Quiet, Please
Encyclopedia
Quiet, Please! was a radio
fantasy
and horror
program created by Wyllis Cooper
, also known for creating Lights Out
. Ernest Chappell
was the show's announcer and lead actor. Quiet, Please! debuted June 8, 1947 on the Mutual Broadcasting System
, and its last episode was broadcast June 25, 1949, on the ABC
. A total of 106 shows were broadcast, with only a very few of them repeats.
Earning relatively little notice during its initial run, Quiet, Please! has since been praised as one of the finest efforts of the golden age of American radio drama
. Professor Richard J. Hand of the University of Glamorgan
. In a detailed critical analysis of the series, Hand argued that Cooper and Chappell "created works of astonishing originality" (Hand, 145); he further describes the program as an "extraordinary body of work" (Hand, 158), which established Cooper "as one of the greatest auteurs of horror radio." (Hand, 161) Similarly, radio historian Ron Lackmann declares that the episodes "were exceptionally well written and outstandingly acted" (Lackmann, 226), while John Dunning
describes the show as "a potent series bristling with rich imagination." (Dunning, 559)
's Mercury Theatre
, who achieved notoriety with their 1938 adaptation of H. G. Wells
's novel The War of the Worlds
. Cooper was a writer for the Campbell Playhouse, and Chappell was the announcer. They became friends, though Chappell had little (if any) acting experience, Cooper imagined him as the star of a new radio program. Cooper's earlier Lights Out
was famous for its gruesome stories and sound effects, but for Quiet, Please, Cooper would cultivate a subdued, slower-paced, and much quieter atmosphere that could still, at its best, match Lights Out for frights and thrills.
Chappell had ample experience in radio, but mostly as an announcer. As Hand writes, "With Quiet, Please, Cooper gave Ernest Chappell the chance to act, and the result was a revelation. Chappell proved himself to be versatile in accent and delivery." (Hand, 146) The differences could be broad or subtle, but in nearly every episode, Chappell created a distinctive character, rarely using the same traits in multiple episodes. Writer Harlan Ellison
, a longtime Quiet, Please fan, writes, "[t]the programs were backed by sound effects and music ... but it was essentially Chappell, just speaking softly. Quietly. Terrifyingly." (Ellison, 77) Ellison also describes Chappell as having "one of the great radio voices. A sound that combined urbanity with storytelling wisdom." (Ellison, 76)
in New York City
, and began on the Mutual Network on June 8, 1947. Beginning in September, 1948, it was syndicated by ABC
, though CBS
executive Davidson Taylor expressed an interest in the show, writing in a memo in March 1948, "I like this show a lot and believe we could get it if we wanted." (Hand, 146)
Each episode began with Chappell intoning the show's title, followed by a long pause (sometimes up to seven seconds), before repeating the title. Then, the show's theme music was played, a dirge
y, funereal organ
and piano
version of a portion of the second movement of César Franck
's 1899 Symphony in D Minor
. The introduction established the sparse, understated tone of the show, and has inspired collectors and reviewers to remark upon Cooper's use of the dramatic power of silence.
Though the general thrust of the stories were fantasy
, horror
and suspense, Cooper's Quiet, Please! scripts covered a broad thematic range, including romance, science fiction
, crime
, family drama and humor (some of it quite self-deprecating). Dunning describes the show as "outstanding dark fantasy;" (Dunning, 559) Hand notes that this description is broadly accurate, but that there are a few humorous or sentimental Quiet, Please episodes which "aren't particularly 'dark'". Hand also suggests that "any attempt to categorize the series feels like diminishing its scope of achievement." (Hand, 145)Regardless of content, most episodes had a dream
like, surreal
quality: Odd or paranormal
events were not always explained: Dunning wrote that the show's "characters walked in a fuzzy dream world where the element of menace was ripe and ever present." (Dunning, 559)
Hand writes that "Cooper was a master of the opening line. Almost every episode of Quiet, Please begins with a sentence or two that hooks the listener, commanding their attention and their curiosity." (Hand, 147)
Most episodes featured no more than two or three actors, with Chappell taking the first person
voice in all but a handful of episodes (with the closing describing him as "the man who spoke to you"), usually telling the tale via flashbacks. Dunning writes that "Cooper's pet hate was of 'acting' and he wanted [each story] related with a deadpan sense of here's how it happened.'" (Dunning, 559) Chappell usually took a conversational tone, relating the stories slowly and casually; he frequently played a specialist worker, giving Cooper a chance to add background details from his own earlier jobs as a soldier
, gandy dancer
or oil platform
worker. Though supporting players were sparse, a group of New York radio veterans were heard on a frequent basis: as female characters, in male bit parts, or as the supernatural or otherworldly beings the ordinary Chappell character encounters. Most notably, radio star Claudia Morgan
(longtime voice of Nora Charles on The Adventures of the Thin Man
, and not coincidentally, Ernest Chappell's wife) was an occasional female lead, usually in tragic romances, and was heard in the final show (the appropriately titled "Quiet, Please," a meditation on war and peace). In one lost show, "Three Sides to a Story," Morgan's father Ralph Morgan
was also a guest. J. Pat O'Malley
, later a familiar TV character actor, was another frequent voice, heard in more than a dozen shows throughout the run, beginning with the first broadcast "Nothing Behind the Door." He played foreman Ted in "The Thing on the Fourbleboard" and was often used in parts requiring Irish or Scottish accents. Radio commentator and disc jockey Jack Lescoulie
guest starred in the radio-themed "Twelve to Five."
At the end of each program, Cooper offered a teaser for the next show. These were usually unrehearsed, and often displayed Cooper's wry or morbid humor: "My story for you next week is called 'A Night to Forget'. It's about a man who wished he could –- and couldn't."http://web.archive.org/web/20091027124456/http://www.geocities.com/emruf6/40.html Cooper's teaser was always followed by Chappell's sign-off: "And so, until next week at this same time, I am quietly yours, Ernest Chappell."
Compared to other contemporary radio dramas, Quiet, Please! used fewer sound effects and less dialogue
, relying instead on first person narration to drive each play. As noted above, silence was often used masterfully; a 1949 Oakland Tribune article by John Crosby notes, "There are long, long pauses, so long sometimes you wonder if your radio has gone on the blink. Networks are horrified at the amount of dead air
they purchase along with Cooper. (A half hour Cooper script played at ordinary tempo would run about 11 minutes.)" http://www.quietplease.org/forum/comments.php?id=180 Though Crosby praised Quiet, Please!, he thought the dramas sometimes employed confused, deus ex machina
endings and characters were occasionally underdeveloped. He also wrote that Cooper "avoids cliché
s with such intensity that he's creating his own."
Most episodes had a strongly moralist
tone: evildoers were nearly always punished, and good was typically rewarded. In 1949, Harriett Cannon wrote, "Although in no sense a
'religious' show, [Quiet, Please!] has some of its strongest
supporters among the clergy
." In fact, Cooper often drew upon the Bible
for inspiration, though he generally tweaked the stories and plots past the point of easy recognizability. Even the easily recognizable Bible stories are given a twist: "The Third Man's Story" (6 September 1948) retells the story of Cain and Abel
, suggesting that Cain's act was motivated by Abel's arrogance and taunts. Cooper's scripts were, arguably, among the best of their era; Hand argues that "Cooper employs excellent structuring devices in creating 30-minute radio drama," even comparing one episode ("Three Sides to a Story") to Sartre's No Exit
. Love triangle
s were another frequent plot device for Quiet, Please.
As with many radio programs to feature prominent organ accompaniment, Quiet, Please! was a rather low-budget undertaking. The show's keyboardist (Albert Berman for most of the episodes), however, arguably utilized the instruments in a more innovative way than others—not only for punctuation of climactic moments, but also as an element of the scripts, as in the lazy, boogie woogie riffs in the clandestine casino
scenes in "Good Ghost" (24 November 1948). The show's theme was used as a plot device in at least three episodes: as a post-hypnotic trigger in by a hypnotist
in "Symphony in D Minor" (13 September 1948), "The Evening and the Morning" and in "Come In, Eddie".
Unusually for episodic radio drama, several episodes were sequel
s of earlier broadcasts, or at least recycled the same ideas: A character and setting from the very first episode "Nothing Behind the Door" (8 June 1947) are referenced in one of the last episodes, "The Other Side of the Stars"; in "The Man Who Knew Everything" (6 March 1949) the titular character seems to die at the episode's end, only to return in "The Venetian Blind Man" (3 April 1949). Another pair of episodes, though not directly sequels, both feature an enchanted watch that allows its bearer to time travel
: ("It's Later Than You Think" (8 February 1948) and "Not Responsible After Thirty Years" (14 June 1948)
Despite some positive reviews (and a loyal audience that might be classified as a cult following
, based on Crosby's claim the network received more requests from fans for Quiet, Please! scripts than for any other radio program) the show never established itself and never attracted a sponsor. Quiet, Please! might have suffered from poor scheduling, which was often dependent upon a regular sponsor. During its first year, Quiet, Please! was broadcast at 3.30 pm, a time slot usually reserved for after-school programming aimed at juveniles. Its second season found the show at a more appropriate 9.30 pm, but its third and final season the show was bumped again, this time to 5.30pm (noted times are Eastern Standard Time
)
-field worker who encounters a mysterious subterranean being hiding on the derrick's catwalk. The unusual title is a bit of oil worker argot
: the "fourble board" of an oil derrick is a narrow catwalk that is as high up as four lengths of drilling pipe placed vertically (two lengths of pipe are a "double", three are a "thribble" and four are a "fourble."
The story effectivness has led some fans to label the episode one of the best radio horror programs ever broadcast. Richard J. Hand of the University of Glamorgan
notes that "The Thing on the Fourble Board" is not only cited as the finest example of radio horror, but occasionally cited as one of best examples of radio drama as a whole. Especially effective was Cecil Roy
's vocal performance as the creature. Though she performs only very briefly, Roy's vocal (barely recognizable as human) was cited by Dunning as still startling and chill-inducing even after decades.
According to Hand, Cooper's script for the episode was dizzyingly multilayered, blending authentic details of oil rig workers' daily activities, with elements of what might be termed "subterranea
" or Hollow Earth
lore, yet managing to faintly invoke nautical stories like the kraken
.
, mainly to support their unsuccessful efforts to interest adapting Quiet, Please to television.
In 2004, at the Sacred Fools Theater in Los Angeles
, Corey Klemow directed stage adaptations of two of the best-regarded Cooper scripts, The Thing on the Fourble Board and Whence Came You?
A film version of the episode "The Evening & The Morning" appears on YouTube.
Hand writes that Cooper "enjoys creating roles for the audience: passive listener, surreptitious eavesdropper, or even someone implicated in the action of the story itself." (Hand, 148) Scripts often broke down the fourth wall
by speaking directly to the listener. On "The Other Side of the Stars", (broadcast May 8, 1949), Chappell appeared as Esau
(the name is another of Cooper's many Biblical touches), a character who narrates the story as though he were broadcasting it on live radio; a show within a show. Esau relates the tale of his girlfriend's odd fate after she discovered a conquistador's armor while exploring a well
in Arizona
, but he is repeatedly interrupted by her brother, who arrived uninvited for the broadcast. Chappell's character in "Inquest" is forced to stand in front of a vast visible radio audience, while being assured that he will be supplied with sound effects as they are necessary to accompany the story he tells.
Several episodes blurred the distinction between performer and fictional character
: In a few episodes (such as "Is This Murder"), Ernest Chappell portrayed a man named "Ernest". In "Where Do You Get Your Ideas?" Cooper played himself, while Chappell portrayed a drunken barfly, pestering the writer. In the episode "12 to 5" (broadcast April 12, 1948), Chappell plays a disk jockey who delivers an on-air commercial for "Chappell's Apples" (as well as a portion of the César Franck theme).
, and can be downloaded free of charge; see "external links". Another 17 are presumed lost, though, according to Hand, scripts survive for all of them.
The fact that any episodes of Quiet, Please survive in general circulation might well be due to Chappell's efforts. He wrote to Cooper's widow Emily in 1966 to report that he owned copies of all but 11 episodes on transcription discs and had copied them all to reel to reel
tape. Stating that he would happily copy any episodes for Emily, Chappell further wrote:
has praised Quiet, Please! and rates it as one of the finest and most effective programs in the history of radio or television. He discovered the show in his youth and states that even though the bulk of the episodes were lost for decades, several Quiet, Please! episodes haunted his memory and exerted a strong influence on his writing.
In a newspaper column originally printed in 1981, Ellison wrote that he stumbled across one particular episode in his childhood, and afterwards, became a devoted Quiet, Please listener. He remembers the title of that episode as "Five Miles Down", though no episode logs list that title. "Five Miles Down" is listed as an episode of another radio anthology series, The Mysterious Traveler
. "A Mile High and a Mile Deep" is a Quiet, Please episode taking place deep underground in a mine that he may have meant. Ellison writes that of that episode, "I heard something I have never forgotten... What I heard that Sunday afternoon, so long ago, that has never left my thoughts for even one week, through all those years, was this:
Ellison goes on to relate the plot (at least as he remembers it after several decades, admitting that time might have altered some of the details), and asks, "How many stories you heard or saw or read 15 years ago, ten years ago, even five years ago, do you remember that clearly today? I heard "'Five Miles Down' at least 40 years ago. And it's still with me." (Ellison, 77) Incidentally, Ellison's recollection is a little inaccurate: he thinks that the episode was broadcast "Early in the forties" (Ellison, 76), while Quiet, Please was in fact broadcast in the mid-to-late 1940s.
Old-time radio
Old-Time Radio and the Golden Age of Radio refer to a period of radio programming in the United States lasting from the proliferation of radio broadcasting in the early 1920s until television's replacement of radio as the primary home entertainment medium in the 1950s...
fantasy
Fantasy
Fantasy is a genre of fiction that commonly uses magic and other supernatural phenomena as a primary element of plot, theme, or setting. Many works within the genre take place in imaginary worlds where magic is common...
and horror
Horror film
Horror films seek to elicit a negative emotional reaction from viewers by playing on the audience's most primal fears. They often feature scenes that startle the viewer through the means of macabre and the supernatural, thus frequently overlapping with the fantasy and science fiction genres...
program created by Wyllis Cooper
Wyllis Cooper
Wyllis Oswald Cooper was an American writer and producer.He is best remembered for creating and writing the old time radio programs Lights Out and Quiet, Please -Biography:...
, also known for creating Lights Out
Lights Out (radio show)
Lights Out is an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum...
. Ernest Chappell
Ernest Chappell
Ernest E. Chappell was an American radio announcer and actor, best remembered for his featured role in the late 1940s radio program Quiet, Please. The show ran from 1947 to 1949, and Quiet, Please was Chappell's major acting credit...
was the show's announcer and lead actor. Quiet, Please! debuted June 8, 1947 on the Mutual Broadcasting System
Mutual Broadcasting System
The Mutual Broadcasting System was an American radio network, in operation from 1934 to 1999. In the golden age of U.S. radio drama, MBS was best known as the original network home of The Lone Ranger and The Adventures of Superman and as the long-time radio residence of The Shadow...
, and its last episode was broadcast June 25, 1949, on the ABC
American Broadcasting Company
The American Broadcasting Company is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948...
. A total of 106 shows were broadcast, with only a very few of them repeats.
Earning relatively little notice during its initial run, Quiet, Please! has since been praised as one of the finest efforts of the golden age of American radio drama
Radio drama
Radio drama is a dramatized, purely acoustic performance, broadcast on radio or published on audio media, such as tape or CD. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story...
. Professor Richard J. Hand of the University of Glamorgan
University of Glamorgan
The University of Glamorgan is a university based in Pontypridd, Rhondda Cynon Taf, Wales with campuses in Treforest, Glyntaff, Merthyr Tydfil, Tyn y Wern and Cardiff...
. In a detailed critical analysis of the series, Hand argued that Cooper and Chappell "created works of astonishing originality" (Hand, 145); he further describes the program as an "extraordinary body of work" (Hand, 158), which established Cooper "as one of the greatest auteurs of horror radio." (Hand, 161) Similarly, radio historian Ron Lackmann declares that the episodes "were exceptionally well written and outstandingly acted" (Lackmann, 226), while John Dunning
John Dunning
John Dunning may refer to:* John Dunning , American writer of detective fiction* John Dunning * John Harry Dunning , British economist* John Dunning , American film editor...
describes the show as "a potent series bristling with rich imagination." (Dunning, 559)
Background
Quiet, Please had its roots in the Campbell Playhouse (1938–1941), the successor to Orson WellesOrson Welles
George Orson Welles , best known as Orson Welles, was an American film director, actor, theatre director, screenwriter, and producer, who worked extensively in film, theatre, television and radio...
's Mercury Theatre
Mercury Theatre
The Mercury Theatre was a theatre company founded in New York City in 1937 by Orson Welles and John Houseman. After a string of live theatrical productions, in 1938 the Mercury Theatre progressed into their best-known period as The Mercury Theatre on the Air, a radio series that included one of the...
, who achieved notoriety with their 1938 adaptation of H. G. Wells
H. G. Wells
Herbert George Wells was an English author, now best known for his work in the science fiction genre. He was also a prolific writer in many other genres, including contemporary novels, history, politics and social commentary, even writing text books and rules for war games...
's novel The War of the Worlds
The War of the Worlds (radio)
The War of the Worlds was an episode of the American radio drama anthology series Mercury Theatre on the Air. It was performed as a Halloween episode of the series on October 30, 1938, and aired over the Columbia Broadcasting System radio network. Directed and narrated by actor and future filmmaker...
. Cooper was a writer for the Campbell Playhouse, and Chappell was the announcer. They became friends, though Chappell had little (if any) acting experience, Cooper imagined him as the star of a new radio program. Cooper's earlier Lights Out
Lights Out (radio show)
Lights Out is an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum...
was famous for its gruesome stories and sound effects, but for Quiet, Please, Cooper would cultivate a subdued, slower-paced, and much quieter atmosphere that could still, at its best, match Lights Out for frights and thrills.
Chappell had ample experience in radio, but mostly as an announcer. As Hand writes, "With Quiet, Please, Cooper gave Ernest Chappell the chance to act, and the result was a revelation. Chappell proved himself to be versatile in accent and delivery." (Hand, 146) The differences could be broad or subtle, but in nearly every episode, Chappell created a distinctive character, rarely using the same traits in multiple episodes. Writer Harlan Ellison
Harlan Ellison
Harlan Jay Ellison is an American writer. His principal genre is speculative fiction.His published works include over 1,700 short stories, novellas, screenplays, teleplays, essays, a wide range of criticism covering literature, film, television, and print media...
, a longtime Quiet, Please fan, writes, "[t]the programs were backed by sound effects and music ... but it was essentially Chappell, just speaking softly. Quietly. Terrifyingly." (Ellison, 77) Ellison also describes Chappell as having "one of the great radio voices. A sound that combined urbanity with storytelling wisdom." (Ellison, 76)
Quiet, Please on the air
Quiet, Please was produced at WORWOR (AM)
WOR is a class A , AM radio station located in New York, New York, U.S., operating on 710 kHz. The station has a talk format and has been owned by Buckley Broadcasting since 1987, after the station was sold by RKO. The station has conservative, or right-of-center hosts.Its call letters have no...
in New York City
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
, and began on the Mutual Network on June 8, 1947. Beginning in September, 1948, it was syndicated by ABC
American Broadcasting Company
The American Broadcasting Company is an American commercial broadcasting television network. Created in 1943 from the former NBC Blue radio network, ABC is owned by The Walt Disney Company and is part of Disney-ABC Television Group. Its first broadcast on television was in 1948...
, though CBS
CBS
CBS Broadcasting Inc. is a major US commercial broadcasting television network, which started as a radio network. The name is derived from the initials of the network's former name, Columbia Broadcasting System. The network is sometimes referred to as the "Eye Network" in reference to the shape of...
executive Davidson Taylor expressed an interest in the show, writing in a memo in March 1948, "I like this show a lot and believe we could get it if we wanted." (Hand, 146)
Each episode began with Chappell intoning the show's title, followed by a long pause (sometimes up to seven seconds), before repeating the title. Then, the show's theme music was played, a dirge
Dirge
A dirge is a somber song expressing mourning or grief, such as would be appropriate for performance at a funeral. A lament. The English word "dirge" is derived from the Latin Dirige, Domine, Deus meus, in conspectu tuo viam meam , the first words of the first antiphon in the Matins of the Office...
y, funereal organ
Organ (music)
The organ , is a keyboard instrument of one or more divisions, each played with its own keyboard operated either with the hands or with the feet. The organ is a relatively old musical instrument in the Western musical tradition, dating from the time of Ctesibius of Alexandria who is credited with...
and piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
version of a portion of the second movement of César Franck
César Franck
César-Auguste-Jean-Guillaume-Hubert Franck was a composer, pianist, organist, and music teacher who worked in Paris during his adult life....
's 1899 Symphony in D Minor
Symphony in D minor (Franck)
The Symphony in D minor is the most famous orchestral work and the only symphony written by the 19th-century Belgian composer César Franck. After two years of work, the symphony was completed 22 August 1888. It was premiered at the Paris Conservatory on 17 February 1889 under the direction of ...
. The introduction established the sparse, understated tone of the show, and has inspired collectors and reviewers to remark upon Cooper's use of the dramatic power of silence.
Though the general thrust of the stories were fantasy
Fantasy
Fantasy is a genre of fiction that commonly uses magic and other supernatural phenomena as a primary element of plot, theme, or setting. Many works within the genre take place in imaginary worlds where magic is common...
, horror
Horror fiction
Horror fiction also Horror fantasy is a philosophy of literature, which is intended to, or has the capacity to frighten its readers, inducing feelings of horror and terror. It creates an eerie atmosphere. Horror can be either supernatural or non-supernatural...
and suspense, Cooper's Quiet, Please! scripts covered a broad thematic range, including romance, science fiction
Science fiction
Science fiction is a genre of fiction dealing with imaginary but more or less plausible content such as future settings, futuristic science and technology, space travel, aliens, and paranormal abilities...
, crime
Crime fiction
Crime fiction is the literary genre that fictionalizes crimes, their detection, criminals and their motives. It is usually distinguished from mainstream fiction and other genres such as science fiction or historical fiction, but boundaries can be, and indeed are, blurred...
, family drama and humor (some of it quite self-deprecating). Dunning describes the show as "outstanding dark fantasy;" (Dunning, 559) Hand notes that this description is broadly accurate, but that there are a few humorous or sentimental Quiet, Please episodes which "aren't particularly 'dark'". Hand also suggests that "any attempt to categorize the series feels like diminishing its scope of achievement." (Hand, 145)Regardless of content, most episodes had a dream
Dream
Dreams are successions of images, ideas, emotions, and sensations that occur involuntarily in the mind during certain stages of sleep. The content and purpose of dreams are not definitively understood, though they have been a topic of scientific speculation, philosophical intrigue and religious...
like, surreal
Surrealism
Surrealism is a cultural movement that began in the early 1920s, and is best known for the visual artworks and writings of the group members....
quality: Odd or paranormal
Paranormal
Paranormal is a general term that designates experiences that lie outside "the range of normal experience or scientific explanation" or that indicates phenomena understood to be outside of science's current ability to explain or measure...
events were not always explained: Dunning wrote that the show's "characters walked in a fuzzy dream world where the element of menace was ripe and ever present." (Dunning, 559)
Hand writes that "Cooper was a master of the opening line. Almost every episode of Quiet, Please begins with a sentence or two that hooks the listener, commanding their attention and their curiosity." (Hand, 147)
Most episodes featured no more than two or three actors, with Chappell taking the first person
First-person narrative
First-person point of view is a narrative mode where a story is narrated by one character at a time, speaking for and about themselves. First-person narrative may be singular, plural or multiple as well as being an authoritative, reliable or deceptive "voice" and represents point of view in the...
voice in all but a handful of episodes (with the closing describing him as "the man who spoke to you"), usually telling the tale via flashbacks. Dunning writes that "Cooper's pet hate was of 'acting' and he wanted [each story] related with a deadpan sense of here's how it happened.'" (Dunning, 559) Chappell usually took a conversational tone, relating the stories slowly and casually; he frequently played a specialist worker, giving Cooper a chance to add background details from his own earlier jobs as a soldier
Soldier
A soldier is a member of the land component of national armed forces; whereas a soldier hired for service in a foreign army would be termed a mercenary...
, gandy dancer
Gandy dancer
Gandy dancer is a slang term used for early railroad workers who laid and maintained railroad tracks in the years before the work was done by machines....
or oil platform
Oil platform
An oil platform, also referred to as an offshore platform or, somewhat incorrectly, oil rig, is a lаrge structure with facilities to drill wells, to extract and process oil and natural gas, and to temporarily store product until it can be brought to shore for refining and marketing...
worker. Though supporting players were sparse, a group of New York radio veterans were heard on a frequent basis: as female characters, in male bit parts, or as the supernatural or otherworldly beings the ordinary Chappell character encounters. Most notably, radio star Claudia Morgan
Claudia Morgan
Claudia Morgan was an American film, television and radio actress. She was best known for playing the role of Vera Claythorne in the first Broadway production of Agatha Christie's Ten Little Indians and for her portrayal of Nora Charles on the 1940s radio series, The Adventures of the Thin...
(longtime voice of Nora Charles on The Adventures of the Thin Man
The Adventures of the Thin Man
The Adventures of the Thin Man radio series, initially starring Les Damon, was broadcast on all four major radio networks during the years 1941 to 1950. Claudia Morgan had the female lead role of Nora Charles throughout the program's entire nine-year run...
, and not coincidentally, Ernest Chappell's wife) was an occasional female lead, usually in tragic romances, and was heard in the final show (the appropriately titled "Quiet, Please," a meditation on war and peace). In one lost show, "Three Sides to a Story," Morgan's father Ralph Morgan
Ralph Morgan
Ralph Morgan was a Hollywood film, stage and character actor, and the older brother of Frank Morgan .-Early life:...
was also a guest. J. Pat O'Malley
J. Pat O'Malley
James Patrick O'Malley was an English singer and character actor, who appeared in many American films and television programs during the 1940s–1970s, using the stage name J. Pat O'Malley...
, later a familiar TV character actor, was another frequent voice, heard in more than a dozen shows throughout the run, beginning with the first broadcast "Nothing Behind the Door." He played foreman Ted in "The Thing on the Fourbleboard" and was often used in parts requiring Irish or Scottish accents. Radio commentator and disc jockey Jack Lescoulie
Jack Lescoulie
Jack Lescoulie was a radio and television announcer and host, notably on NBC's Today during the 1950s and 1960s. His parents were both in vaudeville along with their children; Lescoulie's first public performance was at age seven. His first media job was with KGFJ, Los Angeles, when he was still...
guest starred in the radio-themed "Twelve to Five."
At the end of each program, Cooper offered a teaser for the next show. These were usually unrehearsed, and often displayed Cooper's wry or morbid humor: "My story for you next week is called 'A Night to Forget'. It's about a man who wished he could –- and couldn't."http://web.archive.org/web/20091027124456/http://www.geocities.com/emruf6/40.html Cooper's teaser was always followed by Chappell's sign-off: "And so, until next week at this same time, I am quietly yours, Ernest Chappell."
Compared to other contemporary radio dramas, Quiet, Please! used fewer sound effects and less dialogue
Dialogue
Dialogue is a literary and theatrical form consisting of a written or spoken conversational exchange between two or more people....
, relying instead on first person narration to drive each play. As noted above, silence was often used masterfully; a 1949 Oakland Tribune article by John Crosby notes, "There are long, long pauses, so long sometimes you wonder if your radio has gone on the blink. Networks are horrified at the amount of dead air
Dead air
Dead air is an unintended interruption in a radio broadcast during which no sound is transmitted.The term is most often used in cases where program material comes to an unexpected halt, either through operator error or for technical reasons, although it is also used in cases where a broadcaster...
they purchase along with Cooper. (A half hour Cooper script played at ordinary tempo would run about 11 minutes.)" http://www.quietplease.org/forum/comments.php?id=180 Though Crosby praised Quiet, Please!, he thought the dramas sometimes employed confused, deus ex machina
Deus ex machina
A deus ex machina is a plot device whereby a seemingly inextricable problem is suddenly and abruptly solved with the contrived and unexpected intervention of some new event, character, ability, or object.-Linguistic considerations:...
endings and characters were occasionally underdeveloped. He also wrote that Cooper "avoids cliché
Cliché
A cliché or cliche is an expression, idea, or element of an artistic work which has been overused to the point of losing its original meaning or effect, especially when at some earlier time it was considered meaningful or novel. In phraseology, the term has taken on a more technical meaning,...
s with such intensity that he's creating his own."
Most episodes had a strongly moralist
Morality
Morality is the differentiation among intentions, decisions, and actions between those that are good and bad . A moral code is a system of morality and a moral is any one practice or teaching within a moral code...
tone: evildoers were nearly always punished, and good was typically rewarded. In 1949, Harriett Cannon wrote, "Although in no sense a
'religious' show, [Quiet, Please!] has some of its strongest
supporters among the clergy
Clergy
Clergy is the generic term used to describe the formal religious leadership within a given religion. A clergyman, churchman or cleric is a member of the clergy, especially one who is a priest, preacher, pastor, or other religious professional....
." In fact, Cooper often drew upon the Bible
Bible
The Bible refers to any one of the collections of the primary religious texts of Judaism and Christianity. There is no common version of the Bible, as the individual books , their contents and their order vary among denominations...
for inspiration, though he generally tweaked the stories and plots past the point of easy recognizability. Even the easily recognizable Bible stories are given a twist: "The Third Man's Story" (6 September 1948) retells the story of Cain and Abel
Cain and Abel
In the Hebrew Bible, Cain and Abel are two sons of Adam and Eve. The Qur'an mentions the story, calling them the two sons of Adam only....
, suggesting that Cain's act was motivated by Abel's arrogance and taunts. Cooper's scripts were, arguably, among the best of their era; Hand argues that "Cooper employs excellent structuring devices in creating 30-minute radio drama," even comparing one episode ("Three Sides to a Story") to Sartre's No Exit
No Exit
No Exit is a 1944 existentialist French play by Jean-Paul Sartre. The original French title is Huis Clos, the French equivalent of the legal term in camera, referring to a private discussion behind closed doors; English translations have also been performed under the titles In Camera, No Way Out...
. Love triangle
Love triangle
A love triangle is usually a romantic relationship involving three people. While it can refer to two people independently romantically linked with a third, it usually implies that each of the three people has some kind of relationship to the other two...
s were another frequent plot device for Quiet, Please.
As with many radio programs to feature prominent organ accompaniment, Quiet, Please! was a rather low-budget undertaking. The show's keyboardist (Albert Berman for most of the episodes), however, arguably utilized the instruments in a more innovative way than others—not only for punctuation of climactic moments, but also as an element of the scripts, as in the lazy, boogie woogie riffs in the clandestine casino
Casino
In modern English, a casino is a facility which houses and accommodates certain types of gambling activities. Casinos are most commonly built near or combined with hotels, restaurants, retail shopping, cruise ships or other tourist attractions...
scenes in "Good Ghost" (24 November 1948). The show's theme was used as a plot device in at least three episodes: as a post-hypnotic trigger in by a hypnotist
Hypnosis
Hypnosis is "a trance state characterized by extreme suggestibility, relaxation and heightened imagination."It is a mental state or imaginative role-enactment . It is usually induced by a procedure known as a hypnotic induction, which is commonly composed of a long series of preliminary...
in "Symphony in D Minor" (13 September 1948), "The Evening and the Morning" and in "Come In, Eddie".
Unusually for episodic radio drama, several episodes were sequel
Sequel
A sequel is a narrative, documental, or other work of literature, film, theatre, or music that continues the story of or expands upon issues presented in some previous work...
s of earlier broadcasts, or at least recycled the same ideas: A character and setting from the very first episode "Nothing Behind the Door" (8 June 1947) are referenced in one of the last episodes, "The Other Side of the Stars"; in "The Man Who Knew Everything" (6 March 1949) the titular character seems to die at the episode's end, only to return in "The Venetian Blind Man" (3 April 1949). Another pair of episodes, though not directly sequels, both feature an enchanted watch that allows its bearer to time travel
Time travel
Time travel is the concept of moving between different points in time in a manner analogous to moving between different points in space. Time travel could hypothetically involve moving backward in time to a moment earlier than the starting point, or forward to the future of that point without the...
: ("It's Later Than You Think" (8 February 1948) and "Not Responsible After Thirty Years" (14 June 1948)
Despite some positive reviews (and a loyal audience that might be classified as a cult following
Cult following
A cult following is a group of fans who are highly dedicated to a specific area of pop culture. A film, book, band, or video game, among other things, will be said to have a cult following when it has a small but very passionate fan base...
, based on Crosby's claim the network received more requests from fans for Quiet, Please! scripts than for any other radio program) the show never established itself and never attracted a sponsor. Quiet, Please! might have suffered from poor scheduling, which was often dependent upon a regular sponsor. During its first year, Quiet, Please! was broadcast at 3.30 pm, a time slot usually reserved for after-school programming aimed at juveniles. Its second season found the show at a more appropriate 9.30 pm, but its third and final season the show was bumped again, this time to 5.30pm (noted times are Eastern Standard Time
North American Eastern Time Zone
The Eastern Time Zone of the United States and Canada is a time zone that falls mostly along the east coast of North America. Its UTC time offset is −5 hrs during standard time and −4 hrs during daylight saving time...
)
"The Thing on the Fourble Board"
Probably the most highly regarded episode of Quiet, Please! is "The Thing on the Fourble Board" (August 9, 1948), about an oilPetroleum
Petroleum or crude oil is a naturally occurring, flammable liquid consisting of a complex mixture of hydrocarbons of various molecular weights and other liquid organic compounds, that are found in geologic formations beneath the Earth's surface. Petroleum is recovered mostly through oil drilling...
-field worker who encounters a mysterious subterranean being hiding on the derrick's catwalk. The unusual title is a bit of oil worker argot
Argot
An Argot is a secret language used by various groups—including, but not limited to, thieves and other criminals—to prevent outsiders from understanding their conversations. The term argot is also used to refer to the informal specialized vocabulary from a particular field of study, hobby, job,...
: the "fourble board" of an oil derrick is a narrow catwalk that is as high up as four lengths of drilling pipe placed vertically (two lengths of pipe are a "double", three are a "thribble" and four are a "fourble."
Analysis
The story effectivness has led some fans to label the episode one of the best radio horror programs ever broadcast. Richard J. Hand of the University of Glamorgan
University of Glamorgan
The University of Glamorgan is a university based in Pontypridd, Rhondda Cynon Taf, Wales with campuses in Treforest, Glyntaff, Merthyr Tydfil, Tyn y Wern and Cardiff...
notes that "The Thing on the Fourble Board" is not only cited as the finest example of radio horror, but occasionally cited as one of best examples of radio drama as a whole. Especially effective was Cecil Roy
Cecil Roy
Cecil H. Roy was a radio actress who was well known in broadcasting of the 1930s and 1940s as The Girl of a Thousand Voices.Born in St. Paul, Minnesota, she grew up in Oklahoma...
's vocal performance as the creature. Though she performs only very briefly, Roy's vocal (barely recognizable as human) was cited by Dunning as still startling and chill-inducing even after decades.
According to Hand, Cooper's script for the episode was dizzyingly multilayered, blending authentic details of oil rig workers' daily activities, with elements of what might be termed "subterranea
Subterranea
Subterranea may refer to:*Subterranea , album by the band IQ*Subterranea , fictional underground land of the Mole Man in Marvel Comics*Subterranea , game for the Atari 2600 published by Imagic...
" or Hollow Earth
Hollow Earth
The Hollow Earth hypothesis proposes that the planet Earth is either entirely hollow or otherwise contains a substantial interior space. The hypothesis has been shown to be wrong by observational evidence, as well as by the modern understanding of planet formation; the scientific community has...
lore, yet managing to faintly invoke nautical stories like the kraken
Kraken
Kraken are legendary sea monsters of giant proportions said to have dwelt off the coasts of Norway and Iceland.In modern German, Krake means octopus but can also refer to the legendary Kraken...
.
Quiet, Please in other media
Cooper and Chappell remained friends after Quiet, Please went off the air, and even founded a production companyProduction company
A production company provides the physical basis for works in the realms of the performing arts, new media art, film, television, radio, and video.- Tasks and functions :...
, mainly to support their unsuccessful efforts to interest adapting Quiet, Please to television.
In 2004, at the Sacred Fools Theater in Los Angeles
Los Ángeles
Los Ángeles is the capital of the province of Biobío, in the commune of the same name, in Region VIII , in the center-south of Chile. It is located between the Laja and Biobío rivers. The population is 123,445 inhabitants...
, Corey Klemow directed stage adaptations of two of the best-regarded Cooper scripts, The Thing on the Fourble Board and Whence Came You?
A film version of the episode "The Evening & The Morning" appears on YouTube.
Quiet, Please and Metafiction
Though many radio programs used various meta-fictional ploys, Quiet, Please! arguably offered some of the most effective and intriguing examples.Hand writes that Cooper "enjoys creating roles for the audience: passive listener, surreptitious eavesdropper, or even someone implicated in the action of the story itself." (Hand, 148) Scripts often broke down the fourth wall
Fourth wall
The fourth wall is the imaginary "wall" at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play...
by speaking directly to the listener. On "The Other Side of the Stars", (broadcast May 8, 1949), Chappell appeared as Esau
Esau
Esau , in the Hebrew Bible, is the oldest son of Isaac. He is mentioned in the Book of Genesis, and by the minor prophets, Obadiah and Malachi. The New Testament later references him in the Book of Romans and the Book of Hebrews....
(the name is another of Cooper's many Biblical touches), a character who narrates the story as though he were broadcasting it on live radio; a show within a show. Esau relates the tale of his girlfriend's odd fate after she discovered a conquistador's armor while exploring a well
Water well
A water well is an excavation or structure created in the ground by digging, driving, boring or drilling to access groundwater in underground aquifers. The well water is drawn by an electric submersible pump, a trash pump, a vertical turbine pump, a handpump or a mechanical pump...
in Arizona
Arizona
Arizona ; is a state located in the southwestern region of the United States. It is also part of the western United States and the mountain west. The capital and largest city is Phoenix...
, but he is repeatedly interrupted by her brother, who arrived uninvited for the broadcast. Chappell's character in "Inquest" is forced to stand in front of a vast visible radio audience, while being assured that he will be supplied with sound effects as they are necessary to accompany the story he tells.
Several episodes blurred the distinction between performer and fictional character
Fictional character
A character is the representation of a person in a narrative work of art . Derived from the ancient Greek word kharaktêr , the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of...
: In a few episodes (such as "Is This Murder"), Ernest Chappell portrayed a man named "Ernest". In "Where Do You Get Your Ideas?" Cooper played himself, while Chappell portrayed a drunken barfly, pestering the writer. In the episode "12 to 5" (broadcast April 12, 1948), Chappell plays a disk jockey who delivers an on-air commercial for "Chappell's Apples" (as well as a portion of the César Franck theme).
Extant episodes
For many years, the majority of the show's episodes were feared lost, with only 12 episodes in general circulation among collectors. In the late 1980s, more than 80 episodes were discovered, comprising the majority of the series' run. Many of the recordings are of rather poor sound quality, but are nonetheless treasured by collectors. Currently in circulation are 88 episodes, plus half of an 89th. All the episodes are believed to be in the public domainPublic domain
Works are in the public domain if the intellectual property rights have expired, if the intellectual property rights are forfeited, or if they are not covered by intellectual property rights at all...
, and can be downloaded free of charge; see "external links". Another 17 are presumed lost, though, according to Hand, scripts survive for all of them.
The fact that any episodes of Quiet, Please survive in general circulation might well be due to Chappell's efforts. He wrote to Cooper's widow Emily in 1966 to report that he owned copies of all but 11 episodes on transcription discs and had copied them all to reel to reel
Reel to Reel
* For the audio technology, see "Reel-to-reel audio tape recording"Reel to Reel is the debut album by Grand Puba. It was Puba's first solo venture, following group projects with the likes of the short lived group Masters of Ceremony and Brand Nubian. Both of the group’s albums were critically...
tape. Stating that he would happily copy any episodes for Emily, Chappell further wrote:
- It took a lot of hours to make the tape transfers but I got a big thrill out of hearing them all over again and I want to say that there were many occasions when my emotions blew up and I just plain bawled. They brought back such wonderful times and so many intimate memories of such a treasured friend. (Hand, 161)
Influence
Writer Harlan EllisonHarlan Ellison
Harlan Jay Ellison is an American writer. His principal genre is speculative fiction.His published works include over 1,700 short stories, novellas, screenplays, teleplays, essays, a wide range of criticism covering literature, film, television, and print media...
has praised Quiet, Please! and rates it as one of the finest and most effective programs in the history of radio or television. He discovered the show in his youth and states that even though the bulk of the episodes were lost for decades, several Quiet, Please! episodes haunted his memory and exerted a strong influence on his writing.
In a newspaper column originally printed in 1981, Ellison wrote that he stumbled across one particular episode in his childhood, and afterwards, became a devoted Quiet, Please listener. He remembers the title of that episode as "Five Miles Down", though no episode logs list that title. "Five Miles Down" is listed as an episode of another radio anthology series, The Mysterious Traveler
The Mysterious Traveler
The Mysterious Traveler was an anthology radio series, a magazine and a comic book. All three featured stories which ran the gamut from fantasy and science fiction to straight crime dramas of mystery and suspense.-Radio:...
. "A Mile High and a Mile Deep" is a Quiet, Please episode taking place deep underground in a mine that he may have meant. Ellison writes that of that episode, "I heard something I have never forgotten... What I heard that Sunday afternoon, so long ago, that has never left my thoughts for even one week, through all those years, was this:
- "There is a place just five miles from where you now stand that no human eye has even seen. It is... five miles down!" (Ellison, 77)
Ellison goes on to relate the plot (at least as he remembers it after several decades, admitting that time might have altered some of the details), and asks, "How many stories you heard or saw or read 15 years ago, ten years ago, even five years ago, do you remember that clearly today? I heard "'Five Miles Down' at least 40 years ago. And it's still with me." (Ellison, 77) Incidentally, Ellison's recollection is a little inaccurate: he thinks that the episode was broadcast "Early in the forties" (Ellison, 76), while Quiet, Please was in fact broadcast in the mid-to-late 1940s.
Listen to
- "The Thing on the Fourble Board"
- Internet Archive: Quiet, Please (91 episodes)
- Quiet, Please (106 1947-49 episodes)
Sources
- John Dunning. On The Air: The Encyclopedia of Old-Time Radio. New York: Oxford University Press, 1998. ISBN 0-19-507678-8
- Harlan Ellison. Edgeworks I: Over the Edge/An Edge In My Voice. Clarkston, Georgia: White Wolf Publishing, 1996.
- Richard J. Hand. Terror on the Air!: Horror Radio in America, 1931–1952. McFarland, 2006. ISBN 0-7864-2367-6 ; passim; especially Chapter 9 "The Unsettling Universe of Wyllis Cooper and Ernest Chappell: Quiet, Please (1947–1949)", pp. 145–166.
- Ron Lackmann. Same Time, Same Station: An A-Z Radio Guide from Jack BennyJack BennyJack Benny was an American comedian, vaudevillian, and actor for radio, television, and film...
to Howard SternHoward SternHoward Allan Stern is an American radio personality, television host, author, and actor best known for his radio show, which was nationally syndicated from 1986 to 2005. He gained wide recognition in the 1990s where he was labeled a "shock jock" for his outspoken and sometimes controversial style...
. Facts on File, 1996. ISBN 0-8160-2862-1 - Ben Ohmart. It's That Time Again. Albany: BearManor Media, 2002. ISBN 0-9714570-2-6
External links
- Quiet Please.org
- Writer's Digest (May 1949): Harriet Cannon on Cooper and Quiet, Please
- OTR Plot Spot Plot summaries, reviews, and scripts for Old Time Radio shows, including Quiet, Please.