The Nightmare
Encyclopedia
The Nightmare is a 1781 oil painting
by Anglo-
Swiss
artist Henry Fuseli
(1741–1825). Since its creation, it has remained Fuseli's best-known work. With its first exhibition in 1782 at the Royal Academy of London, the image became famous; an engraved version was widely distributed and the painting was parodied in political satire. Due to its fame, Fuseli painted at least three other versions of the painting.
Interpretation of The Nightmare have varied widely. The canvas seems to portray simultaneously a dreaming woman and the content of her nightmare. The incubus
and the horse's head refer to contemporary belief and folklore about nightmare
s, but have been ascribed more specific meanings by some theorists. Contemporary critics were taken aback by the overt sexuality of the painting, which has since been interpreted by some scholars as anticipating Freudian ideas about the subconscious
.
that peers out at the viewer. The sleeper seems lifeless, and, lying on her back, she takes a position believed to encourage nightmares. Her brilliant coloration is set against the darker reds, yellows, and ochre
s of the background; Fuseli used a chiaroscuro
effect to create strong contrasts between light and shade. The interior is contemporary and fashionable, and contains a small table on which rests a mirror, phial, and book. The room is hung with red velvet curtains which drape behind the bed. Emerging from a parting in the curtain is the head of a horse with bold, featureless eyes.
For contemporary viewers, The Nightmare invoked the relationship of the incubus and the horse (mare
) to nightmare
s. The work was likely inspired by
the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs like the Germanic tales about demons and witches that possessed people who slept alone. In these stories, men were visited by horses or hag
s, giving rise to the terms "hag-riding" and "mare-riding", and women were believed to engage in sex with the devil. The etymology of the word "nightmare", however, does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of "nightmare" included the sleeper's experience of weight on the chest combined with sleep paralysis
, dyspnea
, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare's head and a demon crouched atop the woman.
Sleep and dreams were common subjects for the Zürich
-born Henry Fuseli, though The Nightmare is unique among his paintings for its lack of reference to literary or religious themes (Fuseli was an ordained minister). His first known painting is Joseph
Interpreting the Dreams of the Butler and Baker of Pharaoh (1768), and later he produced The Shepherd's Dream (1798) inspired by John Milton's
Paradise Lost
, and Richard III Visited by Ghosts (1798) based on Shakespeare's play
.
Fuseli's knowledge of art history was broad, allowing critics to propose sources for the painting's elements in antique, classical, and Renaissance art. According to art critic Nicholas Powell, the woman's pose may derive from the Vatican
Ariadne, and the style of the incubus from figures at Selinunte, an archaeological site in Sicily
. A source for the woman in Giulio Romano's
The Dream of Hecuba at the Palazzo del Te
has also been proposed. Powell links the horse to a woodcut by the German Renaissance
artist Hans Baldung
or to the marble Horse Tamers
on Quirinal Hill
, Rome. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch owned by his biographer did not include it. Its presence in the painting has been viewed as a visual pun on the word "nightmare" and a self-conscious reference to folklore—the horse destabilizes the painting's conceit and contributes to its Gothic tone.
The painting was first shown at the Royal Academy of London in 1782, where it "excited … an uncommon degree of interest", according to Fuseli's early biographer John Knowles. it remained well-known decades later, and Fuseli painted other versions on the same theme. Fuseli sold the original for twenty guinea
s, and an inexpensive engraving
by Thomas Burke
circulated widely beginning in January 1783, earning publisher John Raphael Smith more than 500 pound
s. The engraving was underscored by a short poem by Erasmus Darwin
, "Night-Mare":
Darwin included these lines and expanded upon them in his long poem The Loves of the Plants (1789), for which Fuseli provided the frontispiece:
Contemporary critics often found the work scandalous due to its sexual themes. A few years before he painted The Nightmare, Fuseli had fallen passionately in love with a woman named Anna Landholdt in Zürich, while he was traveling from Rome to London. Landholdt was the niece of his friend, the Swiss physiognomist
Johann Kaspar Lavater
. Fuseli wrote of his fantasies to Lavater in 1779:
Fuseli's marriage proposal met with disapproval from the woman's father, and in any case Fuseli's love seems to have been unrequited—Landholdt married a family friend soon after. The Nightmare, then, can be seen as a personal portrayal of the erotic aspects of love lost. Art historian H. W. Janson
suggests that the sleeping woman represents Landholdt and that the demon is Fuseli himself. Bolstering this claim is an unfinished portrait of a girl on the back of the painting's canvas, which may portray Landholdt. Anthropologist Charles Stewart, in his study of erotic dreams and nightmares, characterizes the sleeping woman as "voluptuous," and one scholar of the Gothic describes her as lying in a "sexually receptive position." In Woman as Sex Object (1972), Marcia Allentuck similarly argues that the painting's intent is to show female orgasm. This is supported by Fuseli's sexually overt and even pornographic private drawings (e.g., Symplegma of Man with Two Women, 1770–78). Fuseli's painting has been considered representative of sublimated
sexual instincts. Related interpretations of the painting view the incubus as a dream symbol of male libido
, with the sexual act represented by the horse's intrusion through the curtain. Fuseli himself provided no commentary on his painting.
The Royal Academy exhibition brought Fuseli and his painting enduring fame. The exhibition included Shakespeare-themed works by Fuseli, which won him a commission to produce eight paintings for publisher John Boydell's
Shakespeare Gallery
. One version of The Nightmare hung in the home of Fuseli's close friend and publisher Joseph Johnson
, gracing his weekly dinners for London thinkers and writers. The Nightmare was widely plagiarized, and parodies of it were commonly used for political caricature
, by George Cruikshank
, Thomas Rowlandson
, and others. In these satirical scenes, the incubus afflicts subjects such as Napoleon Bonaparte, Louis XVIII, British politician Charles James Fox
, and Prime Minister William Pitt
. In another example, admiral Lord Nelson
is the demon, and his mistress Emma, Lady Hamilton
, the sleeper. While some observers have viewed the parodies as mocking Fuseli, it is more likely that The Nightmare was simply a vehicle for ridicule of the caricatured subject. The Danish painter, Nicolai Abraham Abildgaard, whom Fuseli had met in Rome, produced his own version of The Nightmare (Danish: Mareridt) which develops on the eroticism of Fuseli's work. Abildgaard's painting shows two naked women asleep in the bed; it is the woman in the foreground who is experiencing the nightmare and the incubus — which is crouched on the woman's stomach, facing her parted legs — has its tail nestling between her exposed breasts.
Fuseli painted other versions of The Nightmare following the success of the first; at least three other versions survive. The other important canvas was painted between 1790 and 1791 and is held at the Goethe Museum in Frankfurt
. It is smaller than the original, and the woman's head lies to the left; a mirror opposes her on the right. The demon is looking at the woman rather than out of the picture, and it has pointed, catlike ears. The most significant difference in the remaining two versions is an erotic statuette of a couple on the table.
in a scene from her famous Gothic novel Frankenstein, or, The Modern Prometheus
(1818). Shelley would have been familiar with the painting; her parents, Mary Wollstonecraft
and William Godwin
, knew Fuseli. The iconic imagery associated with the Creature's murder of the protagonist Victor's wife seems to draw from the canvas: "She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by hair." The novel and Fuseli's biography share a parallel theme: just as Fuseli's incubus is infused with the artist's emotions in seeing Landholdt marry another man, Shelley's monster promises to get revenge on Victor on the night of his wedding. Like Frankenstein's monster, Fuseli's demon symbolically seeks to forestall a marriage.
Edgar Allan Poe
may have evoked The Nightmare in his short story "The Fall of the House of Usher
" (1839). His narrator compares a painting hanging in Usher's house to a Fuseli work, and reveals that an "irrepressible tremor gradually pervaded my frame; and, at length, there sat upon my heart an incubus of utterly causeless alarm". Poe and Fuseli shared an interest in the subconscious; Fuseli is often quoted as saying, "One of the most unexplored regions of art are dreams".
paid a visit to Sigmund Freud
and claimed to have seen a print of The Nightmare displayed next to Rembrandt's The Anatomy Lesson in Freud's Vienna
apartment. Psychoanalyst and Freud biographer Ernest Jones
chose another version of Fuseli's painting as the frontispiece
of his book On the Nightmare (1931); however, neither Freud nor Jones mentioned these paintings in their writings about dreams. Carl Jung
included The Nightmare and other Fuseli works in his Man and His Symbols
(1964).
Tate Britain
held an exhibition titled Gothic Nightmares: Fuseli, Blake and the Romantic Imagination between February 15 and May 1, 2006, with Fuseli's Nightmare as the central exhibit. The catalogue indicated the painting's influence on films such as the original Frankenstein
(1931) and The Marquise of O (1976). Among modern artists, Balthus
appears to have incorporated elements of The Nightmare in his work (e.g., The Room, 1952–54).
On 7th November 2011 Steve Bell
produced a cartoon with Angela Merkel
as the sleeper and Silvio Berlusconi
as the monster.
Oil painting
Oil painting is the process of painting with pigments that are bound with a medium of drying oil—especially in early modern Europe, linseed oil. Often an oil such as linseed was boiled with a resin such as pine resin or even frankincense; these were called 'varnishes' and were prized for their body...
by Anglo-
English people
The English are a nation and ethnic group native to England, who speak English. The English identity is of early mediaeval origin, when they were known in Old English as the Anglecynn. England is now a country of the United Kingdom, and the majority of English people in England are British Citizens...
Swiss
Switzerland
Switzerland name of one of the Swiss cantons. ; ; ; or ), in its full name the Swiss Confederation , is a federal republic consisting of 26 cantons, with Bern as the seat of the federal authorities. The country is situated in Western Europe,Or Central Europe depending on the definition....
artist Henry Fuseli
Henry Fuseli
Henry Fuseli was a British painter, draughtsman, and writer on art, of Swiss origin.-Biography:...
(1741–1825). Since its creation, it has remained Fuseli's best-known work. With its first exhibition in 1782 at the Royal Academy of London, the image became famous; an engraved version was widely distributed and the painting was parodied in political satire. Due to its fame, Fuseli painted at least three other versions of the painting.
Interpretation of The Nightmare have varied widely. The canvas seems to portray simultaneously a dreaming woman and the content of her nightmare. The incubus
Incubus (demon)
An incubus is a demon in male form who, according to a number of mythological and legendary traditions, lies upon sleepers, especially women, in order to have intercourse with them. Its female counterpart is the succubus...
and the horse's head refer to contemporary belief and folklore about nightmare
Nightmare
A nightmare is an unpleasant dream that can cause a strong negative emotional response from the mind, typically fear or horror, but also despair, anxiety and great sadness. The dream may contain situations of danger, discomfort, psychological or physical terror...
s, but have been ascribed more specific meanings by some theorists. Contemporary critics were taken aback by the overt sexuality of the painting, which has since been interpreted by some scholars as anticipating Freudian ideas about the subconscious
Subconscious
The term subconscious is used in many different contexts and has no single or precise definition. This greatly limits its significance as a definition-bearing concept, and in consequence the word tends to be avoided in academic and scientific settings....
.
Description and history
The Nightmare simultaneously offers both the image of a dream—by indicating the effect of the nightmare on the woman—and a dream image—in symbolically portraying the sleeping vision. It depicts a sleeping woman draped over the end of a bed with her head hanging down, exposing her long neck. She is surmounted by an incubusIncubus (demon)
An incubus is a demon in male form who, according to a number of mythological and legendary traditions, lies upon sleepers, especially women, in order to have intercourse with them. Its female counterpart is the succubus...
that peers out at the viewer. The sleeper seems lifeless, and, lying on her back, she takes a position believed to encourage nightmares. Her brilliant coloration is set against the darker reds, yellows, and ochre
Ochre
Ochre is the term for both a golden-yellow or light yellow brown color and for a form of earth pigment which produces the color. The pigment can also be used to create a reddish tint known as "red ochre". The more rarely used terms "purple ochre" and "brown ochre" also exist for variant hues...
s of the background; Fuseli used a chiaroscuro
Chiaroscuro
Chiaroscuro in art is "an Italian term which literally means 'light-dark'. In paintings the description refers to clear tonal contrasts which are often used to suggest the volume and modelling of the subjects depicted"....
effect to create strong contrasts between light and shade. The interior is contemporary and fashionable, and contains a small table on which rests a mirror, phial, and book. The room is hung with red velvet curtains which drape behind the bed. Emerging from a parting in the curtain is the head of a horse with bold, featureless eyes.
For contemporary viewers, The Nightmare invoked the relationship of the incubus and the horse (mare
Mare (horse)
A mare is an adult female horse or other equine.In most cases, a mare is a female horse over the age of three, and a filly is a female horse age three and younger. However, in Thoroughbred horse racing, a mare is defined as a female horse more than four years old; in harness racing a mare is a...
) to nightmare
Nightmare
A nightmare is an unpleasant dream that can cause a strong negative emotional response from the mind, typically fear or horror, but also despair, anxiety and great sadness. The dream may contain situations of danger, discomfort, psychological or physical terror...
s. The work was likely inspired by
the waking dreams experienced by Fuseli and his contemporaries, who found that these experiences related to folkloric beliefs like the Germanic tales about demons and witches that possessed people who slept alone. In these stories, men were visited by horses or hag
Hag
A hag is a wizened old woman, or a kind of fairy or goddess having the appearance of such a woman, often found in folklore and children's tales such as Hansel and Gretel. Hags are often seen as malevolent, but may also be one of the chosen forms of shapeshifting deities, such as the Morrígan or...
s, giving rise to the terms "hag-riding" and "mare-riding", and women were believed to engage in sex with the devil. The etymology of the word "nightmare", however, does not relate to horses. Rather, the word is derived from mara, a Scandinavian mythological term referring to a spirit sent to torment or suffocate sleepers. The early meaning of "nightmare" included the sleeper's experience of weight on the chest combined with sleep paralysis
Sleep paralysis
Sleep paralysis is paralysis associated with sleep that may occur in healthy persons or may be associated with narcolepsy, cataplexy, and hypnagogic hallucinations. The pathophysiology of this condition is closely related to the normal hypotonia that occurs during REM sleep. When considered to be a...
, dyspnea
Dyspnea
Dyspnea , shortness of breath , or air hunger, is the subjective symptom of breathlessness.It is a normal symptom of heavy exertion but becomes pathological if it occurs in unexpected situations...
, or a feeling of dread. The painting incorporates a variety of imagery associated with these ideas, depicting a mare's head and a demon crouched atop the woman.
Sleep and dreams were common subjects for the Zürich
Zürich
Zurich is the largest city in Switzerland and the capital of the canton of Zurich. It is located in central Switzerland at the northwestern tip of Lake Zurich...
-born Henry Fuseli, though The Nightmare is unique among his paintings for its lack of reference to literary or religious themes (Fuseli was an ordained minister). His first known painting is Joseph
Joseph (Hebrew Bible)
Joseph is an important character in the Hebrew bible, where he connects the story of Abraham, Isaac and Jacob in Canaan to the subsequent story of the liberation of the Israelites from slavery in Egypt....
Interpreting the Dreams of the Butler and Baker of Pharaoh (1768), and later he produced The Shepherd's Dream (1798) inspired by John Milton's
John Milton
John Milton was an English poet, polemicist, a scholarly man of letters, and a civil servant for the Commonwealth of England under Oliver Cromwell...
Paradise Lost
Paradise Lost
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton. It was originally published in 1667 in ten books, with a total of over ten thousand individual lines of verse...
, and Richard III Visited by Ghosts (1798) based on Shakespeare's play
Richard III (play)
Richard III is a history play by William Shakespeare, believed to have been written in approximately 1591. It depicts the Machiavellian rise to power and subsequent short reign of Richard III of England. The play is grouped among the histories in the First Folio and is most often classified...
.
Fuseli's knowledge of art history was broad, allowing critics to propose sources for the painting's elements in antique, classical, and Renaissance art. According to art critic Nicholas Powell, the woman's pose may derive from the Vatican
Vatican Museums
The Vatican Museums , in Viale Vaticano in Rome, inside the Vatican City, are among the greatest museums in the world, since they display works from the immense collection built up by the Roman Catholic Church throughout the centuries, including some of the most renowned classical sculptures and...
Ariadne, and the style of the incubus from figures at Selinunte, an archaeological site in Sicily
Sicily
Sicily is a region of Italy, and is the largest island in the Mediterranean Sea. Along with the surrounding minor islands, it constitutes an autonomous region of Italy, the Regione Autonoma Siciliana Sicily has a rich and unique culture, especially with regard to the arts, music, literature,...
. A source for the woman in Giulio Romano's
Giulio Romano
Giulio Romano was an Italian painter and architect. A pupil of Raphael, his stylistic deviations from high Renaissance classicism help define the 16th-century style known as Mannerism...
The Dream of Hecuba at the Palazzo del Te
Palazzo del Te
Palazzo del Te or Palazzo Te is a palace in the suburbs of Mantua, Italy. It is a fine example of the mannerist style of architecture, the acknowledged masterpiece of Giulio Romano...
has also been proposed. Powell links the horse to a woodcut by the German Renaissance
German Renaissance
The German Renaissance, part of the Northern Renaissance, was a cultural and artistic movement that spread among German thinkers in the 15th and 16th centuries, which originated from the Italian Renaissance in Italy...
artist Hans Baldung
Hans Baldung
Hans Baldung, known as Hans Baldung Grien/Grün was a German Renaissance artist in painting and printmaking in woodcut. He was considered the most gifted student of Albrecht Dürer.-Life:...
or to the marble Horse Tamers
Horse Tamers
The colossal pair of marble "Horse Tamers", often identified as Castor and Pollux, have stood since Antiquity near the site of the Baths of Constantine on the Quirinal Hill, Rome, too large to be buried or to be moved very far, though Napoleon's agents wanted to include them among the classical...
on Quirinal Hill
Quirinal Hill
The Quirinal Hill is one of the Seven Hills of Rome, at the north-east of the city center. It is the location of the official residence of the Italian Head of State, who resides in the Quirinal Palace; by metonymy "the Quirinal" has come to stand for the Italian President.- History :It was...
, Rome. Fuseli may have added the horse as an afterthought, since a preliminary chalk sketch owned by his biographer did not include it. Its presence in the painting has been viewed as a visual pun on the word "nightmare" and a self-conscious reference to folklore—the horse destabilizes the painting's conceit and contributes to its Gothic tone.
Exhibition
Guinea (British coin)
The guinea is a coin that was minted in the Kingdom of England and later in the Kingdom of Great Britain and the United Kingdom between 1663 and 1813...
s, and an inexpensive engraving
Engraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
by Thomas Burke
Thomas Burke (artist)
Thomas Burke was an Irish engraver and painter.Born in Dublin, Burke first trained in the Dublin Society's Schools under Robert West, moving in 1770 to London where he studied mezzotint under John Dixon...
circulated widely beginning in January 1783, earning publisher John Raphael Smith more than 500 pound
Pound sterling
The pound sterling , commonly called the pound, is the official currency of the United Kingdom, its Crown Dependencies and the British Overseas Territories of South Georgia and the South Sandwich Islands, British Antarctic Territory and Tristan da Cunha. It is subdivided into 100 pence...
s. The engraving was underscored by a short poem by Erasmus Darwin
Erasmus Darwin
Erasmus Darwin was an English physician who turned down George III's invitation to be a physician to the King. One of the key thinkers of the Midlands Enlightenment, he was also a natural philosopher, physiologist, slave trade abolitionist,inventor and poet...
, "Night-Mare":
Darwin included these lines and expanded upon them in his long poem The Loves of the Plants (1789), for which Fuseli provided the frontispiece:
Interpretation and legacy
Physiognomy
Physiognomy is the assessment of a person's character or personality from their outer appearance, especially the face...
Johann Kaspar Lavater
Johann Kaspar Lavater
Johann Kaspar Lavater was a Swiss poet and physiognomist.-Early life:Lavater was born at Zürich, and educated at the Gymnasium there, where J. J. Bodmer and J. J...
. Fuseli wrote of his fantasies to Lavater in 1779:
Last night I had her in bed with me—tossed my bedclothes hugger-mugger—wound my hot and tight-clasped hands about her—fused her body and soul together with my own—poured into her my spirit, breath and strength. Anyone who touches her now commits adultery and incest! She is mine, and I am hers. And have her I will.…
Fuseli's marriage proposal met with disapproval from the woman's father, and in any case Fuseli's love seems to have been unrequited—Landholdt married a family friend soon after. The Nightmare, then, can be seen as a personal portrayal of the erotic aspects of love lost. Art historian H. W. Janson
H. W. Janson
Horst Waldemar Janson , who published as H. W. Janson, was an American scholar of art history best known for his History of Art, which was first published in 1962 and has sold more than two million copies in fifteen languages.Janson was born in St. Petersburg in 1913 to Friedrich Janson and Helene...
suggests that the sleeping woman represents Landholdt and that the demon is Fuseli himself. Bolstering this claim is an unfinished portrait of a girl on the back of the painting's canvas, which may portray Landholdt. Anthropologist Charles Stewart, in his study of erotic dreams and nightmares, characterizes the sleeping woman as "voluptuous," and one scholar of the Gothic describes her as lying in a "sexually receptive position." In Woman as Sex Object (1972), Marcia Allentuck similarly argues that the painting's intent is to show female orgasm. This is supported by Fuseli's sexually overt and even pornographic private drawings (e.g., Symplegma of Man with Two Women, 1770–78). Fuseli's painting has been considered representative of sublimated
Sublimation (psychology)
In psychology, sublimation is a mature type of defence mechanism where socially unacceptable impulses or idealizations are consciously transformed into socially acceptable actions or behaviour, possibly converting the initial impulse in the long term...
sexual instincts. Related interpretations of the painting view the incubus as a dream symbol of male libido
Libido
Libido refers to a person's sex drive or desire for sexual activity. The desire for sex is an aspect of a person's sexuality, but varies enormously from one person to another, and it also varies depending on circumstances at a particular time. A person who has extremely frequent or a suddenly...
, with the sexual act represented by the horse's intrusion through the curtain. Fuseli himself provided no commentary on his painting.
John Boydell
John Boydell was an 18th-century British publisher noted for his reproductions of engravings. He helped alter the trade imbalance between Britain and France in engravings and initiated a British tradition in the art form...
Shakespeare Gallery
Boydell Shakespeare Gallery
The Boydell Shakespeare Gallery in London, England, was the first stage of a three-part project initiated in November 1786 by engraver and publisher John Boydell in an effort to foster a school of British history painting...
. One version of The Nightmare hung in the home of Fuseli's close friend and publisher Joseph Johnson
Joseph Johnson (publisher)
Joseph Johnson was an influential 18th-century London bookseller and publisher. His publications covered a wide variety of genres and a broad spectrum of opinions on important issues...
, gracing his weekly dinners for London thinkers and writers. The Nightmare was widely plagiarized, and parodies of it were commonly used for political caricature
Caricature
A caricature is a portrait that exaggerates or distorts the essence of a person or thing to create an easily identifiable visual likeness. In literature, a caricature is a description of a person using exaggeration of some characteristics and oversimplification of others.Caricatures can be...
, by George Cruikshank
George Cruikshank
George Cruikshank was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience.-Early life:Cruikshank was born in London...
, Thomas Rowlandson
Thomas Rowlandson
Thomas Rowlandson was an English artist and caricaturist.- Biography :Rowlandson was born in Old Jewry, in the City of London. He was the son of a tradesman or city merchant. On leaving school he became a student at the Royal Academy...
, and others. In these satirical scenes, the incubus afflicts subjects such as Napoleon Bonaparte, Louis XVIII, British politician Charles James Fox
Charles James Fox
Charles James Fox PC , styled The Honourable from 1762, was a prominent British Whig statesman whose parliamentary career spanned thirty-eight years of the late 18th and early 19th centuries and who was particularly noted for being the arch-rival of William Pitt the Younger...
, and Prime Minister William Pitt
William Pitt the Younger
William Pitt the Younger was a British politician of the late 18th and early 19th centuries. He became the youngest Prime Minister in 1783 at the age of 24 . He left office in 1801, but was Prime Minister again from 1804 until his death in 1806...
. In another example, admiral Lord Nelson
Horatio Nelson, 1st Viscount Nelson
Horatio Nelson, 1st Viscount Nelson, 1st Duke of Bronté, KB was a flag officer famous for his service in the Royal Navy, particularly during the Napoleonic Wars. He was noted for his inspirational leadership and superb grasp of strategy and unconventional tactics, which resulted in a number of...
is the demon, and his mistress Emma, Lady Hamilton
Emma, Lady Hamilton
Emma, Lady Hamilton is best remembered as the mistress of Lord Nelson and as the muse of George Romney. She was born Amy Lyon in Ness near Neston, Cheshire, England, the daughter of a blacksmith, Henry Lyon, who died when she was two months old...
, the sleeper. While some observers have viewed the parodies as mocking Fuseli, it is more likely that The Nightmare was simply a vehicle for ridicule of the caricatured subject. The Danish painter, Nicolai Abraham Abildgaard, whom Fuseli had met in Rome, produced his own version of The Nightmare (Danish: Mareridt) which develops on the eroticism of Fuseli's work. Abildgaard's painting shows two naked women asleep in the bed; it is the woman in the foreground who is experiencing the nightmare and the incubus — which is crouched on the woman's stomach, facing her parted legs — has its tail nestling between her exposed breasts.
Fuseli painted other versions of The Nightmare following the success of the first; at least three other versions survive. The other important canvas was painted between 1790 and 1791 and is held at the Goethe Museum in Frankfurt
Frankfurt
Frankfurt am Main , commonly known simply as Frankfurt, is the largest city in the German state of Hesse and the fifth-largest city in Germany, with a 2010 population of 688,249. The urban area had an estimated population of 2,300,000 in 2010...
. It is smaller than the original, and the woman's head lies to the left; a mirror opposes her on the right. The demon is looking at the woman rather than out of the picture, and it has pointed, catlike ears. The most significant difference in the remaining two versions is an erotic statuette of a couple on the table.
Influence on literature
The Nightmare likely influenced Mary ShelleyMary Shelley
Mary Shelley was a British novelist, short story writer, dramatist, essayist, biographer, and travel writer, best known for her Gothic novel Frankenstein: or, The Modern Prometheus . She also edited and promoted the works of her husband, the Romantic poet and philosopher Percy Bysshe Shelley...
in a scene from her famous Gothic novel Frankenstein, or, The Modern Prometheus
Frankenstein
Frankenstein; or, The Modern Prometheus is a novel about a failed experiment that produced a monster, written by Mary Shelley, with inserts of poems by Percy Bysshe Shelley. Shelley started writing the story when she was eighteen, and the novel was published when she was twenty-one. The first...
(1818). Shelley would have been familiar with the painting; her parents, Mary Wollstonecraft
Mary Wollstonecraft
Mary Wollstonecraft was an eighteenth-century British writer, philosopher, and advocate of women's rights. During her brief career, she wrote novels, treatises, a travel narrative, a history of the French Revolution, a conduct book, and a children's book...
and William Godwin
William Godwin
William Godwin was an English journalist, political philosopher and novelist. He is considered one of the first exponents of utilitarianism, and the first modern proponent of anarchism...
, knew Fuseli. The iconic imagery associated with the Creature's murder of the protagonist Victor's wife seems to draw from the canvas: "She was there, lifeless and inanimate, thrown across the bed, her head hanging down, and her pale and distorted features half covered by hair." The novel and Fuseli's biography share a parallel theme: just as Fuseli's incubus is infused with the artist's emotions in seeing Landholdt marry another man, Shelley's monster promises to get revenge on Victor on the night of his wedding. Like Frankenstein's monster, Fuseli's demon symbolically seeks to forestall a marriage.
Edgar Allan Poe
Edgar Allan Poe
Edgar Allan Poe was an American author, poet, editor and literary critic, considered part of the American Romantic Movement. Best known for his tales of mystery and the macabre, Poe was one of the earliest American practitioners of the short story and is considered the inventor of the detective...
may have evoked The Nightmare in his short story "The Fall of the House of Usher
The Fall of the House of Usher
"The Fall of the House of Usher" is a short story by Edgar Allan Poe, first published in September 1839 in Burton's Gentleman's Magazine. It was slightly revised in 1840 for the collection Tales of the Grotesque and Arabesque...
" (1839). His narrator compares a painting hanging in Usher's house to a Fuseli work, and reveals that an "irrepressible tremor gradually pervaded my frame; and, at length, there sat upon my heart an incubus of utterly causeless alarm". Poe and Fuseli shared an interest in the subconscious; Fuseli is often quoted as saying, "One of the most unexplored regions of art are dreams".
In the twentieth century
Fuseli's Nightmare reverberated with twentieth-century psychological theorists. In 1926, American writer Max EastmanMax Eastman
Max Forrester Eastman was an American writer on literature, philosophy and society, a poet, and a prominent political activist. For many years, Eastman was a supporter of socialism, a leading patron of the Harlem Renaissance and an activist for a number of liberal and radical causes...
paid a visit to Sigmund Freud
Sigmund Freud
Sigmund Freud , born Sigismund Schlomo Freud , was an Austrian neurologist who founded the discipline of psychoanalysis...
and claimed to have seen a print of The Nightmare displayed next to Rembrandt's The Anatomy Lesson in Freud's Vienna
Vienna
Vienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
apartment. Psychoanalyst and Freud biographer Ernest Jones
Ernest Jones
Alfred Ernest Jones was a British neurologist and psychoanalyst, and Sigmund Freud’s official biographer. Jones was the first English-speaking practitioner of psychoanalysis and became its leading exponent in the English-speaking world where, as President of both the British Psycho-Analytical...
chose another version of Fuseli's painting as the frontispiece
Book frontispiece
A frontispiece is a decorative illustration facing a book's title page. The frontispiece is the verso opposite the recto title page. Elaborate engraved frontispieces were in frequent use, especially in Bibles and in scholarly books, and many are masterpieces of engraving...
of his book On the Nightmare (1931); however, neither Freud nor Jones mentioned these paintings in their writings about dreams. Carl Jung
Carl Jung
Carl Gustav Jung was a Swiss psychiatrist and the founder of Analytical Psychology. Jung is considered the first modern psychiatrist to view the human psyche as "by nature religious" and make it the focus of exploration. Jung is one of the best known researchers in the field of dream analysis and...
included The Nightmare and other Fuseli works in his Man and His Symbols
Man and His Symbols
Man and His Symbols is the last psychological work undertaken by Carl Jung before his death in 1961. First published in 1964, it is divided into five parts, four of which are written by associates of Jung: Joseph L. Henderson, Marie-Louise von Franz, Aniela Jaffé, and Jolande Jacobi...
(1964).
Tate Britain
Tate Britain
Tate Britain is an art gallery situated on Millbank in London, and part of the Tate gallery network in Britain, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, opening in 1897. It houses a substantial collection of the works of J. M. W. Turner.-History:It...
held an exhibition titled Gothic Nightmares: Fuseli, Blake and the Romantic Imagination between February 15 and May 1, 2006, with Fuseli's Nightmare as the central exhibit. The catalogue indicated the painting's influence on films such as the original Frankenstein
Frankenstein (1931 film)
Frankenstein is a 1931 Pre-Code Horror Monster film from Universal Pictures directed by James Whale and adapted from the play by Peggy Webling which in turn is based on the novel of the same name by Mary Shelley. The film stars Colin Clive, Mae Clarke, John Boles and Boris Karloff, and features...
(1931) and The Marquise of O (1976). Among modern artists, Balthus
Balthus
Balthasar Klossowski de Rola , best known as Balthus, was an esteemed but controversial Polish-French modern artist....
appears to have incorporated elements of The Nightmare in his work (e.g., The Room, 1952–54).
On 7th November 2011 Steve Bell
Steve Bell (cartoonist)
Steve Bell is an English political cartoonist, whose work appears in The Guardian and other publications. He is known for his left-wing views and distinctive caricatures.-Early life:...
produced a cartoon with Angela Merkel
Angela Merkel
Angela Dorothea Merkel is the current Chancellor of Germany . Merkel, elected to the Bundestag from Mecklenburg-Vorpommern, has been the chairwoman of the Christian Democratic Union since 2000, and chairwoman of the CDU-CSU parliamentary coalition from 2002 to 2005.From 2005 to 2009 she led a...
as the sleeper and Silvio Berlusconi
Silvio Berlusconi
Silvio Berlusconi , also known as Il Cavaliere – from knighthood to the Order of Merit for Labour which he received in 1977 – is an Italian politician and businessman who served three terms as Prime Minister of Italy, from 1994 to 1995, 2001 to 2006, and 2008 to 2011. Berlusconi is also the...
as the monster.
Further reading
- Recent exhibit and publication: Gothic Nightmares: Fuseli, Blake and the Imagination. 15 February–1 May, 2006. Tate BritainTate BritainTate Britain is an art gallery situated on Millbank in London, and part of the Tate gallery network in Britain, with Tate Modern, Tate Liverpool and Tate St Ives. It is the oldest gallery in the network, opening in 1897. It houses a substantial collection of the works of J. M. W. Turner.-History:It...
, London. ISBN 1-8543-7582-2 - Jones, E. On the Nightmare. London: Hogarth Press and Institute of Psycho-Analysis, 1931.