Philadelphia Grand Opera Company
Encyclopedia
The Philadelphia Grand Opera Company was the name of four different American
opera
companies active at the Academy of Music
in Philadelphia, Pennsylvania
during the twentieth century. The last and most well known of the four was founded in November 1954 with the merger of the Philadelphia Civic Grand Opera Company
and the Philadelphia La Scala Opera Company
. That company in turn merged with the Philadelphia Lyric Opera Company
in 1975 to form the Opera Company of Philadelphia
. Of the three earlier companies, only one lasted beyond one season; a company founded in 1926 which later became associated with the Curtis Institute of Music
in 1929. That company closed its doors in 1932 due to financial reasons during the Great Depression
.
's Lucia di Lammermoor
, opened on December 18 of that year at the Academy of Music with Regina Vicarino in the title role, Forrest Lamont as Edgardo, and Ettore Martini conducting. Short lived, the company produced one more opera in December 1916, Giuseppe Verdi
's Il trovatore
, before disbanding.
that was active in both NYC and Philadelphia. The company was founded by impressario Alfred Salmaggi (later founder of the Salmaggi Opera Company) in the spring of 1920 under the name the Italian Lyric Federation. The company's first performance at the Academy of Music was Verdi's Otello
on June 30, 1920 with Nicola Zerola
in the title role. The company changed its name to the PGOC in November 1920 after the financial backers fired Salmaggi. From this point on the company worked out of Philadelphia, although Salmaggi countered his firing by continuing to perform works with different singers under the name of the Italian Lyric Federation in NYC. Like the first PGOC, this company was also short lived, with its last production, Rigoletto
, being held on Halloween
of 1921.
During the company's first year, the Hammers announced six performances for the first season. The company's first performance at the Academy of Music was a production of Verdi's Aida
on October 28, 1926 with Vera Curtis in the title role, Jerome Uhl as the King of Egypt, John Sample as Radames, and Marta Wittkowska as Amneris. Other operas that season included Rigoletto with Millo Picco in the title role and Josephine Lucchese as Gilda, Charles Gounod
's Faust
with Charles Hart in the title role and Irene Williams as Marguerite, Ruggero Leoncavallo
's Pagliacci
with Robert Steel as Tonio and Euphemia Giannini Gregory as Nedda, Otello with Sample in the title role and Chief Caupolican as Iago, and Carmen
with Wittkowska in the title role and Armand Tokatyan
as Don José.
During the company's first three seasons the company was struggling to get by. Kathryn was able to save the company a lot of money by making the company's costumes from cheesecloth
on her home sewing-machine and begging and borrowing sets and properties at bargain prices. Largely due to her shrewd efforts the company managed to stay in the black. The company opened its second season on October 20, 1927 with Amilcare Ponchielli
's La Gioconda
, starring Clara Jacobo
in the title role, Mignon Sutorius as Laura, Ivan Steschenko as Alvise Badoero, and Berta Levina as La cieca. Conductor Artur Rodziński
joined the company that year and remained one of the PGOC's major conductors through 1929. Highlights of that second season included productions of Giacomo Puccini
's Tosca
with Martha Attwood in the title role and Pietro Mascagni
's Cavalleria rusticana
with Lisa Roma
as Santuzza. Highlights of the 1928-1929 season included Franco Leoni
's L’oracolo with Ivan Steschenko as Uin-Sci and Adamo Didur
as Cim-Fen, Camille Saint-Saëns
's Samson et Dalila with Sample as Samson and Madame Cahier as Dalila, Jules Massenet
's Manon
with Hope Hampton
in the title role and Ralph Errolle as Des Grieux, Eleanor Painter as Carmen, Il Trovatore
with Frances Peralta as Leonora, and The Barber of Seville
with Josephine Lucchese as Rosina.
In 1929 a major windfall
came to the PGOC when Mary Louise Curtis Bok offered to support the company in exchange for using the company as an outlet for opera talent in the Curtis Institute of Music
. The PGOC accepted the offer and a partnership was formed with Curtis students appearing mostly in minor roles with the company. Plans were initially made to build a new $7,000,000 opera house for the company and the Philadelphia Orchestra
but, like many projects of the day, these plans were ultimately abandoned as a result of the financial crisis of the Great Depression
. Bok's support, however, did manage to keep the company afloat longer than it probably would have, producing three more seasons of opera at the Academy of Music. Indeed, the company's two major rivals, the Pennsylvania Grand Opera Company and the Philadelphia Civic Opera Company
, both closed their doors not long after the Wall Street Crash of 1929
.
During its remaining years the quality of PGOC's productions increased, particularly in regards to the sets and costumes. The quality of the singers remained high. A highlight of these years was the United States premiere of Alban Berg
's Wozzeck
on March 19, 1931 with Ivan Ivantzoff in the title role, Anne Roselle as Marie, Gabriel Leonoff as the Drum Major, Sergei Radamsky as Andres, Bruno Korell as the Captain, Ivan Steschenko as the Doctor, and Leopold Stokowski
conducting. Stokowski also conducted the world premiere of Carlos Chávez
and Diego Rivera
's ballet H. P. for the PGOC on on March 31, 1932. The company was also notably the first American company to perform Richard Strauss
's Elektra
in the original German on October 29, 1931 with Roselle in the title role and Charlotte Boerner as Chrysothemis.
The PGOC's final performance was a production of Aida on April 14, 1932 with Roselle in the title role, Aroldo Lindi
as Radames, Cyrena van Gordon
as Amneris, and Leo de Hierapolis as the King of Egypt. The company closed due to financial reasons in 1932. At the time they canceled the end of the 1931-1932 season and announced the intention of commencing another season for 1933-1934. That never happened, possibly because Mrs. Liedy and her husband both died in 1932. The Curtis Institute of Music was also experiencing financial difficulties at that time and rumors of its imminent closing, which never occurred, were circulating in 1932.
merged. Anthony Terracciano served as the company's first General Director in its first season but was then succeeded by General Manager Humbert A. Pelosi who was appointed that position at the end of the 1955-1956 season. Terracciano remained with the company as an Artistic Director through the Spring of 1972. Pelosi left in March 1956 after a feud with Terracciano. He was replaced by conductor Giuseppe Bamboschek
who had been working for the company since it began. Bamboschek remained the company's director until 1961 when Terracciano was again made General Manager, this time staying on until 1972.
Although formed in 1954, the company finished the 1954-1955 season performing under the title of the Philadelphia La Scala Opera Company. The company's inaugural performance as the PGOC was of Rigoletto under the baton on Giuseppe Bamboschek on October 13, 1955 at the Academy of Music. The production starred Frank Guarrera
in the title role, Lisa di Julio as Gilda, and Eugene Conley
as the Duke of Mantua. Other productions that first season included Puccini's La bohème
(with Rosanna Carteri
as Mimì, Jan Peerce
as Rodolfo, and Virginia MacWatters
as Musetta), Faust (with Robert Rounseville
in the title role, Nicola Moscona
as Méphistophélès, and Ellen Faull
as Marguerite), Puccini's Madama Butterfly
(with Licia Albanese
as Cio-cio-san, Walter Fredericks as Pinkerton, Margaret Roggero as Suzuki, and Cesare Bardelli as Sharpless), Italo Montemezzi
's L'amore dei tre re
(with Beverly Sills
as Fiora and Ramón Vinay
as Avito), Il barbiere di Siviglia (with MacWatters as Rosina, Guarrera as Figaro, and Cesare Valletti
as Almaviva), Cavalleria rusticana (with Maria Gasi as Santuzza), Pagliacci
(with Fredericks as Canio and Eva Likova
as Nedda), and Aida
(with Astrid Varnay
in the title role, Kurt Baum
as Radamès, Claramae Turner
as Amneris, and John Lawler
as the King of Egypt).
The Philadelphia Grand Opera Company remained active for two decades, producing six operas during an annual season. The company notably presented the world premiere of Pietro Aria's Jericho Road on March 12, 1969. Many notable singers performed with the company during its history including, John Alexander
, Thelma Altman, Salvatore Baccaloni
, Cesare Bardelli, Gaetano Bardini
, Daniele Barioni
, Ara Berberian
, Frances Bible
, John Brownlee
, Giuseppe Campora
, Richard Cassilly
, George Cehanovsky, Anita Cerquetti
, Eugene Conley
, Fernando Corena
, Viorica Cortez
, Mary Costa
, Mary Curtis Verna
, Jon Crain, Gilda Cruz-Romo
, Enrico di Giuseppe
, Mignon Dunn, Pierre Duval
, Otto Edelmann
, Rosalind Elias
, Edith Evans
, Jean Fenn
, Giulio Fioravanti
, Nicolai Gedda
, Leyla Gencer
, Bonaldo Giaiotti
, Tito Gobbi
, Thomas Hayward
, Jerome Hines
, Laurel Hurley, Raoul Jobin
, Robert Kerns
, Dorothy Kirsten
, Flaviano Labò
, Albert Lance
, Brenda Lewis, Chester Ludgin
, Cornell MacNeil
, Jean Madeira
, Elaine Malbin
, Adriana Maliponte
, Robert Merrill
, Anna Moffo
, Licinio Montefusco, Barry Morell
, Nicola Moscona
, Herva Nelli
, Birgit Nilsson
, Roberta Peters
, Louis Quilico
, Luciano Rampaso, Nell Rankin
, Regina Resnik
, Graciela Rivera
, Elinor Ross
, Jane Shaulis, Giulietta Simionato
, Joanna Simon, Eleanor Steber
, Teresa Stratas
, Brian Sullivan, Giuseppe Taddei
, Ferruccio Tagliavini
, Pia Tassinari
, Blanche Thebom
, Giorgio Tozzi
, Norman Treigle
, Gabriella Tucci
, Richard Tucker
, Giuseppe Valdengo
, Frank Valentino
, Luigi Vellucci, and Jon Vickers
to name just a few. The PGOC's last performance was of Johann Strauss II
's Die Fledermaus
on December 6, 1974 with Joseph Venezia as Alfred, June Fiske as Adele, Eileen Schauler as Rosalinde, Robert Goodloe as Eisenstein, and Carlo Moresco
conducting.
In the companies last three years the opera board's long-term president, Max Leon
, served as the company's manager after the departure of Terracciano. Experiencing some financial difficulties, the company began talks with the Philadelphia Lyric Opera Company
about a possible merger in 1974. An agreement was reached and the two companies merged to form the Opera Company of Philadelphia
in 1975 with Leon serving as General Director.
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
companies active at the Academy of Music
Academy of Music (Philadelphia)
The Academy of Music, also known as American Academy of Music, is a concert hall and opera house located at Broad and Locust Streets in Philadelphia, Pennsylvania. It was built in 1857 and is the oldest opera house in the United States that is still used for its original purpose...
in Philadelphia, Pennsylvania
Philadelphia, Pennsylvania
Philadelphia is the largest city in the Commonwealth of Pennsylvania and the county seat of Philadelphia County, with which it is coterminous. The city is located in the Northeastern United States along the Delaware and Schuylkill rivers. It is the fifth-most-populous city in the United States,...
during the twentieth century. The last and most well known of the four was founded in November 1954 with the merger of the Philadelphia Civic Grand Opera Company
Philadelphia Civic Grand Opera Company
The Philadelphia Civic Grand Opera Company was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1950 and 1955. Fausta Cleva served as the company's first General Director and conductor...
and the Philadelphia La Scala Opera Company
Philadelphia La Scala Opera Company
The Philadelphia La Scala Opera Company was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954...
. That company in turn merged with the Philadelphia Lyric Opera Company
Philadelphia Lyric Opera Company
The Philadelphia Lyric Opera Company was an American opera company located in Philadelphia, Pennsylvania that was active between 1958 and 1974. The company was led by a number of Artistic Directors during its history, beginning with Aurelio Fabiani. Other notable Artistic Directors include Julius...
in 1975 to form the Opera Company of Philadelphia
Opera Company of Philadelphia
The Opera Company of Philadelphia is an American opera company in Philadelphia, Pennsylvania and is the city's only company producing grand opera. The organization produces four fully staged opera productions annually, encompassing works from the seventeenth through the 21st century...
. Of the three earlier companies, only one lasted beyond one season; a company founded in 1926 which later became associated with the Curtis Institute of Music
Curtis Institute of Music
The Curtis Institute of Music is a conservatory in Philadelphia, Pennsylvania, that offers courses of study leading to a performance Diploma, Bachelor of Music, Master of Music in Opera, and Professional Studies Certificate in Opera. According to statistics compiled by U.S...
in 1929. That company closed its doors in 1932 due to financial reasons during the Great Depression
Great Depression
The Great Depression was a severe worldwide economic depression in the decade preceding World War II. The timing of the Great Depression varied across nations, but in most countries it started in about 1929 and lasted until the late 1930s or early 1940s...
.
The first Philadelphia Grand Opera Companies:1916
The first company to be known as the Philadelphia Grand Opera Company (PGOC) was founded in 1916. Its first production, Gaetano DonizettiGaetano Donizetti
Domenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
's Lucia di Lammermoor
Lucia di Lammermoor
Lucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian language libretto loosely based upon Sir Walter Scott's historical novel The Bride of Lammermoor....
, opened on December 18 of that year at the Academy of Music with Regina Vicarino in the title role, Forrest Lamont as Edgardo, and Ettore Martini conducting. Short lived, the company produced one more opera in December 1916, Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
's Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
, before disbanding.
Salmaggi's Philadelphia Grand Opera Companies:1920-1921
The second company to be known as the PGOC was actually a company based out of New York CityNew York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
that was active in both NYC and Philadelphia. The company was founded by impressario Alfred Salmaggi (later founder of the Salmaggi Opera Company) in the spring of 1920 under the name the Italian Lyric Federation. The company's first performance at the Academy of Music was Verdi's Otello
Otello
Otello is an opera in four acts by Giuseppe Verdi to an Italian libretto by Arrigo Boito, based on Shakespeare's play Othello. It was Verdi's penultimate opera, and was first performed at the Teatro alla Scala, Milan, on February 5, 1887....
on June 30, 1920 with Nicola Zerola
Nicola Zerola
Nicola Zerola was an Italian operatic tenor who had an active international career from 1898-1928. He began his career in his native country, but was soon heard in concerts and operas internationally during the first years of the 20th century...
in the title role. The company changed its name to the PGOC in November 1920 after the financial backers fired Salmaggi. From this point on the company worked out of Philadelphia, although Salmaggi countered his firing by continuing to perform works with different singers under the name of the Italian Lyric Federation in NYC. Like the first PGOC, this company was also short lived, with its last production, Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
, being held on Halloween
Halloween
Hallowe'en , also known as Halloween or All Hallows' Eve, is a yearly holiday observed around the world on October 31, the night before All Saints' Day...
of 1921.
The Hammer's Philadelphia Grand Opera Companies:1926-1932
The third PGOC was founded in 1926 by Helen Redington Carter, socialite wife of well known Philadelphia neurologist Joseph Leidy, William Carl Hammer, an importer and trumpeter, and his wife, Kathryn O'Gorman Hammer. Both of the Hammers ran the business side of the company, with William running the Box Office and Kathryn hiring artists, putting together sets and costumes, and sometimes directing productions. Kathryn was a bandmaster and trombonist and she was notably the world's only female opera director at that time. Mrs. Leidy served as the opera board's president and provided a considerable amount of financial backing to get the company started. She also was able to get the opera house filled, being influential among Philadelphia's high society of the day.During the company's first year, the Hammers announced six performances for the first season. The company's first performance at the Academy of Music was a production of Verdi's Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
on October 28, 1926 with Vera Curtis in the title role, Jerome Uhl as the King of Egypt, John Sample as Radames, and Marta Wittkowska as Amneris. Other operas that season included Rigoletto with Millo Picco in the title role and Josephine Lucchese as Gilda, Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
with Charles Hart in the title role and Irene Williams as Marguerite, Ruggero Leoncavallo
Ruggero Leoncavallo
Ruggero Leoncavallo was an Italian opera composer. His two-act work Pagliacci remains one of the most popular works in the repertory, appearing as number 20 on the Operabase list of the most-performed operas worldwide.-Biography:...
's Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
with Robert Steel as Tonio and Euphemia Giannini Gregory as Nedda, Otello with Sample in the title role and Chief Caupolican as Iago, and Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
with Wittkowska in the title role and Armand Tokatyan
Armand Tokatyan
Armand Tokatyan was an operatic tenor. An Armenian born in Plovdiv, Bulgaria, he travelled to Egypt with his parents where he sang in cafés to favorable response. He was then sent to Paris to study tailoring, but instead sang in Left Bank cafés. In 1914, he returned to Egypt and earned his...
as Don José.
During the company's first three seasons the company was struggling to get by. Kathryn was able to save the company a lot of money by making the company's costumes from cheesecloth
Cheesecloth
Cheesecloth is a loosewoven gauze-like cotton cloth used primarily in cheese making and cooking.Cheesecloth is available in at least seven different grades, from open to extra-fine weave. Grades are distinguished by the number of threads per inch in each direction.- Uses :The primary use of...
on her home sewing-machine and begging and borrowing sets and properties at bargain prices. Largely due to her shrewd efforts the company managed to stay in the black. The company opened its second season on October 20, 1927 with Amilcare Ponchielli
Amilcare Ponchielli
Amilcare Ponchielli was an Italian composer, largely of operas.-Biography:Born in Paderno Fasolaro, now Paderno Ponchielli, near Cremona, Ponchielli won a scholarship at the age of nine to study music at the Milan Conservatory, writing his first symphony by the time he was ten years old.Two years...
's La Gioconda
La Gioconda (opera)
La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, tyran de Padoue, a play in prose by Victor Hugo, dating from 1835...
, starring Clara Jacobo
Clara Jacobo
Clara Jacobo was an Italian opera singer. She began her career around 1923 at the Italian provincial stages. She then came to the U.S., where since 1928 she performed at the Metropolitan Opera of New York...
in the title role, Mignon Sutorius as Laura, Ivan Steschenko as Alvise Badoero, and Berta Levina as La cieca. Conductor Artur Rodziński
Artur Rodzinski
Artur Rodziński was a Polish conductor of opera and symphonic music. He is especially noted for his tenures as music director of the Cleveland Orchestra and the New York Philharmonic in the 1930s and 1940s.-Biography:...
joined the company that year and remained one of the PGOC's major conductors through 1929. Highlights of that second season included productions of Giacomo Puccini
Giacomo Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...
's Tosca
Tosca
Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900...
with Martha Attwood in the title role and Pietro Mascagni
Pietro Mascagni
Pietro Antonio Stefano Mascagni was an Italian composer most noted for his operas. His 1890 masterpiece Cavalleria rusticana caused one of the greatest sensations in opera history and single-handedly ushered in the Verismo movement in Italian dramatic music...
's Cavalleria rusticana
Cavalleria rusticana
Cavalleria rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from a play written by Giovanni Verga based on his short story. Considered one of the classic verismo operas, it premiered on May 17, 1890 at the Teatro...
with Lisa Roma
Lisa Roma
Lisa Roma was an American soprano who toured in the United States with composer Maurice Ravel in 1928. She was chair of grand opera in the College of Music at the University of Southern California in Los Angeles beginning in 1930...
as Santuzza. Highlights of the 1928-1929 season included Franco Leoni
Franco Leoni
Franco Leoni was an Italian opera composer. After training in Milan, he made most of his career in England, composing for Covent Garden and West End theatres. He is best known for the opera L'Oracolo, written for Covent Garden but taken up successfully by the Metropolitan Opera in New York...
's L’oracolo with Ivan Steschenko as Uin-Sci and Adamo Didur
Adamo Didur
Adamo Didur was a top-class Polish operatic bass vocalist. He sang extensively in opera in Europe and appeared at New York's Metropolitan Opera from 1908 to 1932.-Career:...
as Cim-Fen, Camille Saint-Saëns
Camille Saint-Saëns
Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
's Samson et Dalila with Sample as Samson and Madame Cahier as Dalila, Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
's Manon
Manon
Manon is an opéra comique in five acts by Jules Massenet to a French libretto by Henri Meilhac and Philippe Gille, based on the 1731 novel L’histoire du chevalier des Grieux et de Manon Lescaut by the Abbé Prévost...
with Hope Hampton
Hope Hampton
Hope Hampton was an American silent motion picture actress, who was noted for her seemingly effortless incarnation of siren and flapper types in silent-picture roles during the 1920s....
in the title role and Ralph Errolle as Des Grieux, Eleanor Painter as Carmen, Il Trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
with Frances Peralta as Leonora, and The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
with Josephine Lucchese as Rosina.
In 1929 a major windfall
Windfall gain
-Types of Windfall Gains:The list of windfall gains includes, but is not limited to:*Lottery winnings*Unexpected inheritance*Gains from demutualization-Uses of Windfall Gains:What people do with windfall gains is subject to much debate...
came to the PGOC when Mary Louise Curtis Bok offered to support the company in exchange for using the company as an outlet for opera talent in the Curtis Institute of Music
Curtis Institute of Music
The Curtis Institute of Music is a conservatory in Philadelphia, Pennsylvania, that offers courses of study leading to a performance Diploma, Bachelor of Music, Master of Music in Opera, and Professional Studies Certificate in Opera. According to statistics compiled by U.S...
. The PGOC accepted the offer and a partnership was formed with Curtis students appearing mostly in minor roles with the company. Plans were initially made to build a new $7,000,000 opera house for the company and the Philadelphia Orchestra
Philadelphia Orchestra
The Philadelphia Orchestra is a symphony orchestra based in Philadelphia, Pennsylvania, in the United States. One of the "Big Five" American orchestras, it was founded in 1900...
but, like many projects of the day, these plans were ultimately abandoned as a result of the financial crisis of the Great Depression
Great Depression
The Great Depression was a severe worldwide economic depression in the decade preceding World War II. The timing of the Great Depression varied across nations, but in most countries it started in about 1929 and lasted until the late 1930s or early 1940s...
. Bok's support, however, did manage to keep the company afloat longer than it probably would have, producing three more seasons of opera at the Academy of Music. Indeed, the company's two major rivals, the Pennsylvania Grand Opera Company and the Philadelphia Civic Opera Company
Philadelphia Civic Opera Company
The Philadelphia Civic Opera Company was an American opera company located in Philadelphia, Pennsylvania, that was actively performing between 1924 and 1930. Founded by Philadelphia socialite Mrs. Henry M. Tracy, the company was established partially through funds provided by the city of...
, both closed their doors not long after the Wall Street Crash of 1929
Wall Street Crash of 1929
The Wall Street Crash of 1929 , also known as the Great Crash, and the Stock Market Crash of 1929, was the most devastating stock market crash in the history of the United States, taking into consideration the full extent and duration of its fallout...
.
During its remaining years the quality of PGOC's productions increased, particularly in regards to the sets and costumes. The quality of the singers remained high. A highlight of these years was the United States premiere of Alban Berg
Alban Berg
Alban Maria Johannes Berg was an Austrian composer. He was a member of the Second Viennese School with Arnold Schoenberg and Anton Webern, and produced compositions that combined Mahlerian Romanticism with a personal adaptation of Schoenberg's twelve-tone technique.-Early life:Berg was born in...
's Wozzeck
Wozzeck
Wozzeck is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama Woyzeck left incomplete by the German playwright Georg Büchner at his death. Berg attended the first production in Vienna of Büchner's...
on March 19, 1931 with Ivan Ivantzoff in the title role, Anne Roselle as Marie, Gabriel Leonoff as the Drum Major, Sergei Radamsky as Andres, Bruno Korell as the Captain, Ivan Steschenko as the Doctor, and Leopold Stokowski
Leopold Stokowski
Leopold Anthony Stokowski was a British-born, naturalised American orchestral conductor, well known for his free-hand performing style that spurned the traditional baton and for obtaining a characteristically sumptuous sound from many of the great orchestras he conducted.In America, Stokowski...
conducting. Stokowski also conducted the world premiere of Carlos Chávez
Carlos Chávez
Carlos Antonio de Padua Chávez y Ramírez was a Mexican composer, conductor, music theorist, educator, journalist, and founder and director of the Mexican Symphonic Orchestra. He was influenced by native Mexican cultures. Of his six Symphonies, his Symphony No...
and Diego Rivera
Diego Rivera
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez was a prominent Mexican painter born in Guanajuato, Guanajuato, an active communist, and husband of Frida Kahlo . His large wall works in fresco helped establish the Mexican Mural Movement in...
's ballet H. P. for the PGOC on on March 31, 1932. The company was also notably the first American company to perform Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
's Elektra
Elektra (opera)
Elektra is a one-act opera by Richard Strauss, to a German-language libretto by Hugo von Hofmannsthal, which he adapted from his 1903 drama Elektra. The opera was the first of many collaborations between Strauss and Hofmannsthal...
in the original German on October 29, 1931 with Roselle in the title role and Charlotte Boerner as Chrysothemis.
The PGOC's final performance was a production of Aida on April 14, 1932 with Roselle in the title role, Aroldo Lindi
Aroldo Lindi
Aroldo Lindi, born Gustav Harald Lindau, was a Swedish operatic tenor who enjoyed an international career, appearing at La Scala and at Covent Garden from 1925...
as Radames, Cyrena van Gordon
Cyrena van Gordon
Cyrena van Gordon was the stage name of an American operatic contralto born Cyrena Sue Pocock. Sources variously list her birth date as September 4, 1893, 1896, or 1897 in Camden, Ohio; she died on April 4, 1964 in New York City. In approximately 1918 she married Dr...
as Amneris, and Leo de Hierapolis as the King of Egypt. The company closed due to financial reasons in 1932. At the time they canceled the end of the 1931-1932 season and announced the intention of commencing another season for 1933-1934. That never happened, possibly because Mrs. Liedy and her husband both died in 1932. The Curtis Institute of Music was also experiencing financial difficulties at that time and rumors of its imminent closing, which never occurred, were circulating in 1932.
The last Philadelphia Grand Opera Companies:1954-1974
The last company to be called the Philadelphia Grand Opera Company was formed in November 1954 when the Philadelphia Civic Grand Opera and the Philadelphia La Scala Opera CompanyPhiladelphia La Scala Opera Company
The Philadelphia La Scala Opera Company was an American opera company located in Philadelphia, Pennsylvania that was actively performing at the Academy of Music between 1925 and 1954...
merged. Anthony Terracciano served as the company's first General Director in its first season but was then succeeded by General Manager Humbert A. Pelosi who was appointed that position at the end of the 1955-1956 season. Terracciano remained with the company as an Artistic Director through the Spring of 1972. Pelosi left in March 1956 after a feud with Terracciano. He was replaced by conductor Giuseppe Bamboschek
Giuseppe Bamboschek
Giuseppe Maria Bamboschek was an Italian-American opera conductor, pianist, organist, music director and film director. During his expansive career, Bamboschek conducted performances including famed singers Enrico Caruso, Rosa Ponselle, Giovanni Martinelli, Giuseppe De Luca, and many more...
who had been working for the company since it began. Bamboschek remained the company's director until 1961 when Terracciano was again made General Manager, this time staying on until 1972.
Although formed in 1954, the company finished the 1954-1955 season performing under the title of the Philadelphia La Scala Opera Company. The company's inaugural performance as the PGOC was of Rigoletto under the baton on Giuseppe Bamboschek on October 13, 1955 at the Academy of Music. The production starred Frank Guarrera
Frank Guarrera
Frank Guarrera was an Italian-American lyric baritone who enjoyed a long and distinguished career at the Metropolitan Opera, singing with the company for a total of 680 performances. He performed 35 different roles at the Met, mostly from the Italian and French repertories, from 1948 through 1976...
in the title role, Lisa di Julio as Gilda, and Eugene Conley
Eugene Conley
Eugene Conley was a celebrated American operatic tenor.Born in Lynn, Massachusetts, Conley studied under Ettore Verna, and made his official debut as the Duke of Mantua in Rigoletto, at the Brooklyn Academy of Music in 1940...
as the Duke of Mantua. Other productions that first season included Puccini's La bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
(with Rosanna Carteri
Rosanna Carteri
Rosanna Carteri was an Italian soprano primarily active in the 1950s through the mid-1960s.Rosanna Carteri was born in Verona but was raised in Padua. She studied with Cusinati and started singing in concert at the age of twelve...
as Mimì, Jan Peerce
Jan Peerce
Jan Peerce was an American operatic tenor. Peerce was an accomplished performer on the operatic and Broadway concert stages, in solo recitals, and as a recording artist. He is the father of film director Larry Peerce....
as Rodolfo, and Virginia MacWatters
Virginia MacWatters
Virginia MacWatters was an acclaimed American coloratura soprano.Born in Philadelphia, Pennsylvania, MacWatters studied at the Curtis Institute of Music, and sang 611 Broadway performances of Adele in Rosalinda , conducted by Erich Korngold, from 1942 to 1944...
as Musetta), Faust (with Robert Rounseville
Robert Rounseville
Robert Rounseville was an American tenor, who appeared in opera, operetta, and Broadway musicals.-Career:Rounseville was born in Attleboro, Massachusetts. He made his Broadway debut in a small role in the Richard Rodgers and Lorenz Hart musical Babes in Arms, then appeared in other musicals in...
in the title role, Nicola Moscona
Nicola Moscona
Nicolai Moscona was a Greek operatic bass. Born in Athens, he made his stage debut in Il barbiere di Siviglia at the Greek National Opera in 1931 and went on to sing leading basso cantante roles both in Europe and United States...
as Méphistophélès, and Ellen Faull
Ellen Faull
Ellen Hartla Faull was an American operatic soprano and distinguished voice teacher. Born in Pittsburgh, Pennsylvania, she was primarily associated with New York City Opera, where she sang from 1947 until 1978 and created the role of Abigail Borden in Jack Beeson's opera Lizzie Borden in its 1965...
as Marguerite), Puccini's Madama Butterfly
Madama Butterfly
Madama Butterfly is an opera in three acts by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa. Puccini based his opera in part on the short story "Madame Butterfly" by John Luther Long, which was dramatized by David Belasco...
(with Licia Albanese
Licia Albanese
Licia Albanese is an Italian-born American operatic soprano. Noted especially for her portrayals of the lyric heroines of Verdi and Puccini, Albanese was a leading artist with the Metropolitan Opera of New York from 1940 to 1966...
as Cio-cio-san, Walter Fredericks as Pinkerton, Margaret Roggero as Suzuki, and Cesare Bardelli as Sharpless), Italo Montemezzi
Italo Montemezzi
Italo Montemezzi was an Italian composer. He is best known for his opera L'amore dei tre re , once part of the standard repertoire....
's L'amore dei tre re
L'amore dei tre re
L'amore dei tre re is an opera in three acts by Italo Montemezzi. Its Italian-language libretto was written by playwright Sem Benelli who based it on his own play of the same title.-Performance history:...
(with Beverly Sills
Beverly Sills
Beverly Sills was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist...
as Fiora and Ramón Vinay
Ramón Vinay
Ramón Vinay was a famous Chilean operatic tenor with a powerful, dramatic voice. He is probably best remembered for his appearances in the title role of Giuseppe Verdi's tragic opera Otello....
as Avito), Il barbiere di Siviglia (with MacWatters as Rosina, Guarrera as Figaro, and Cesare Valletti
Cesare Valletti
Cesare Valletti was an Italian operatic tenor, one of the leading tenore di grazia of the postwar era. He was much admired for his polished vocal technique, his musical refinement and elegance, and beauty of tone....
as Almaviva), Cavalleria rusticana (with Maria Gasi as Santuzza), Pagliacci
Pagliacci
Pagliacci , sometimes incorrectly rendered with a definite article as I Pagliacci, is an opera consisting of a prologue and two acts written and composed by Ruggero Leoncavallo. It recounts the tragedy of a jealous husband in a commedia dell'arte troupe...
(with Fredericks as Canio and Eva Likova
Eva Likova
Eva Likova was an American operatic soprano of Czech descent. She was notably one of the major sopranos at the New York City Opera during the company's early years. She also made guest appearances with a number of opera houses in North America and Europe, enjoying a particularly fruitful...
as Nedda), and Aida
Aida
Aida sometimes spelled Aïda, is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni, based on a scenario written by French Egyptologist Auguste Mariette...
(with Astrid Varnay
Astrid Varnay
Ibolyka Astrid Maria Varnay was an American dramatic soprano of Hungarian heritage and Swedish birth, who did most of her work in the United States and Germany. She was one of the best-known Wagnerian heroic sopranos of her generation...
in the title role, Kurt Baum
Kurt Baum
Kurt Baum was a Czechoslovakian born American operatic tenor. He is best remembered for his 25 seasons spent with the Metropolitan Opera, between 1941 and 1966.-Life and career:...
as Radamès, Claramae Turner
Claramae Turner
Claramae Turner is an American opera singer. She is perhaps best known for singing You'll Never Walk Alone and some of June Is Bustin' Out all Over in the musical film Carousel, adapted from the Rodgers and Hammerstein stage musical of the same name.Born in Dinuba, California, she was a contralto...
as Amneris, and John Lawler
John Lawler
John Lawler is a retired University of Michigan general linguist who is perhaps best known to the wider public for his role in creating the Chomskybot...
as the King of Egypt).
The Philadelphia Grand Opera Company remained active for two decades, producing six operas during an annual season. The company notably presented the world premiere of Pietro Aria's Jericho Road on March 12, 1969. Many notable singers performed with the company during its history including, John Alexander
John Alexander (tenor)
John Alexander was an American operatic tenor who had a substantial career during the 1950s through the 1980s. He had a long standing relationship with the Metropolitan Opera in New York City, singing with that company every year between 1961 and 1987 for a total of 379 performances...
, Thelma Altman, Salvatore Baccaloni
Salvatore Baccaloni
Salvatore Baccaloni was an Italian operatic bass, often regarded as the greatest buffo artist of the 20th century.- Life and career :Baccaloni was born in Rome...
, Cesare Bardelli, Gaetano Bardini
Gaetano Bardini
Gaetano Bardini is an Italian tenor. Bardini has made numerous recitals and in has been a success in the Czech Republic, releasing his recording of his performances at with the Prague Smetana Theatre Orchestra, Brno State Opera Orchestra, Prague Chamber Orchestra, with conductors Jan Štych and Ino...
, Daniele Barioni
Daniele Barioni
Daniele Barioni is an Italian opera singer who had a prolific career during the 1950s through the 1970s. Early on in his career he rose to fame as a leading tenor at the Metropolitan Opera between 1956 and 1962...
, Ara Berberian
Ara Berberian
Ara Berberian was an American operatic bass singer.Berberian made his debut in 1958 with the Turnau Opera in Woodstock, New York, as Don Magnifico in Rossini's La Cenerentola. He made his Metropolitan Opera debut in 1979 as Zacharie in Giacomo Meyerbeer's Le prophète...
, Frances Bible
Frances Bible
Frances Lillian Bible was an American operatic mezzo-soprano who had a thirty long year career at the New York City Opera between 1948 and 1978. She also made a fair number of opera appearances with other companies throughout the United States, but only made a limited number of appearances abroad...
, John Brownlee
John Brownlee (baritone)
John Donald Mackenzie Brownlee was an Australian operatic baritone.-Biography:John Brownlee was born in Geelong, Victoria. As a boy, he became a junior naval cadet in the Royal Australian Navy, serving during World War I. Following service, he studied accounting...
, Giuseppe Campora
Giuseppe Campora
Giuseppe Campora , was an Italian operatic tenor. Campora was one of the greatest Puccinian tenors of his generation...
, Richard Cassilly
Richard Cassilly
Richard Cassilly was an American operatic tenor who had a major international opera career between 1954 and 1990...
, George Cehanovsky, Anita Cerquetti
Anita Cerquetti
Anita Cerquetti is an Italian dramatic soprano who had a short career in the 1950s.Cerquetti was born in Montecosaro, near Macerata, Italy. She was first a student of the violin, she trained eight years with Luigi Mori. After a mere one year of vocal study at the Conservatory of Perugia she made...
, Eugene Conley
Eugene Conley
Eugene Conley was a celebrated American operatic tenor.Born in Lynn, Massachusetts, Conley studied under Ettore Verna, and made his official debut as the Duke of Mantua in Rigoletto, at the Brooklyn Academy of Music in 1940...
, Fernando Corena
Fernando Corena
Fernando Corena was a Turkish Swiss bass who had a major international opera career from the late 1940s through the early 1980s. He enjoyed a long and successful career at the Metropolitan Opera between 1954 and 1978, and was a regular presence at the Vienna State Opera between 1963 and 1981...
, Viorica Cortez
Viorica Cortez
Viorica Cortez is a noted Romanian-born mezzo-soprano, later French by naturalisation. Starting her operatic and concert career in the mid-1960s, she went on to become one of the most prominent female performers of the '70s and '80s...
, Mary Costa
Mary Costa
Mary Costa is an American singer, actress, and Disney Legend. She is best known for playing the voice of Princess Aurora in the 1959 Disney film Sleeping Beauty. She is also a professional opera singer....
, Mary Curtis Verna
Mary Curtis Verna
Mary Virginia Curtis Verna was an American operatic soprano, particularly associated with the Italian repertory....
, Jon Crain, Gilda Cruz-Romo
Gilda Cruz-Romo
Gilda Cruz-Romo is a Mexican operatic soprano, particularly associated with dramatic rolesof the Italian repertory, notably Aida and Tosca....
, Enrico di Giuseppe
Enrico Di Giuseppe
Enrico Di Giuseppe was a celebrated Italian-American operatic tenor who had an active performance career from the late 1950s through the 1990s. He spent most of his career performing in New York City, juggling concurrent performance contracts with both the New York City Opera and the Metropolitan...
, Mignon Dunn, Pierre Duval
Pierre Duval
Pierre Duval is a French-Canadian operatic tenor who had an active international career during the 1960s and 1970s. Possessing a warm lyrical voice with a considerable amount of flexibility and stamina, Duval sang mostly roles from the standard French and Italian repertories...
, Otto Edelmann
Otto Edelmann
Otto Edelmann was an Austrian bass. He was born in Vienna and studied singing in Vienna with Gunnar Graarud. His debut was at Gera as Figaro in Mozart's The Marriage of Figaro. He later sang the Vienna State Opera, the Edinburgh Festival and the Metropolitan Opera...
, Rosalind Elias
Rosalind Elias
Rosalind Elias is an American mezzo-soprano, a rich-voiced singer of fine musicianship who enjoyed a long and distinguished career at the Metropolitan Opera.-Life and career:...
, Edith Evans
Edith Evans
Dame Edith Mary Evans, DBE was a British actress. She was known for her work on the British stage. She also appeared in a number of films, for which she received three Academy Award nominations, plus a BAFTA and a Golden Globe award.Evans was particularly effective at portraying haughty...
, Jean Fenn
Jean Fenn
Jean Fenn is an American soprano who had an active opera career in North America during the 1950s through the 1970s. An attractive blond with a statuesque figure, Fenn was a disciplined, well-schooled singer with an excellent technique, wide range, and a highly polished sound...
, Giulio Fioravanti
Giulio Fioravanti
Giulio Fioravanti was an Italian operatic baritone, particularly associated with the Italian repertory....
, Nicolai Gedda
Nicolai Gedda
Nicolai Gedda is a Swedish operatic tenor. Having made some two hundred recordings, Gedda is said to be the most widely recorded tenor in history...
, Leyla Gencer
Leyla Gencer
Leyla Gencer, or Ayşe Leyla Çeyrekgil was a world-renowned Turkish operatic soprano.Known as "La Diva Turca" and "La Regina" in the opera world, Gencer was a notable bel canto soprano who spent most of her career in Italy, from the early 1950s through the mid-1980s, and had a repertoire...
, Bonaldo Giaiotti
Bonaldo Giaiotti
Bonaldo Giaiotti is an Italian operatic bass, particularly associated with the Italian repertory.Born in Udine, he studied in his native city and later in Milan with Alfredo Starno, where he made his debut at the Teatro Nuovo in 1957...
, Tito Gobbi
Tito Gobbi
Tito Gobbi was an Italian operatic baritone with an international reputation.-Biography:Tito Gobbi was born in Bassano del Grappa and studied law at the University of Padua before he trained as a singer. Giulio Crimi, a well-known Italian tenor of a previous generation, was Gobbi's teacher in Rome...
, Thomas Hayward
Thomas Hayward (tenor)
Thomas Hayward was an American operatic tenor of note. He was the cousin of Lawrence Tibbett....
, Jerome Hines
Jerome Hines
The American Jerome A. Hines was a basso opera singer who performed at the Metropolitan Opera from 1946 to 1987...
, Laurel Hurley, Raoul Jobin
Raoul Jobin
Raoul Jobin, was a French-Canadian operatic tenor, particularly associated with the French repertory.- Life and career :...
, Robert Kerns
Robert Kerns
Robert Kerns was an American baritone, he was a stylish and versatile singer with a wide repertoire.-Life and career:...
, Dorothy Kirsten
Dorothy Kirsten
Dorothy Kirsten was an American operatic soprano.-Biography:...
, Flaviano Labò
Flaviano Labò
Flaviano Labò , was an Italian operatic tenor, particularly associated with heroic roles of the Italian repertory.Labò was born at Borgonovo, near Piacenza...
, Albert Lance
Albert Lance
Albert Lance is a French tenor of Australian origin, based in France from the mid 1950s onwards, where he enjoyed a highly successful career....
, Brenda Lewis, Chester Ludgin
Chester Ludgin
-Biography:Chester Ludgin was a native of Brooklyn, New York. He made his professional debut in 1956 with The Experimental Opera Theatre of America , as Baron Scarpia in Giacomo Puccini's Tosca, conducted by Renato Cellini and directed by Armando Agnini...
, Cornell MacNeil
Cornell MacNeil
Cornell MacNeil , was an American operatic baritone known for his exceptional voice and long career with the Metropolitan Opera, which spanned 642 performances in twenty-six roles. F...
, Jean Madeira
Jean Madeira
Jean Madeira was an American mezzo-soprano, particularly known for her work in late-romantic German repertoire such as the operas of Richard Wagner and Richard Strauss...
, Elaine Malbin
Elaine Malbin
Elaine Malbin is an American soprano who had a prolific international career singing in operas, musicals, and concerts from 1949 through 1967. She appeared in a number of Broadway productions in the 1940s and 1950s...
, Adriana Maliponte
Adriana Maliponte
Adriana Maliponte is an Italian operatic soprano.Born Adriana Macchiaioli, she moved with her family to France a the age of 14. She studied first at the Mulhouse Conservatory and later in Como with Carmen Melis and made her stage debut at the Teatro Nuovo in Milan in 1958...
, Robert Merrill
Robert Merrill
Robert Merrill was an American operatic baritone.-Early life:Merrill was born Moishe Miller, later known as Morris Miller, in the Williamsburg section of Brooklyn, New York, to tailor Abraham Miller, originally Milstein, and his wife Lillian, née Balaban, immigrants from Warsaw, Poland.His mother...
, Anna Moffo
Anna Moffo
Anna Moffo was an Italian-American opera singer and one of the leading lyric-coloratura sopranos of her generation...
, Licinio Montefusco, Barry Morell
Barry Morell
Barry Morell was an American operatic tenor particularly associated with the Italian and French repertoire.He was born in New York City and studied at the Juilliard School with Giuseppe Danise...
, Nicola Moscona
Nicola Moscona
Nicolai Moscona was a Greek operatic bass. Born in Athens, he made his stage debut in Il barbiere di Siviglia at the Greek National Opera in 1931 and went on to sing leading basso cantante roles both in Europe and United States...
, Herva Nelli
Herva Nelli
Herva Nelli was an Italian-born operatic soprano.-Biography:Named after the French socialist Gustave Hervé, she was born in Florence, where she attended a convent school...
, Birgit Nilsson
Birgit Nilsson
right|thumb|Nilsson in 1948.Birgit Nilsson was a celebrated Swedish dramatic soprano who specialized in operatic and symphonic works...
, Roberta Peters
Roberta Peters
Roberta Peters is an American coloratura soprano.One of the most prominent American singers to achieve lasting fame and success in opera, Peters is noted for her 35-year association with the Metropolitan Opera Company in New York...
, Louis Quilico
Louis Quilico
Louis Quilico, CC was a Canadian opera singer. One of the leading dramatic baritones of his day, he was an ideal interpreter of the great Italian and French composers, especially Giuseppe Verdi. He was often referred to as "Mr Rigoletto" in reference to the Verdi opera...
, Luciano Rampaso, Nell Rankin
Nell Rankin
Nell Rankin was an American operatic mezzo-soprano. Although a successful opera singer internationally, she spent most of her career at the Metropolitan Opera where she worked from 1951-1976. Rankin was particularly admired for her portrayals of Amneris in Verdi's Aida and the title role in...
, Regina Resnik
Regina Resnik
Regina Resnik is an American operatic singer.Regina Resnik, the American mezzo-soprano, started a dramatic career ten months after earning her B.A. in Music at Hunter College. The role was Lady Macbeth under Fritz Busch in December, 1942 with the New Opera Company. A few months later, she sang...
, Graciela Rivera
Graciela Rivera
Dr. Graciela Rivera , was the first Puerto Rican to sing a lead role at the Metropolitan Opera in New York.-Early years:...
, Elinor Ross
Elinor Ross
Elinor Ross is an American opera singer, a dramatic soprano particularly associated with the Italian repertory.Born in Tampa, Florida, she studied at the Syracuse University, and later came to New York to study with William Herman, Stanley Sontag and Leo Resnick...
, Jane Shaulis, Giulietta Simionato
Giulietta Simionato
Giulietta Simionato was an Italian mezzo-soprano. Her career spanned from the 1930s until her retirement in 1966.-Life:Born at Forlì, Romagna, she studied in Rovigo and Padua, and made her operatic debut at Montagnana in 1928...
, Joanna Simon, Eleanor Steber
Eleanor Steber
Eleanor Steber was an American operatic soprano. Steber is noted as one of the first major opera stars to have achieved the highest success with training and a career based in the United States.-Biography:...
, Teresa Stratas
Teresa Stratas
Teresa Stratas, OC , is a retired Canadian operatic soprano. She is especially well-known for her award-winning recording of Alban Berg's Lulu.-Early life and career:...
, Brian Sullivan, Giuseppe Taddei
Giuseppe Taddei
Giuseppe Taddei was an Italian baritone, who performed mostly the operas of Wolfgang Amadeus Mozart and Giuseppe Verdi....
, Ferruccio Tagliavini
Ferruccio Tagliavini
Ferruccio Tagliavini was an Italian operatic tenor mainly active in the 1940s and 1950s...
, Pia Tassinari
Pia Tassinari
Pia Tassinari was an Italian soprano and later mezzo-soprano, particularly associated with the Italian and French repertories....
, Blanche Thebom
Blanche Thebom
Blanche Thebom was an American operatic mezzo-soprano, voice teacher, and opera director. She was part of the first wave of American opera singers that had highly successful international careers. In her own country she had a long association with the Metropolitan Opera in New York City which...
, Giorgio Tozzi
Giorgio Tozzi
Giorgio Tozzi was for many years a leading bass with the Metropolitan Opera, as well as playing lead roles in nearly every major opera house worldwide.-Career:Tozzi was born George John Tozzi in Chicago, Illinois...
, Norman Treigle
Norman Treigle
Norman Treigle was an American operatic bass-baritone, who was acclaimed for his great abilities as a singing-actor, and specialized in roles that evoked villainy and terror....
, Gabriella Tucci
Gabriella Tucci
Gabriella Tucci is an Italian operatic soprano, particularly associated with the Italian repertory.Born in Rome, Italy, Tucci trained at the Accademia di Santa Cecilia with Leonardo Filoni, whom she later married. She made her debut at Spoleto, as Leonora in La forza del destino, opposite...
, Richard Tucker
Richard Tucker
Richard Tucker was an American operatic tenor.-Early life:Tucker was born Rivn Ticker in Brooklyn, New York, into a family of Romanian immigrants from Bessarabia. His father, Shmul Ticker, and mother Fanya-Tsipa Ticker had already adopted the surname "Tucker" by the time their son entered first...
, Giuseppe Valdengo
Giuseppe Valdengo
Giuseppe Valdengo was an Italian operatic baritone. Opera News said that, "Although his timbre lacked the innate beauty of some of his baritone contemporaries, Valdengo's performances were invariably satisfying — bold and assured in attack but scrupulously musical."-Biography:Valdengo first...
, Frank Valentino
Frank Valentino
right|thumb|Valentino, ca. 1940sFrancesco Valentino was an American operatic baritone. He is perhaps best remembered for his performances under Arturo Toscanini.-Life and career:...
, Luigi Vellucci, and Jon Vickers
Jon Vickers
Jonathan Stewart Vickers, CC , known professionally as Jon Vickers, is a retired Canadian heldentenor.Born in Prince Albert, Saskatchewan, he was the sixth in a family of eight children. In 1950, he was awarded a scholarship to study opera at The Royal Conservatory of Music in Toronto...
to name just a few. The PGOC's last performance was of Johann Strauss II
Johann Strauss II
Johann Strauss II , also known as Johann Baptist Strauss or Johann Strauss, Jr., the Younger, or the Son , was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas...
's Die Fledermaus
Die Fledermaus
Die Fledermaus is an operetta composed by Johann Strauss II to a German libretto by Karl Haffner and Richard Genée.- Literary sources :...
on December 6, 1974 with Joseph Venezia as Alfred, June Fiske as Adele, Eileen Schauler as Rosalinde, Robert Goodloe as Eisenstein, and Carlo Moresco
Carlo Moresco
Carlo Moresco was an American conductor, composer, violinist, and stage director of Italian birth. He was one of the most important opera conductors in the city of Philadelphia during the 20th century, working for multiple opera companies in that city...
conducting.
In the companies last three years the opera board's long-term president, Max Leon
Max Leon
Maximino León Molino is a former pitcher in Major League Baseball who played from through for the Atlanta Braves...
, served as the company's manager after the departure of Terracciano. Experiencing some financial difficulties, the company began talks with the Philadelphia Lyric Opera Company
Philadelphia Lyric Opera Company
The Philadelphia Lyric Opera Company was an American opera company located in Philadelphia, Pennsylvania that was active between 1958 and 1974. The company was led by a number of Artistic Directors during its history, beginning with Aurelio Fabiani. Other notable Artistic Directors include Julius...
about a possible merger in 1974. An agreement was reached and the two companies merged to form the Opera Company of Philadelphia
Opera Company of Philadelphia
The Opera Company of Philadelphia is an American opera company in Philadelphia, Pennsylvania and is the city's only company producing grand opera. The organization produces four fully staged opera productions annually, encompassing works from the seventeenth through the 21st century...
in 1975 with Leon serving as General Director.