfare service branch of the British Armed Forces. Founded in the 16th century, it is the oldest service branch and is known as the Senior Service...
prepared for Henry VIII
Henry VIII of England
Henry VIII was King of England from 21 April 1509 until his death. He was Lord, and later King, of Ireland, as well as continuing the nominal claim by the English monarchs to the Kingdom of France...
in the 1540s. However it is neither very visually accurate nor artisticly accomplished, having perhaps been illustrated by the official concerned. As in France, 16th century English paintings of elaborate royal embarkations and similar occasions are formulaic, if often impressive. Most used Netherlandish artists, as did representations in prints of the defeat of the Spanish Armada
Spanish Armada
This article refers to the Battle of Gravelines, for the modern navy of Spain, see Spanish NavyThe Spanish Armada was the Spanish fleet that sailed against England under the command of the Duke of Medina Sidonia in 1588, with the intention of overthrowing Elizabeth I of England to stop English...
in 1588. The Virgin of the Navigators
The Virgin of the Navigators
The Virgin of the Navigators is a painting by Spanish artist Alejo Fernández, created as the central panel of an altarpiece for the chapel of the Casa de Contratación building in Seville, southern Spain...
is a Spanish work of the 1530s with a group of ships at anchor, presumably in the New World
New World
The New World is one of the names used for the Western Hemisphere, specifically America and sometimes Oceania . The term originated in the late 15th century, when America had been recently discovered by European explorers, expanding the geographical horizon of the people of the European middle...
, protected by the Virgin.
Mannerism
Mannerism
Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520. It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe...
in both Italy and the North
Northern Mannerism
Northern Mannerism is the term in European art history for the versions of Mannerism practiced in the visual arts north of the Alps in the 16th and early 17th century...
began to paint fantastic tempests with gigantic waves and lightening-filled skies, which had not been attempted before but were to return into fashion at intervals over the following centuries. As naval warfare became more prominent from the late 16th century, there was an increased demand for works depicting it, which were to remain a staple of maritime painting until the 20th century, pulling the genre in the direction of history painting, with an emphasis on the correct and detailed depiction of the vessels, just as other trends pulled in the direction of increasingly illusionist and subtle effects in the treatment of the sea and weather, parallelling those of landscape painting. Many artists could paint both sorts of subject, but others specialized in one or the other. However at this date seascapes showing a large portion of sea and with no vessels at all were very rare.
Maritime painting of the Dutch Golden Age
The Dutch RepublicDutch Republic
The Dutch Republic — officially known as the Republic of the Seven United Netherlands , the Republic of the United Netherlands, or the Republic of the Seven United Provinces — was a republic in Europe existing from 1581 to 1795, preceding the Batavian Republic and ultimately...
relied on fishing and trade by sea for its exceptional wealth, had naval wars with Britain and other nations during the period, and was criss-crossed by rivers and canals. By 1650 95% of ships passing from the North Sea
North Sea
In the southwest, beyond the Straits of Dover, the North Sea becomes the English Channel connecting to the Atlantic Ocean. In the east, it connects to the Baltic Sea via the Skagerrak and Kattegat, narrow straits that separate Denmark from Norway and Sweden respectively...
into the Baltic
Baltic Sea
The Baltic Sea is a brackish mediterranean sea located in Northern Europe, from 53°N to 66°N latitude and from 20°E to 26°E longitude. It is bounded by the Scandinavian Peninsula, the mainland of Europe, and the Danish islands. It drains into the Kattegat by way of the Øresund, the Great Belt and...
were Dutch. Pictures of sea battles told the stories of a Dutch navy at the peak of its glory, though today it is usually the "calms", or more tranquil scenes that are highly estimated. It is therefore no surprise that the genre of maritime painting was enormously popular in Dutch Golden Age painting
Dutch Golden Age painting
Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history generally spanning the 17th century, during and after the later part of the Eighty Years War for Dutch independence. The new Dutch Republic was the most prosperous nation in Europe, and led European trade,...
, and taken to new heights in the period by Dutch artists. As with landscapes, the move from the artificial elevated view typical of earlier marine painting to a low viewpoint was a crucial step, made by the first great Dutch marine specialist Hendrick Cornelisz Vroom
Hendrick Cornelisz Vroom
Hendrik Cornelisz Vroom was a Dutch Golden Age painter credited with being the founder of Dutch marine art or seascape painting. Beginning with the "birds-eye" viewpoint of earlier Netherlandish marine art, his later works show a view from lower down, and more realistic depiction of the seas...
.
More often than not, even small ships fly the Dutch tricolour, and many vessels can be identified as naval or one of the many other government ships. Many pictures included some land, with a beach or harbour viewpoint, or a view across an estuary. Other artists specialized in river scenes, from the small pictures of Salomon van Ruysdael with little boats and reed-banks to the large Italianate landscapes of Aelbert Cuyp
Aelbert Cuyp
Aelbert Jacobsz Cuyp was one of the leading Dutch landscape painters of the Dutch Golden Age in the 17th century. The most famous of a family of painters, the pupil of his father Jacob Gerritsz...
, where the sun is usually setting over a wide river. The genre naturally shares much with landscape painting, and in developing the depiction of the sky the two went together; many landscape artists also painted beach and river scenes. Artists probably often had precise models of ships available to help them achieve accurate depictions. Artists included Jan Porcellis
Jan Porcellis
Jan Porcellis was a Dutch marine artist.Porcellis was born in Ghent. He was the father of the marine artist Julius Porcellis , and is generally agreed to be the more fluent artist, particularly in his sense of space and his tonal palette...
, Simon de Vlieger
Simon de Vlieger
Simon de Vlieger was a Dutch designer, draughtsman, and painter, most famous for his marine paintings.-Life:...
, Jan van de Cappelle
Jan van de Cappelle
Jan van de Cappelle was a Dutch Golden Age painter of seascapes and winter landscapes, also notable as an industrialist and art collector. He is "now considered the outstanding marine painter of 17th century Holland"...
, and Hendrick Dubbels. The prolific workshop of Willem van de Velde the Elder
Willem van de Velde the Elder
Willem van de Velde the Elder was a Dutch Golden Age seascape painter.-Biographical Outline:Willem van de Velde, known as the Elder, a marine draughtsman and painter, was born in Leiden, the son of a Flemish skipper, Willem Willemsz. van de Velde, and is commonly said to have been bred to the sea...
and his son
Willem van de Velde the Younger
Willem van de Velde the Younger was a Dutch marine painter.-Biography:Willem van de Velde was baptised on 18 December 1633 in Leiden, Holland, Dutch Republic....
was the leader of the later decades, tending, as at the beginning of the century, to make the ship the subject, but incorporating the advances of the tonal works of earlier decades where the emphasis had been on the sea and the weather. The Younger van de Velde was very strongly influenced by Simon de Vlieger, whose pupil he was. The Elder van de Velde had first visited England in the 1660s, but both father and son left Holland permanently for London in 1672, leaving the master of heavy seas, the German-born Ludolf Bakhuizen, as the leading artist in Amsterdam. Reinier Nooms
Reinier Nooms
Reinier Nooms , also known as Zeeman , was a maritime painter known for his highly detailed paintings and etchings of ships....
, who had been a sailor and signed his works Zeeman ("seaman"), specialized in highly accurate battle scenes and ship portraits, with less interest in effects of light and weather, and it was his style that was to be followed by many later specialized artists. Abraham Storck
Abraham Storck
Abraham Storck , was a Dutch landscape and maritime painter of the Baroque era....
and Jan Abrahamsz Beerstraaten
Jan Abrahamsz Beerstraaten
Jan Abrahamsz Beerstraaten was a Dutch painter of marine art and landscapes, particularly of events of the First Anglo-Dutch War and Dutch-Swedish War.-Biography:...
were other battle specialists. Nooms also painted several scenes of dockyard maintenance and repair operations, which are unusual and of historical interest.
The tradition of marine painting continued in the Flemish part of the Netherlands, but was much less prominent, and took longer to shake off the Mannerist style of shipwrecks amid fantastic waves. Most paintings were small zeekens, whereas the Dutch painted both large and small works. The leading artist was Bonaventura Peeters
Bonaventura Peeters
Bonaventura Peeters was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens .-Biography:...
. The Dutch style was exported to other nations by various artists who emigrated, as well as mere emulation by foreign artists. The most important emigrants were the leading Amsterdam marine artists, the father and son Willem van de Velde. Having spent decades chronicling Dutch naval victories over the English, after the collapse of the art market in the disastrous rampjaar
Rampjaar
The rampjaar was the year 1672 in Dutch history. In that year,the Republic of the Seven United Provinces was after the outbreak of the Franco-Dutch War and the Third Anglo-Dutch War attacked by England, France, and the prince-electors Bernhard von Galen, bishop of Münster and Maximilian Henry of...
of 1672, they accepted an invitation from the English court to move to London, and spent the rest of their lives painting the wars from the other side. Artists said to have "followed" their style include Isaac Sailmaker
Isaac Sailmaker
Isaac Sailmaker was a Dutch marine painter active in Britain. He came to London to work for George Geldorp and later worked for Oliver Cromwell. He is known for paintings of ships and lighthouses. His painting of Eddystone Lighthouse is notable as the structure no longer exists.- References :...
, although he was a much earlier Dutch emigrant who had preceded their arrival in England by at least 20 years, and whose style is very different from theirs, Peter Monamy
Peter Monamy
Peter Monamy was an English marine painter who lived between 1681 and 1749.-Early life and family:Peter Monamy was baptised at the church of St Botolph’s-without-Aldgate, London, England, on 12 January 1681...
, whose style derives from numerous marine painters besides the van de Veldes, and others.
By now, marine art was already mostly left to specialists, with rare exceptions like Rembrandt's powerful The Storm on the Sea of Galilee
The Storm on the Sea of Galilee
The Storm on the Sea of Galilee is a painting of 1633 by the Dutch Golden Age painter Rembrandt van Rijn that was in the Isabella Stewart Gardner Museum of Boston, Massachusetts, United States, prior to being stolen on March 18, 1990...
of 1633, his only true seascape. Van Dyck made some fine drawings of the English coast from boats off Rye
Rye
Rye is a grass grown extensively as a grain and as a forage crop. It is a member of the wheat tribe and is closely related to barley and wheat. Rye grain is used for flour, rye bread, rye beer, some whiskeys, some vodkas, and animal fodder...
, apparently when waiting for his ship to the continent, but never produced any paintings. Some of Ruben's paintings involve the sea and ships, but are so extravagant and stylised that they can hardly be called marine art. However Claude Lorrain
Claude Lorrain
Claude Lorrain, , traditionally just Claude in English Claude Lorrain, , traditionally just Claude in English (also Claude Gellée, his real name, or in French Claude Gellée, , dit le Lorrain) Claude Lorrain, , traditionally just Claude in English (also Claude Gellée, his real name, or in French...
developed an influential type of harbour scene, usually with a view out to a sea with a rising or setting sun, and extravagant classical buildings rising on both sides of the channel. This elaborated on a tradition of Italianate harbour scenes by Northern artists (Italian ones took little interest in such scenes) that goes back at least as far as Paul Brill
Paul Brill
Paul Brill is a multiple Emmy Award-nominated composer, songwriter and producer based in Brooklyn, NY. He has scored dozens of feature films, television series and commercials, most notably including: Joan Rivers: A Piece of Work, The Devil Came on Horseback, The Trials of Darryl Hunt,...
and was especially popular in Flanders, with Bonaventura Peeters
Bonaventura Peeters
Bonaventura Peeters was a Flemish Baroque painter who specialized in seascapes and shipwrecks, known as Zeekens .-Biography:...
and Hendrik van Minderhout
Hendrik van Minderhout
Hendrik van Minderhout was a Dutch-born painter of seascapes who was primarily active in the Southern Netherlands cities of Bruges and Antwerp. He arrived in Bruges in 1652, and in 1663 he joined the city's Guild of St. Luke. Subsequently, from 1672 until his death in 1696 Minderhout lived in...
, an emigrant from Rotterdam
Rotterdam
Rotterdam is the second-largest city in the Netherlands and one of the largest ports in the world. Starting as a dam on the Rotte river, Rotterdam has grown into a major international commercial centre...
, as the leading exponents there, and Jan Baptist Weenix
Jan Baptist Weenix
Jan Baptist Weenix , a painter of the Dutch Golden Age. Despite his relatively brief career, he was a very productive and versatile painter. His favourite subjects were Italian landscapes with large figures among ruins, seaside views, and, later in life, large still life pictures of dead game or dogs...
in the Republic.
18th century
The century supplied an abundance of military actions to depict, and before the Annus Mirabilis of 1759Annus Mirabilis of 1759
The Annus Mirabilis of 1759 took place in the context of the Seven Years' War and Great Britain's military success against French-led opponents on several continents...
the English and French had roughly equal numbers of victories to celebrate. There were a considerable number of very accomplished specialist artists in several countries, who continued to develop the Dutch style of the previous century, sometimes in a rather formulaic manner, with carefully accurate depictions of ships. This was insisted on for the many paintings commissioned by captains, ship-owners and others with nautical knowledge, and many of the artists had nautical experience themselves. For example Nicholas Pocock
Nicholas Pocock
thumb|Pocock's bird's-eye-view painting of the [[Battle of Copenhagen ]]Nicholas Pocock was a British artist best known for his many detailed paintings of naval battles during the age of sail....
had risen to be master of a merchantman, learning to draw while at sea, and as official marine painter to the king was present at a major sea battle, the Glorious First of June
Glorious First of June
The Glorious First of June [Note A] of 1794 was the first and largest fleet action of the naval conflict between the Kingdom of Great Britain and the First French Republic during the French Revolutionary Wars...
in 1794, on board the frigate HMS Pegasus. Thomas Buttersworth
Thomas Buttersworth
Thomas Buttersworth was a seaman of the Napoleonic wars period who became a maritime painter producing works to commission, and was little exhibited during his lifetime.He was born on the Isle of Wight, England...
had served as a seaman in several actions up to 1800. The Frenchman Ambroise Louis Garneray
Ambroise Louis Garneray
Ambroise Louis Garneray was a French corsair, painter and writer. He served under Robert Surcouf and Jean-Marie Dutertre, and was held prisoner by the British for eight years.- Early life :...
, mainly active as a painter in the following century, was an experienced sailor, and the accuracy of his paintings of whaling
Whaling
Whaling is the hunting of whales mainly for meat and oil. Its earliest forms date to at least 3000 BC. Various coastal communities have long histories of sustenance whaling and harvesting beached whales...
is praised by the narrator in Herman Melville
Herman Melville
Herman Melville was an American novelist, short story writer, essayist, and poet. He is best known for his novel Moby-Dick and the posthumous novella Billy Budd....
's Moby Dick, who knew them only from prints. At the bottom end of the market, ports in many European countries by now had "pierhead artists" at the docks, who would paint cheap ship portraits that were typically fairly accurate as to the features and rigging of the ship, which was demanded by sailor customers, but very formulaic in general artistic terms.
The Venetian artists Canaletto
Canaletto
Giovanni Antonio Canal better known as Canaletto , was a Venetian painter famous for his landscapes, or vedute, of Venice. He was also an important printmaker in etching.- Early career :...
and Francesco Guardi
Francesco Guardi
Francesco Lazzaro Guardi was a Venetian painter of veduta, a member of the Venetian School. He is considered to be among the last practitioners, along with his brothers, of the classic Venetian school of painting....
painted vedute in which the canals, gondola
Gondola
The gondola is a traditional, flat-bottomed Venetian rowing boat, well suited to the conditions of the Venetian Lagoon. For centuries gondolas were the chief means of transportation and most common watercraft within Venice. In modern times the iconic boats still have a role in public transport in...
s and other small craft, and lagoon of Venice are most often prominent features; many of Guardi's later works barely show land at all, and Canaletto's works from his period in England also mostly feature a river and boats. Both produced a large quantity of work, not all of the same quality, but their best paintings handle water and light superbly, though in very different moods, as Canaletto's world is always bright and sunny, where Guardi's is often overcast, if not misty and gloomy.
Naval cadets were now encouraged to learn drawing, as new coastal charts made at sea were expected to be accompanied by "coastal profiles", or sketches of the land behind, and artists were appointed to teach the subject at naval schools, including John Thomas Serres
John Thomas Serres
John Thomas Serres was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy, and was for a time Maritime Painter to King George III.-Life:...
, who published Liber Nauticus, and Instructor in the Art of Marine Drawings in 1805/06. Professional artists were now often sent on voyages of exploration, like William Hodges
William Hodges
William Hodges RA was an English painter. He was a member of James Cook's second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.Hodges was born in London. He was a...
(1744–1797) on James Cook
James Cook
Captain James Cook, FRS, RN was a British explorer, navigator and cartographer who ultimately rose to the rank of captain in the Royal Navy...
's second voyage to the Pacific Ocean
Pacific Ocean
The Pacific Ocean is the largest of the Earth's oceanic divisions. It extends from the Arctic in the north to the Southern Ocean in the south, bounded by Asia and Australia in the west, and the Americas in the east.At 165.2 million square kilometres in area, this largest division of the World...
, and exotic coastal scenes were popular as both paintings and prints. These had become as significant as a source of income as the original painting for some artists, for example the much-engraved French painter Claude Joseph Vernet (1714–1789), who both revived something of the spirit of the Mannerist tempest, and looked forward to Romanticism
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
, in his large and extremely dramatic scenes of storms and shipwrecks. He was also commissioned by the French government to produce a series of views of French harbours, with the strange result that many of his works showing merchant shipping are very violent, and most showing naval vessels very tranquil. He also developed a type of large Claudeian harbour-scene, at sunset and with a generalized Mediterranean setting, which were imitated by many artists. Another early Romantic French, or at least Alsatian-Swiss, artist was Philip James de Loutherbourg
Philip James de Loutherbourg
Philip James de Loutherbourg, also seen as Philippe-Jacques and Philipp Jakob and with the appellation the Younger was an English artist of German origin who became known for his elaborate set designs for London theatres.-Early life:He was born in Strasbourg, where his father, the representative...
(1740–1812), who spent most of his career in England, where he was commissioned by the government to produce a number of works depicting naval victories. Watson and the Shark
Watson and the Shark
Watson and the Shark is the title of a 1778 oil painting by John Singleton Copley, depicting the rescue of Brook Watson from a shark attack in Havana, Cuba. The original of three versions by Copley is in the National Gallery of Art, Washington, D.C.....
is a famous marine history subject of 1778 by John Singleton Copley
John Singleton Copley
John Singleton Copley was an American painter, born presumably in Boston, Massachusetts, and a son of Richard and Mary Singleton Copley, both Irish. He is famous for his portrait paintings of important figures in colonial New England, depicting in particular middle-class subjects...
.
Romantic Age to present
The Romantic period saw marine painting rejoin the mainstream of art, although many specialized painters continued to develop the "ship portrait" genre. Antoine RouxAntoine Roux
Ange-Joseph Antoine Roux, "Antoine Roux" was a French fine art painter who specialised in maritime painting, sometimes referred to as marine art. Roux came from a family of artists and primarily worked in Marseille...
and sons dominated maritime art in Marseille throughout the 1800s with detailed portraits of ships and maritime life.
Arguably the greatest icon of Romanticism in art is Théodore Géricault
Théodore Géricault
Jean-Louis André Théodore Géricault was a profoundly influential French artist, painter and lithographer, known for The Raft of the Medusa and other paintings...
's The Raft of the Medusa (1819), and for J.M.W. Turner painting the sea was a lifelong obsession. The Medusa is a radical type of history painting, while Turner's works, even when given history subjects, are essentially approached as landscapes. His public commission The Battle of Trafalgar
The Battle of Trafalgar (painting)
The Battle of Trafalgar is an oil-on-canvas painting, created by J.M.W. Turner in 1824. The painting was ordered by King George IV for the Painted Hall at Greenwich, as a pendant for Louthebourg's Lord Howe's action, or the Glorious First of June. It shows the Royal Navy ship HMS Victory at the...
(1824) was criticised for inaccuracy, and his most personal late works make no attempt at accurate detail, often having lengthy titles to explain what might otherwise seem an unreadable mass of "soapsuds and whitewash", as The Athenaeum
Athenaeum (magazine)
The Athenaeum was a literary magazine published in London from 1828 to 1921. It had a reputation for publishing the very best writers of the age....
described Turner's Snow Storm - Steam-Boat off a Harbour's Mouth making Signals in Shallow Water, and going by the Lead. The Author was in this Storm on the Night the Ariel left Harwich of 1842.
The new force in painting, the art of Denmark
Art of Denmark
Danish art goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. Art from modern Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art...
, featured coastal scenes very strongly, with an emphasis on tranquil waters and still, golden light. These influenced the German Caspar David Friedrich
Caspar David Friedrich
Caspar David Friedrich was a 19th-century German Romantic landscape painter, generally considered the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning...
, who added an element of Romantic mysticism, as in The Stages of Life
The Stages of Life
The Stages of Life is an allegorical oil painting of 1835 by the German Romantic landscape painter Caspar David Friedrich. Completed just five years before his death, this picture, like many of his works, forms a meditation both on his own mortality and on the transience of life.The painting is...
(1835); his The Sea of Ice
The Sea of Ice
The Sea of Ice , also called The Wreck of Hope is an oil painting of 1823–1824 by the German Romantic artist Caspar David Friedrich.-Description:...
is less typical, showing a polar shipwreck. Ivan Aivazovsky
Ivan Aivazovsky
Ivan Konstantinovich Aivazovsky July 29, 1817 – May 5, 1900) was a Russian world-renowned painter of Armenian descent living and working in Crimea, most famous for his seascapes, which constitute more than half of his paintings...
continued the old themes of battles, shipwrecks and storms with a full-blooded Russian Romanticism, as in The Ninth Wave
The Ninth Wave
The Ninth Wave is perhaps the most impressive and well-known painting by Russian marine painter Ivan Aivazovsky; it was painted in 1850.-The painting:...
(1850).
River, harbour and coastal scenes, typically with only small boats, were popular with Corot
Jean-Baptiste-Camille Corot
Jean-Baptiste-Camille Corot was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century...
and the Barbizon school
Barbizon school
The Barbizon school of painters were part of a movement towards realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870...
, especially Charles-François Daubigny
Charles-François Daubigny
Charles-François Daubigny was one of the painters of the Barbizon school, and is considered an important precursor of Impressionism....
; many of the most famous works of the most important Russian landscapist, Isaac Levitan
Isaac Levitan
Isaac Ilyich Levitan was a classical Russian landscape painter who advanced the genre of the "mood landscape".-Youth:...
, featured tranquil lakes and also the huge rivers of Russia, which he and many artists treated as a source of national pride. Gustave Courbet
Gustave Courbet
Jean Désiré Gustave Courbet was a French painter who led the Realist movement in 19th-century French painting. The Realist movement bridged the Romantic movement , with the Barbizon School and the Impressionists...
painted a number of scenes of beaches with cliffs and views looking out to sea of waves breaking on a beach, usually with no human figures. During the 1860s Édouard Manet
Édouard Manet
Édouard Manet was a French painter. One of the first 19th-century artists to approach modern-life subjects, he was a pivotal figure in the transition from Realism to Impressionism....
painted a number of paintings depicting important and newsworthy events including his 1864 'marine' painting of the Battle of the Kearsarge and the Alabama, memorializing a sea battle that took place in 1864 during the Civil War
American Civil War
The American Civil War was a civil war fought in the United States of America. In response to the election of Abraham Lincoln as President of the United States, 11 southern slave states declared their secession from the United States and formed the Confederate States of America ; the other 25...
in the United States.
The ship portrait genre was taken to America by a number of emigrants, most English like James E. Buttersworth
James E. Buttersworth
James Edward Buttersworth was an English painter who specialized in maritime art, and is considered among the foremost American ship portraitists of the nineteenth century...
(1817–1894) and Robert Salmon
Robert Salmon
Robert Salmon was a marine painter born in Whitehaven, Cumberland, England as Robert Salomon. Salmon was living in London by 1800 and moved to Liverpool in 1806...
. The Luminist
Luminism (American art style)
Luminism is an American landscape painting style of the 1850s – 1870s, characterized by effects of light in landscapes, through using aerial perspective, and concealing visible brushstrokes...
Fitz Henry Lane (1804–1865) was the earliest of a number of artists who developed American styles based in landscape art; he painted small boats at rest in tranquil small bays. Martin Johnson Heade
Martin Johnson Heade
Martin Johnson Heade was a prolific American painter known for his salt marsh landscapes, seascapes, portraits of tropical birds, and still lifes...
was a member of the Hudson River School
Hudson River school
The Hudson River School was a mid-19th century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by romanticism...
, and painted tranquil scenes, but also threatening storms of alarming blackness. Winslow Homer
Winslow Homer
Winslow Homer was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th century America and a preeminent figure in American art....
increasingly specialized in marine scenes with small boats towards the end of the century, often showing boats in heavy swells on the open sea, as in his The Gulf Stream. Thomas Eakins
Thomas Eakins
Thomas Cowperthwait Eakins was an American realist painter, photographer, sculptor, and fine arts educator...
often painted river scenes, including Max Schmitt in a Single Scull
Max Schmitt in a Single Scull
Max Schmitt in a Single Scull is an 1871 painting by Thomas Eakins in the permanent collection of the Metropolitan Museum of Art...
(1871).
Later in the century, as the coast became increasingly regarded as a place of pleasure rather than work, beach scenes and coastal landscapes without any shipping became prominent, often including cliffs and rock formations, which had earlier been mostly found in scenes of shipwreck. Many later beach scenes became increasingly crowded, as holidaymakers took over the beaches of Europe. Eugene Boudin
Eugène Boudin
Eugène Boudin was one of the first French landscape painters to paint outdoors.Boudin was a marine painter, and expert in the rendering of all that goes upon the sea and along its shores...
's scenes of the beaches of north France strike a familiar note to the modern viewer, despite the heavy clothing worn by the ladies sitting on chairs in the sand. The Impressionists painted many scenes of beaches, cliffs and rivers, especially Claude Monet
Claude Monet
Claude Monet was a founder of French impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein-air landscape painting. . Retrieved 6 January 2007...
, who often returned to Courbet's themes, as in Stormy Sea in Étretat
Stormy Sea in Étretat
The Stormy Sea in Étretat is an 1883 painting by founder of French impressionist Claude Monet, now preserved at the Musée des Beaux-Arts de Lyon.The painting depicts a stormy sea on a winter day...
. It was his Impression, Sunrise
Impression, Sunrise
Impression, Sunrise is a painting by Claude Monet. It gave rise to the name of the Impressionist movement.-History:...
(1872), a view over the waters of the harbour at Le Havre
Le Havre
Le Havre is a city in the Seine-Maritime department of the Haute-Normandie region in France. It is situated in north-western France, on the right bank of the mouth of the river Seine on the English Channel. Le Havre is the most populous commune in the Haute-Normandie region, although the total...
, that had given the movement its name. River scenes were very common among the Impressionists, especially by Monet and Alfred Sisley
Alfred Sisley
Alfred Sisley was an Impressionist landscape painter who was born and spent most of his life, in France, but retained British citizenship. He was the most consistent of the Impressionists in his dedication to painting landscape en plein air...
. The Spanish painter Joaquín Sorolla painted many beach scenes, typically concentrating on a few figures seen close up, in contrast to the smaller figures of most beach paintings. American artists who painted beaches and shores, typically less populated, include John Frederick Kensett
John Frederick Kensett
John Frederick Kensett was an American artist and engraver. He attended school at Cheshire Academy, and studied engraving with his immigrant father, Thomas Kensett, and later with his uncle, Alfred Dagget...
, William Merritt Chase
William Merritt Chase
William Merritt Chase was an American painter known as an exponent of Impressionism and as a teacher. He is also responsible for establishing the Chase School, which later would become Parsons The New School for Design.- Early life and training :He was born in Williamsburg , Indiana, to the family...
, Jonas Lie
Jonas Lie (painter)
Jonas Lie was a Norwegian-born American painter. He is best known for colorful paintings of coastlines of New England and city scenes New York City. -Background:...
, and James Abbott McNeill Whistler, who mainly painted rivers and the canals of Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
. Towards the end of the 19th century the American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
painter Albert Pinkham Ryder
Albert Pinkham Ryder
Albert Pinkham Ryder was an American painter best known for his poetic and moody allegorical works and seascapes, as well as his eccentric personality...
created moody and darkly visionary early modernist seascapes. The Fauve
Fauvism
Fauvism is the style of les Fauves , a short-lived and loose group of early twentieth-century Modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism...
and Pointilliste
Pointillism
Pointillism is a technique of painting in which small, distinct dots of pure color are applied in patterns to form an image. Georges Seurat developed the technique in 1886, branching from Impressionism. The term Pointillism was first coined by art critics in the late 1880s to ridicule the works...
groups included fairly tranquil waters in large numbers of their work, as did Edvard Munch
Edvard Munch
Edvard Munch was a Norwegian Symbolist painter, printmaker and an important forerunner of expressionist art. His best-known composition, The Scream, is part of a series The Frieze of Life, in which Munch explored the themes of love, fear, death, melancholia, and anxiety.- Childhood :Edvard Munch...
in his early paintings. In England the Newlyn School
Newlyn School
The Newlyn School is a term used to describe an art colony of artists based in or near to Newlyn, a fishing village adjacent to Penzance, Cornwall, from the 1880s until the early 20th century. The establishment of the Newlyn School was reminiscent of the Barbizon School in France, where artists...
and the naive fisherman-artist Alfred Wallis
Alfred Wallis
Alfred Wallis was a Cornish fisherman and artist.Wallis's parents, Charles and Jane Wallis were from Penzance in Cornwall and moved to Devonport, Devon to find work in 1850 where Alfred and his brother Charles were born. Shortly after this the children's mother died and this prompted the family to...
are worth noting.
The rather traditional British marine artist Sir Norman Wilkinson
Norman Wilkinson (artist)
Norman Wilkinson CBE aka Norman L. Wilkinson was a British artist who usually worked in oils, watercolors and drypoint. He was primarily a marine painter, but he was also an illustrator, poster artist, and wartime camoufleur...
was during World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
the inventor of dazzle camouflage
Dazzle camouflage
Dazzle camouflage, also known as Razzle Dazzle or Dazzle painting, was a camouflage paint scheme used on ships, extensively during World War I and to a lesser extent in World War II...
, by which ships were boldly painted in patterns, achieving results not dissimilar to Vorticism
Vorticism
Vorticism, an offshoot of Cubism, was a short-lived modernist movement in British art and poetry of the early 20th century. It was based in London but international in make-up and ambition.-Origins:...
, inspiring the naval ditty: "Captain Schmidt at the periscope / You need not fall or faint / For it’s not the vision of drug or dope / But only the dazzle paint". When the American navy adopted the idea in 1918, Frederick Judd Waugh
Frederick Judd Waugh
Frederick Judd Waugh was an American artist, primarily known as a marine artist. During World War I, he designed ship camouflage for the U.S. Navy, under the direction of Everett L. Warner.-Background:...
was put in charge of design.
Specialized marine painters concentrating on ship portraits continue to the present day, with artists such as Montague Dawson
Montague Dawson
Montague Dawson RMSA, FRSA was a British painter who was renowned as a maritime artist. His most famous paintings depict sailing ships, usually clippers or warships of the 18th and 19th centuries....
(1895–1973), whose works were very popular in reproduction; like many, he found works showing traditional sailing ships more in demand than those of modern vessels. Even in 1838 Turner's The Fighting Temeraire tugged to her last Berth to be broken up
The Fighting Temeraire
The Fighting Temeraire tugged to her last Berth to be broken up, 1838 is an oil painting executed in 1839 by the English artist J. M. W. Turner...
, still probably his most famous work, displayed nostalgia for the age of sail. Marine subjects still attract many mainstream artists, and more popular forms of marine art remain enormously popular, as shown by the parodic series of paintings by Vitaly Komar
Vitaly Komar
Vitaly Komar is a Russian painter and performance artist who was born in Moscow in 1943. He attended an art school in Moscow from 1958 to 1960, after which he studied and graduated from the Moscow High School of Industry. He began cooperating with Alexander Melamid in 1973 and collaborated with him...
and Alexander Melamid
Alexander Melamid
Alexander Melamid is a Russian painter and performance artist who emigrated to New York City from the Soviet Union in 1977 with Vitaly Komar. He was born in Moscow and attended the Stroganov Art Institute, where he collaborated with Komar in the Russian SOTS ART movement...
called America's Most Wanted Painting, with variants for several countries, almost all featuring a lakeside view.
East Asian traditions
As noted above, a river with a small boat or two was a standard component of Chinese ink and brush paintings, and many featured lakes and, less often, coastal views. However the water was often left as white space, with the emphasis firmly on the land elements in the scene. The turning-away from long-distance maritime activity of both the Chinese and Japanese governments at the time of the Western Renaissance no doubt helped to inhibit the development of marine themes in the art of these countries, but the more popular Japanese ukiyo-eUkiyo-e
' is a genre of Japanese woodblock prints and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters...
coloured woodblock prints very often featured coastal and river scenes with shipping, including The Great Wave off Kanagawa
The Great Wave off Kanagawa
, also known as The Great Wave or simply The Wave, is a woodblock print by the Japanese artist Hokusai. An example of ukiyo-e art, it was published sometime between 1830 and 1833 as the first in Hokusai's series Thirty-six Views of Mount Fuji , and is his most famous work...
(1832) by Hokusai
Hokusai
was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting...
, the most famous of all ukiyo-e images. The more realist court school of Chinese painting included marine scenes of the Emperors progressing across the Empire, or festivals like the one shown above.
See also
- British Marine Art (Romantic Era)British Marine Art (Romantic Era)Marine art was especially popular in Britain during the Romantic Era, and taken up readily by British artists in part because of England's geographical form . This article deals with marine art as a specialized genre practised by artists who did little or nothing else, and does not cover the marine...
- Half Hull Model Ships
- SeascapeSeascapeA seascape is a photograph, painting, or other work of art which depicts the sea, in other words an example of marine art. By a backwards development, the word has also come to mean the view of the sea itself, and be applied in planning contexts to geographical locations possessing a good view of...
:Category:Marine artists
:Category:Maritime paintings
Further reading
- D. Cordingly: Marine Painting in England: 1700–1900 (London, 1974)
- W. Gaunt: Marine Painting: An Historical Survey (London, 1975)
- J. Taylor: Marine Painting: Images of Sail, Sea and Shore (London, 1995)
- E. H. H. Archibald: Dictionary of Sea Painters (Woodbridge, 1981)
- J. Wilmerding: A History of American Marine Painting (Boston, MA, 1968)