Miniature (illuminated manuscript) - AbsoluteAstronomy.com

The word miniature, derived from the Latin

Latin

Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...

minium, red lead

Red lead

Lead tetroxide, also called minium, red lead or triplumbic tetroxide, is a bright red or orange crystalline or amorphous pigment. Chemically, red lead is lead tetroxide, Pb3O4, or 2PbO·PbO2....

, is a picture in an ancient

Ancient history

Ancient history is the study of the written past from the beginning of recorded human history to the Early Middle Ages. The span of recorded history is roughly 5,000 years, with Cuneiform script, the oldest discovered form of coherent writing, from the protoliterate period around the 30th century BC...

or medieval illuminated manuscript

Illuminated manuscript

An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...

; the simple decoration of the early codices

Codex

A codex is a book in the format used for modern books, with multiple quires or gatherings typically bound together and given a cover.Developed by the Romans from wooden writing tablets, its gradual replacement...

having been miniated or delineated with that pigment

Pigment

A pigment is a material that changes the color of reflected or transmitted light as the result of wavelength-selective absorption. This physical process differs from fluorescence, phosphorescence, and other forms of luminescence, in which a material emits light.Many materials selectively absorb...

. The generally small scale of the medieval pictures has led secondly to an etymological confusion of the term with minuteness and to its application to small paintings especially portrait miniature

Portrait miniature

A portrait miniature is a miniature portrait painting, usually executed in gouache, watercolour, or enamel.Portrait miniatures began to flourish in 16th century Europe and the art was practiced during the 17th century and 18th century...

s, which did however grow from the same tradition and at least initially use similar techniques.

Apart from the Western and Byzantine

Byzantine art

Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....

traditions, there is another group of Asia

Asia

Asia is the world's largest and most populous continent, located primarily in the eastern and northern hemispheres. It covers 8.7% of the Earth's total surface area and with approximately 3.879 billion people, it hosts 60% of the world's current human population...

n traditions, which is generally more illustrative in nature, and from origins in manuscript book decoration also developed into single-sheet small paintings to be kept in albums, which are also called miniatures, as the Western equivalents in watercolor

Watercolor painting

Watercolor or watercolour , also aquarelle from French, is a painting method. A watercolor is the medium or the resulting artwork in which the paints are made of pigments suspended in a water-soluble vehicle...

and other mediums are not. These include Persian miniature

Persian miniature

A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...

s, and their Mughal

Mughal painting

Mughal painting is a particular style of South Asian painting, generally confined to miniatures either as book illustrations or as single works to be kept in albums, which emerged from Persian miniature painting, with Indian Hindu, Jain, and Buddhist influences, and developed largely in the court...

, Ottoman

Ottoman miniature

Ottoman Miniature or Turkish miniature was an art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman Book Arts together with illumination , calligraphy , marbling paper and bookbinding...

and other Indian offshoots.

Italy and Byzantium, 3rd–6th centuries

The earliest extant miniatures are a series of colored drawings or miniatures cut from the Ambrosian Iliad

Ambrosian Iliad

The Ambrosian Iliad or Ilia Picta is a 5th century illuminated manuscript on vellum of the Iliad of Homer. It is thought to have been produced in Constantinople during the late 5th or early 6th century AD, specifically between 493 and 508...

, an illustrated manuscript of the Iliad
Iliad
The Iliad is an epic poem in dactylic hexameters, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles...

from the 3rd century. They are similar in style and treatment with the pictorial art of the later Roman

Ancient Rome

Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....

classical period

Classical antiquity

Classical antiquity is a broad term for a long period of cultural history centered on the Mediterranean Sea, comprising the interlocking civilizations of ancient Greece and ancient Rome, collectively known as the Greco-Roman world...

. In these pictures there is a considerable variety in the quality of the drawing, but there are many notable instances of fine figure-drawing, quite classical in sentiment, showing that the earlier art still exercised its influence. Such indications, too, of landscape as are to be found are of the classical type, not conventional in the sense of medieval conventionalism, but still attempting to follow nature, even if in an imperfect fashion; just as in the Pompeian and other fresco

Fresco

Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...

es of the Roman age.

Of even greater value from an artistic point of view are the miniatures of the Vatican

Vatican City

Vatican City , or Vatican City State, in Italian officially Stato della Città del Vaticano , which translates literally as State of the City of the Vatican, is a landlocked sovereign city-state whose territory consists of a walled enclave within the city of Rome, Italy. It has an area of...

manuscript of Virgil

Virgil

Publius Vergilius Maro, usually called Virgil or Vergil in English , was an ancient Roman poet of the Augustan period. He is known for three major works of Latin literature, the Eclogues , the Georgics, and the epic Aeneid...

, known as the Vergilius Vaticanus

Vergilius Vaticanus

The Vergilius Vaticanus is a manuscript containing fragments of Virgil's Aeneid and Georgics made in Rome in about 400. It is one of the oldest surviving sources for the text of the Aeneid and is the oldest and one of only three illustrated manuscript of classical literature...

, of the early 5th century. They are in a more perfect condition and on a larger scale than the Ambrosian fragments, and they therefore offer better opportunity for examining method and technique. The drawing is quite classical in style, and the idea is conveyed that the miniatures are direct copies from an older series. The colors are opaque: indeed, in all the miniatures of early manuscripts the employment of body color was universal. The method followed in placing the different scenes on the page is highly instructive of the practice followed, as we may presume, by the artists of the early centuries. It seems that the background of the scene was first painted in full, covering the whole surface of the page; then, over this background were painted the larger figures and objects; and over these again the smaller details in front of them were superimposed. (The painter's algorithm

Painter's algorithm

The painter's algorithm, also known as a priority fill, is one of the simplest solutions to the visibility problem in 3D computer graphics...

.) Again, for the purpose of securing something like perspective

Perspective (graphical)

Perspective in the graphic arts, such as drawing, is an approximate representation, on a flat surface , of an image as it is seen by the eye...

, an arrangement of horizontal zones was adopted, the upper ones containing figures on a smaller scale than those below.

It was reserved for the Byzantine

Byzantine art

Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....

school to break away more decidedly from the natural presentment of things and to develop artistic conventions. Yet in the best early examples of this school the classical sentiment still lingers, as the relics of the miniatures of the Cotton Genesis

Cotton Genesis

The Cotton Genesis is a 4th- or 5th-century Greek Illuminated manuscript copy of the Book of Genesis. It was a luxury manuscript with many miniatures. It is one of the oldest illustrated biblical codices to survive to the modern period...

, and the best of the miniatures of the Vienna Dioscurides

Vienna Dioscurides

The Vienna Dioscurides or Vienna Dioscorides is an early 6th century illuminated manuscript of De Materia Medica by Dioscorides in Greek. It is an important and rare example of a late antique scientific text...

testify; and in the miniatures of the later Byzantine manuscripts, which were copied from earlier examples, the reproduction of the models is faithful. But on comparing the miniatures of the Byzantine school generally with their classical predecessors, one has a sense of having passed from the open air into the cloister

Cloister

A cloister is a rectangular open space surrounded by covered walks or open galleries, with open arcades on the inner side, running along the walls of buildings and forming a quadrangle or garth...

. Under the restraint of ecclesiastical domination Byzantine art became more and more stereotyped and conventional. The tendency grows to paint the flesh-tints in swarthy hues, to elongate and emaciate the limbs, and to stiffen the gait. Browns, blue-greys and neutral tints are in favor. Here we first find the technical treatment of flesh-painting which afterwards became the special practice of Italian miniaturists, namely the laying on of the actual flesh-tints over a ground of olive, green or other dark hue. Landscape, such as it was, soon became quite conventional, setting the example for that remarkable absence of the true representation of nature which is such a striking attribute of the miniatures of the Middle Ages

Middle Ages

The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...

.

And yet, while the ascetic treatment of the miniatures obtained so strongly in Byzantine art, at the same time the Oriental sense of splendour shows itself in the brilliancy of much of the coloring and in the lavish employment of gold. In the miniatures of Byzantine manuscripts. are first seen those backgrounds of bright gold which afterwards appear in such profusion in the productions of every western school of painting.

The influence of Byzantine art

Byzantine art

Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....

on that of medieval Italy

Italy

Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

is obvious. The early mosaic

Mosaic

Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...

s in the churches of Italy, such as those at Ravenna

Ravenna

Ravenna is the capital city of the Province of Ravenna in the Emilia-Romagna region of Italy and the second largest comune in Italy by land area, although, at , it is little more than half the size of the largest comune, Rome...

and Venice

Venice

Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...

, also afford examples of the dominating Byzantine influence. But the early Middle Ages provide but few landmarks to guide the student; and it is only when he emerges into the 12th century, with its frescoes and miniatures still bearing the impress of the Byzantine tradition, that he can be satisfied that the connection has always existed during the intervening centuries.

Northwest Europe, 8th–12th centuries

In the native schools of illumination of Western Europe, decoration only was the leading motive. In the manuscripts of the Merovingian period, in the school which connected Frankland and northern Italy, and which is known as Lombardic

Lombards

The Lombards , also referred to as Longobards, were a Germanic tribe of Scandinavian origin, who from 568 to 774 ruled a Kingdom in Italy...

or Franco-Lombardic, in the manuscripts of Spain

Spain

Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...

, in the productions of the Insular art

Insular art

Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Great Britain. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe...

of the British Isles

British Isles

The British Isles are a group of islands off the northwest coast of continental Europe that include the islands of Great Britain and Ireland and over six thousand smaller isles. There are two sovereign states located on the islands: the United Kingdom of Great Britain and Northern Ireland and...

, figure-drawing was scarcely known, serving rather as a feature of decoration than as a representation of the human form.

The Anglo-Saxon

Anglo-Saxon art

Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...

school, developed especially at Canterbury

Canterbury

Canterbury is a historic English cathedral city, which lies at the heart of the City of Canterbury, a district of Kent in South East England. It lies on the River Stour....

and Winchester

Winchester

Winchester is a historic cathedral city and former capital city of England. It is the county town of Hampshire, in South East England. The city lies at the heart of the wider City of Winchester, a local government district, and is located at the western end of the South Downs, along the course of...

, which probably derived its characteristic free-hand drawing from classical Roman models, scarcely influenced by the Byzantine element. The highest qualities of the miniatures of the 10th and 11th century of this school lie in fine outline drawing, which had a lasting influence on the English miniature of the later centuries. But the southern Anglo-Saxon school rather stands apart from the general line of development of the western medieval miniature.

Under the Carolingian

Carolingian

The Carolingian dynasty was a Frankish noble family with origins in the Arnulfing and Pippinid clans of the 7th century AD. The name "Carolingian", Medieval Latin karolingi, an altered form of an unattested Old High German *karling, kerling The Carolingian dynasty (known variously as the...

monarchs there developed a school of painting derived from classical models, chiefly of the Byzantine type. In this school, which owed its origin to the encouragement of Charlemagne

Charlemagne

Charlemagne was King of the Franks from 768 and Emperor of the Romans from 800 to his death in 814. He expanded the Frankish kingdom into an empire that incorporated much of Western and Central Europe. During his reign, he conquered Italy and was crowned by Pope Leo III on 25 December 800...

, it is seen that the miniature appears in two forms. First, there is the truly conventional miniature following the Byzantine model, the subjects being generally the portraits of the Four Evangelists

Four Evangelists

In Christian tradition the Four Evangelists are Matthew, Mark, Luke, and John, the authors attributed with the creation of the four Gospel accounts in the New Testament that bear the following titles:*Gospel according to Matthew*Gospel according to Mark...

, or portraits of the emperors themselves: the figures formal; the pages brilliantly colored and gilded, generally set in architectural surroundings of a fixed type, and devoid of landscape in the real sense of the word. Accompanied as it was with profuse decoration in border and initial, it set the pattern for the later Continental schools of the West. On the other hand, there is also the miniature in which there is an attempt at illustration, as, for example, the depicting of scenes from the Bible

Bible

The Bible refers to any one of the collections of the primary religious texts of Judaism and Christianity. There is no common version of the Bible, as the individual books , their contents and their order vary among denominations...

. Here there is more freedom; and we trace the classical style which copies Roman, as distinguished from Byzantine, models.

The influence which the Carolingian school exercised on the miniatures of the southern Anglo-Saxon artists shows itself in the extended use of body-color and in the more elaborate employment of gold in the decoration. Such a manuscript as the Benedictional of St. Æthelwold

Benedictional of St. Æthelwold

The Benedictional of St. Æthelwold is a 10th century illuminated benedictional, the most important surviving work of the Anglo-Saxon Winchester School of illumination...

, bishop of Winchester

Bishop of Winchester

The Bishop of Winchester is the head of the Church of England diocese of Winchester, with his cathedra at Winchester Cathedral in Hampshire.The bishop is one of five Church of England bishops to be among the Lords Spiritual regardless of their length of service. His diocese is one of the oldest and...

, 963 to 984, with its series of miniatures drawn in the native style but painted in opaque pigments, exhibits the influence of the foreign art. But the actual drawing remained essentially national, marked by its own treatment of the human figure and by the disposition of the drapery with fluttering folds. The style was refined, tending to exaggeration and disproportion of the limbs. With the Norman Conquest this remarkable native school died.

With the awakening of art in the 12th century the decoration of manuscripts received a powerful impulse. The artists of the time excelled in the border and the initial, but in the miniature also there was vigorous drawing, with bold sweeping lines and careful study of the draperies. The artists grew more practised in figure-drawing, and while there was still the tendency to repeat the same subjects in the same conventional manner, individual effort produced in this century many miniatures of a very noble character.

The Norman Conquest had brought England directly within the fold of Continental art; and now began that grouping of the French and the English and the Flemish

Flanders

Flanders is the community of the Flemings but also one of the institutions in Belgium, and a geographical region located in parts of present-day Belgium, France and the Netherlands. "Flanders" can also refer to the northern part of Belgium that contains Brussels, Bruges, Ghent and Antwerp...

schools, which, fostered by growing intercourse and moved by common impulses, resulted in the magnificent productions of the illuminators of north-western Europe from the latter part of the 12th century onwards.

But of natural landscape there is nothing, unless rocks and trees of a stereotyped character can be so regarded. Hence the background of the miniature of the 12th and immediately succeeding centuries became the field for decoration to throw into stronger relief the figures in the scene. And thus arose the practice of filling in the entire space with a sheet of gold, often burnished: a brilliant method of ornament which we have already seen practised in the Byzantine school. We have also to notice the conventional treatment of the sacred figures, which continue henceforward, from a sense of veneration, to be clad in the traditional robes of the early centuries, while the other figures of the scene wear the ordinary dress of the period.

Northwest Europe, 13th–15th centuries

Entering the 13th century, we reach the period when the miniature may be said to justify the modern false etymology which has connected the title with minuteness. The broad, bold style of the 12th century gives place to the precise and minute. Books in general exchanged their form from the large folio

Book size

The size of a book is generally measured by the height against the width of a leaf, or sometimes the height and width of its cover. A series of terms is commonly used by libraries and publishers for the general sizes of modern books, ranging from "folio" , to "quarto" and "octavo"...

to the octavo

Octavo

Octavo to is a technical term describing the format of a book.Octavo may also refer to:* Octavo is a grimoire in the Discworld series by Terry Pratchett...

and smaller sizes. There was a greater demand for books; and vellum

Vellum

Vellum is mammal skin prepared for writing or printing on, to produce single pages, scrolls, codices or books. It is generally smooth and durable, although there are great variations depending on preparation, the quality of the skin and the type of animal used...

was limited in quantity and had to go further. Handwriting grew smaller and lost the roundness of the 12th century. Contractions and abbreviations in the texts largely increased in number. Everywhere there is an effort to save space. And so with the miniature. Figures were small, with delicate strokes in the features and with neat slim bodies and limbs. The backgrounds blaze with color and burnished gold; and delicate diaper patterns of alternate gold and color abound. Frequently, and especially in English manuscripts, the drawings are merely tinted or washed with transparent colors. In this century, too, the miniature invades the initial. Whereas in the earlier periods bold flowering scrolls are the fashion, now a little scene is introduced into the blank spaces of the letter.

To compare the work of the three schools, the drawing of the English miniature, at its best, is perhaps the most graceful; the French is the neatest and the most accurate; the Flemish, including that of western Germany, is less refined and in harder and stronger lines. As to colors, the English artist affects rather lighter tints than those of the other schools: a partiality is to be observed for light green, for grey-blue, and for lake. The French artist loved deeper shades, especially ultramarine. The Fleming and the German painted, as a rule, in less pure colors and inclined to heaviness. A noticeable feature in French manuscripts is the red or copper-hued gold used in their illuminations, in strong contrast to the paler metal of England and the Low Countries.

It is remarkable how the art of the miniature throughout the 13th century maintains its high quality both in drawing and color without any very striking change. Throughout the century the Bible

Bible

and the Psalter

Psalter

A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were...

were in favor; and naturally the same subjects and the same scenes ran through the period and were repeated by artist after artist; and the very character of those sacred books would tend to restrain innovation. But towards the close of the period such secular works as the romances were growing in popularity, and afforded a wider field for the invention of the illustrating artist. Therefore with the opening of the 14th century a palpable change of style supervenes. We pass to more flowing lines; not to the bold sweeping strokes and curves of the 12th century, but to a graceful, delicate, yielding style which produced the beautiful swaying figures of the period. In fact the miniature now begins to free itself from the role of an integral member of the decorative scheme of illumination and to develop into the picture, depending on its own artistic merit for the position it is to hold in the future. This is shown by the more prominent place that the miniature now assumes, and by its growing independence of the decorative border and initial.

But, at the same time, while the miniature of the 14th century thus strives to dissociate itself from the rest of the illuminated details of the manuscript, within itself it flourishes in decoration. Besides the greater elasticity of the figuredrawing, there is a parallel development in the designs of the backgrounds. The diapers become more elaborate and more brilliant; the beauty of the burnished gold is enhanced by the stippled patterns which are frequently worked upon it; the gothic canopies and other architectural features which it became the practice to introduce naturally followed the development of the architecture of the period. In a word, the great expansion of artistic sentiment in decoration of the best type, which is so prominent in the higher work of the 14th century, is equally conspicuous in the illuminated miniature.

In the early part of the century, English drawing is very graceful, the figures bending with a waving movement which, if they were not so simple, would be an affectation. Both in the outline specimens, washed with transparent color, and in the fully. painted examples, the best English work of this time is unsurpassed. French art still maintains its neat precision, the colors more vivid than those of England and the faces delicately indicated without much modelling. The productions of the Low Countries, still keeping to the heavier style of drawing, appear coarse beside the works of the other schools. Nor does German miniature art of this period hold a high position, being generally mechanical and of a rustic character. As time advances the French miniature almost monopolizes the field, excelling in brilliancy of coloring, but losing much of its purity of drawing although the general standard still remains high. The English school gradually retrogrades and, owing no doubt to political causes and to the wars with France, appears to have produced no work of much value. It is only towards the end of the century that there is a revival.

This revival has been attributed to a connection with the flourishing school of Prague

Prague

Prague is the capital and largest city of the Czech Republic. Situated in the north-west of the country on the Vltava river, the city is home to about 1.3 million people, while its metropolitan area is estimated to have a population of over 2.3 million...

, a school which in the scheme of coloring suggests a southern influencefollowing on the marriage of Richard II

Richard II of England

Richard II was King of England, a member of the House of Plantagenet and the last of its main-line kings. He ruled from 1377 until he was deposed in 1399. Richard was a son of Edward, the Black Prince, and was born during the reign of his grandfather, Edward III...

with Anne of Bohemia

Anne of Bohemia

Anne of Bohemia was Queen of England as the first wife of King Richard II. A member of the House of Luxembourg, she was the eldest daughter of Charles IV, Holy Roman Emperor, and Elizabeth of Pomerania....

in 1382. The new style of English miniature painting is distinguished by richness of color, and by the careful modelling of the faces, which compares favorably with the slighter treatment by the contemporary French artists. Similar attention to the features also marks the northern Flemish or Dutch school at this period and in the early 15th century; and it may therefore be regarded as an attribute of Germanic art as distinguished from the French style.

The promise of the new development in English miniature painting, however, was not to be fulfilled. In the first quarter of the 15th century, examples of great merit were produced, but at a standstill in drawing and fettered by medieval convention. The native art practically came to a close about the middle of the century, just when the better appreciation of nature was breaking down the old conventional representation of landscape in European art, and was transforming the miniature into the modern picture. Whatever miniature painting was to be produced in England after that time was to be the work of foreign artists or of artists imitating a foreign style. The condition of the country during the Wars of the Roses

Wars of the Roses

The Wars of the Roses were a series of dynastic civil wars for the throne of England fought between supporters of two rival branches of the royal House of Plantagenet: the houses of Lancaster and York...

sufficiently accounts for the abandonment of art. Thus the history of the miniature in the 15th century must be sought in the manuscripts of the Continental schools.

First we have to consider northern France and the Low Countries. As it passes out of the 14th and enters the 15th century, the miniature of both schools begins to exhibit greater freedom in composition; and there is a further tendency to aim rather at general effect by the coloring than neatness in drawing. This was encouraged by the wider field opened to the miniaturist. Books of all kinds were illustrated, and sacred books, Bible

Bible

s and Psalter

Psalter

s and liturgical book

Liturgical book

A liturgical book is a book published by the authority of a church, that contains the text and directions for the liturgy of its official religious services.-Roman Catholic:...

s, were no longer the chief, if not the only, manuscripts which were illuminated. And yet there was one class of manuscript which came into the greatest prominence and which was at the same time liturgical. This was the Horae, or Book of Hours

Book of Hours

The book of hours was a devotional book popular in the later Middle Ages. It is the most common type of surviving medieval illuminated manuscript. Like every manuscript, each manuscript book of hours is unique in one way or another, but most contain a similar collection of texts, prayers and...

, devotional books for individual use, which were multiplied in vast numbers and contained some of the finest work of the miniaturists. The decoration of these little volumes escaped in great measure from the conventional restraints which their religious character might have imposed. Furthermore, the demand for illuminated manuscripts had by this time established a regular trade; and their production was not confined, as formerly, to the cloister. Notable secular illuminated manuscript artists include Master Honoré

Master Honoré

Master Honoré was a Parisian secular artist who produced Gothic-era illuminated manuscripts for the French monarchy, particularly Philip the Fair. He is considered sculptural in the design of his figures, even capturing the light as it plays on their bodies...

of the Paraisan school.

Early in the century the old conventional treatment of landscape still held its own; nor did the diapered and gilded background pass out of use. Indeed, in some of the finest French specimens of the time the diapered patterns are more brilliant than ever. But natural scenery in the second quarter of the century asserts itself more decidedly, although with faults in perspective. It was not until another generation had arisen that there was a true appreciation of the horizon and of atmospheric effect.

The miniatures of the French and Flemish schools run fairly parallel for a time, but after the middle of the century national characteristics become more marked and divergent. The French miniature began to deteriorate, though some very fine examples were produced by the more gifted artists of the school. The figure-drawing was more careless, and the painting tended to hardness without depth, which the artist endeavoured to relieve by an excess of gilt shading.

The Flemish school in the latter part of the 15th century attained to its highest excellence. The Flemish miniature affected extreme softness and depth of color; also an ever-increasing carefulness in the treatment of details, of the draperies, of the expression of the features: the Flemish type of the Virgin's face, for example, with its full, high forehead, can never be mistaken. In the best Flemish miniatures of the period the artist succeeds in presenting a wonderful softness and glow of color; nor did the high standard cease with the 15th century, for many excellent specimens still remain to attest the favor in which it was held for a few decades longer.

In the foregoing remarks what has been said in regard to the careful treatment of details applies still more to the miniatures executed in grisaille

Grisaille

Grisaille is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider colour range, like the Andrea del Sarto fresco...

, in which the absence of color invited an even stronger accentuation of that treatment. This is perhaps most observable in the grisaille miniatures of northern Flanders

Flanders

, which often suggest, particularly in the strong angular lines of the draperies, a connection with the art of the wood engraver.

Italy, 13th–15th centuries

The Flemish miniature did not, however, hold the favor of western Europe without a rival. That rival had arisen in the south, and had come to perfection concurrently with the miniature of the Low Countries in the 15th century. This was the Italian miniature, which passed through the same stages as the miniatures of England and France and the Low Countries. Intercommunication between the countries of Europe was too well established for the case to be otherwise. In Italian manuscripts of the normal type the influence of Byzantine art is very manifest during the 13th and 14th centuries. The old system of painting the flesh tints upon olive green or some similar pigment, which is left exposed on the lines of the features, thus obtaining a swarthy complexion, continued to be practised in a more or less modified form into the 15th century. As a rule, the pigments used are more opaque than those employed in the northern schools; and the artist trusted more to color alone to obtain the desired effect than to the mixture of color and gold which gave such brilliant results in the diapered patterns of France. The vivid scarlet of the Italian miniaturists is peculiarly their own. The figure-drawing is less realistic than the contemporary art of English and French manuscripts, the human form being often thick-set. In general, the Italian miniature, before its great expansion in the 14th century, is far behind the miniatures of the north. But with the 15th century, under the influence of the Renaissance

Renaissance

The Renaissance was a cultural movement that spanned roughly the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe. The term is also used more loosely to refer to the historical era, but since the changes of the Renaissance were not...

, it advanced into the front rank and rivalled the best work of the Flemish school. The use of thicker pigments enabled the miniaturist to obtain the hard and polished surface so characteristic of his work, and to maintain sharpness of outline, without losing the depth and richness of color which compare with the same qualities in the Flemish school.

The Italian style was followed in the manuscripts of Provence

Provence

Provence ; Provençal: Provença in classical norm or Prouvènço in Mistralian norm) is a region of south eastern France on the Mediterranean adjacent to Italy. It is part of the administrative région of Provence-Alpes-Côte d'Azur...

in the 14th and 15th centuries. It had its effect, too, on the school of northern France, by which it was also influenced in turn. In the manuscripts of southern Germany it is also in evidence. But the principles which have been reviewed as guiding the development of the miniature in the more important schools apply equally to all. Like the miniature of the Flemish school, the Italian miniature was still worked to some extent with success, under special patronage, even in the 16th century; but with the rapid displacement of the manuscript by the printed book

Printing

Printing is a process for reproducing text and image, typically with ink on paper using a printing press. It is often carried out as a large-scale industrial process, and is an essential part of publishing and transaction printing....

the miniaturist's occupation was brought to a close.

Persia

Persian art has a long tradition of the use of miniatures.

Reza Abbasi

Reza Abbasi

Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, رضا عباسی in Persian, usually "Riza" or Reza Abbasi also Aqa Riza or Āqā Riżā Kāshānī was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I...

(1565–1635), considered one of the most renowned Persian painters of all time, specialized in the Persian miniature, with a preference for naturalistic subjects. Today his surviving works can be found in many of the major museums of the Western world

Western world

The Western world, also known as the West and the Occident , is a term referring to the countries of Western Europe , the countries of the Americas, as well all countries of Northern and Central Europe, Australia and New Zealand...

, such as the Smithsonian, the Louvre

Louvre

The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...

and the Metropolitan Museum of Art

Metropolitan Museum of Art

The Metropolitan Museum of Art is a renowned art museum in New York City. Its permanent collection contains more than two million works, divided into nineteen curatorial departments. The main building, located on the eastern edge of Central Park along Manhattan's Museum Mile, is one of the...

Mughal miniatures

Mughal painting, generally confined to miniatures either as book illustrations or as single works to be kept in albums, emerged from the Persian miniature painting tradition, with Indian influences, and developed during the period of the Mughal Empire

Mughal Empire

The Mughal Empire ,‎ or Mogul Empire in traditional English usage, was an imperial power from the Indian Subcontinent. The Mughal emperors were descendants of the Timurids...

(16th -19th centuries).Mughal miniatures are very detailed and very fine in quality. Padshanama is important book of the Mughal miniature Painting

Ottoman Empire

Forgeries

Medieval miniatures have been forged to deceive collectors by various persons most notably including the Spanish Forger

Spanish Forger

The Spanish Forger is the name given to an unidentified individual who, in the late 19th to early 20th century, created a large number of forgeries of medieval miniatures....

External links

Digital Scriptorium
The Illuminated Middle Ages. Several hundred digitized illuminated texts from French national library collections. (commercial)
Unlocking the Secrets of Medieval Painters and Illuminators
Central Asian miniature painting
Armenian miniatures (photos)

The source of this article is wikipedia, the free encyclopedia. The text of this article is licensed under the GFDL.

Italy and Byzantium, 3rd–6th centuries

Northwest Europe, 8th–12th centuries

Northwest Europe, 13th–15th centuries

Italy, 13th–15th centuries

Persia

Mughal miniatures

Ottoman Empire

Forgeries

See also

19th Century Revival

External links