Norman Scott (bass)
Encyclopedia
Norman Scott was an American opera
tic bass
. He had a long and fruitful association with the Metropolitan Opera
in New York City from 1951 up until his death seventeen years later. His repertoire at the Met included well over 50 roles, and he gave a total of 927 performances at the house during his career. A talented actor with an excellent sense of comic timing, Scott excelled in playing secondary characters that were often humorous in nature. Although initially a comprimario
singer, Scott was eventually given opportunities to tackle larger leading roles at the Met, and he spent much of his career at that house going back and forth between leading and secondary roles. Although Scott spent the majority of his career at the Met, he did occasionally perform with other opera companies both in the United States and abroad. A major personal triumph came in 1953 when he sang the title role in Béla Bartók
's Bluebeard's Castle
at the Holland Festival
.
before deciding to pursue a singing career. His opera career was stalled due to World War II, during which time he served as a lieutenant in the United States Navy
in the South Pacific
.
Soon after returning to the United States, Scott made his professional opera debut with Boris Goldovsky
's New England Opera Theater
in Boston. Other engagements soon followed at the Chautauqua Opera
, New Orleans Opera
, Pittsburgh Opera
, and the Gran Teatro De La Havana. In 1948 he was invited by Laszlo Halasz
to join the roster of singers at the New York City Opera
. He became a favorite at that house in smaller comic roles, singing there for the next three seasons.
Scott's popularity among New York audiences led to his being offered a contract by Rudolf Bing to join the roster of singers at the Metropolitan Opera
. He accepted, making his debut with the company as Monterone in Guiseppe Verdi's Rigoletto
on November 15, 1951 with Leonard Warren
in the title role, Richard Tucker
as the Duke of Mantua, Hilde Güden as Gilda, and Alberto Erede
conducting. He remained at the Met for the rest of his career, initially singing mainly comprimario
roles and then later being given larger leading parts. Some of his more important roles at the Met included Colline in La Bohème
, Daland in The Flying Dutchman
, both The King of Egypt and Ramfis in Aida
, Méphistophélès in Faust
, Pimen in Boris Godunov
, Raimondo in Lucia di Lammermoor
, and Sarastro in The Magic Flute
. He notably sang supporting roles in the world premiere of Samuel Barber
's Antony and Cleopatra
and the United States premieres of Gian Carlo Menotti
's The Last Savage
and Igor Stravinsky
's The Rake's Progress
. His last appearance at the Met was as Abimélech in Samson et Dalila with James McCracken
as Samson, Sandra Warfield
as Dalila, and conductor Jean Morel on June 29, 1968.
While singing at the Met, Scott also occasionally worked as a guest artist both in the United States and abroad. In 1950 he toured the United States with Sarah Caldwell
's American National Opera Company. In 1952 he made his debut with the Philadelphia La Scala Opera Company
as Méphistophélès in Charles Gounod
's Faust
. In 1953 he sang title role in Béla Bartók
's Bluebeard's Castle
at the Holland Festival
. In 1956 he made his debut with the Vienna State Opera
. In 1957 he sang the role of Ramfis with the Philadelphia Grand Opera Company
and in 1960 he gave his first performance with the Philadelphia Lyric Opera Company
as Sparafucile in Rigoletto. He also appeared in two operas at the Teatro Colón in Buenos Aires
in 1960: the role of Alvise in La Gioconda
and the role of Padre Guardiano in La forza del destino
. Scott also sang in a number of operas and concerts in Germany, England, and Holland during his career.
Scott died in 1968 at the age of 47 after a brief illness at the Beth Israel Medical Center
.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic bass
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...
. He had a long and fruitful association with the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
in New York City from 1951 up until his death seventeen years later. His repertoire at the Met included well over 50 roles, and he gave a total of 927 performances at the house during his career. A talented actor with an excellent sense of comic timing, Scott excelled in playing secondary characters that were often humorous in nature. Although initially a comprimario
Comprimario
A Comprimario is a supporting role in an opera. Derived from the Italian "con primario", or "with the primary", the term refers to a performer who sings small role pieces....
singer, Scott was eventually given opportunities to tackle larger leading roles at the Met, and he spent much of his career at that house going back and forth between leading and secondary roles. Although Scott spent the majority of his career at the Met, he did occasionally perform with other opera companies both in the United States and abroad. A major personal triumph came in 1953 when he sang the title role in Béla Bartók
Béla Bartók
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
's Bluebeard's Castle
Bluebeard's Castle
Duke Bluebeard's Castle is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer. It is in Hungarian, based on the French fairy tale "Bluebeard" by Charles Perrault...
at the Holland Festival
Holland Festival
The Holland Festival is The Netherlands' oldest and largest performing arts festival, and takes place every June in Amsterdam. It comprises theater, music, opera and modern dance. In recent years, multimedia, visual arts, film and architecture were added to the festival roster...
.
Biography
Born in New York to parents of Russian origin, Scott studied business administration at the City College of New YorkCity College of New York
The City College of the City University of New York is a senior college of the City University of New York , in New York City. It is also the oldest of the City University's twenty-three institutions of higher learning...
before deciding to pursue a singing career. His opera career was stalled due to World War II, during which time he served as a lieutenant in the United States Navy
United States Navy
The United States Navy is the naval warfare service branch of the United States Armed Forces and one of the seven uniformed services of the United States. The U.S. Navy is the largest in the world; its battle fleet tonnage is greater than that of the next 13 largest navies combined. The U.S...
in the South Pacific
South West Pacific theatre of World War II
The South West Pacific Theatre, technically the South West Pacific Area, between 1942 and 1945, was one of two designated area commands and war theatres enumerated by the Combined Chiefs of Staff of World War II in the Pacific region....
.
Soon after returning to the United States, Scott made his professional opera debut with Boris Goldovsky
Boris Goldovsky
Boris Goldovsky was a Russian conductor and broadcast commentator, active in the United States. He has been called an important "popularizer" of opera in America...
's New England Opera Theater
New England Opera Theater
The New England Opera Theatre was an American opera company that was active from 1945 to 1985. Founded by Boris Goldovsky in January 1945, the company was originally based in Boston, Massachusetts. It was initially established under the sponsorship of the New England Conservatory as a training...
in Boston. Other engagements soon followed at the Chautauqua Opera
Chautauqua Opera
The Chautauqua Opera is the resident summer opera company of the Chautauqua Institution. It is the oldest continuously active summer opera company in the U.S, having been founded in 1929, and it has produced several operas during the Institution's nine-week summer season every year since...
, New Orleans Opera
New Orleans Opera
Opera has long been part of the musical culture of New Orleans, Louisiana. Operas have regularly been performed in the city since the 1790s, and for the majority of the city's history since the early 19th century, New Orleans has had a resident company regularly performing opera in addition to...
, Pittsburgh Opera
Pittsburgh Opera
Pittsburgh Opera is an American opera company based in Pittsburgh, Pennsylvania. It is one of two opera companies in the city, the other being Opera Theatre of Pittsburgh. Pittsburgh Opera gives performances in several venues, primarily at the Benedum Center, with other performances at the...
, and the Gran Teatro De La Havana. In 1948 he was invited by Laszlo Halasz
Laszlo Halasz
Laszlo Halasz was an American opera director, conductor, and pianist of Hungarian birth. In 1943 he was appointed the first director of the New York City Opera; a position he held through 1951...
to join the roster of singers at the New York City Opera
New York City Opera
The New York City Opera is an American opera company located in New York City.The company, called "the people's opera" by New York Mayor Fiorello La Guardia, was founded in 1943 with the aim of making opera financially accessible to a wide audience, producing an innovative choice of repertory, and...
. He became a favorite at that house in smaller comic roles, singing there for the next three seasons.
Scott's popularity among New York audiences led to his being offered a contract by Rudolf Bing to join the roster of singers at the Metropolitan Opera
Metropolitan Opera
The Metropolitan Opera is an opera company, located in New York City. Originally founded in 1880, the company gave its first performance on October 22, 1883. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager...
. He accepted, making his debut with the company as Monterone in Guiseppe Verdi's Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
on November 15, 1951 with Leonard Warren
Leonard Warren
Leonard Warren was a famous American opera singer. A baritone, he was a leading artist for many years with the Metropolitan Opera in New York.-Biography:...
in the title role, Richard Tucker
Richard Tucker
Richard Tucker was an American operatic tenor.-Early life:Tucker was born Rivn Ticker in Brooklyn, New York, into a family of Romanian immigrants from Bessarabia. His father, Shmul Ticker, and mother Fanya-Tsipa Ticker had already adopted the surname "Tucker" by the time their son entered first...
as the Duke of Mantua, Hilde Güden as Gilda, and Alberto Erede
Alberto Erede
Alberto Erede was an Italian conductor, particularly associated with operatic work.Born in Genoa, Erede studied there before studying in Milan, then with Felix Weingartner at Basle, and after this with Fritz Busch at Dresden. He made his debut in Turin in 1935, conducting Der Ring des Nibelungen....
conducting. He remained at the Met for the rest of his career, initially singing mainly comprimario
Comprimario
A Comprimario is a supporting role in an opera. Derived from the Italian "con primario", or "with the primary", the term refers to a performer who sings small role pieces....
roles and then later being given larger leading parts. Some of his more important roles at the Met included Colline in La Bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
, Daland in The Flying Dutchman
The Flying Dutchman (opera)
Der fliegende Holländer is an opera, with music and libretto by Richard Wagner.Wagner claimed in his 1870 autobiography Mein Leben that he had been inspired to write "The Flying Dutchman" following a stormy sea crossing he made from Riga to London in July and August 1839, but in his 1843...
, both The King of Egypt and Ramfis in Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
, Méphistophélès in Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, Pimen in Boris Godunov
Boris Godunov (opera)
Boris Godunov is an opera by Modest Mussorgsky . The work was composed between 1868 and 1873 in Saint Petersburg, Russia. It is Mussorgsky's only completed opera and is considered his masterpiece. Its subjects are the Russian ruler Boris Godunov, who reigned as Tsar during the Time of Troubles,...
, Raimondo in Lucia di Lammermoor
Lucia di Lammermoor
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....
, and Sarastro in The Magic Flute
The Magic Flute
The Magic Flute is an opera in two acts composed in 1791 by Wolfgang Amadeus Mozart to a German libretto by Emanuel Schikaneder. The work is in the form of a Singspiel, a popular form that included both singing and spoken dialogue....
. He notably sang supporting roles in the world premiere of Samuel Barber
Samuel Barber
Samuel Osborne Barber II was an American composer of orchestral, opera, choral, and piano music. His Adagio for Strings is his most popular composition and widely considered a masterpiece of modern classical music...
's Antony and Cleopatra
Antony and Cleopatra (opera)
Antony and Cleopatra is an opera in three acts by American composer Samuel Barber. The libretto was prepared by Franco Zeffirelli based on the play Antony and Cleopatra by Shakespeare...
and the United States premieres of Gian Carlo Menotti
Gian Carlo Menotti
Gian Carlo Menotti was an Italian-American composer and librettist. Although he often referred to himself as an American composer, he kept his Italian citizenship. He wrote the classic Christmas opera, Amahl and the Night Visitors, among about two dozen other operas intended to appeal to popular...
's The Last Savage
The Last Savage
The Last Savage is an opera in three acts by composer Gian Carlo Menotti. Menotti wrote his own libretto, originally in the Italian language . The opera was translated into French by Jean-Pierre Marty for the work's world premiere performance at the Opéra-Comique in Paris on 21 October 1963...
and Igor Stravinsky
Igor Stravinsky
Igor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
's The Rake's Progress
The Rake's Progress
The Rake's Progress is an opera in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress of William Hogarth, which Stravinsky had seen on May 2, 1947, in a Chicago...
. His last appearance at the Met was as Abimélech in Samson et Dalila with James McCracken
James McCracken
James McCracken was an American operatic tenor. At the time of his death The New York Times stated that McCracken was "the most successful dramatic tenor yet produced by the United States and a pillar of the Metropolitan Opera during the 1960s and 1970s."-Biography:Born in Gary, Indiana,...
as Samson, Sandra Warfield
Sandra Warfield
Sandra Warfield was an American operatic mezzo-soprano who performed with New York City's Metropolitan Opera from the 1950s through the 1970s....
as Dalila, and conductor Jean Morel on June 29, 1968.
While singing at the Met, Scott also occasionally worked as a guest artist both in the United States and abroad. In 1950 he toured the United States with Sarah Caldwell
Sarah Caldwell
Sarah Caldwell was a notable American opera conductor, impresario, and stage director of opera.- Life :Caldwell was born in Maryville, Missouri, and grew up in Fayetteville, Arkansas. She was a child prodigy and gave public performances on the violin by the time she was ten years old...
's American National Opera Company. In 1952 he made his debut with the Philadelphia La Scala Opera Company
Philadelphia La Scala Opera Company
The Philadelphia La Scala Opera Company was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954...
as Méphistophélès in Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
. In 1953 he sang title role in Béla Bartók
Béla Bartók
Béla Viktor János Bartók was a Hungarian composer and pianist. He is considered one of the most important composers of the 20th century and is regarded, along with Liszt, as Hungary's greatest composer...
's Bluebeard's Castle
Bluebeard's Castle
Duke Bluebeard's Castle is a one-act opera by Hungarian composer Béla Bartók. The libretto was written by Béla Balázs, a poet and friend of the composer. It is in Hungarian, based on the French fairy tale "Bluebeard" by Charles Perrault...
at the Holland Festival
Holland Festival
The Holland Festival is The Netherlands' oldest and largest performing arts festival, and takes place every June in Amsterdam. It comprises theater, music, opera and modern dance. In recent years, multimedia, visual arts, film and architecture were added to the festival roster...
. In 1956 he made his debut with the Vienna State Opera
Vienna State Opera
The Vienna State Opera is an opera house – and opera company – with a history dating back to the mid-19th century. It is located in the centre of Vienna, Austria. It was originally called the Vienna Court Opera . In 1920, with the replacement of the Habsburg Monarchy by the First Austrian...
. In 1957 he sang the role of Ramfis with the Philadelphia Grand Opera Company
Philadelphia Grand Opera Company
The Philadelphia Grand Opera Company was the name of four different American opera companies active at the Academy of Music in Philadelphia, Pennsylvania during the twentieth century. The last and most well known of the four was founded in November 1954 with the merger of the Philadelphia Civic...
and in 1960 he gave his first performance with the Philadelphia Lyric Opera Company
Philadelphia Lyric Opera Company
The Philadelphia Lyric Opera Company was an American opera company located in Philadelphia, Pennsylvania that was active between 1958 and 1974. The company was led by a number of Artistic Directors during its history, beginning with Aurelio Fabiani. Other notable Artistic Directors include Julius...
as Sparafucile in Rigoletto. He also appeared in two operas at the Teatro Colón in Buenos Aires
Buenos Aires
Buenos Aires is the capital and largest city of Argentina, and the second-largest metropolitan area in South America, after São Paulo. It is located on the western shore of the estuary of the Río de la Plata, on the southeastern coast of the South American continent...
in 1960: the role of Alvise in La Gioconda
La Gioconda (opera)
La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, tyran de Padoue, a play in prose by Victor Hugo, dating from 1835...
and the role of Padre Guardiano in La forza del destino
La forza del destino
La forza del destino is an Italian opera by Giuseppe Verdi. The libretto was written by Francesco Maria Piave based on a Spanish drama, Don Álvaro o la fuerza del sino , by Ángel de Saavedra, Duke of Rivas, with a scene adapted from Friedrich Schiller's Wallensteins Lager. It was first performed...
. Scott also sang in a number of operas and concerts in Germany, England, and Holland during his career.
Scott died in 1968 at the age of 47 after a brief illness at the Beth Israel Medical Center
Beth Israel Medical Center
Beth Israel Medical Center is a 1,368-bed, full-service tertiary teaching hospital in New York City. Originally dedicated to serving immigrant Jews living in the tenement slums of the Lower East Side, it was founded at the turn of the 20th century. The main hospital location is the Petrie...
.