Microphone
Encyclopedia
A microphone is an acoustic-to-electric transducer
or sensor
that converts sound
into an electrical signal. In 1877, Emile Berliner
invented the first microphone used as a telephone voice transmitter. Microphones are used in many applications such as telephone
s, tape recorder
s, karaoke
systems, hearing aid
s, motion picture production, live and recorded audio engineering
, FRS radios
, megaphone
s, in radio
and television
broadcasting and in computers for recording voice, speech recognition
, VoIP
, and for non-acoustic purposes such as ultrasonic checking or knock sensors
.
Most microphones today use electromagnetic induction
(dynamic microphone), capacitance change (condenser microphone), piezoelectric
generation, or light modulation to produce an electrical voltage signal from mechanical vibration.
contains a radio transmitter.
principle, such as condenser, dynamic, etc., and by their directional characteristics. Sometimes other characteristics such as diaphragm size, intended use or orientation of the principal sound input to the principal axis (end- or side-address) of the microphone are used to describe the microphone.
acts as one plate of a capacitor
, and the vibrations produce changes in the distance between the plates. There are two types, depending on the method of extracting the audio signal
from the transducer: DC-biased and radio frequency (RF) or high frequency (HF) condenser microphones. With a DC-biased microphone, the plates are biased with a fixed charge (Q). The voltage
maintained across the capacitor plates changes with the vibrations in the air, according to the capacitance equation (C = ), where Q = charge in coulombs, C = capacitance in farad
s and V = potential difference in volt
s. The capacitance of the plates is inversely proportional to the distance between them for a parallel-plate capacitor. (See capacitance
for details.) The assembly of fixed and movable plates is called an "element" or "capsule".
A nearly constant charge is maintained on the capacitor. As the capacitance changes, the charge across the capacitor does change very slightly, but at audible frequencies it is sensibly constant. The capacitance of the capsule (around 5 to 100 pF
) and the value of the bias resistor (100 MΩ
to tens of GΩ) form a filter that is high-pass for the audio signal, and low-pass for the bias voltage. Note that the time constant of an RC circuit
equals the product of the resistance and capacitance.
Within the time-frame of the capacitance change (as much as 50 ms at 20 Hz audio signal), the charge is practically constant and the voltage across the capacitor changes instantaneously to reflect the change in capacitance. The voltage across the capacitor varies above and below the bias voltage. The voltage difference between the bias and the capacitor is seen across the series resistor. The voltage across the resistor is amplified for performance or recording. In most cases, the electronics in the microphone itself contribute no voltage gain as the voltage differential is quite significant, up to several volts for high sound levels. Since this is a very high impedance circuit, current gain only is usually needed with the voltage remaining constant.
RF condenser microphones use a comparatively low RF voltage, generated by a low-noise oscillator. The signal from the oscillator may either be amplitude modulated by the capacitance changes produced by the sound waves moving the capsule diaphragm, or the capsule may be part of a resonant circuit that modulates the frequency of the oscillator signal. Demodulation yields a low-noise audio frequency signal with a very low source impedance. The absence of a high bias voltage permits the use of a diaphragm with looser tension, which may be used to achieve wider frequency response due to higher compliance. The RF biasing process results in a lower electrical impedance capsule, a useful by-product of which is that RF condenser microphones can be operated in damp weather conditions that could create problems in DC-biased microphones with contaminated insulating surfaces. The Sennheiser
"MKH" series of microphones use the RF biasing technique.
Condenser microphones span the range from telephone transmitters through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio
applications. The inherent suitability of this technology is due to the very small mass that must be moved by the incident sound wave, unlike other microphone types that require the sound wave to do more work. They require a power source, provided either via microphone inputs on equipment as phantom power
or from a small battery. Power is necessary for establishing the capacitor plate voltage, and is also needed to power the microphone electronics (impedance conversion in the case of electret and DC-polarized microphones, demodulation or detection in the case of RF/HF microphones). Condenser microphones are also available with two diaphragms that can be electrically connected to provide a range of polar patterns (see below), such as cardioid, omnidirectional, and figure-eight. It is also possible to vary the pattern continuously with some microphones, for example the Røde NT2000 or CAD M179.
and Jim West
.
The externally applied charge described above under condenser microphones is replaced by a permanent charge in an electret material. An electret
is a ferroelectric material that has been permanently electrically charged
or polarized. The name comes from electrostatic and magnet; a static charge is embedded in an electret by alignment of the static charges in the material, much the way a magnet is made by aligning the magnetic domains in a piece of iron.
Due to their good performance and ease of manufacture, hence low cost, the vast majority of microphones made today are electret microphones; a semiconductor manufacturer estimates annual production at over one billion units. Nearly all cell-phone, computer, PDA and headset microphones are electret types. They are used in many applications, from high-quality recording and lavalier
use to built-in microphones in small sound recording devices and telephones. Though electret microphones were once considered low quality, the best ones can now rival traditional condenser microphones in every respect and can even offer the long-term stability and ultra-flat response needed for a measurement microphone. Unlike other capacitor microphones, they require no polarizing voltage, but often contain an integrated preamplifier that does require power (often incorrectly called polarizing power or bias). This preamplifier is frequently phantom power
ed in sound reinforcement and studio applications. Monophonic microphones designed for personal computer
(PC) use, sometimes called multimedia microphones, use a 3.5 mm plug as usually used, without power, for stereo; the ring, instead of carrying the signal for a second channel, carries power via a resistor from (normally) a 5 V supply in the computer. Stereophonic microphones use the same connector; there is no obvious way to determine which standard is used by equipment and microphones.
Only the best electret microphones rival good DC-polarized units in terms of noise level and quality; electret microphones lend themselves to inexpensive mass-production, while inherently expensive non-electret condenser microphones are made to higher quality.
. They are robust, relatively inexpensive and resistant to moisture. This, coupled with their potentially high gain before feedback
, makes them ideal for on-stage use.
Moving-coil microphones use the same dynamic principle as in a loudspeaker
, only reversed. A small movable induction coil
, positioned in the magnetic field
of a permanent magnet, is attached to the diaphragm
. When sound enters through the windscreen of the microphone, the sound wave moves the diaphragm. When the diaphragm vibrates, the coil moves in the magnetic field, producing a varying current in the coil through electromagnetic induction
. A single dynamic membrane does not respond linearly to all audio frequencies. Some microphones for this reason utilize multiple membranes for the different parts of the audio spectrum and then combine the resulting signals. Combining the multiple signals correctly is difficult and designs that do this are rare and tend to be expensive. There are on the other hand several designs that are more specifically aimed towards isolated parts of the audio spectrum. The AKG
D 112, for example, is designed for bass response rather than treble. In audio engineering several kinds of microphones are often used at the same time to get the best result.
s use a thin, usually corrugated metal ribbon suspended in a magnetic field. The ribbon is electrically connected to the microphone's output, and its vibration within the magnetic field generates the electrical signal. Ribbon microphones are similar to moving coil microphones in the sense that both produce sound by means of magnetic induction. Basic ribbon microphones detect sound in a bi-directional (also called figure-eight) pattern because the ribbon, which is open to sound both front and back, responds to the pressure gradient rather than the sound pressure
. Though the symmetrical front and rear pickup can be a nuisance in normal stereo recording, the high side rejection can be used to advantage by positioning a ribbon microphone horizontally, for example above cymbals, so that the rear lobe picks up only sound from the cymbals. Crossed figure 8, or Blumlein pair
, stereo recording is gaining in popularity, and the figure 8 response of a ribbon microphone is ideal for that application.
Other directional patterns are produced by enclosing one side of the ribbon in an acoustic trap or baffle, allowing sound to reach only one side. The classic RCA Type 77-DX microphone
has several externally adjustable positions of the internal baffle, allowing the selection of several response patterns ranging from "Figure-8" to "Unidirectional". Such older ribbon microphones, some of which still provide high quality sound reproduction, were once valued for this reason, but a good low-frequency response could only be obtained when the ribbon was suspended very loosely, which made them relatively fragile. Modern ribbon materials, including new nanomaterials have now been introduced that eliminate those concerns, and even improve the effective dynamic range of ribbon microphones at low frequencies. Protective wind screens can reduce the danger of damaging a vintage ribbon, and also reduce plosive artifacts in the recording. Properly designed wind screens produce negligible treble attenuation. In common with other classes of dynamic microphone, ribbon microphones don't require phantom power
; in fact, this voltage can damage some older ribbon microphones. Some new modern ribbon microphone designs incorporate a preamplifier and, therefore, do require phantom power, and circuits of modern passive ribbon microphones, i.e., those without the aforementioned preamplifier, are specifically designed to resist damage to the ribbon and transformer by phantom power. Also there are new ribbon materials available that are immune to wind blasts and phantom power.
, also known as a carbon button microphone (or sometimes just a button microphone), use a capsule or button containing carbon granules pressed between two metal plates like the Berliner
and Edison
microphones. A voltage is applied across the metal plates, causing a small current to flow through the carbon. One of the plates, the diaphragm, vibrates in sympathy with incident sound waves, applying a varying pressure to the carbon. The changing pressure deforms the granules, causing the contact area between each pair of adjacent granules to change, and this causes the electrical resistance of the mass of granules to change. The changes in resistance cause a corresponding change in the current flowing through the microphone, producing the electrical signal. Carbon microphones were once commonly used in telephones; they have extremely low-quality sound reproduction and a very limited frequency response range, but are very robust devices. The Boudet microphone, which used relatively large carbon balls, was similar to the granule carbon button microphones.
Unlike other microphone types, the carbon microphone can also be used as a type of amplifier, using a small amount of sound energy to control a larger amount of electrical energy. Carbon microphones found use as early telephone repeaters
, making long distance phone calls possible in the era before vacuum tubes. These repeaters worked by mechanically coupling a magnetic telephone receiver to a carbon microphone: the faint signal from the receiver was transferred to the microphone, with a resulting stronger electrical signal to send down the line. One illustration of this amplifier effect was the oscillation caused by feedback, resulting in an audible squeal from the old "candlestick" telephone if its earphone was placed near the carbon microphone.
— the ability of some materials to produce a voltage when subjected to pressure — to convert vibrations into an electrical signal. An example of this is potassium sodium tartrate
, which is a piezoelectric crystal that works as a transducer, both as a microphone and as a slimline loudspeaker component. Crystal microphones were once commonly supplied with vacuum tube
(valve) equipment, such as domestic tape recorders. Their high output impedance matched the high input impedance (typically about 10 megohms
) of the vacuum tube input stage well. They were difficult to match to early transistor
equipment, and were quickly supplanted by dynamic microphones for a time, and later small electret condenser devices. The high impedance of the crystal microphone made it very susceptible to handling noise, both from the microphone itself and from the connecting cable.
Piezoelectric transducers are often used as contact microphone
s to amplify sound from acoustic musical instruments, to sense drum hits, for triggering electronic samples, and to record sound in challenging environments, such as underwater under high pressure. Saddle-mounted pickups on acoustic guitar
s are generally piezoelectric devices that contact the strings passing over the saddle. This type of microphone is different from magnetic coil pickups commonly visible on typical electric guitar
s, which use magnetic induction, rather than mechanical coupling, to pick up vibration.
During operation, light from a laser source travels through an optical fiber to illuminate the surface of a reflective diaphragm. Sound vibrations of the diaphragm modulate the intensity of light reflecting off the diaphragm in a specific direction. The modulated light is then transmitted over a second optical fiber to a photo detector, which transforms the intensity-modulated light into analog or digital audio for transmission or recording. Fiber optic microphones possess high dynamic and frequency range, similar to the best high fidelity conventional microphones.
Fiber optic microphones do not react to or influence any electrical, magnetic, electrostatic or radioactive fields (this is called EMI/RFI
immunity). The fiber optic microphone design is therefore ideal for use in areas where conventional microphones are ineffective or dangerous, such as inside industrial turbines or in magnetic resonance imaging
(MRI) equipment environments.
Fiber optic microphones are robust, resistant to environmental changes in heat and moisture, and can be produced for any directionality or impedance matching
. The distance between the microphone's light source and its photo detector may be up to several kilometers without need for any preamplifier and/or other electrical device, making fiber optic microphones suitable for industrial and surveillance acoustic monitoring.
Fiber optic microphones are used in very specific application areas such as for infrasound
monitoring and noise-canceling
. They have proven especially useful in medical applications, such as allowing radiologists, staff and patients within the powerful and noisy magnetic field to converse normally, inside the MRI suites as well as in remote control rooms.) Other uses include industrial equipment monitoring and sensing, audio calibration and measurement, high-fidelity recording and law enforcement.
s are often portrayed in movies as spy gadgets, because they can be used to pick up sound at a distance from the microphone equipment. A laser beam is aimed at the surface of a window or other plane surface that is affected by sound. The vibrations of this surface change the angle at which the beam is reflected, and the motion of the laser spot from the returning beam is detected and converted to an audio signal.
In a more robust and expensive implementation, the returned light is split and fed to an interferometer, which detects movement of the surface by changes in the optical path length
of the reflected beam. The former implementation is a tabletop experiment; the latter requires an extremely stable laser and precise optics.
A new type of laser microphone is a device that uses a laser beam and smoke or vapor to detect sound
vibration
s in free air. On 25 August 2009, U.S. patent 7,580,533 issued for a Particulate Flow Detection Microphone based on a laser-photocell pair with a moving stream of smoke or vapor in the laser beam's path. Sound pressure waves cause disturbances in the smoke that in turn cause variations in the amount of laser light reaching the photo detector. A prototype of the device was demonstrated at the 127th Audio Engineering Society convention in New York City from 9 through 12 October 2009.
made improvements including a variable resistance microphone/transmitter. Bell's liquid transmitter consisted of a metal cup filled with water with a small amount of sulfuric acid added. A sound wave caused the diaphragm to move, forcing a needle to move up and down in the water. The electrical resistance between the wire and the cup was then inversely proportional to the size of the water meniscus around the submerged needle. Elisha Gray filed a caveat
for a version using a brass rod instead of the needle. Other minor variations and improvements were made to the liquid microphone by Majoranna, Chambers, Vanni, Sykes, and Elisha Gray, and one version was patented by Reginald Fessenden in 1903. These were the first working microphones, but they were not practical for commercial application. The famous first phone conversation between Bell and Watson took place using a liquid microphone.
(MicroElectrical-Mechanical System) microphone is also called a microphone chip or silicon microphone. The pressure-sensitive diaphragm is etched directly into a silicon chip by MEMS techniques, and is usually accompanied with integrated preamplifier. Most MEMS microphones are variants of the condenser microphone design. Often MEMS microphones have built in analog-to-digital converter (ADC) circuits on the same CMOS chip making the chip a digital microphone and so more readily integrated with modern digital products. Major manufacturers producing MEMS silicon microphones are Wolfson Microelectronics (WM7xxx), Analog Devices, Akustica (AKU200x), Infineon (SMM310 product), Knowles Electronics, Memstech (MSMx), NXP Semiconductors, Sonion MEMS, AAC Acoustic Technologies, and Omron.
, a transducer that turns an electrical signal into sound waves, is the functional opposite of a microphone. Since a conventional speaker is constructed much like a dynamic microphone (with a diaphragm, coil and magnet), speakers can actually work "in reverse" as microphones. The result, though, is a microphone with poor quality, limited frequency response (particularly at the high end), and poor sensitivity
. In practical use, speakers are sometimes used as microphones in applications where high quality and sensitivity are not needed such as intercom
s, walkie-talkie
s or Video game voice chat peripherals, or when conventional microphones are in short supply.
However, there is at least one other practical application of this principle: Using a medium-size woofer
placed closely in front of a "kick" (bass drum
) in a drum set to act as a microphone. The use of relatively large speakers to transduce low frequency sound sources, especially in music production, is becoming fairly common. A product example of this type of device is the Yamaha Subkick, a 6.5 inches (16.5 cm) woofer shock-mounted it into a 10" drum shell used in front of kick drums. Since a relatively massive membrane is unable to transduce high frequencies, placing a speaker in front of a kick drum is often ideal for reducing cymbal and snare bleed into the kick drum sound. Less commonly, microphones themselves can be used as speakers, almost always as tweeter
s. Microphones, however, are not designed to handle the power that speaker components are routinely required to cope with. One instance of such an application was the STC
microphone-derived 4001 super-tweeter, which was successfully used in a number of high quality loudspeaker systems from the late 1960s to the mid-70s.
A microphone's directionality or polar pattern indicates how sensitive it is to sounds arriving at different angles about its central axis. The polar patterns illustrated above represent the locus
of points that produce the same signal level output in the microphone if a given sound pressure level (SPL) is generated from that point. How the physical body of the microphone is oriented relative to the diagrams depends on the microphone design. For large-membrane microphones such as in the Oktava (pictured above), the upward direction in the polar diagram is usually perpendicular
to the microphone body, commonly known as "side fire" or "side address". For small diaphragm microphones such as the Shure (also pictured above), it usually extends from the axis of the microphone commonly known as "end fire" or "top/end address".
Some microphone designs combine several principles in creating the desired polar pattern. This ranges from shielding (meaning diffraction/dissipation/absorption) by the housing itself to electronically combining dual membranes.
The wavelength of sound at 10 kHz is little over an inch (3.4 cm) so the smallest measuring microphones are often 1/4" (6 mm) in diameter, which practically eliminates directionality even up to the highest frequencies. Omnidirectional microphones, unlike cardioids, do not employ resonant cavities as delays, and so can be considered the "purest" microphones in terms of low coloration; they add very little to the original sound. Being pressure-sensitive they can also have a very flat low-frequency response down to 20 Hz or below. Pressure-sensitive microphones also respond much less to wind noise and plosives than directional (velocity sensitive) microphones.
An example of a nondirectional microphone is the round black eight ball.
microphone, so named because the sensitivity pattern is heart-shaped. A hyper-cardioid microphone is similar but with a tighter area of front sensitivity and a smaller lobe of rear sensitivity. A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. These three patterns are commonly used as vocal or speech microphones, since they are good at rejecting sounds from other directions.
A cardioid microphone is effectively a superposition of an omnidirectional and a figure-8 microphone; for sound waves coming from the back, the negative signal from the figure-8 cancels the positive signal from the omnidirectional element, whereas for sound waves coming from the front, the two add to each other. A hypercardioid microphone is similar, but with a slightly larger figure-8 contribution. Since pressure gradient transducer
microphones are directional, putting them very close to the sound source (at distances of a few centimeters) results in a bass boost. This is known as the proximity effect
.
transducers responding to pressure from any direction, bi-directional microphones are vector
transducers responding to the gradient along an axis normal to the plane of the diaphragm. As a result, output polarity is inverted for sounds arriving from the back side.
, and the generic term "boundary microphone" is preferred. While a boundary microphone was initially implemented using an omnidirectional element, it is also possible to mount a directional microphone close enough to the surface to gain some of the benefits of this technique while retaining the directional properties of the element. Crown's trademark on this approach is "Phase Coherent Cardioid" or "PCC," but there are other makers who employ this technique as well.
is made for hands-free operation. These small microphones are worn on the body. Originally, they were held in place with a lanyard worn around the neck, but more often they are fastened to clothing with a clip, pin, tape or magnet. The lavalier cord may be hidden by clothes and either run to an RF transmitter in a pocket or clipped to a belt (for mobile use), or run directly to the mixer (for stationary applications).
A wireless microphone
transmits the audio as a radio or optical signal rather than via a cable. It usually sends its signal using a small FM radio transmitter to a nearby receiver connected to the sound system, but it can also use infrared waves if the transmitter and receiver are within sight of each other.
A contact microphone
picks up vibrations directly from a solid surface or object, as opposed to sound vibrations carried through air. One use for this is to detect sounds of a very low level, such as those from small objects or insect
s. The microphone commonly consists of a magnetic (moving coil) transducer, contact plate and contact pin. The contact plate is placed directly on the vibrating part of a musical instrument or other surface, and the contact pin transfers vibrations to the coil. Contact microphones have been used to pick up the sound of a snail's heartbeat and the footsteps of ants. A portable version of this microphone has recently been developed. A throat microphone
is a variant of the contact microphone that picks up speech directly from a person's throat, which it is strapped to. This lets the device be used in areas with ambient sounds that would otherwise make the speaker inaudible.
A parabolic microphone
uses a parabolic reflector
to collect and focus sound waves onto a microphone receiver, in much the same way that a parabolic antenna
(e.g. satellite dish
) does with radio waves. Typical uses of this microphone, which has unusually focused front sensitivity and can pick up sounds from many meters away, include nature recording, outdoor sporting events, eavesdropping
, law enforcement
, and even espionage
. Parabolic microphones are not typically used for standard recording applications, because they tend to have poor low-frequency response as a side effect of their design.
A stereo microphone integrates two microphones in one unit to produce a stereophonic signal. A stereo microphone is often used for broadcast
applications or field recording
where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice
) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.
A noise-canceling microphone
is a highly directional design intended for noisy environments. One such use is in aircraft
cockpits where they are normally installed as boom microphones on headsets. Another use is in live event support on loud concert stages for vocalists involved with live performance
s. Many noise-canceling microphones combine signals received from two diaphragms that are in opposite electrical polarity or are processed electronically. In dual diaphragm designs, the main diaphragm is mounted closest to the intended source and the second is positioned farther away from the source so that it can pick up environmental sounds to be subtracted from the main diaphragm's signal. After the two signals have been combined, sounds other than the intended source are greatly reduced, substantially increasing intelligibility. Other noise-canceling designs use one diaphragm that is affected by ports open to the sides and rear of the microphone, with the sum being a 16 dB rejection of sounds that are farther away. One noise-canceling headset design using a single diaphragm has been used prominently by vocal artists such as Garth Brooks
and Janet Jackson
. A few noise-canceling microphones are throat microphones.
Some microphones use other connectors, such as a 5-pin XLR, or mini XLR for connection to portable equipment. Some lavalier (or 'lapel', from the days of attaching the microphone to the news reporters suit lapel) microphones use a proprietary connector for connection to a wireless transmitter. Since 2005, professional-quality microphones with USB connections have begun to appear, designed for direct recording into computer-based software.
, measured in ohm
s (Ω), that depends on the design. Typically, the rated impedance is stated. Low impedance is considered under 600 Ω. Medium impedance is considered between 600 Ω and 10 kΩ. High impedance is above 10 kΩ. Owing to their built-in amplifier
, condenser microphones typically have an output impedance between 50 and 200 Ω.
The output of a given microphone delivers the same power
whether it is low or high impedance. If a microphone is made in high and low impedance versions, the high impedance version has a higher output voltage for a given sound pressure input, and is suitable for use with vacuum-tube guitar amplifiers, for instance, which have a high input impedance and require a relatively high signal input voltage to overcome the tubes' inherent noise. Most professional microphones are low impedance, about 200 Ω or lower. Professional vacuum-tube sound equipment incorporates a transformer
that steps up the impedance of the microphone circuit to the high impedance and voltage needed to drive the input tube; the impedance conversion inherently creates voltage gain as well. External matching transformers are also available that can be used in-line between a low impedance microphone and a high impedance input.
Low-impedance microphones are preferred over high impedance for two reasons: one is that using a high-impedance microphone with a long cable results in high frequency signal loss due to cable capacitance, which forms a low-pass filter with the microphone output impedance. The other is that long high-impedance cables tend to pick up more hum
(and possibly radio-frequency interference (RFI) as well). Nothing is damaged if the impedance between microphone and other equipment is mismatched; the worst that happens is a reduction in signal or change in frequency response.
Most microphones are designed not to have their impedance matched by the load they are connected to. Doing so can alter their frequency response and cause distortion, especially at high sound pressure levels. Certain ribbon and dynamic microphones are exceptions, due to the designers' assumption of a certain load impedance being part of the internal electro-acoustical damping circuit of the microphone.
, defines a digital interface for microphones. Microphones conforming to this standard directly output a digital audio stream through an XLR or XLD male connector, rather than producing an analog output. Digital microphones may be used either with new equipment with appropriate input connections that conform to the AES 42 standard, or else via a suitable interface box. Studio-quality microphones that operate in accordance with the AES 42 standard are now available from a number of microphone manufacturers.
and frequency
responses. In addition, microphones are not uniformly sensitive to sound pressure, and can accept differing levels without distorting. Although for scientific applications microphones with a more uniform response are desirable, this is often not the case for music recording, as the non-uniform response of a microphone can produce a desirable coloration of the sound. There is an international standard for microphone specifications, but few manufacturers adhere to it. As a result, comparison of published data from different manufacturers is difficult because different measurement techniques are used. The Microphone Data Website has collated the technical specifications complete with pictures, response curves and technical data from the microphone manufacturers for every currently listed microphone, and even a few obsolete models, and shows the data for them all in one common format for ease of comparison.http://www.microphone-data.com/. Caution should be used in drawing any solid conclusions from this or any other published data, however, unless it is known that the manufacturer has supplied specifications in accordance with IEC 60268-4.
A frequency response
diagram plots the microphone sensitivity in decibel
s over a range of frequencies (typically 20 Hz to 20 kHz), generally for perfectly on-axis sound (sound arriving at 0° to the capsule). Frequency response may be less informatively stated textually like so: "30 Hz–16 kHz ±3 dB". This is interpreted as meaning a nearly flat, linear, plot between the stated frequencies, with variations in amplitude of no more than plus or minus 3 dB. However, one cannot determine from this information how smooth the variations are, nor in what parts of the spectrum they occur. Note that commonly made statements such as "20 Hz–20 kHz" are meaningless without a decibel measure of tolerance. Directional microphones' frequency response varies greatly with distance from the sound source, and with the geometry of the sound source. IEC 60268-4 specifies that frequency response should be measured in plane progressive wave conditions (very far away from the source) but this is seldom practical. Close talking microphones may be measured with different sound sources and distances, but there is no standard and therefore no way to compare data from different models unless the measurement technique is described.
The self-noise or equivalent noise level is the sound level that creates the same output voltage as the microphone does in the absence of sound. This represents the lowest point of the microphone's dynamic range, and is particularly important should you wish to record sounds that are quiet. The measure is often stated in dB(A), which is the equivalent loudness of the noise on a decibel scale frequency-weighted for how the ear hears, for example: "15 dBA SPL" (SPL means sound pressure
level relative to 20 micropascals). The lower the number the better. Some microphone manufacturers state the noise level using ITU-R 468 noise weighting
, which more accurately represents the way we hear noise, but gives a figure some 11–14 dB higher. A quiet microphone typically measures 20 dBA SPL or 32 dB SPL 468-weighted. Very quiet microphones have existed for years for special applications, such the Brüel & Kjaer 4179, with a noise level around 0 dB SPL. Recently some microphones with low noise specifications have been introduced in the studio/entertainment market, such as models from Neumann and Røde that advertise noise levels between 5–7 dBA. Typically this is achieved by altering the frequency response of the capsule and electronics to result in lower noise within the A-weighting
curve while broadband noise may be increased.
The maximum SPL the microphone can accept is measured for particular values of total harmonic distortion
(THD), typically 0.5%. This amount of distortion is generally inaudible, so one can safely use the microphone at this SPL without harming the recording. Example: "142 dB SPL peak (at 0.5% THD)". The higher the value, the better, although microphones with a very high maximum SPL also have a higher self-noise.
The clipping level is an important indicator of maximum usable level, as the 1% THD figure usually quoted under max SPL is really a very mild level of distortion, quite inaudible especially on brief high peaks. Clipping is much more audible. For some microphones the clipping level may be much higher than the max SPL.
The dynamic range of a microphone is the difference in SPL between the noise floor and the maximum SPL. If stated on its own, for example "120 dB", it conveys significantly less information than having the self-noise and maximum SPL figures individually.
Sensitivity
indicates how well the microphone converts acoustic pressure to output voltage. A high sensitivity microphone creates more voltage and so needs less amplification at the mixer or recording device. This is a practical concern but is not directly an indication of the microphone's quality, and in fact the term sensitivity is something of a misnomer, "transduction gain" being perhaps more meaningful, (or just "output level") because true sensitivity is generally set by the noise floor, and too much "sensitivity" in terms of output level compromises the clipping level. There are two common measures. The (preferred) international standard is made in millivolts per pascal at 1 kHz. A higher value indicates greater sensitivity. The older American method is referred to a 1 V/Pa standard and measured in plain decibels, resulting in a negative value. Again, a higher value indicates greater sensitivity, so −60 dB is more sensitive than −70 dB.
Measurement microphones are generally scalar sensors of pressure
; they exhibit an omnidirectional response, limited only by the scattering profile of their physical dimensions. Sound intensity
or sound power measurements require pressure-gradient measurements, which are typically made using arrays of at least two microphones, or with hot-wire anemometers.
s per pascal
). Since this may change over the lifetime of the device, it is necessary to regularly calibrate
measurement microphones. This service is offered by some microphone manufacturers and by independent certified testing labs. All microphone calibration
is ultimately traceable to primary standard
s at a national measurement institute such as NPL in the UK, PTB
in Germany and NIST in the United States, which most commonly calibrate using the reciprocity primary standard. Measurement microphones calibrated using this method can then be used to calibrate other microphones using comparison calibration techniques.
Depending on the application, measurement microphones must be tested periodically (every year or several months, typically) and after any potentially damaging event, such as being dropped (most such microphones come in foam-padded cases to reduce this risk) or exposed to sounds beyond the acceptable level.
. There are many applications:
Typically, an array is made up of omnidirectional microphones distributed about the perimeter
of a space, linked to a computer
that records and interprets the results into a coherent form.
from consonants such as "P", "B", etc. Most microphones have an integral windscreen built around the microphone diaphragm. A screen of plastic, wire mesh or a metal cage is held at a distance from the microphone diaphragm, to shield it. This cage provides a first line of defense against the mechanical impact of objects or wind. Some microphones, such as the Shure SM58, may have an additional layer of foam inside the cage to further enhance the protective properties of the shield. One disadvantage of all windscreen types is that the microphone's high frequency response is attenuated by a small amount, depending on the density of the protective layer.
Beyond integral microphone windscreens, there are three broad classes of additional wind protection.
s or pop screens are used in controlled studio environments to minimize plosive
s when recording. A typical pop filter is composed of one or more layers of acoustically transparent gauze
-like material, such as woven nylon (e.g. pantyhose
) stretched over a circular frame and a clamp and a flexible mounting bracket to attach to the microphone stand
. The pop shield is placed between the vocalist and the microphone. The closer a vocalist brings his or her lips to the microphone, the greater the requirement for a Pop filter. Singers can be trained either to soften their plosives or direct the air blast away from the microphone, in which cases they don't need a pop filter.
Pop filters also keep spittle off the microphone. Most condenser microphones can be damaged by spittle.
, and for film and video shoots. They can cut wind noise by as much as 25 dB, especially low-frequency noise. The blimp is essentially a hollow cage or basket with acoustically transparent material stretched over the outer frame. The blimp works by creating a volume of still air around the microphone. The microphone is often further isolated from the blimp by an elastic suspension inside the basket. This reduces wind vibrations and handling noise transmitted from the cage. To extend the range of wind speed conditions in which the blimp remains effective, many have the option of a secondary cover over the outer shell. This is usually an acoustically transparent, synthetic fur material with long, soft hairs. Common and slang names for this include "dead cat" or "windmuff". The hairs deaden the noise caused by the shock of wind hitting the blimp.
A synthetic fur cover can reduce wind noise by an additional 10 dB.
Transducer
A transducer is a device that converts one type of energy to another. Energy types include electrical, mechanical, electromagnetic , chemical, acoustic or thermal energy. While the term transducer commonly implies the use of a sensor/detector, any device which converts energy can be considered a...
or sensor
Sensor
A sensor is a device that measures a physical quantity and converts it into a signal which can be read by an observer or by an instrument. For example, a mercury-in-glass thermometer converts the measured temperature into expansion and contraction of a liquid which can be read on a calibrated...
that converts sound
Sound
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations.-Propagation of...
into an electrical signal. In 1877, Emile Berliner
Emile Berliner
Emile Berliner or Emil Berliner was a German-born American inventor. He is best known for developing the disc record gramophone...
invented the first microphone used as a telephone voice transmitter. Microphones are used in many applications such as telephone
Telephone
The telephone , colloquially referred to as a phone, is a telecommunications device that transmits and receives sounds, usually the human voice. Telephones are a point-to-point communication system whose most basic function is to allow two people separated by large distances to talk to each other...
s, tape recorder
Tape recorder
An audio tape recorder, tape deck, reel-to-reel tape deck, cassette deck or tape machine is an audio storage device that records and plays back sounds, including articulated voices, usually using magnetic tape, either wound on a reel or in a cassette, for storage...
s, karaoke
Karaoke
is a form of interactive entertainment or video game in which amateur singers sing along with recorded music using a microphone and public address system. The music is typically a well-known pop song minus the lead vocal. Lyrics are usually displayed on a video screen, along with a moving symbol,...
systems, hearing aid
Hearing aid
A hearing aid is an electroacoustic device which typically fits in or behind the wearer's ear, and is designed to amplify and modulate sound for the wearer. Earlier devices, known as "ear trumpets" or "ear horns", were passive funnel-like amplification cones designed to gather sound energy and...
s, motion picture production, live and recorded audio engineering
Audio engineering
An audio engineer, also called audio technician, audio technologist or sound technician, is a specialist in a skilled trade that deals with the use of machinery and equipment for the recording, mixing and reproduction of sounds. The field draws on many artistic and vocational areas, including...
, FRS radios
Family Radio Service
The Family Radio Service is an improved walkie talkie radio system authorized in the United States since 1996. This personal radio service uses channelized frequencies in the ultra high frequency band. It does not suffer the interference effects found on citizens' band at 27 MHz, or the...
, megaphone
Megaphone
A megaphone, speaking-trumpet, bullhorn, blowhorn, or loud hailer is a portable, usually hand-held, cone-shaped horn used to amplify a person’s voice or other sounds towards a targeted direction. This is accomplished by channelling the sound through the megaphone, which also serves to match the...
s, in radio
Radio
Radio is the transmission of signals through free space by modulation of electromagnetic waves with frequencies below those of visible light. Electromagnetic radiation travels by means of oscillating electromagnetic fields that pass through the air and the vacuum of space...
and television
Television
Television is a telecommunication medium for transmitting and receiving moving images that can be monochrome or colored, with accompanying sound...
broadcasting and in computers for recording voice, speech recognition
Speech recognition
Speech recognition converts spoken words to text. The term "voice recognition" is sometimes used to refer to recognition systems that must be trained to a particular speaker—as is the case for most desktop recognition software...
, VoIP
Voice over IP
Voice over Internet Protocol is a family of technologies, methodologies, communication protocols, and transmission techniques for the delivery of voice communications and multimedia sessions over Internet Protocol networks, such as the Internet...
, and for non-acoustic purposes such as ultrasonic checking or knock sensors
Automatic Performance Control
Automatic Performance Control was the first engine knock and boost control system that was introduced on turbo charged Saab H engines in 1982 and was fitted to all subsequent 900 Turbos through 1993 , as well as 9000 Turbos through 1989.The APC allowed a higher compression ratio Automatic...
.
Most microphones today use electromagnetic induction
Electromagnetic induction
Electromagnetic induction is the production of an electric current across a conductor moving through a magnetic field. It underlies the operation of generators, transformers, induction motors, electric motors, synchronous motors, and solenoids....
(dynamic microphone), capacitance change (condenser microphone), piezoelectric
Piezoelectricity
Piezoelectricity is the charge which accumulates in certain solid materials in response to applied mechanical stress. The word piezoelectricity means electricity resulting from pressure...
generation, or light modulation to produce an electrical voltage signal from mechanical vibration.
Components
The sensitive transducer element of a microphone is called its element or capsule. A complete microphone also includes a housing, some means of bringing the signal from the element to other equipment, and often an electronic circuit to adapt the output of the capsule to the equipment being driven. A wireless microphoneWireless microphone
A wireless microphone, as the name implies, is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated...
contains a radio transmitter.
Varieties
Microphones are referred to by their transducerTransducer
A transducer is a device that converts one type of energy to another. Energy types include electrical, mechanical, electromagnetic , chemical, acoustic or thermal energy. While the term transducer commonly implies the use of a sensor/detector, any device which converts energy can be considered a...
principle, such as condenser, dynamic, etc., and by their directional characteristics. Sometimes other characteristics such as diaphragm size, intended use or orientation of the principal sound input to the principal axis (end- or side-address) of the microphone are used to describe the microphone.
The condenser microphone, invented at Bell Labs in 1916 by E. C. Wente is also called a capacitor microphone or electrostatic microphone — capacitors were historically called condensers. Here, the diaphragm
Diaphragm (acoustics)
In the field of acoustics, a diaphragm is a transducer intended to faithfully inter-convert mechanical motion and sound. It is commonly constructed of a thin membrane or sheet of various materials. The varying air pressure of the sound waves imparts vibrations onto the diaphragm which can then be...
acts as one plate of a capacitor
Capacitor
A capacitor is a passive two-terminal electrical component used to store energy in an electric field. The forms of practical capacitors vary widely, but all contain at least two electrical conductors separated by a dielectric ; for example, one common construction consists of metal foils separated...
, and the vibrations produce changes in the distance between the plates. There are two types, depending on the method of extracting the audio signal
Audio signal
An audio signal is an analog representation of sound, typically as an electrical voltage. Audio signals may be synthesized directly, or may originate at a transducer such as a microphone, musical instrument pickup, phonograph cartridge, or tape head. Loudspeakers or headphones convert an electrical...
from the transducer: DC-biased and radio frequency (RF) or high frequency (HF) condenser microphones. With a DC-biased microphone, the plates are biased with a fixed charge (Q). The voltage
Voltage
Voltage, otherwise known as electrical potential difference or electric tension is the difference in electric potential between two points — or the difference in electric potential energy per unit charge between two points...
maintained across the capacitor plates changes with the vibrations in the air, according to the capacitance equation (C = ), where Q = charge in coulombs, C = capacitance in farad
Farad
The farad is the SI unit of capacitance. The unit is named after the English physicist Michael Faraday.- Definition :A farad is the charge in coulombs which a capacitor will accept for the potential across it to change 1 volt. A coulomb is 1 ampere second...
s and V = potential difference in volt
Volt
The volt is the SI derived unit for electric potential, electric potential difference, and electromotive force. The volt is named in honor of the Italian physicist Alessandro Volta , who invented the voltaic pile, possibly the first chemical battery.- Definition :A single volt is defined as the...
s. The capacitance of the plates is inversely proportional to the distance between them for a parallel-plate capacitor. (See capacitance
Capacitance
In electromagnetism and electronics, capacitance is the ability of a capacitor to store energy in an electric field. Capacitance is also a measure of the amount of electric potential energy stored for a given electric potential. A common form of energy storage device is a parallel-plate capacitor...
for details.) The assembly of fixed and movable plates is called an "element" or "capsule".
A nearly constant charge is maintained on the capacitor. As the capacitance changes, the charge across the capacitor does change very slightly, but at audible frequencies it is sensibly constant. The capacitance of the capsule (around 5 to 100 pF
Farad
The farad is the SI unit of capacitance. The unit is named after the English physicist Michael Faraday.- Definition :A farad is the charge in coulombs which a capacitor will accept for the potential across it to change 1 volt. A coulomb is 1 ampere second...
) and the value of the bias resistor (100 MΩ
Ohm
The ohm is the SI unit of electrical resistance, named after German physicist Georg Simon Ohm.- Definition :The ohm is defined as a resistance between two points of a conductor when a constant potential difference of 1 volt, applied to these points, produces in the conductor a current of 1 ampere,...
to tens of GΩ) form a filter that is high-pass for the audio signal, and low-pass for the bias voltage. Note that the time constant of an RC circuit
RC circuit
A resistor–capacitor circuit ', or RC filter or RC network, is an electric circuit composed of resistors and capacitors driven by a voltage or current source...
equals the product of the resistance and capacitance.
Within the time-frame of the capacitance change (as much as 50 ms at 20 Hz audio signal), the charge is practically constant and the voltage across the capacitor changes instantaneously to reflect the change in capacitance. The voltage across the capacitor varies above and below the bias voltage. The voltage difference between the bias and the capacitor is seen across the series resistor. The voltage across the resistor is amplified for performance or recording. In most cases, the electronics in the microphone itself contribute no voltage gain as the voltage differential is quite significant, up to several volts for high sound levels. Since this is a very high impedance circuit, current gain only is usually needed with the voltage remaining constant.
RF condenser microphones use a comparatively low RF voltage, generated by a low-noise oscillator. The signal from the oscillator may either be amplitude modulated by the capacitance changes produced by the sound waves moving the capsule diaphragm, or the capsule may be part of a resonant circuit that modulates the frequency of the oscillator signal. Demodulation yields a low-noise audio frequency signal with a very low source impedance. The absence of a high bias voltage permits the use of a diaphragm with looser tension, which may be used to achieve wider frequency response due to higher compliance. The RF biasing process results in a lower electrical impedance capsule, a useful by-product of which is that RF condenser microphones can be operated in damp weather conditions that could create problems in DC-biased microphones with contaminated insulating surfaces. The Sennheiser
Sennheiser
Sennheiser electronic GmbH & Co. KG is a private German audio company specializing in the design and production of a wide range of both consumer and high fidelity products, including microphones, headphones, telephony accessories, and avionics headsets for consumer, professional, and business...
"MKH" series of microphones use the RF biasing technique.
Condenser microphones span the range from telephone transmitters through inexpensive karaoke microphones to high-fidelity recording microphones. They generally produce a high-quality audio signal and are now the popular choice in laboratory and recording studio
Recording studio
A recording studio is a facility for sound recording and mixing. Ideally both the recording and monitoring spaces are specially designed by an acoustician to achieve optimum acoustic properties...
applications. The inherent suitability of this technology is due to the very small mass that must be moved by the incident sound wave, unlike other microphone types that require the sound wave to do more work. They require a power source, provided either via microphone inputs on equipment as phantom power
Phantom power
Phantom power, in the context of professional audio equipment, is a method for transmitting DC electric power through microphone cables to operate microphones that contain active electronic circuitry....
or from a small battery. Power is necessary for establishing the capacitor plate voltage, and is also needed to power the microphone electronics (impedance conversion in the case of electret and DC-polarized microphones, demodulation or detection in the case of RF/HF microphones). Condenser microphones are also available with two diaphragms that can be electrically connected to provide a range of polar patterns (see below), such as cardioid, omnidirectional, and figure-eight. It is also possible to vary the pattern continuously with some microphones, for example the Røde NT2000 or CAD M179.
Electret condenser microphone
An electret microphone is a type of capacitor microphone invented at Bell laboratories in 1962 by Gerhard SesslerGerhard Sessler
Gerhard M. Sessler is a German inventor and scientist. Sessler invented together with James E. West the foil electret microphone at Bell Laboratories 1962 and the silicon microphone in 1983.He received his Ph.D. from the University of Göttingen in 1959...
and Jim West
James Edward Maceo West
James Edward Maceo West is an American inventor and acoustician. Along with Gerhard Sessler, West developed the foil electret microphone in 1962...
.
The externally applied charge described above under condenser microphones is replaced by a permanent charge in an electret material. An electret
Electret
Electret is a dielectric material that has a quasi-permanent electric charge or dipole polarisation. An electret generates internal and external electric fields, and is the electrostatic equivalent of a permanent magnet. Oliver Heaviside coined this term in 1885...
is a ferroelectric material that has been permanently electrically charged
Electric charge
Electric charge is a physical property of matter that causes it to experience a force when near other electrically charged matter. Electric charge comes in two types, called positive and negative. Two positively charged substances, or objects, experience a mutual repulsive force, as do two...
or polarized. The name comes from electrostatic and magnet; a static charge is embedded in an electret by alignment of the static charges in the material, much the way a magnet is made by aligning the magnetic domains in a piece of iron.
Due to their good performance and ease of manufacture, hence low cost, the vast majority of microphones made today are electret microphones; a semiconductor manufacturer estimates annual production at over one billion units. Nearly all cell-phone, computer, PDA and headset microphones are electret types. They are used in many applications, from high-quality recording and lavalier
Lavalier microphone
A lavalier microphone or lavalier is a small electret or dynamic microphone used for television, theatre, and public speaking applications, in order to allow hands-free operation. They are most commonly provided with small clips for attaching to collars, ties, or other clothing...
use to built-in microphones in small sound recording devices and telephones. Though electret microphones were once considered low quality, the best ones can now rival traditional condenser microphones in every respect and can even offer the long-term stability and ultra-flat response needed for a measurement microphone. Unlike other capacitor microphones, they require no polarizing voltage, but often contain an integrated preamplifier that does require power (often incorrectly called polarizing power or bias). This preamplifier is frequently phantom power
Phantom power
Phantom power, in the context of professional audio equipment, is a method for transmitting DC electric power through microphone cables to operate microphones that contain active electronic circuitry....
ed in sound reinforcement and studio applications. Monophonic microphones designed for personal computer
Personal computer
A personal computer is any general-purpose computer whose size, capabilities, and original sales price make it useful for individuals, and which is intended to be operated directly by an end-user with no intervening computer operator...
(PC) use, sometimes called multimedia microphones, use a 3.5 mm plug as usually used, without power, for stereo; the ring, instead of carrying the signal for a second channel, carries power via a resistor from (normally) a 5 V supply in the computer. Stereophonic microphones use the same connector; there is no obvious way to determine which standard is used by equipment and microphones.
Only the best electret microphones rival good DC-polarized units in terms of noise level and quality; electret microphones lend themselves to inexpensive mass-production, while inherently expensive non-electret condenser microphones are made to higher quality.
Dynamic microphone
Dynamic microphones work via electromagnetic inductionElectromagnetic induction
Electromagnetic induction is the production of an electric current across a conductor moving through a magnetic field. It underlies the operation of generators, transformers, induction motors, electric motors, synchronous motors, and solenoids....
. They are robust, relatively inexpensive and resistant to moisture. This, coupled with their potentially high gain before feedback
Gain before feedback
In live sound mixing, gain before feedback is a practical measure of how much a microphone can be amplified in a sound reinforcement system before causing audio feedback. In audiology, GBF is a measure of hearing aid performance...
, makes them ideal for on-stage use.
Moving-coil microphones use the same dynamic principle as in a loudspeaker
Loudspeaker
A loudspeaker is an electroacoustic transducer that produces sound in response to an electrical audio signal input. Non-electrical loudspeakers were developed as accessories to telephone systems, but electronic amplification by vacuum tube made loudspeakers more generally useful...
, only reversed. A small movable induction coil
Induction coil
An induction coil or "spark coil" is a type of disruptive discharge coil. It is a type of electrical transformer used to produce high-voltage pulses from a low-voltage direct current supply...
, positioned in the magnetic field
Magnetic field
A magnetic field is a mathematical description of the magnetic influence of electric currents and magnetic materials. The magnetic field at any given point is specified by both a direction and a magnitude ; as such it is a vector field.Technically, a magnetic field is a pseudo vector;...
of a permanent magnet, is attached to the diaphragm
Diaphragm (acoustics)
In the field of acoustics, a diaphragm is a transducer intended to faithfully inter-convert mechanical motion and sound. It is commonly constructed of a thin membrane or sheet of various materials. The varying air pressure of the sound waves imparts vibrations onto the diaphragm which can then be...
. When sound enters through the windscreen of the microphone, the sound wave moves the diaphragm. When the diaphragm vibrates, the coil moves in the magnetic field, producing a varying current in the coil through electromagnetic induction
Electromagnetic induction
Electromagnetic induction is the production of an electric current across a conductor moving through a magnetic field. It underlies the operation of generators, transformers, induction motors, electric motors, synchronous motors, and solenoids....
. A single dynamic membrane does not respond linearly to all audio frequencies. Some microphones for this reason utilize multiple membranes for the different parts of the audio spectrum and then combine the resulting signals. Combining the multiple signals correctly is difficult and designs that do this are rare and tend to be expensive. There are on the other hand several designs that are more specifically aimed towards isolated parts of the audio spectrum. The AKG
AKG Acoustics
AKG Acoustics is an Austrian manufacturer of microphones, headphones, wireless audio systems and related accessories for professional and consumer markets...
D 112, for example, is designed for bass response rather than treble. In audio engineering several kinds of microphones are often used at the same time to get the best result.
Ribbon microphone
Ribbon microphoneRibbon microphone
A ribbon microphone is a type of dynamic microphone that uses a thin aluminum, duraluminum or nanofilm ribbon placed between the poles of a magnet to generate voltages by electromagnetic induction...
s use a thin, usually corrugated metal ribbon suspended in a magnetic field. The ribbon is electrically connected to the microphone's output, and its vibration within the magnetic field generates the electrical signal. Ribbon microphones are similar to moving coil microphones in the sense that both produce sound by means of magnetic induction. Basic ribbon microphones detect sound in a bi-directional (also called figure-eight) pattern because the ribbon, which is open to sound both front and back, responds to the pressure gradient rather than the sound pressure
Sound pressure
Sound pressure or acoustic pressure is the local pressure deviation from the ambient atmospheric pressure caused by a sound wave. Sound pressure can be measured using a microphone in air and a hydrophone in water...
. Though the symmetrical front and rear pickup can be a nuisance in normal stereo recording, the high side rejection can be used to advantage by positioning a ribbon microphone horizontally, for example above cymbals, so that the rear lobe picks up only sound from the cymbals. Crossed figure 8, or Blumlein pair
Blumlein Pair
Blumlein Pair is the name for a stereo recording technique invented by Alan Blumlein for the creation of recordings that, upon replaying through headphones or loudspeakers, recreate the spatial characteristics of the recorded signal....
, stereo recording is gaining in popularity, and the figure 8 response of a ribbon microphone is ideal for that application.
Other directional patterns are produced by enclosing one side of the ribbon in an acoustic trap or baffle, allowing sound to reach only one side. The classic RCA Type 77-DX microphone
RCA Type 77-DX microphone
-Type and manufacturer:The RCA Type 77-DX microphone is a poly-directional ribbon microphone, or pressure-gradient microphone, made by the RCA Corporation from 1954 until 1960, replacing its predecessor, the Type 77-D. Its design has inspired a stereotypical microphone icon...
has several externally adjustable positions of the internal baffle, allowing the selection of several response patterns ranging from "Figure-8" to "Unidirectional". Such older ribbon microphones, some of which still provide high quality sound reproduction, were once valued for this reason, but a good low-frequency response could only be obtained when the ribbon was suspended very loosely, which made them relatively fragile. Modern ribbon materials, including new nanomaterials have now been introduced that eliminate those concerns, and even improve the effective dynamic range of ribbon microphones at low frequencies. Protective wind screens can reduce the danger of damaging a vintage ribbon, and also reduce plosive artifacts in the recording. Properly designed wind screens produce negligible treble attenuation. In common with other classes of dynamic microphone, ribbon microphones don't require phantom power
Phantom power
Phantom power, in the context of professional audio equipment, is a method for transmitting DC electric power through microphone cables to operate microphones that contain active electronic circuitry....
; in fact, this voltage can damage some older ribbon microphones. Some new modern ribbon microphone designs incorporate a preamplifier and, therefore, do require phantom power, and circuits of modern passive ribbon microphones, i.e., those without the aforementioned preamplifier, are specifically designed to resist damage to the ribbon and transformer by phantom power. Also there are new ribbon materials available that are immune to wind blasts and phantom power.
Carbon microphone
A carbon microphoneCarbon microphone
The carbon microphone, also known as a carbon button microphone or a carbon transmitter, is a sound-to-electrical signal transducer consisting of two metal plates separated by granules of carbon. One plate faces outward and acts as a diaphragm...
, also known as a carbon button microphone (or sometimes just a button microphone), use a capsule or button containing carbon granules pressed between two metal plates like the Berliner
Emile Berliner
Emile Berliner or Emil Berliner was a German-born American inventor. He is best known for developing the disc record gramophone...
and Edison
Thomas Edison
Thomas Alva Edison was an American inventor and businessman. He developed many devices that greatly influenced life around the world, including the phonograph, the motion picture camera, and a long-lasting, practical electric light bulb. In addition, he created the world’s first industrial...
microphones. A voltage is applied across the metal plates, causing a small current to flow through the carbon. One of the plates, the diaphragm, vibrates in sympathy with incident sound waves, applying a varying pressure to the carbon. The changing pressure deforms the granules, causing the contact area between each pair of adjacent granules to change, and this causes the electrical resistance of the mass of granules to change. The changes in resistance cause a corresponding change in the current flowing through the microphone, producing the electrical signal. Carbon microphones were once commonly used in telephones; they have extremely low-quality sound reproduction and a very limited frequency response range, but are very robust devices. The Boudet microphone, which used relatively large carbon balls, was similar to the granule carbon button microphones.
Unlike other microphone types, the carbon microphone can also be used as a type of amplifier, using a small amount of sound energy to control a larger amount of electrical energy. Carbon microphones found use as early telephone repeaters
Repeater
A repeater is an electronic device that receives asignal and retransmits it at a higher level and/or higher power, or onto the other side of an obstruction, so that the signal can cover longer distances.-Description:...
, making long distance phone calls possible in the era before vacuum tubes. These repeaters worked by mechanically coupling a magnetic telephone receiver to a carbon microphone: the faint signal from the receiver was transferred to the microphone, with a resulting stronger electrical signal to send down the line. One illustration of this amplifier effect was the oscillation caused by feedback, resulting in an audible squeal from the old "candlestick" telephone if its earphone was placed near the carbon microphone.
Piezoelectric microphone
A crystal microphone or piezo microphone uses the phenomenon of piezoelectricityPiezoelectricity
Piezoelectricity is the charge which accumulates in certain solid materials in response to applied mechanical stress. The word piezoelectricity means electricity resulting from pressure...
— the ability of some materials to produce a voltage when subjected to pressure — to convert vibrations into an electrical signal. An example of this is potassium sodium tartrate
Potassium sodium tartrate
Potassium sodium tartrate is a double salt first prepared by an apothecary, Pierre Seignette, of La Rochelle, France. As a result the salt was known as Seignette's salt or Rochelle salt....
, which is a piezoelectric crystal that works as a transducer, both as a microphone and as a slimline loudspeaker component. Crystal microphones were once commonly supplied with vacuum tube
Vacuum tube
In electronics, a vacuum tube, electron tube , or thermionic valve , reduced to simply "tube" or "valve" in everyday parlance, is a device that relies on the flow of electric current through a vacuum...
(valve) equipment, such as domestic tape recorders. Their high output impedance matched the high input impedance (typically about 10 megohms
Ohm
The ohm is the SI unit of electrical resistance, named after German physicist Georg Simon Ohm.- Definition :The ohm is defined as a resistance between two points of a conductor when a constant potential difference of 1 volt, applied to these points, produces in the conductor a current of 1 ampere,...
) of the vacuum tube input stage well. They were difficult to match to early transistor
Transistor
A transistor is a semiconductor device used to amplify and switch electronic signals and power. It is composed of a semiconductor material with at least three terminals for connection to an external circuit. A voltage or current applied to one pair of the transistor's terminals changes the current...
equipment, and were quickly supplanted by dynamic microphones for a time, and later small electret condenser devices. The high impedance of the crystal microphone made it very susceptible to handling noise, both from the microphone itself and from the connecting cable.
Piezoelectric transducers are often used as contact microphone
Contact microphone
A contact microphone, otherwise known as a pickup or a piezo, is a form of microphone designed to sense audio vibrations through solid objects. Unlike normal air microphones, contact mics act as transducers which pick up vibrations and convert them into a voltage which can then be made audible...
s to amplify sound from acoustic musical instruments, to sense drum hits, for triggering electronic samples, and to record sound in challenging environments, such as underwater under high pressure. Saddle-mounted pickups on acoustic guitar
Acoustic guitar
An acoustic guitar is a guitar that uses only an acoustic sound board. The air in this cavity resonates with the vibrational modes of the string and at low frequencies, which depend on the size of the box, the chamber acts like a Helmholtz resonator, increasing or decreasing the volume of the sound...
s are generally piezoelectric devices that contact the strings passing over the saddle. This type of microphone is different from magnetic coil pickups commonly visible on typical electric guitar
Electric guitar
An electric guitar is a guitar that uses the principle of direct electromagnetic induction to convert vibrations of its metal strings into electric audio signals. The signal generated by an electric guitar is too weak to drive a loudspeaker, so it is amplified before sending it to a loudspeaker...
s, which use magnetic induction, rather than mechanical coupling, to pick up vibration.
Fiber optic microphone
A fiber optic microphone converts acoustic waves into electrical signals by sensing changes in light intensity, instead of sensing changes in capacitance or magnetic fields as with conventional microphones.During operation, light from a laser source travels through an optical fiber to illuminate the surface of a reflective diaphragm. Sound vibrations of the diaphragm modulate the intensity of light reflecting off the diaphragm in a specific direction. The modulated light is then transmitted over a second optical fiber to a photo detector, which transforms the intensity-modulated light into analog or digital audio for transmission or recording. Fiber optic microphones possess high dynamic and frequency range, similar to the best high fidelity conventional microphones.
Fiber optic microphones do not react to or influence any electrical, magnetic, electrostatic or radioactive fields (this is called EMI/RFI
Electromagnetic interference
Electromagnetic interference is disturbance that affects an electrical circuit due to either electromagnetic induction or electromagnetic radiation emitted from an external source. The disturbance may interrupt, obstruct, or otherwise degrade or limit the effective performance of the circuit...
immunity). The fiber optic microphone design is therefore ideal for use in areas where conventional microphones are ineffective or dangerous, such as inside industrial turbines or in magnetic resonance imaging
Magnetic resonance imaging
Magnetic resonance imaging , nuclear magnetic resonance imaging , or magnetic resonance tomography is a medical imaging technique used in radiology to visualize detailed internal structures...
(MRI) equipment environments.
Fiber optic microphones are robust, resistant to environmental changes in heat and moisture, and can be produced for any directionality or impedance matching
Impedance matching
In electronics, impedance matching is the practice of designing the input impedance of an electrical load to maximize the power transfer and/or minimize reflections from the load....
. The distance between the microphone's light source and its photo detector may be up to several kilometers without need for any preamplifier and/or other electrical device, making fiber optic microphones suitable for industrial and surveillance acoustic monitoring.
Fiber optic microphones are used in very specific application areas such as for infrasound
Infrasound
Infrasound is sound that is lower in frequency than 20 Hz or cycles per second, the "normal" limit of human hearing. Hearing becomes gradually less sensitive as frequency decreases, so for humans to perceive infrasound, the sound pressure must be sufficiently high...
monitoring and noise-canceling
Noise-canceling microphone
A noise-canceling microphone is a microphone designed to filter out ambient noise from the desired sound, especially useful in noisy environments.-Technical detail:...
. They have proven especially useful in medical applications, such as allowing radiologists, staff and patients within the powerful and noisy magnetic field to converse normally, inside the MRI suites as well as in remote control rooms.) Other uses include industrial equipment monitoring and sensing, audio calibration and measurement, high-fidelity recording and law enforcement.
Laser microphone
Laser microphoneLaser microphone
The main type of laser microphone is a surveillance device that uses a laser beam to detect sound vibrations in a distant object. The object is typically inside a room where a conversation is taking place, and can be anything that can vibrate in response to the pressure waves created by noises...
s are often portrayed in movies as spy gadgets, because they can be used to pick up sound at a distance from the microphone equipment. A laser beam is aimed at the surface of a window or other plane surface that is affected by sound. The vibrations of this surface change the angle at which the beam is reflected, and the motion of the laser spot from the returning beam is detected and converted to an audio signal.
In a more robust and expensive implementation, the returned light is split and fed to an interferometer, which detects movement of the surface by changes in the optical path length
Optical path length
In optics, optical path length or optical distance is the product of the geometric length of the path light follows through the system, and the index of refraction of the medium through which it propagates. A difference in optical path length between two paths is often called the optical path...
of the reflected beam. The former implementation is a tabletop experiment; the latter requires an extremely stable laser and precise optics.
A new type of laser microphone is a device that uses a laser beam and smoke or vapor to detect sound
Sound
Sound is a mechanical wave that is an oscillation of pressure transmitted through a solid, liquid, or gas, composed of frequencies within the range of hearing and of a level sufficiently strong to be heard, or the sensation stimulated in organs of hearing by such vibrations.-Propagation of...
vibration
Vibration
Vibration refers to mechanical oscillations about an equilibrium point. The oscillations may be periodic such as the motion of a pendulum or random such as the movement of a tire on a gravel road.Vibration is occasionally "desirable"...
s in free air. On 25 August 2009, U.S. patent 7,580,533 issued for a Particulate Flow Detection Microphone based on a laser-photocell pair with a moving stream of smoke or vapor in the laser beam's path. Sound pressure waves cause disturbances in the smoke that in turn cause variations in the amount of laser light reaching the photo detector. A prototype of the device was demonstrated at the 127th Audio Engineering Society convention in New York City from 9 through 12 October 2009.
Liquid microphone
Early microphones did not produce intelligible speech, until Alexander Graham BellAlexander Graham Bell
Alexander Graham Bell was an eminent scientist, inventor, engineer and innovator who is credited with inventing the first practical telephone....
made improvements including a variable resistance microphone/transmitter. Bell's liquid transmitter consisted of a metal cup filled with water with a small amount of sulfuric acid added. A sound wave caused the diaphragm to move, forcing a needle to move up and down in the water. The electrical resistance between the wire and the cup was then inversely proportional to the size of the water meniscus around the submerged needle. Elisha Gray filed a caveat
Patent caveat
A patent caveat was a legal document filed with the United States Patent Office. Caveats were instituted by the US Patent Act of 1836, but were discontinued in 1909. A caveat was like a patent application with a description of an invention and drawings, but without claims. It was an official...
for a version using a brass rod instead of the needle. Other minor variations and improvements were made to the liquid microphone by Majoranna, Chambers, Vanni, Sykes, and Elisha Gray, and one version was patented by Reginald Fessenden in 1903. These were the first working microphones, but they were not practical for commercial application. The famous first phone conversation between Bell and Watson took place using a liquid microphone.
MEMS microphone
The MEMSMicroelectromechanical systems
Microelectromechanical systems is the technology of very small mechanical devices driven by electricity; it merges at the nano-scale into nanoelectromechanical systems and nanotechnology...
(MicroElectrical-Mechanical System) microphone is also called a microphone chip or silicon microphone. The pressure-sensitive diaphragm is etched directly into a silicon chip by MEMS techniques, and is usually accompanied with integrated preamplifier. Most MEMS microphones are variants of the condenser microphone design. Often MEMS microphones have built in analog-to-digital converter (ADC) circuits on the same CMOS chip making the chip a digital microphone and so more readily integrated with modern digital products. Major manufacturers producing MEMS silicon microphones are Wolfson Microelectronics (WM7xxx), Analog Devices, Akustica (AKU200x), Infineon (SMM310 product), Knowles Electronics, Memstech (MSMx), NXP Semiconductors, Sonion MEMS, AAC Acoustic Technologies, and Omron.
Speakers as microphones
A loudspeakerLoudspeaker
A loudspeaker is an electroacoustic transducer that produces sound in response to an electrical audio signal input. Non-electrical loudspeakers were developed as accessories to telephone systems, but electronic amplification by vacuum tube made loudspeakers more generally useful...
, a transducer that turns an electrical signal into sound waves, is the functional opposite of a microphone. Since a conventional speaker is constructed much like a dynamic microphone (with a diaphragm, coil and magnet), speakers can actually work "in reverse" as microphones. The result, though, is a microphone with poor quality, limited frequency response (particularly at the high end), and poor sensitivity
Sensitivity (electronics)
The sensitivity of an electronic device, such as a communications system receiver, or detection device, such as a PIN diode, is the minimum magnitude of input signal required to produce a specified output signal having a specified signal-to-noise ratio, or other specified criteria.Sensitivity is...
. In practical use, speakers are sometimes used as microphones in applications where high quality and sensitivity are not needed such as intercom
Intercom
An intercom , talkback or doorphone is a stand-alone voice communications system for use within a building or small collection of buildings, functioning independently of the public telephone network. Intercoms are generally mounted permanently in buildings and vehicles...
s, walkie-talkie
Walkie-talkie
A walkie-talkie is a hand-held, portable, two-way radio transceiver. Its development during the Second World War has been variously credited to Donald L. Hings, radio engineer Alfred J. Gross, and engineering teams at Motorola...
s or Video game voice chat peripherals, or when conventional microphones are in short supply.
However, there is at least one other practical application of this principle: Using a medium-size woofer
Woofer
Woofer is the term commonly used for a loudspeaker driver designed to produce low frequency sounds, typically from around 40 hertz up to about a kilohertz or higher. The name is from the onomatopoeic English word for a dog's bark, "woof"...
placed closely in front of a "kick" (bass drum
Bass drum
Bass drums are percussion instruments that can vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum . It is the largest drum of...
) in a drum set to act as a microphone. The use of relatively large speakers to transduce low frequency sound sources, especially in music production, is becoming fairly common. A product example of this type of device is the Yamaha Subkick, a 6.5 inches (16.5 cm) woofer shock-mounted it into a 10" drum shell used in front of kick drums. Since a relatively massive membrane is unable to transduce high frequencies, placing a speaker in front of a kick drum is often ideal for reducing cymbal and snare bleed into the kick drum sound. Less commonly, microphones themselves can be used as speakers, almost always as tweeter
Tweeter
A tweeter is a loudspeaker designed to produce high audio frequencies, typically from around 2,000 Hz to 20,000 Hz . Some tweeters can manage response up to 65 kHz...
s. Microphones, however, are not designed to handle the power that speaker components are routinely required to cope with. One instance of such an application was the STC
Standard Telephones and Cables
Standard Telephones and Cables Ltd was a British telephone, telegraph, radio, telecommunications and related equipment R&D manufacturer. During its history STC invented and developed several groundbreaking new technologies including PCM and optical fibres.The company began life in London as...
microphone-derived 4001 super-tweeter, which was successfully used in a number of high quality loudspeaker systems from the late 1960s to the mid-70s.
Capsule design and directivity
The inner elements of a microphone are the primary source of differences in directivity. A pressure microphone uses a diaphragm between a fixed internal volume of air and the environment, and responds uniformly to pressure from all directions, so it is said to be omnidirectional. A pressure-gradient microphone uses a diaphragm that is at least partially open on both sides. The pressure difference between the two sides produces its directional characteristics. Other elements such as the external shape of the microphone and external devices such as interference tubes can also alter a microphone's directional response. A pure pressure-gradient microphone is equally sensitive to sounds arriving from front or back, but insensitive to sounds arriving from the side because sound arriving at the front and back at the same time creates no gradient between the two. The characteristic directional pattern of a pure pressure-gradient microphone is like a figure-8. Other polar patterns are derived by creating a capsule that combines these two effects in different ways. The cardioid, for instance, features a partially closed backside, so its response is a combination of pressure and pressure-gradient characteristics.Microphone polar patterns
(Microphone facing top of page in diagram, parallel to page):A microphone's directionality or polar pattern indicates how sensitive it is to sounds arriving at different angles about its central axis. The polar patterns illustrated above represent the locus
Locus (mathematics)
In geometry, a locus is a collection of points which share a property. For example a circle may be defined as the locus of points in a plane at a fixed distance from a given point....
of points that produce the same signal level output in the microphone if a given sound pressure level (SPL) is generated from that point. How the physical body of the microphone is oriented relative to the diagrams depends on the microphone design. For large-membrane microphones such as in the Oktava (pictured above), the upward direction in the polar diagram is usually perpendicular
Perpendicular
In geometry, two lines or planes are considered perpendicular to each other if they form congruent adjacent angles . The term may be used as a noun or adjective...
to the microphone body, commonly known as "side fire" or "side address". For small diaphragm microphones such as the Shure (also pictured above), it usually extends from the axis of the microphone commonly known as "end fire" or "top/end address".
Some microphone designs combine several principles in creating the desired polar pattern. This ranges from shielding (meaning diffraction/dissipation/absorption) by the housing itself to electronically combining dual membranes.
Omnidirectional
An omnidirectional (or nondirectional) microphone's response is generally considered to be a perfect sphere in three dimensions. In the real world, this is not the case. As with directional microphones, the polar pattern for an "omnidirectional" microphone is a function of frequency. The body of the microphone is not infinitely small and, as a consequence, it tends to get in its own way with respect to sounds arriving from the rear, causing a slight flattening of the polar response. This flattening increases as the diameter of the microphone (assuming it's cylindrical) reaches the wavelength of the frequency in question. Therefore, the smallest diameter microphone gives the best omnidirectional characteristics at high frequencies.The wavelength of sound at 10 kHz is little over an inch (3.4 cm) so the smallest measuring microphones are often 1/4" (6 mm) in diameter, which practically eliminates directionality even up to the highest frequencies. Omnidirectional microphones, unlike cardioids, do not employ resonant cavities as delays, and so can be considered the "purest" microphones in terms of low coloration; they add very little to the original sound. Being pressure-sensitive they can also have a very flat low-frequency response down to 20 Hz or below. Pressure-sensitive microphones also respond much less to wind noise and plosives than directional (velocity sensitive) microphones.
An example of a nondirectional microphone is the round black eight ball.
Unidirectional
A unidirectional microphone is sensitive to sounds from only one direction. The diagram above illustrates a number of these patterns. The microphone faces upwards in each diagram. The sound intensity for a particular frequency is plotted for angles radially from 0 to 360°. (Professional diagrams show these scales and include multiple plots at different frequencies. The diagrams given here provide only an overview of typical pattern shapes, and their names.)Cardioid
The most common unidirectional microphone is a cardioidCardioid
A cardioid is a plane curve traced by a point on the perimeter of a circle that is rolling around a fixed circle of the same radius. It is therefore a type of limaçon and can also be defined as an epicycloid having a single cusp...
microphone, so named because the sensitivity pattern is heart-shaped. A hyper-cardioid microphone is similar but with a tighter area of front sensitivity and a smaller lobe of rear sensitivity. A super-cardioid microphone is similar to a hyper-cardioid, except there is more front pickup and less rear pickup. These three patterns are commonly used as vocal or speech microphones, since they are good at rejecting sounds from other directions.
A cardioid microphone is effectively a superposition of an omnidirectional and a figure-8 microphone; for sound waves coming from the back, the negative signal from the figure-8 cancels the positive signal from the omnidirectional element, whereas for sound waves coming from the front, the two add to each other. A hypercardioid microphone is similar, but with a slightly larger figure-8 contribution. Since pressure gradient transducer
Transducer
A transducer is a device that converts one type of energy to another. Energy types include electrical, mechanical, electromagnetic , chemical, acoustic or thermal energy. While the term transducer commonly implies the use of a sensor/detector, any device which converts energy can be considered a...
microphones are directional, putting them very close to the sound source (at distances of a few centimeters) results in a bass boost. This is known as the proximity effect
Proximity effect (audio)
The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a microphone.-Technical explanation:...
.
Bi-directional
"Figure 8" or bi-directional microphones receive sound equally from both the front and back of the element. Most ribbon microphones are of this pattern. In principle they do not respond to sound pressure at all, only to the gradient between front and back; since sound arriving from the side reaches front and back equally there is no gradient and therefore no sensitivity to sound from that direction. While omnidirectional microphones are scalarScalar
Scalar may refer to:*Scalar , a quantity used to multiply vectors in the context of vector spaces*Scalar , a quantity which is independent of specific classes of coordinate systems...
transducers responding to pressure from any direction, bi-directional microphones are vector
Vector
Vector, a Latin word meaning "carrier", may refer in English to:-In computer science:*A one-dimensional array**Vector , a data type in the C++ Standard Template Library...
transducers responding to the gradient along an axis normal to the plane of the diaphragm. As a result, output polarity is inverted for sounds arriving from the back side.
Shotgun
Shotgun microphones are the most highly directional. They have small lobes of sensitivity to the left, right, and rear but are significantly less sensitive to the side and rear than other directional microphones. This results from placing the element at the back end of a tube with slots cut along the side; wave cancellation eliminates much of the off-axis sound. Due to the narrowness of their sensitivity area, shotgun microphones are commonly used on television and film sets, in stadiums, and for field recording of wildlife.Boundary or "PZM"
Several approaches have been developed for effectively using a microphone in less-than-ideal acoustic spaces, which often suffer from excessive reflections from one or more of the surfaces (boundaries) that make up the space. If the microphone is placed in, or very close to, one of these boundaries, the reflections from that surface are not sensed by the microphone. Initially this was done by placing an ordinary microphone adjacent to the surface, sometimes in a block of acoustically transparent foam. Sound engineers Ed Long and Ron Wickersham developed the concept of placing the diaphgram parallel to and facing the boundary. While the patent has expired, "Pressure Zone Microphone" and "PZM" are still active trademarks of Crown InternationalCrown International
Crown International, or Crown Audio, is a manufacturer of audio electronics, and is a subsidiary of Harman International Industries. Today the company is known primarily for its power amplifiers, but has also manufactured microphones, a line of commercial audio products as well as digital audio...
, and the generic term "boundary microphone" is preferred. While a boundary microphone was initially implemented using an omnidirectional element, it is also possible to mount a directional microphone close enough to the surface to gain some of the benefits of this technique while retaining the directional properties of the element. Crown's trademark on this approach is "Phase Coherent Cardioid" or "PCC," but there are other makers who employ this technique as well.
Application-specific designs
A lavalier microphoneLavalier microphone
A lavalier microphone or lavalier is a small electret or dynamic microphone used for television, theatre, and public speaking applications, in order to allow hands-free operation. They are most commonly provided with small clips for attaching to collars, ties, or other clothing...
is made for hands-free operation. These small microphones are worn on the body. Originally, they were held in place with a lanyard worn around the neck, but more often they are fastened to clothing with a clip, pin, tape or magnet. The lavalier cord may be hidden by clothes and either run to an RF transmitter in a pocket or clipped to a belt (for mobile use), or run directly to the mixer (for stationary applications).
A wireless microphone
Wireless microphone
A wireless microphone, as the name implies, is a microphone without a physical cable connecting it directly to the sound recording or amplifying equipment with which it is associated...
transmits the audio as a radio or optical signal rather than via a cable. It usually sends its signal using a small FM radio transmitter to a nearby receiver connected to the sound system, but it can also use infrared waves if the transmitter and receiver are within sight of each other.
A contact microphone
Contact microphone
A contact microphone, otherwise known as a pickup or a piezo, is a form of microphone designed to sense audio vibrations through solid objects. Unlike normal air microphones, contact mics act as transducers which pick up vibrations and convert them into a voltage which can then be made audible...
picks up vibrations directly from a solid surface or object, as opposed to sound vibrations carried through air. One use for this is to detect sounds of a very low level, such as those from small objects or insect
Insect
Insects are a class of living creatures within the arthropods that have a chitinous exoskeleton, a three-part body , three pairs of jointed legs, compound eyes, and two antennae...
s. The microphone commonly consists of a magnetic (moving coil) transducer, contact plate and contact pin. The contact plate is placed directly on the vibrating part of a musical instrument or other surface, and the contact pin transfers vibrations to the coil. Contact microphones have been used to pick up the sound of a snail's heartbeat and the footsteps of ants. A portable version of this microphone has recently been developed. A throat microphone
Throat microphone
A throat microphone, also laryngophone, is a type of contact microphone that absorbs vibrations directly from the wearer's throat by way of single or dual sensors, often called "transducer," worn against the neck. The throat microphone's design has several advantages...
is a variant of the contact microphone that picks up speech directly from a person's throat, which it is strapped to. This lets the device be used in areas with ambient sounds that would otherwise make the speaker inaudible.
A parabolic microphone
Parabolic microphone
A parabolic microphone is a microphone that uses a parabolic reflector to collect and focus sound waves onto a receiver, in much the same way that a parabolic antenna does with radio waves...
uses a parabolic reflector
Parabolic reflector
A parabolic reflector is a reflective device used to collect or project energy such as light, sound, or radio waves. Its shape is that of a circular paraboloid, that is, the surface generated by a parabola revolving around its axis...
to collect and focus sound waves onto a microphone receiver, in much the same way that a parabolic antenna
Parabolic antenna
A parabolic antenna is an antenna that uses a parabolic reflector, a curved surface with the cross-sectional shape of a parabola, to direct the radio waves. The most common form is shaped like a dish and is popularly called a dish antenna or parabolic dish...
(e.g. satellite dish
Satellite dish
A satellite dish is a dish-shaped type of parabolic antenna designed to receive microwaves from communications satellites, which transmit data transmissions or broadcasts, such as satellite television.-Principle of operation:...
) does with radio waves. Typical uses of this microphone, which has unusually focused front sensitivity and can pick up sounds from many meters away, include nature recording, outdoor sporting events, eavesdropping
Eavesdropping
Eavesdropping is the act of secretly listening to the private conversation of others without their consent, as defined by Black's Law Dictionary...
, law enforcement
Police
The police is a personification of the state designated to put in practice the enforced law, protect property and reduce civil disorder in civilian matters. Their powers include the legitimized use of force...
, and even espionage
Espionage
Espionage or spying involves an individual obtaining information that is considered secret or confidential without the permission of the holder of the information. Espionage is inherently clandestine, lest the legitimate holder of the information change plans or take other countermeasures once it...
. Parabolic microphones are not typically used for standard recording applications, because they tend to have poor low-frequency response as a side effect of their design.
A stereo microphone integrates two microphones in one unit to produce a stereophonic signal. A stereo microphone is often used for broadcast
Broadcast
Broadcast or Broadcasting may refer to:* Broadcasting, the transmission of audio and video signals* Broadcast, an individual television program or radio program* Broadcast , an English electronic music band...
applications or field recording
Field recording
Field recording is the term used for an audio recording produced outside of a recording studio. The recording is typically recorded in the same channel format as the desired result, for instance, stereo recording equipment will yield a stereo product...
where it would be impractical to configure two separate condenser microphones in a classic X-Y configuration (see microphone practice
Microphone practice
There exist a number of well-developed microphone techniques used for miking musical, film, or voice sources. Choice of technique depends on a number of factors, including:...
) for stereophonic recording. Some such microphones have an adjustable angle of coverage between the two channels.
A noise-canceling microphone
Noise-canceling microphone
A noise-canceling microphone is a microphone designed to filter out ambient noise from the desired sound, especially useful in noisy environments.-Technical detail:...
is a highly directional design intended for noisy environments. One such use is in aircraft
Aircraft
An aircraft is a vehicle that is able to fly by gaining support from the air, or, in general, the atmosphere of a planet. An aircraft counters the force of gravity by using either static lift or by using the dynamic lift of an airfoil, or in a few cases the downward thrust from jet engines.Although...
cockpits where they are normally installed as boom microphones on headsets. Another use is in live event support on loud concert stages for vocalists involved with live performance
Live performance
live performance may refer to:*A play or musical*A concert, a live performance before an audience*A dance performance, dance performed for an audience.*Live radio, radio broadcast without delay...
s. Many noise-canceling microphones combine signals received from two diaphragms that are in opposite electrical polarity or are processed electronically. In dual diaphragm designs, the main diaphragm is mounted closest to the intended source and the second is positioned farther away from the source so that it can pick up environmental sounds to be subtracted from the main diaphragm's signal. After the two signals have been combined, sounds other than the intended source are greatly reduced, substantially increasing intelligibility. Other noise-canceling designs use one diaphragm that is affected by ports open to the sides and rear of the microphone, with the sum being a 16 dB rejection of sounds that are farther away. One noise-canceling headset design using a single diaphragm has been used prominently by vocal artists such as Garth Brooks
Garth Brooks
Troyal Garth Brooks , best known as Garth Brooks, is an American country music artist who helped make country music a worldwide phenomenon. His eponymous first album was released in 1989 and peaked at number 2 in the US country album chart while climbing to number 13 on the Billboard 200 album chart...
and Janet Jackson
Janet Jackson
Janet Damita Jo Jackson is an American recording artist and actress. Known for a series of sonically innovative, socially conscious and sexually provocative records, as well as elaborate stage shows, television and film roles, she has been a prominent figure in popular culture for over 25 years...
. A few noise-canceling microphones are throat microphones.
Connectors
The most common connectors used by microphones are:- Male XLR connectorXLR connectorThe XLR connector is a style of electrical connector, primarily found on professional audio, video, and stage lighting equipment. The connectors are circular in design and have between 3 and 7 pins...
on professional microphones - ¼ inch (sometimes referred to as 6.3 mm) jack plug also known as 1/4 inch TRS connectorTRS connectorA TRS connector is a common family of connector typically used for analog signals including audio. It is cylindrical in shape, typically with three contacts, although sometimes with two or four . It is also called an audio jack, phone jack, phone plug, and jack plug...
on less expensive consumer microphones. Many consumer microphones use an unbalanced 1/4 inch phone jack. Harmonica microphones commonly use a high impedance 1/4 inch TS connection to be run through guitar amplifiers. - 3.5 mm (sometimes referred to as 1/8 inch mini) stereo (wired as mono) mini phone plug on very inexpensive and computer microphones
Some microphones use other connectors, such as a 5-pin XLR, or mini XLR for connection to portable equipment. Some lavalier (or 'lapel', from the days of attaching the microphone to the news reporters suit lapel) microphones use a proprietary connector for connection to a wireless transmitter. Since 2005, professional-quality microphones with USB connections have begun to appear, designed for direct recording into computer-based software.
Impedance-matching
Microphones have an electrical characteristic called impedanceElectrical impedance
Electrical impedance, or simply impedance, is the measure of the opposition that an electrical circuit presents to the passage of a current when a voltage is applied. In quantitative terms, it is the complex ratio of the voltage to the current in an alternating current circuit...
, measured in ohm
Ohm
The ohm is the SI unit of electrical resistance, named after German physicist Georg Simon Ohm.- Definition :The ohm is defined as a resistance between two points of a conductor when a constant potential difference of 1 volt, applied to these points, produces in the conductor a current of 1 ampere,...
s (Ω), that depends on the design. Typically, the rated impedance is stated. Low impedance is considered under 600 Ω. Medium impedance is considered between 600 Ω and 10 kΩ. High impedance is above 10 kΩ. Owing to their built-in amplifier
Electronic amplifier
An electronic amplifier is a device for increasing the power of a signal.It does this by taking energy from a power supply and controlling the output to match the input signal shape but with a larger amplitude...
, condenser microphones typically have an output impedance between 50 and 200 Ω.
The output of a given microphone delivers the same power
Power (physics)
In physics, power is the rate at which energy is transferred, used, or transformed. For example, the rate at which a light bulb transforms electrical energy into heat and light is measured in watts—the more wattage, the more power, or equivalently the more electrical energy is used per unit...
whether it is low or high impedance. If a microphone is made in high and low impedance versions, the high impedance version has a higher output voltage for a given sound pressure input, and is suitable for use with vacuum-tube guitar amplifiers, for instance, which have a high input impedance and require a relatively high signal input voltage to overcome the tubes' inherent noise. Most professional microphones are low impedance, about 200 Ω or lower. Professional vacuum-tube sound equipment incorporates a transformer
Transformer
A transformer is a device that transfers electrical energy from one circuit to another through inductively coupled conductors—the transformer's coils. A varying current in the first or primary winding creates a varying magnetic flux in the transformer's core and thus a varying magnetic field...
that steps up the impedance of the microphone circuit to the high impedance and voltage needed to drive the input tube; the impedance conversion inherently creates voltage gain as well. External matching transformers are also available that can be used in-line between a low impedance microphone and a high impedance input.
Low-impedance microphones are preferred over high impedance for two reasons: one is that using a high-impedance microphone with a long cable results in high frequency signal loss due to cable capacitance, which forms a low-pass filter with the microphone output impedance. The other is that long high-impedance cables tend to pick up more hum
Mains hum
Mains hum, electric hum, or power line hum is an audible oscillation of alternating current at the frequency of the mains electricity, which is usually 50 Hz or 60 Hz, depending on the local power line frequency...
(and possibly radio-frequency interference (RFI) as well). Nothing is damaged if the impedance between microphone and other equipment is mismatched; the worst that happens is a reduction in signal or change in frequency response.
Most microphones are designed not to have their impedance matched by the load they are connected to. Doing so can alter their frequency response and cause distortion, especially at high sound pressure levels. Certain ribbon and dynamic microphones are exceptions, due to the designers' assumption of a certain load impedance being part of the internal electro-acoustical damping circuit of the microphone.
Digital microphone interface
The AES 42 standard, published by the Audio Engineering SocietyAudio Engineering Society
Established in 1948, the Audio Engineering Society draws its membership from amongst engineers, scientists, other individuals with an interest or involvement in the professional audio industry. The membership largely comprises engineers developing devices or products for audio, and persons working...
, defines a digital interface for microphones. Microphones conforming to this standard directly output a digital audio stream through an XLR or XLD male connector, rather than producing an analog output. Digital microphones may be used either with new equipment with appropriate input connections that conform to the AES 42 standard, or else via a suitable interface box. Studio-quality microphones that operate in accordance with the AES 42 standard are now available from a number of microphone manufacturers.
Measurements and specifications
Because of differences in their construction, microphones have their own characteristic responses to sound. This difference in response produces non-uniform phasePhase (waves)
Phase in waves is the fraction of a wave cycle which has elapsed relative to an arbitrary point.-Formula:The phase of an oscillation or wave refers to a sinusoidal function such as the following:...
and frequency
Frequency
Frequency is the number of occurrences of a repeating event per unit time. It is also referred to as temporal frequency.The period is the duration of one cycle in a repeating event, so the period is the reciprocal of the frequency...
responses. In addition, microphones are not uniformly sensitive to sound pressure, and can accept differing levels without distorting. Although for scientific applications microphones with a more uniform response are desirable, this is often not the case for music recording, as the non-uniform response of a microphone can produce a desirable coloration of the sound. There is an international standard for microphone specifications, but few manufacturers adhere to it. As a result, comparison of published data from different manufacturers is difficult because different measurement techniques are used. The Microphone Data Website has collated the technical specifications complete with pictures, response curves and technical data from the microphone manufacturers for every currently listed microphone, and even a few obsolete models, and shows the data for them all in one common format for ease of comparison.http://www.microphone-data.com/. Caution should be used in drawing any solid conclusions from this or any other published data, however, unless it is known that the manufacturer has supplied specifications in accordance with IEC 60268-4.
A frequency response
Frequency response
Frequency response is the quantitative measure of the output spectrum of a system or device in response to a stimulus, and is used to characterize the dynamics of the system. It is a measure of magnitude and phase of the output as a function of frequency, in comparison to the input...
diagram plots the microphone sensitivity in decibel
Decibel
The decibel is a logarithmic unit that indicates the ratio of a physical quantity relative to a specified or implied reference level. A ratio in decibels is ten times the logarithm to base 10 of the ratio of two power quantities...
s over a range of frequencies (typically 20 Hz to 20 kHz), generally for perfectly on-axis sound (sound arriving at 0° to the capsule). Frequency response may be less informatively stated textually like so: "30 Hz–16 kHz ±3 dB". This is interpreted as meaning a nearly flat, linear, plot between the stated frequencies, with variations in amplitude of no more than plus or minus 3 dB. However, one cannot determine from this information how smooth the variations are, nor in what parts of the spectrum they occur. Note that commonly made statements such as "20 Hz–20 kHz" are meaningless without a decibel measure of tolerance. Directional microphones' frequency response varies greatly with distance from the sound source, and with the geometry of the sound source. IEC 60268-4 specifies that frequency response should be measured in plane progressive wave conditions (very far away from the source) but this is seldom practical. Close talking microphones may be measured with different sound sources and distances, but there is no standard and therefore no way to compare data from different models unless the measurement technique is described.
The self-noise or equivalent noise level is the sound level that creates the same output voltage as the microphone does in the absence of sound. This represents the lowest point of the microphone's dynamic range, and is particularly important should you wish to record sounds that are quiet. The measure is often stated in dB(A), which is the equivalent loudness of the noise on a decibel scale frequency-weighted for how the ear hears, for example: "15 dBA SPL" (SPL means sound pressure
Sound pressure
Sound pressure or acoustic pressure is the local pressure deviation from the ambient atmospheric pressure caused by a sound wave. Sound pressure can be measured using a microphone in air and a hydrophone in water...
level relative to 20 micropascals). The lower the number the better. Some microphone manufacturers state the noise level using ITU-R 468 noise weighting
ITU-R 468 noise weighting
ITU-R 468 is a standard relating to noise measurement, widely used when measuring noise in audio systems. The standard defines a weighting filter curve, together with a quasi-peak rectifier having special characteristics as defined by specified tone-burst tests...
, which more accurately represents the way we hear noise, but gives a figure some 11–14 dB higher. A quiet microphone typically measures 20 dBA SPL or 32 dB SPL 468-weighted. Very quiet microphones have existed for years for special applications, such the Brüel & Kjaer 4179, with a noise level around 0 dB SPL. Recently some microphones with low noise specifications have been introduced in the studio/entertainment market, such as models from Neumann and Røde that advertise noise levels between 5–7 dBA. Typically this is achieved by altering the frequency response of the capsule and electronics to result in lower noise within the A-weighting
A-weighting
A Weighting curve is a graph of a set of factors, that are used to 'weight' measured values of a variable according to their importance in relation to some outcome. The most commonly known example is frequency weighting in sound level measurement where a specific set of weighting curves known as A,...
curve while broadband noise may be increased.
The maximum SPL the microphone can accept is measured for particular values of total harmonic distortion
Total harmonic distortion
The total harmonic distortion, or THD, of a signal is a measurement of the harmonic distortion present and is defined as the ratio of the sum of the powers of all harmonic components to the power of the fundamental frequency...
(THD), typically 0.5%. This amount of distortion is generally inaudible, so one can safely use the microphone at this SPL without harming the recording. Example: "142 dB SPL peak (at 0.5% THD)". The higher the value, the better, although microphones with a very high maximum SPL also have a higher self-noise.
The clipping level is an important indicator of maximum usable level, as the 1% THD figure usually quoted under max SPL is really a very mild level of distortion, quite inaudible especially on brief high peaks. Clipping is much more audible. For some microphones the clipping level may be much higher than the max SPL.
The dynamic range of a microphone is the difference in SPL between the noise floor and the maximum SPL. If stated on its own, for example "120 dB", it conveys significantly less information than having the self-noise and maximum SPL figures individually.
Sensitivity
Sensitivity (electronics)
The sensitivity of an electronic device, such as a communications system receiver, or detection device, such as a PIN diode, is the minimum magnitude of input signal required to produce a specified output signal having a specified signal-to-noise ratio, or other specified criteria.Sensitivity is...
indicates how well the microphone converts acoustic pressure to output voltage. A high sensitivity microphone creates more voltage and so needs less amplification at the mixer or recording device. This is a practical concern but is not directly an indication of the microphone's quality, and in fact the term sensitivity is something of a misnomer, "transduction gain" being perhaps more meaningful, (or just "output level") because true sensitivity is generally set by the noise floor, and too much "sensitivity" in terms of output level compromises the clipping level. There are two common measures. The (preferred) international standard is made in millivolts per pascal at 1 kHz. A higher value indicates greater sensitivity. The older American method is referred to a 1 V/Pa standard and measured in plain decibels, resulting in a negative value. Again, a higher value indicates greater sensitivity, so −60 dB is more sensitive than −70 dB.
Measurement microphones
Some microphones are intended for testing speakers, measuring noise levels and otherwise quantifying an acoustic experience. These are calibrated transducers and are usually supplied with a calibration certificate that states absolute sensitivity against frequency. The quality of measurement microphones is often referred to using the designations "Class 1," "Type 2" etc., which are references not to microphone specifications but to sound level meters. A more comprehensive standard for the description of measurement microphone performance was recently adopted.Measurement microphones are generally scalar sensors of pressure
Pressure
Pressure is the force per unit area applied in a direction perpendicular to the surface of an object. Gauge pressure is the pressure relative to the local atmospheric or ambient pressure.- Definition :...
; they exhibit an omnidirectional response, limited only by the scattering profile of their physical dimensions. Sound intensity
Sound intensity
Sound intensity or acoustic intensity is defined as the sound power Pac per unit area A. The usual context is the noise measurement of sound intensity in the air at a listener's location.-Acoustic intensity:...
or sound power measurements require pressure-gradient measurements, which are typically made using arrays of at least two microphones, or with hot-wire anemometers.
Microphone calibration
To take a scientific measurement with a microphone, its precise sensitivity must be known (in voltVolt
The volt is the SI derived unit for electric potential, electric potential difference, and electromotive force. The volt is named in honor of the Italian physicist Alessandro Volta , who invented the voltaic pile, possibly the first chemical battery.- Definition :A single volt is defined as the...
s per pascal
Pascal (unit)
The pascal is the SI derived unit of pressure, internal pressure, stress, Young's modulus and tensile strength, named after the French mathematician, physicist, inventor, writer, and philosopher Blaise Pascal. It is a measure of force per unit area, defined as one newton per square metre...
). Since this may change over the lifetime of the device, it is necessary to regularly calibrate
Calibration
Calibration is a comparison between measurements – one of known magnitude or correctness made or set with one device and another measurement made in as similar a way as possible with a second device....
measurement microphones. This service is offered by some microphone manufacturers and by independent certified testing labs. All microphone calibration
Measurement microphone calibration
In order to take a scientific measurement with a microphone, its precise sensitivity must be known . Since this may change over the lifetime of the device, it is necessary to regularly calibrate measurement microphones. This service is offered by some microphone manufacturers and by independent...
is ultimately traceable to primary standard
Primary standard
A primary standard in metrology is a standard that is accurate enough that it is not calibrated by or subordinate to other standards. Primary standards are defined via other quantities like length, mass and time. Primary standards are used to calibrate other standards referred to as working...
s at a national measurement institute such as NPL in the UK, PTB
Physikalisch-Technische Bundesanstalt
The Physikalisch-Technische Bundesanstalt is based in Braunschweig and Berlin. It is the national institute for natural and engineering sciences and the highest technical authority for metrology and physical safety engineering in Germany....
in Germany and NIST in the United States, which most commonly calibrate using the reciprocity primary standard. Measurement microphones calibrated using this method can then be used to calibrate other microphones using comparison calibration techniques.
Depending on the application, measurement microphones must be tested periodically (every year or several months, typically) and after any potentially damaging event, such as being dropped (most such microphones come in foam-padded cases to reduce this risk) or exposed to sounds beyond the acceptable level.
Microphone array and array microphones
A microphone array is any number of microphones operating in tandemTandem
Tandem is an arrangement where a team of machines, animals or people are lined up one behind another, all facing in the same direction....
. There are many applications:
- Systems for extracting voice input from ambient noiseAmbient noise levelIn atmospheric sounding and noise pollution, ambient noise level is the background sound pressure level at a given location, normally specified as a reference level to study a new intrusive sound source.Ambient sound levels are often measured in order to map sound conditions over a...
(notably telephoneTelephoneThe telephone , colloquially referred to as a phone, is a telecommunications device that transmits and receives sounds, usually the human voice. Telephones are a point-to-point communication system whose most basic function is to allow two people separated by large distances to talk to each other...
s, speech recognitionSpeech recognitionSpeech recognition converts spoken words to text. The term "voice recognition" is sometimes used to refer to recognition systems that must be trained to a particular speaker—as is the case for most desktop recognition software...
systems, hearing aidHearing aidA hearing aid is an electroacoustic device which typically fits in or behind the wearer's ear, and is designed to amplify and modulate sound for the wearer. Earlier devices, known as "ear trumpets" or "ear horns", were passive funnel-like amplification cones designed to gather sound energy and...
s) - Surround soundSurround soundSurround sound encompasses a range of techniques such as for enriching the sound reproduction quality of an audio source with audio channels reproduced via additional, discrete speakers. Surround sound is characterized by a listener location or sweet spot where the audio effects work best, and...
and related technologies - Locating objects by sound: acoustic source localizationAcoustic source localizationAcoustic source localization is the task of locating a sound source given measurements of the sound field. The sound field can be described using physical quantities like sound pressure and particle velocity. By measuring these properties it is possible to obtain a source...
, e.g., military use to locate the source(s) of artillery fire. Aircraft location and tracking. - High fidelityHigh fidelityHigh fidelity—or hi-fi—reproduction is a term used by home stereo listeners and home audio enthusiasts to refer to high-quality reproduction of sound or images, to distinguish it from the poorer quality sound produced by inexpensive audio equipment...
original recordings - 3D spatial beamformingBeamformingBeamforming is a signal processing technique used in sensor arrays for directional signal transmission or reception. This is achieved by combining elements in the array in a way where signals at particular angles experience constructive interference and while others experience destructive...
for localized acoustic detection of subcutaneous sounds
Typically, an array is made up of omnidirectional microphones distributed about the perimeter
Perimeter
A perimeter is a path that surrounds an area. The word comes from the Greek peri and meter . The term may be used either for the path or its length - it can be thought of as the length of the outline of a shape. The perimeter of a circular area is called circumference.- Practical uses :Calculating...
of a space, linked to a computer
Computer
A computer is a programmable machine designed to sequentially and automatically carry out a sequence of arithmetic or logical operations. The particular sequence of operations can be changed readily, allowing the computer to solve more than one kind of problem...
that records and interprets the results into a coherent form.
Microphone windscreens
WindscreensA microphone windscreen is sometimes called a wind gag, or dead cat or yeti. are used to protect microphones that would otherwise be buffeted by wind or vocal plosivesStop consonant
In phonetics, a plosive, also known as an occlusive or an oral stop, is a stop consonant in which the vocal tract is blocked so that all airflow ceases. The occlusion may be done with the tongue , lips , and &...
from consonants such as "P", "B", etc. Most microphones have an integral windscreen built around the microphone diaphragm. A screen of plastic, wire mesh or a metal cage is held at a distance from the microphone diaphragm, to shield it. This cage provides a first line of defense against the mechanical impact of objects or wind. Some microphones, such as the Shure SM58, may have an additional layer of foam inside the cage to further enhance the protective properties of the shield. One disadvantage of all windscreen types is that the microphone's high frequency response is attenuated by a small amount, depending on the density of the protective layer.
Beyond integral microphone windscreens, there are three broad classes of additional wind protection.
Microphone covers
Microphone covers are often made of soft open-cell polyester or polyurethane foam because of the inexpensive, disposable nature of the foam. Optional windscreens are often available from the manufacturer and third parties. A visible example of an optional accessory windscreen is the A2WS from Shure, one of which is fitted over each of the two Shure SM57 microphones used on the United States president's lectern. One disadvantage of polyurethane foam microphone covers is that they can deteriorate over time. Windscreens also tend to collect dirt and moisture in their open cells and must be cleaned to prevent high frequency loss, bad odor and unhealthy conditions for the person using the microphone. On the other hand, a major advantage of concert vocalist windscreens is that one can quickly change to a clean windscreen between users, reducing the chance of transferring germs. Windscreens of various colors can be used to distinguish one microphone from another on a busy, active stage.Pop filters
Pop filterPop filter
A pop filter or pop shield is an anti-pop noise protection filter for microphones, typically used in a recording studio. It serves to reduce or eliminate 'popping' sounds caused by the mechanical impact of fast moving air on the microphone during recorded speech and singing. It can also protect...
s or pop screens are used in controlled studio environments to minimize plosive
Stop consonant
In phonetics, a plosive, also known as an occlusive or an oral stop, is a stop consonant in which the vocal tract is blocked so that all airflow ceases. The occlusion may be done with the tongue , lips , and &...
s when recording. A typical pop filter is composed of one or more layers of acoustically transparent gauze
Gauze
Gauze is a thin, translucent fabric with a loose open weave.-Uses and types:Gauze was originally made of silk and was used for clothing. It is now used for many different things, including gauze sponges for medical purposes. When used as a medical dressing, gauze is generally made of cotton...
-like material, such as woven nylon (e.g. pantyhose
Pantyhose
Pantyhose are sheer, close-fitting legwear, covering the wearer's body from the waist to the feet. Mostly considered to be a woman's and girl's garment, pantyhose appeared in the 1960s, and they provided a convenient alternative to stockings...
) stretched over a circular frame and a clamp and a flexible mounting bracket to attach to the microphone stand
Microphone stand
A microphone stand is a free-standing mount for a microphone. It allows the microphone to be positioned in the studio, on stage or on location without requiring a person to hold it....
. The pop shield is placed between the vocalist and the microphone. The closer a vocalist brings his or her lips to the microphone, the greater the requirement for a Pop filter. Singers can be trained either to soften their plosives or direct the air blast away from the microphone, in which cases they don't need a pop filter.
Pop filters also keep spittle off the microphone. Most condenser microphones can be damaged by spittle.
Blimps
Blimps (also known as Zeppelins) are large, hollow windscreens used to surround microphones for outdoor location audio, such as nature recording, electronic news gatheringElectronic news gathering
ENG is a broadcasting industry acronym which stands for electronic news gathering. It can mean anything from a lone broadcast journalist reporter taking a single professional video camera out to shoot a story, to an entire television crew taking a production truck or satellite truck on location...
, and for film and video shoots. They can cut wind noise by as much as 25 dB, especially low-frequency noise. The blimp is essentially a hollow cage or basket with acoustically transparent material stretched over the outer frame. The blimp works by creating a volume of still air around the microphone. The microphone is often further isolated from the blimp by an elastic suspension inside the basket. This reduces wind vibrations and handling noise transmitted from the cage. To extend the range of wind speed conditions in which the blimp remains effective, many have the option of a secondary cover over the outer shell. This is usually an acoustically transparent, synthetic fur material with long, soft hairs. Common and slang names for this include "dead cat" or "windmuff". The hairs deaden the noise caused by the shock of wind hitting the blimp.
A synthetic fur cover can reduce wind noise by an additional 10 dB.
See also
- HydrophoneHydrophoneA hydrophone is a microphone designed to be used underwater for recording or listening to underwater sound. Most hydrophones are based on a piezoelectric transducer that generates electricity when subjected to a pressure change...
(microphone for underwater use) - GeophoneGeophoneThe term geophone derives from the Greek word "geo" meaning "earth" and "phone" meaning "sound".A geophone is a device which converts ground movement into voltage, which may be recorded at a recording station...
(microphone for use within the earth) - IonophoneIonophoneAn ionophone is a transducer for converting acoustic vibrations in plasma into an electrical signal, or for converting an electrical signal into acoustic vibrations in plasma. It can be used for "generation of subsonic or ultrasonic waves as well as a microphone or loudspeaker".Ionophones are to...
(plasma-based microphone) - Microphone connectorMicrophone connectorMany different electrical connectors have been used to connect microphones to audio equipment---including PA systems, radios, tape recorders, and numerous other devices.-TRS connectors:...
- Nominal impedanceNominal impedanceNominal impedance in electrical engineering and audio engineering refers to the approximate designed impedance of an electrical circuit or device...
- Shock mountShock mountIn a variety of applications, a shock mount is a mechanical fastener that connects two parts elastically.One common application is a studio microphone mount, in which the microphone is partially isolated from vibrations that might otherwise be better transmitted to the microphone through the mic...
- Microphone mount that suspends the microphone in elastic straps
External links
- Info, Pictures and Soundbytes from vintage microphones
- Microphone sensitivity conversion – dB re 1 V/Pa and transfer factor mV/Pa
- Searchable database of specs and component info from 1000+ microphones
- Microphone construction and basic placement advice
- History of the Microphone
- Large vs. Small Diaphragms in Omnidirectional Microphones
- Guide to Condenser Microphones
- Measurement/Engineering Grade Microphone Basics