Maria Kuznetsova
Encyclopedia
Maria Nikolayevna Kuznetsova (1880April 25, 1966) , was a famous 20th century Russian
opera
singer and dancer.
Prior to the Revolution, Kuznetsova was one of the most celebrated opera singers in Imperial Russia, having worked with Richard Strauss
, Nikolai Rimsky-Korsakov
and Jules Massenet
. She was frequently paired with Feodor Chaliapin
. After leaving Russia in 1917, Kuznetsova continued to perform for another thirty years abroad before retiring.
, Ukraine
, the daughter of portraitist Nikolai Kuznetsov. Kuznetsova's mother was descended from a distinguished family of scientists and intellectuals of Romanian
and Russo-Jewish descent.
Her maternal grandmother, Emilia (Nevakhovich) Metchnikoff, was the daughter of Lev Nevakhovich (1776-1831), a Russo-Jewish author, translator, and founder of the Haskalah
movement in Russia. Emilia married a Guards officer
, Ilya Metchnikoff, and had two sons; the Nobel Prize
-winning microbiologist
Élie Metchnikoff and the sociologist
Lev Metchnikoff.
Kuznetsova's great-uncles Mikhail and Aleksandr Nevakhovich also had successful careers. Mikhail was a cartoonist
and founder of Russia's first satirical
magazine, Mish-Mash (Eralash). Aleksandr was a playwright and served as repertory director of Imperial Theaters in Saint Petersburg during the reign of Nicholas I
.
in Saint Petersburg, Russia, but abandoned dancing to study music with the baritone
Joachim Tartakov. Kuznetsova was a lyrical soprano
with a clear and beautiful singing voice. She also possessed notable talent as an actress. Igor Stravinsky
described her as "very appetizing to look at as well as to hear".
She initially debuted at the Saint Petersburg Conservatory as Tatiana in Tchaikovsky
's Eugene Onegin
in 1904. Kuznetsova debuted for a second time in 1905 at the Mariinsky Theatre
as Marguérite in Charles Gounod
's Faust
. One night, not long after her Mariinsky debut, a dispute erupted in the theater's lobby between students and army officers while Kuznetsova was singing the role of Elsa in Wagner
's Lohengrin
. Before panic ensued, an unfazed Kuznetsova interrupted the performance, and she then quickly calmed the crowd by leading everyone in a rousing rendition of the Russian national anthem
God Save The Tsar!
.
She remained at the Mariinsky as soloist for twelve years until the Revolution in 1917. During her lengthy career, Kuznetsova originated several roles including Fevroniya
in Rimsky-Korsakov's The Legend of the Invisible City of Kitezh and the Maiden Fevroniya
, the title role in Massenet
's Cléopâtre
, Woglinde in the first Russian production of Wagner
's Das Rheingold
, Yaroslavna in Rimsky-Korsakov and Glazunov
's rendition of Alexander Borodin
's Prince Igor
, and Fausta
in another Massenet creation, Roma. Other signature roles included Oksana in Tchaikovsky's Cherevichki
, Thaïs in Massenet's Thaïs
, Violetta in Verdi
's La traviata
, The Snow Maiden in Rimsky-Korsakov's The Snow Maiden
, Mimi in Puccini
's La bohème
, Antonida in Glinka
's A Life for the Tsar
, Lyudmila in Ruslan and Ludmila and Tamara in Anton Rubinstein
's The Demon
.
, Kuznetsova participated in, and helped to finance, the famed Les Saisons Russes of Sergei Diaghilev
's Ballets Russes
in London and Paris.
With the help of her friend, the artist and designer
Léon Bakst
, Kuznetsova won the role of Potiphar's wife in Richard Strauss
's ballet La Légende de Saint Joseph (or Josephslegende) in 1914. The production included a veritable who's who of the Edwardian art world. It was produced by Diaghilev, composed and conducted by Strauss, choreographed by Michel Fokine
, designed by Bakst and José Maria Sert
, while the lead was danced by Léonide Massine.
It was an important role, and she was certainly in good company, but they were held to a punishing schedule with little time to rehearse. To make matters worse, Strauss was in a foul mood because his lover, Ida Rubinstein
, who was to have danced Lydia Sokolova
's role, had abruptly abandoned the project. Furthermore, Strauss abhorred working with French musicians, and was constantly at daggers drawn with the orchestra. Diaghilev, meanwhile, had not yet recovered from Vaslav Nijinsky
's departure the previous year from the Ballets Russes.
Despite the problems backstage and an outraged British press, who found the work obscene, the ballet successfully debuted in both London and Paris that spring as reported in the New York Times:
The most memorable thing about the production was said to be Sert's luxurious Venetian themed sets and Bakst's costumes. Sokolova recalled Kuznetsova's costume as being particularly inspired:
In addition to trying her hand at ballet, Kuznetsova performed in several operas that season. In one memorable performance she joined the celebrated Russian bass Feodor Chaliapin
in a production of Borodin
's Prince Igor
, choreographed by Fokine, and staged at Drury Lane
on June 8, 1914.
She was engaged at the Gaiété-Lyrique in Paris in 1919, singing alongside Lucien Fugère
, Maria Barrientos
, Lydia Lipkowska
, Georgette Leblanc
, André Gilly, and Vanni Marcoux
.
In 1920, Kuznetsova participated in a large a charity concert at the Paris Opéra
along with Vera Karalli
and others, to raise funds to aid impoverished fellow Russian émigré
s.
Kuznetsova's other performances during the 1920s were of a more practical and less philanthropic nature. She organized private concerts and recitals where she would sing Russian and Spanish folk music
, Gypsy music, and opera. At these recitals she would often perform Spanish folk dances and Flamenco
after singing. In addition to these private performances, Kuznetsova worked as a soloist at Covent Garden
and other theaters and opera houses throughout Europe, including, very briefly, at a small theater founded by Léon Bakst.
In 1927, with the help of her husband, Ukrainian
baritone Mikhail Karakash, and Count Alexis Ceretelli, Kuznetsova founded the Opéra Russe à Paris. The Opéra Russe staged a number of ballets and operas in London, Paris, Barcelona
, Madrid
, Milan
, and as far afield as Buenos Aires
, between 1927 and 1933.
Kuznetsova gave fewer performances after 1933, but as late as 1947 her name appeared on the program of a choreographic competition held in Copenhagen, hosted by Rolf de Maré
. Her contribution to the event was described quite simply: "Songs and dances of Spain, by Maria Kousnetzoff and a flamenco group."
Albert Nikolayevich Benois
(1852–1936).
After the death of Benois, Kuznetsova wed Jules Massenet's nephew, the banker and industrialist
Alfred Massenet. Alfred had worked for a time in the Russian Empire, prior to the Revolution, as the president of the Société d'Industrie Minere de Chagali-Heliar, a French copper mining company headquartered in Tbilisi
, Georgia
.
Maria Kuznetsova died in Paris on April 25, 1966.
Her last years were spent in poverty; she lived in one room in a small hotel off the Champs Elysees, abandoned by her son Mikhael and her former colleagues and friends. Her sole companion was her dresser Olga and she supprted herself by giving lessons in singing and acting.Olga used to recount how Chaliapin died in her arms, against the wishes of his wife.
Russians
The Russian people are an East Slavic ethnic group native to Russia, speaking the Russian language and primarily living in Russia and neighboring countries....
opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
singer and dancer.
Prior to the Revolution, Kuznetsova was one of the most celebrated opera singers in Imperial Russia, having worked with Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
, Nikolai Rimsky-Korsakov
Nikolai Rimsky-Korsakov
Nikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César...
and Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
. She was frequently paired with Feodor Chaliapin
Feodor Chaliapin
Feodor Ivanovich Chaliapin was a Russian opera singer. The possessor of a large and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form.During the first phase...
. After leaving Russia in 1917, Kuznetsova continued to perform for another thirty years abroad before retiring.
Family
Kuznetsova was born in 1880, in OdessaOdessa
Odessa or Odesa is the administrative center of the Odessa Oblast located in southern Ukraine. The city is a major seaport located on the northwest shore of the Black Sea and the fourth largest city in Ukraine with a population of 1,029,000 .The predecessor of Odessa, a small Tatar settlement,...
, Ukraine
Ukraine
Ukraine is a country in Eastern Europe. It has an area of 603,628 km², making it the second largest contiguous country on the European continent, after Russia...
, the daughter of portraitist Nikolai Kuznetsov. Kuznetsova's mother was descended from a distinguished family of scientists and intellectuals of Romanian
Romania
Romania is a country located at the crossroads of Central and Southeastern Europe, on the Lower Danube, within and outside the Carpathian arch, bordering on the Black Sea...
and Russo-Jewish descent.
Her maternal grandmother, Emilia (Nevakhovich) Metchnikoff, was the daughter of Lev Nevakhovich (1776-1831), a Russo-Jewish author, translator, and founder of the Haskalah
Haskalah
Haskalah , the Jewish Enlightenment, was a movement among European Jews in the 18th–19th centuries that advocated adopting enlightenment values, pressing for better integration into European society, and increasing education in secular studies, Hebrew language, and Jewish history...
movement in Russia. Emilia married a Guards officer
Russian Guards
Guards or Guards units were and are elite military units in Imperial Russia, Soviet Union and the Russian Federation. The tradition goes back to the retinue of a knyaz of medieval Kievan Rus' and the streltsy, the Muscovite harquebusiers formed by Ivan the Terrible by 1550...
, Ilya Metchnikoff, and had two sons; the Nobel Prize
Nobel Prize
The Nobel Prizes are annual international awards bestowed by Scandinavian committees in recognition of cultural and scientific advances. The will of the Swedish chemist Alfred Nobel, the inventor of dynamite, established the prizes in 1895...
-winning microbiologist
Microbiology
Microbiology is the study of microorganisms, which are defined as any microscopic organism that comprises either a single cell , cell clusters or no cell at all . This includes eukaryotes, such as fungi and protists, and prokaryotes...
Élie Metchnikoff and the sociologist
Sociology
Sociology is the study of society. It is a social science—a term with which it is sometimes synonymous—which uses various methods of empirical investigation and critical analysis to develop a body of knowledge about human social activity...
Lev Metchnikoff.
Kuznetsova's great-uncles Mikhail and Aleksandr Nevakhovich also had successful careers. Mikhail was a cartoonist
Cartoonist
A cartoonist is a person who specializes in drawing cartoons. This work is usually humorous, mainly created for entertainment, political commentary or advertising...
and founder of Russia's first satirical
Satire
Satire is primarily a literary genre or form, although in practice it can also be found in the graphic and performing arts. In satire, vices, follies, abuses, and shortcomings are held up to ridicule, ideally with the intent of shaming individuals, and society itself, into improvement...
magazine, Mish-Mash (Eralash). Aleksandr was a playwright and served as repertory director of Imperial Theaters in Saint Petersburg during the reign of Nicholas I
Nicholas I of Russia
Nicholas I , was the Emperor of Russia from 1825 until 1855, known as one of the most reactionary of the Russian monarchs. On the eve of his death, the Russian Empire reached its historical zenith spanning over 20 million square kilometers...
.
Early life and career
Kuznetsova initially studied balletBallet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...
in Saint Petersburg, Russia, but abandoned dancing to study music with the baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
Joachim Tartakov. Kuznetsova was a lyrical soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
with a clear and beautiful singing voice. She also possessed notable talent as an actress. Igor Stravinsky
Igor Stravinsky
Igor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
described her as "very appetizing to look at as well as to hear".
She initially debuted at the Saint Petersburg Conservatory as Tatiana in Tchaikovsky
Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky Pyotr Ilyich Tchaikovsky (Russian: Пётр Ильи́ч Чайко́вский ; often "Peter Ilich Tchaikovsky" in English. His names are also transliterated "Piotr" or "Petr"; "Ilitsch", "Il'ich" or "Illyich"; and "Tschaikowski", "Tschaikowsky", "Chajkovskij"...
's Eugene Onegin
Eugene Onegin (opera)
Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
in 1904. Kuznetsova debuted for a second time in 1905 at the Mariinsky Theatre
Mariinsky Theatre
The Mariinsky Theatre is a historic theatre of opera and ballet in Saint Petersburg, Russia. Opened in 1860, it became the preeminent music theatre of late 19th century Russia, where many of the stage masterpieces of Tchaikovsky, Mussorgsky, and Rimsky-Korsakov received their premieres. The...
as Marguérite in Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
. One night, not long after her Mariinsky debut, a dispute erupted in the theater's lobby between students and army officers while Kuznetsova was singing the role of Elsa in Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
's Lohengrin
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
. Before panic ensued, an unfazed Kuznetsova interrupted the performance, and she then quickly calmed the crowd by leading everyone in a rousing rendition of the Russian national anthem
National anthem
A national anthem is a generally patriotic musical composition that evokes and eulogizes the history, traditions and struggles of its people, recognized either by a nation's government as the official national song, or by convention through use by the people.- History :Anthems rose to prominence...
God Save The Tsar!
God Save the Tsar!
"God Save the Tsar!" was the national anthem of the late Russian Empire. The song was chosen from a competition held in 1833. The composer was violinist Alexei Lvov, and the lyrics were by the court poet Vasily Zhukovsky...
.
She remained at the Mariinsky as soloist for twelve years until the Revolution in 1917. During her lengthy career, Kuznetsova originated several roles including Fevroniya
The Tale of Peter and Fevronia
The Tale of Peter and Fevronia of Murom is a 11th century Russian tale by Hermolaus-Erasmus, often referred to as a hagiography.-Plot summary:...
in Rimsky-Korsakov's The Legend of the Invisible City of Kitezh and the Maiden Fevroniya
The Legend of the Invisible City of Kitezh and the Maiden Fevroniya
The Legend of the Invisible City of Kitezh and the Maiden Fevroniya is an opera in four acts by Nikolai Rimsky-Korsakov. The libretto was written by Vladimir Belsky, and is based on a combination of two Russian legends: that of St. Fevroniya of Murom, and the city of Kitezh, which became invisible...
, the title role in Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
's Cléopâtre
Cléopâtre
Cléopâtre is an opera in four acts by Jules Massenet to a French libretto by Louis Payen. It was first performed in at the Opéra Monte-Carlo on February 23, 1914, nearly two years after Massenet's death....
, Woglinde in the first Russian production of Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
's Das Rheingold
Das Rheingold
is the first of the four operas that constitute Richard Wagner's Der Ring des Nibelungen . It was originally written as an introduction to the tripartite Ring, but the cycle is now generally regarded as consisting of four individual operas.Das Rheingold received its premiere at the National Theatre...
, Yaroslavna in Rimsky-Korsakov and Glazunov
Alexander Glazunov
Alexander Konstantinovich Glazunov was a Russian composer of the late Russian Romantic period, music teacher and conductor...
's rendition of Alexander Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
's Prince Igor
Prince Igor
Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
, and Fausta
Fausta
Fausta Flavia Maxima was a Roman Empress, daughter of the Roman Emperor Maximianus. To seal the alliance between them for control of the Tetrarchy, in 307 Maximianus married her to Constantine I, who set aside his wife Minervina in her favour. Constantine and Fausta had been betrothed since...
in another Massenet creation, Roma. Other signature roles included Oksana in Tchaikovsky's Cherevichki
Cherevichki
Cherevichki [alternative renderings are The Little Shoes, The Tsarina's Slippers, Les caprices d'Oxane, and Gli stivaletti] is a comic-fantastic opera in 4 acts, 8 scenes, by Pyotr Ilyich Tchaikovsky. It was composed in 1885 in Maidanovo, Russia...
, Thaïs in Massenet's Thaïs
Thaïs (opera)
Thaïs is an opera in three acts by Jules Massenet to a French libretto by Louis Gallet based on the novel Thaïs by Anatole France. It was first performed at the Opéra Garnier in Paris on 16 March 1894, starring the American soprano Sybil Sanderson, for whom Massenet had written the title role...
, Violetta in Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
's La traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
, The Snow Maiden in Rimsky-Korsakov's The Snow Maiden
The Snow Maiden
The Snow Maiden: A Spring Fairy Tale is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky .The first performance of Rimsky-Korsakov's opera took place at the...
, Mimi in Puccini
Giacomo Puccini
Giacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire...
's La bohème
La bohème
La bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
, Antonida in Glinka
Mikhail Glinka
Mikhail Ivanovich Glinka , was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music...
's A Life for the Tsar
A Life for the Tsar
A Life for the Tsar , as it is known in English, although its original name was Ivan Susanin is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Georgy Fyodorovich Rozen,...
, Lyudmila in Ruslan and Ludmila and Tamara in Anton Rubinstein
Anton Rubinstein
Anton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos...
's The Demon
The Demon (opera)
The Demon is an opera in three acts by Russian composer Anton Rubinstein. The work was composed in 1871. The libretto was by Pavel Viskovatov, based on the poem of the same name by Mikhail Lermontov.-Background:...
.
The Ballets Russes
On the eve of the First World WarWorld War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
, Kuznetsova participated in, and helped to finance, the famed Les Saisons Russes of Sergei Diaghilev
Sergei Diaghilev
Sergei Pavlovich Diaghilev , usually referred to outside of Russia as Serge, was a Russian art critic, patron, ballet impresario and founder of the Ballets Russes, from which many famous dancers and choreographers would arise.-Early life and career:...
's Ballets Russes
Ballets Russes
The Ballets Russes was an itinerant ballet company from Russia which performed between 1909 and 1929 in many countries. Directed by Sergei Diaghilev, it is regarded as the greatest ballet company of the 20th century. Many of its dancers originated from the Imperial Ballet of Saint Petersburg...
in London and Paris.
With the help of her friend, the artist and designer
Designer
A designer is a person who designs. More formally, a designer is an agent that "specifies the structural properties of a design object". In practice, anyone who creates tangible or intangible objects, such as consumer products, processes, laws, games and graphics, is referred to as a...
Léon Bakst
Léon Bakst
Léon Samoilovitch Bakst was a Russian painter and scene- and costume designer. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes...
, Kuznetsova won the role of Potiphar's wife in Richard Strauss
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
's ballet La Légende de Saint Joseph (or Josephslegende) in 1914. The production included a veritable who's who of the Edwardian art world. It was produced by Diaghilev, composed and conducted by Strauss, choreographed by Michel Fokine
Michel Fokine
Michel Fokine was a groundbreaking Russian choreographer and dancer.-Biography:...
, designed by Bakst and José Maria Sert
Misia Sert
Misia Sert was a pianist of Polish descent who hosted an artistic salon in Paris...
, while the lead was danced by Léonide Massine.
It was an important role, and she was certainly in good company, but they were held to a punishing schedule with little time to rehearse. To make matters worse, Strauss was in a foul mood because his lover, Ida Rubinstein
Ida Rubinstein
Ida Lvovna Rubinstein was a Russian ballerina, actress, patron and Belle Époque figure.- Early life :Born in Kharkov, or possibly St. Petersburg,p408 into a wealthy Jewish family, Rubinstein was orphaned at an early age. She had, by the standard of Russian ballet, little formal training. Tutored...
, who was to have danced Lydia Sokolova
Lydia Sokolova
Lydia Sokolova was an English ballerina. She trained at the Stedman Ballet Academy and learned from such luminaries as Anna Pavlova and Enrico Cecchetti....
's role, had abruptly abandoned the project. Furthermore, Strauss abhorred working with French musicians, and was constantly at daggers drawn with the orchestra. Diaghilev, meanwhile, had not yet recovered from Vaslav Nijinsky
Vaslav Nijinsky
Vaslav Nijinsky was a Russian ballet dancer and choreographer of Polish descent, cited as the greatest male dancer of the 20th century. He grew to be celebrated for his virtuosity and for the depth and intensity of his characterizations...
's departure the previous year from the Ballets Russes.
Despite the problems backstage and an outraged British press, who found the work obscene, the ballet successfully debuted in both London and Paris that spring as reported in the New York Times:
- PARIS, May 14 - At the Opera tonight the Russian ballet season opened with the premiere of Richard Strauss's "The Legend of St. Joseph."...
- The part of Joseph was excellently performed by a young member of the Moscow "Artists Theatre", Leonide Miassine, who joined M. Diaghilew's ballet company for this purpose. Mme Kousnetzoff abandoned singing for the time being to impersonate Potiphar's wife ...
- A crowded house was evidently highly pleased.
The most memorable thing about the production was said to be Sert's luxurious Venetian themed sets and Bakst's costumes. Sokolova recalled Kuznetsova's costume as being particularly inspired:
- She moved about on high gilded clogs, attended by servants, two of whom had a couple of honey-coloured wolfhounds on white leads ...
In addition to trying her hand at ballet, Kuznetsova performed in several operas that season. In one memorable performance she joined the celebrated Russian bass Feodor Chaliapin
Feodor Chaliapin
Feodor Ivanovich Chaliapin was a Russian opera singer. The possessor of a large and expressive bass voice, he enjoyed an important international career at major opera houses and is often credited with establishing the tradition of naturalistic acting in his chosen art form.During the first phase...
in a production of Borodin
Alexander Borodin
Alexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music...
's Prince Igor
Prince Igor
Prince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
, choreographed by Fokine, and staged at Drury Lane
Drury Lane
Drury Lane is a street on the eastern boundary of the Covent Garden area of London, running between Aldwych and High Holborn. The northern part is in the borough of Camden and the southern part in the City of Westminster....
on June 8, 1914.
Life in exile
After the Revolution in 1917, Kuznetsova fled Russia, making a suitably dramatic escape dressed as a cabin boy and hidden inside a steamer trunk aboard a ship headed for Sweden. She became an opera singer at the Stockholm Opera (1919), then in Copenhagen and then in the Royal Opera House in Covent Garden, London. She settled in Paris in 1921 and in 1922 together with Léon Bakst founded the "Theatre of Miniatures".She was engaged at the Gaiété-Lyrique in Paris in 1919, singing alongside Lucien Fugère
Lucien Fugère
Lucien Fugère was a French baritone, particularly associated with the French repertory and Mozart roles, he enjoyed an exceptionally long career, singing into his 80s.- Life and career :...
, Maria Barrientos
Maria Barrientos
Maria Barrientos was a Spanish opera singer, a light coloratura soprano, one of the most eminent sopranos of her time.- Life and career :...
, Lydia Lipkowska
Lydia Lipkowska
Lydia Lipkowska was a Russian operatic soprano. Born in Babino, she was trained at the Saint Petersburg Conservatory. She was committed to the Mariinsky Theatre from 1906–1908 and again from 1911–1913. She was a member of the Metropolitan Opera in New York City from 1909 -1911...
, Georgette Leblanc
Georgette Leblanc
Georgette Leblanc was a French operatic soprano, actress, author, and the sister of novelist Maurice Leblanc. She became particularly associated with the works of Jules Massenet and was an admired interpreter of the title role in Bizet's Carmen...
, André Gilly, and Vanni Marcoux
Vanni Marcoux
Jean-Émile Diogène Marcoux was a French operatic bass-baritone, known professionally as Vanni Marcoux . He was particularly associated with the French and Italian repertories...
.
In 1920, Kuznetsova participated in a large a charity concert at the Paris Opéra
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
along with Vera Karalli
Vera Karalli
Vera Alexeyevna Karalli was a notable Russian ballet dancer, choreographer and silent film actress during the early years of the twentieth century.-Early life and career:...
and others, to raise funds to aid impoverished fellow Russian émigré
Émigré
Émigré is a French term that literally refers to a person who has "migrated out", but often carries a connotation of politico-social self-exile....
s.
Kuznetsova's other performances during the 1920s were of a more practical and less philanthropic nature. She organized private concerts and recitals where she would sing Russian and Spanish folk music
Folk music
Folk music is an English term encompassing both traditional folk music and contemporary folk music. The term originated in the 19th century. Traditional folk music has been defined in several ways: as music transmitted by mouth, as music of the lower classes, and as music with unknown composers....
, Gypsy music, and opera. At these recitals she would often perform Spanish folk dances and Flamenco
Flamenco
Flamenco is a genre of music and dance which has its foundation in Andalusian music and dance and in whose evolution Andalusian Gypsies played an important part....
after singing. In addition to these private performances, Kuznetsova worked as a soloist at Covent Garden
Covent Garden
Covent Garden is a district in London on the eastern fringes of the West End, between St. Martin's Lane and Drury Lane. It is associated with the former fruit and vegetable market in the central square, now a popular shopping and tourist site, and the Royal Opera House, which is also known as...
and other theaters and opera houses throughout Europe, including, very briefly, at a small theater founded by Léon Bakst.
In 1927, with the help of her husband, Ukrainian
Ukraine
Ukraine is a country in Eastern Europe. It has an area of 603,628 km², making it the second largest contiguous country on the European continent, after Russia...
baritone Mikhail Karakash, and Count Alexis Ceretelli, Kuznetsova founded the Opéra Russe à Paris. The Opéra Russe staged a number of ballets and operas in London, Paris, Barcelona
Barcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
, Madrid
Madrid
Madrid is the capital and largest city of Spain. The population of the city is roughly 3.3 million and the entire population of the Madrid metropolitan area is calculated to be 6.271 million. It is the third largest city in the European Union, after London and Berlin, and its metropolitan...
, Milan
Milan
Milan is the second-largest city in Italy and the capital city of the region of Lombardy and of the province of Milan. The city proper has a population of about 1.3 million, while its urban area, roughly coinciding with its administrative province and the bordering Province of Monza and Brianza ,...
, and as far afield as Buenos Aires
Buenos Aires
Buenos Aires is the capital and largest city of Argentina, and the second-largest metropolitan area in South America, after São Paulo. It is located on the western shore of the estuary of the Río de la Plata, on the southeastern coast of the South American continent...
, between 1927 and 1933.
Kuznetsova gave fewer performances after 1933, but as late as 1947 her name appeared on the program of a choreographic competition held in Copenhagen, hosted by Rolf de Maré
Rolf de Maré
Rolf de Maré , sometimes called Rolf de Mare, was a Swedish art collector and leader of the Ballets Suédois in Paris in 1920–1925. In 1933 he founded the world's first museum for dance in Paris.-Biography :...
. Her contribution to the event was described quite simply: "Songs and dances of Spain, by Maria Kousnetzoff and a flamenco group."
Personal life and death
Kuznetsova's first husband was Nikolai Albertovich Benois, the son of watercoloristWatercolor painting
Watercolor or watercolour , also aquarelle from French, is a painting method. A watercolor is the medium or the resulting artwork in which the paints are made of pigments suspended in a water-soluble vehicle...
Albert Nikolayevich Benois
Albert Benois
Albert Nikolayevitch Benois was a talented Russian water-colorist. The Benois family produced many talented artists over several generations. Albert was the elder son of architect Nicholas Benois, brother of artist and theatrical designer Alexander Benois, uncle of the painter Zinaida...
(1852–1936).
After the death of Benois, Kuznetsova wed Jules Massenet's nephew, the banker and industrialist
Business magnate
A business magnate, sometimes referred to as a capitalist, czar, mogul, tycoon, baron, oligarch, or industrialist, is an informal term used to refer to an entrepreneur who has reached prominence and derived a notable amount of wealth from a particular industry .-Etymology:The word magnate itself...
Alfred Massenet. Alfred had worked for a time in the Russian Empire, prior to the Revolution, as the president of the Société d'Industrie Minere de Chagali-Heliar, a French copper mining company headquartered in Tbilisi
Tbilisi
Tbilisi is the capital and the largest city of Georgia, lying on the banks of the Mt'k'vari River. The name is derived from an early Georgian form T'pilisi and it was officially known as Tiflis until 1936...
, Georgia
Georgia (country)
Georgia is a sovereign state in the Caucasus region of Eurasia. Located at the crossroads of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia, to the southwest by Turkey, to the south by Armenia, and to the southeast by Azerbaijan. The capital of...
.
Maria Kuznetsova died in Paris on April 25, 1966.
Her last years were spent in poverty; she lived in one room in a small hotel off the Champs Elysees, abandoned by her son Mikhael and her former colleagues and friends. Her sole companion was her dresser Olga and she supprted herself by giving lessons in singing and acting.Olga used to recount how Chaliapin died in her arms, against the wishes of his wife.
Further reading
- Kuznetsova Anna Sergeyvena. Maria Nikolayevna Kuznetsova. (Moskva: Muzyka, 1962.)
Links
- Maria Kuznetsova, Russian Soprano 1880-1966
- A brief biography of Maria's father Nikolai Kuznetsov including a portrait of his wife