Roma (opera)
Encyclopedia
Roma is an opera
in five acts by Jules Massenet
to a French libretto
by Henri Cain
based on the play Rome vaincue by Alexandre Parodi
. It was first performed at the Opéra in Monte Carlo
on February 17, 1912.
Roma was the last opera by Massenet to premiere in his lifetime. Three operas were subsequently premiered posthumously: Panurge
(1913), Cléopâtre
(1914) and Amadis
(1922). The piece has not survived into the modern operatic repertoire, but has been revived recently and recorded by the Teatro la Fenice in Venice
.
, following the Carthaginian triumph at the Battle of Cannae
. Fausta, daughter of Fabius
, has allowed the sacred fires to burn out at the Temple of Vesta
, profaning the sanctuary. After failed attempts to escape her fate, to be buried alive wrapped in a black veil, Fausta returns to Rome to accept her punishment. As she as being led to execution, her blind grandmother, Posthumia, hands her Fabius' dagger. Fausta's hands are bound, however, and Posthumia must kill her granddaughter to spare her from the burial and expiate the sacrilege.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
in five acts by Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
to a French libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
by Henri Cain
Henri Cain
Henri Caïn was a French dramatist, opera and ballet librettist. He wrote over forty librettos from 1893 to his death, for many of the most prominent composers of the Parisian Belle Epoque....
based on the play Rome vaincue by Alexandre Parodi
Alexandre Parodi
Alexandre Parodi was a diplomat and the first ambassador of the France to the United Nations.-External links:**...
. It was first performed at the Opéra in Monte Carlo
Monte Carlo
Monte Carlo is an administrative area of the Principality of Monaco....
on February 17, 1912.
Roma was the last opera by Massenet to premiere in his lifetime. Three operas were subsequently premiered posthumously: Panurge
Panurge (opera)
Panurge is an opera in three acts by Jules Massenet to a French libretto by Georges Spitzmuller and Maurice Boukay, after Pantagruel by Rabelais...
(1913), Cléopâtre
Cléopâtre
Cléopâtre is an opera in four acts by Jules Massenet to a French libretto by Louis Payen. It was first performed in at the Opéra Monte-Carlo on February 23, 1914, nearly two years after Massenet's death....
(1914) and Amadis
Amadis (Massenet)
Amadis is an opera in three acts with prologue by Jules Massenet to a French libretto by Jules Claretie based on the Spanish knight-errantry romance Amadis de Gaula, originally of Portuguese origin, by Garci Rodríguez de Montalvo....
(1922). The piece has not survived into the modern operatic repertoire, but has been revived recently and recorded by the Teatro la Fenice in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
.
Roles
Role | Voice type | Premiere Cast, 17 February 1912 (Conductor: Léon Jehin Léon Jehin Léon Jehin, born Spa, Belgium 17 July 1853, died Monaco 14 February 1928, was a conductor and composer, especially associated with musical life and the opera house in Monte Carlo.-Life and career:... ) |
---|---|---|
Lentulus | tenor Tenor The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2... |
Lucien Muratore Lucien Muratore Lucien Muratore was a French actor and operatic tenor, particularly associated with the French repertory.- Life and career :... |
Fabius Maximus | baritone Baritone Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or... |
Jean-François Delmas Jean-François Delmas (singer) Jean-François Delmas was a French bass-baritone who created roles in many French operas including Athanaël in Thaïs.... |
Fausta | soprano Soprano A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody... |
Maria Kuznetsova Maria Kuznetsova Maria Nikolayevna Kuznetsova , was a famous 20th century Russian opera singer and dancer.Prior to the Revolution, Kuznetsova was one of the most celebrated opera singers in Imperial Russia, having worked with Richard Strauss, Nikolai Rimsky-Korsakov and Jules Massenet. She was frequently paired... |
Lucius Cornélius | bass | Pierre Clauzure |
Posthumia | contralto Contralto Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above... |
Lucy Arbell Lucy Arbell Lucy Arbell , was a French mezzo-soprano whose operatic career was mainly centred in Paris, and who was particularly associated with the composer Jules Massenet.-Life and career:... |
Junia | soprano | Julia Guiraudon |
Vestapor | baritone | Jean Noté Jean Noté Jean-Baptiste Noté was a Belgian operatic baritone. He graduated from the Royal Conservatory of Ghent in 1884 with first prizes in singing and lyrical declamation. He made his professional opera debut in 1885 at the Opéra de Lille as Lord Enrico Ashton in Gaetano Donizetti's Lucia di Lammermoor... |
The Grand Vestal | soprano | Éliane Peltier |
Galla | soprano | Doussot |
Caïus | baritone | Kozline/Skano |
An old man | baritone | Gasparini |
Chorus: Senators, Priests, Vestal virgins, people. |
Synopsis
The story takes place in Ancient RomeAncient Rome
Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....
, following the Carthaginian triumph at the Battle of Cannae
Battle of Cannae
The Battle of Cannae was a major battle of the Second Punic War, which took place on August 2, 216 BC near the town of Cannae in Apulia in southeast Italy. The army of Carthage under Hannibal decisively defeated a numerically superior army of the Roman Republic under command of the consuls Lucius...
. Fausta, daughter of Fabius
Fabius
The gens Fabia was one of the most ancient patrician families at Rome. The gens played a prominent part in history soon after the establishment of the Republic, and three brothers are said to have been invested with seven successive consulships, from BC 485 to 479...
, has allowed the sacred fires to burn out at the Temple of Vesta
Temple of Vesta
The Temple of Vesta is an ancient edifice in Rome, Italy, located in the Roman Forum near the Regia and the House of the Vestal Virgins. The temple's most recognizable feature is its circular footprint. Since the worship of Vesta began in private homes, the architecture seems to be a reminder of...
, profaning the sanctuary. After failed attempts to escape her fate, to be buried alive wrapped in a black veil, Fausta returns to Rome to accept her punishment. As she as being led to execution, her blind grandmother, Posthumia, hands her Fabius' dagger. Fausta's hands are bound, however, and Posthumia must kill her granddaughter to spare her from the burial and expiate the sacrilege.