Utrecht Psalter
Encyclopedia
The Utrecht Psalter is a ninth century illuminated
psalter
which is a key masterpiece of Carolingian art
; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript (Chazelle, 1055). The extent of the dependence of these on earlier models has been the subject of art historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art
, giving rise to what is known as the "Utrecht style". It was copied in full a number of times in the Middle Ages. A complete facsimile
edition of the psalter was made in 1875 (Lowe, 237), and another in 1984 (Graz).
The other texts in the book include some canticles and hymns used in the office of the hours
, including various canticle
s, the Te Deum
and Athanasian Creed
. The latter text was the subject of intense study by Thomas Duffus Hardy
and others after the psalter was rediscovered in the 19th century.
leaves, approximately 13 inches (330.2 mm) by 10 inches (254 mm) in size. The pages are formed by quires of 8 pages folded (Birch, 64, 67). There was probably at least an "author portrait" of David at the start, and the surviving text begins with a large initial
with insular
-style interlace (picture at top).
The psalter was at one time thought to be a 6th-century work largely because of the use of archaic conventions in the script. The Psalter is written in rustic capitals
, a script which by the 9th century had fallen out of favour in Carolingian manuscripts. These are now widely viewed as imitation rustic capitals, and the manuscript is dated no earlier than the 9th century (Lowe, 237). It has been suggested that because of the capitals and the book's size, the Utrecht Psalter was intended as a choir book for several monks to read at the same time while singing; alternatively that it was intended for young monks learning the Psalms by heart in groups, a suggestion that perhaps better explains the amount of illustration. The psalter is believed to have been made near Reims
, as its style is similar to that of the Ebbo Gospels
(Benson, 23). It may have been sponsored by Ebbo, Archbishop of Reims
, and so is usually dated between 816 and 835. Others have argued for a date c. 850, saying that the psalm illustrations draw from the travels of Gottschalk of Orbais
, and the illustration with the Athanasian Creed and other details pertain more to Ebbo's successor, Hincmar
(Chazelle, 1058, 1068, 1073).
A period spent in the late 9th century in the area of Metz
, perhaps at the court of Charles the Bald
, has been suggested on the basis of apparent influences from the manuscript in the art of the area. The manuscript had reached Canterbury Cathedral
by c. 1000, at which time a copy began to be made of it; this, the Harley Psalter
, is in the British Library
as MS Harley 603 (Benson, 14). The Psalter was copied in full three times in the Middle Ages, the second copy being the Eadwine Psalter (Cambridge, Trinity College Library, MS R.17.1) of 1155–60, with additions 1160–70, and the texts extended to five versions of each psalm. The last copy is a fine version in full colour with gold backgrounds that is known as the "Anglo-Catalan Psalter" or MS Lat. 8846 in the BnF
, of 1180-90 (Morgan, 47-9). This was half-illustrated by an English artist in about 1180-1200, and completed by a Catalan artist in 1340-50, naturally using a different Gothic
style. The images are necessarily somewhat simplified, and the number of figures reduced.
Earlier there were derivative works in other media; similar groups of figures appear in a Carolingian engraved crystal in the British Museum
(the Lothair Crystal
, stylistically very different) and metalwork, and some late Carolingian ivories repeat figure compositions found in the Utrecht psalter (Calkins, 211).
The original manuscript spent at least two centuries at Canterbury from the year 1000, and after the English Dissolution of the Monasteries
(Canterbury was a monastic cathedral) came into the possession of Robert Bruce Cotton
, the famous English antiquary, at which point it was rebound, with his arms on the cover. Cotton lent the manuscript to the great collector the Earl of Arundel
, who took it into exile with him during the English Civil War
; it was taken to the Netherlands in around 1642 and sold on Howard's death by his widow and son. It reached Utrecht University
in 1716, at which point it was incorporated into the University Library. It was rediscovered in the library in 1858 (Benson, 13).
, a technique which gained popularity in the Carolingian Renaissance
; it was cheaper than full coloured illustrations and quicker to produce. However the Gospel book
still remained the main focus of illumination at this period, and the Utrecht Psalter is highly unusual both in the number of illustrations, their size, and the large groups of small figures they contain.
The Utrecht Psalter is generally considered to be important to the development of Anglo-Saxon art
in the late tenth century, as the artistic style of its artwork seems to have been drawn on and adapted by Anglo-Saxon artists of this time (Pächt, 172). Although it is hardly likely that this single manuscript was solely responsible for beginning an entire new phase, the style which developed from it is sometimes known as the 'Utrecht' style of outline drawing, and survived almost unchanged into the 1020s (Wormald).
The Psalter is the earliest and most fully illustrated of a "narrative" group of Carolingian Psalters and other manuscripts; the much greater freedom of their illustrations may represent a different, probably monastic, audience for them from the more hieratic productions for the court and the altar. Images are unframed, often varied and original in iconography
, showing a "liveliness of mind and independence of convention" not found in the more formal books (Hinks, 117). Other members of the group are the Golden Psalter of St. Gall and the Drogo Sacramentary
, which made the important innovation of placing most illustrations in inhabited initial
s. The Byzantine Chludov Psalter
represents a comparable tradition in the East (Hinks, 115-119), and the Reims style was also influenced by artists fleeing Byzantine iconoclasm (Berenson, 163).
Meyer Schapiro
is among those who have proposed that the Psalter copied illustrations from a Late Antique manuscript; apart from an original perhaps of the 4th or 5th centuries, details of the iconography led him to believe in an intermediary "Latin model" of after about 700 (Shapiro, 77, 110 and passim). That the miniatures are in large part based on an earlier manuscript, initially disputed by some (Tselos, 334 etc.), seems to have gained general acceptance, though the precise nature and dates of earlier postulated versions vary.
The style of the outline drawings is dramatic, marked by activity, leaping creatures and fluttering folds of drapery set in faintly sketched landscape backgrounds stretching the full span of a page. Several different episodes may be shown in an illustration, some interpreting the text very literally, indeed over-literally in typical medieval fashion, others building on an association with the text to create elaborate images, including New Testament
scenes or motifs from Christian iconography (Pächt, 168-170). Despite the individuality of the style, the hands of eight different artists have been detected.
The illustration for Psalm 27 centers on they "that go down into the pit". Winged figures poke the "workers of iniquity" with spears. On the left a king stands before a temple; Christ and his angels are shown above. The umbrella held over the king was considered strong evidence that the manuscript was not produced by an Anglo-Saxon artist (Birch, 232)
The illustration for Psalm 115 shows a crucifixion
with a chalice
catching the blood flowing from the side of Christ. The earliest known comparable images are a miniature from the Drogo Sacramentary (dated 840-855), and an ivory from the Pericopes of Henry II
(dated 840-870). This illustration leads to one argument for a later date for the Utrecht Psalter, because dating the illustration before about 835 would make it substantially predate other extant Carolingian examples of this theme (Chazelle, 1072).
s and other material, including the Canticles of Isaiah the Prophet ( and ), and a third Canticle of Isaiah . The canticle of Moses the Prophet includes 17-20 added on the lower margin. The canticle of Habakkuk follows with the canticle of Moses to the children of Israel . The following canticle is the blessing of the three children
, then the Te Deum
attributed to St. Ambrose of Milan, the Benedictus
of Zachary with a nativity group, and the Magnificat
. The Magnificat is accompanied by an illustration of the Virgin holding a small child which is not the child Jesus, but a representation of her "spirit" (exultavit spiritus meus). The Nunc Dimittis
folio includes the Gloria in Excelsis. Next follows the “Oratio Dominica secundum Matheum
” , with the Apostle's Creed on the same folio. In the illustration for the creed, the Virgin holds the child Jesus with a cruciform halo
.
Next comes the Athanasian Creed
. The illustration appears to be a group of churchmen, with a central figure wearing the pallium
of an archbishop. This need not be Athanasius at the council of Nicea; it may also be Ebbo, or it may represent an archbishop generically as personifying the doctrinal orthodoxy of a creed. The psalter's creed had been mentioned by James Ussher
in his 1647 De Symbolis when the manuscript was part of the Cotton library, but it was gone by 1723 (Vinton, 161). When the psalter was rediscovered again in the 19th century, it was thought to be the oldest manuscript containing the Latin text of the creed (Schaff, 70), as some thought the psalter dated from the 6th century. The oldest manuscripts of the Athanasian creed date from the late 8th century (Chazelle, 1056). After this is the "Apocryphal psalm", Psalm 151
.
The Psalter is bound with 12 leaves of a different Gospel book
written in uncial
characters with a text similar to the Codex Amiatinus
. These leaves date from around 700 and show characteristics typical of an Anglo-Saxon scribe (Lowe, 273). The psalter was at one time also bound with the Reculver charter (Birch, 77), but this was later removed (Benson, 14). Robert Cotton may have bound them together due to their similar folio size.
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
psalter
Psalter
A psalter is a volume containing the Book of Psalms, often with other devotional material bound in as well, such as a liturgical calendar and litany of the Saints. Until the later medieval emergence of the book of hours, psalters were the books most widely owned by wealthy lay persons and were...
which is a key masterpiece of Carolingian art
Carolingian art
Carolingian art comes from the Frankish Empire in the period of roughly 120 years from about AD 780 to 900 — during the reign of Charlemagne and his immediate heirs — popularly known as the Carolingian Renaissance. The art was produced by and for the court circle and a group of...
; it is probably the most valuable manuscript in the Netherlands. It is famous for its 166 lively pen illustrations, with one accompanying each psalm and the other texts in the manuscript (Chazelle, 1055). The extent of the dependence of these on earlier models has been the subject of art historical controversy. The psalter spent the period between about 1000 to 1640 in England, where it had a profound influence on Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
, giving rise to what is known as the "Utrecht style". It was copied in full a number of times in the Middle Ages. A complete facsimile
Facsimile
A facsimile is a copy or reproduction of an old book, manuscript, map, art print, or other item of historical value that is as true to the original source as possible. It differs from other forms of reproduction by attempting to replicate the source as accurately as possible in terms of scale,...
edition of the psalter was made in 1875 (Lowe, 237), and another in 1984 (Graz).
The other texts in the book include some canticles and hymns used in the office of the hours
Liturgy of the hours
The Liturgy of the Hours or Divine Office is the official set of daily prayers prescribed by the Catholic Church to be recited at the canonical hours by the clergy, religious orders, and laity. The Liturgy of the Hours consists primarily of psalms supplemented by hymns and readings...
, including various canticle
Canticle
A canticle is a hymn taken from the Bible. The term is often expanded to include ancient non-biblical hymns such as the Te Deum and certain psalms used liturgically.-Roman Catholic Church:From the Old Testament, the Roman Breviary takes seven canticles for use at Lauds, as follows:*...
s, the Te Deum
Te Deum
The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered literally as "Thee, O God, we praise"....
and Athanasian Creed
Athanasian Creed
The Athanasian Creed is a Christian statement of belief, focusing on Trinitarian doctrine and Christology. The Latin name of the creed, Quicumque vult, is taken from the opening words, "Whosoever wishes." The Athanasian Creed has been used by Christian churches since the sixth century...
. The latter text was the subject of intense study by Thomas Duffus Hardy
Thomas Duffus Hardy
Sir Thomas Duffus Hardy was an English archivist and antiquary.-Life:He was the third son of Major Thomas Bartholomew Price Hardy, and belonged to a family several members of which had distinguished themselves in the British navy. Born at Port Royal in Jamaica, he crossed over to England and in...
and others after the psalter was rediscovered in the 19th century.
History and copies
The entire volume contains 108 vellumVellum
Vellum is mammal skin prepared for writing or printing on, to produce single pages, scrolls, codices or books. It is generally smooth and durable, although there are great variations depending on preparation, the quality of the skin and the type of animal used...
leaves, approximately 13 inches (330.2 mm) by 10 inches (254 mm) in size. The pages are formed by quires of 8 pages folded (Birch, 64, 67). There was probably at least an "author portrait" of David at the start, and the surviving text begins with a large initial
Initial
In a written or published work, an initial is a letter at the beginning of a work, a chapter, or a paragraph that is larger than the rest of the text. The word is derived from the Latin initialis, which means standing at the beginning...
with insular
Insular art
Insular art, also known as Hiberno-Saxon art, is the style of art produced in the post-Roman history of Ireland and Great Britain. The term derives from insula, the Latin term for "island"; in this period Britain and Ireland shared a largely common style different from that of the rest of Europe...
-style interlace (picture at top).
The psalter was at one time thought to be a 6th-century work largely because of the use of archaic conventions in the script. The Psalter is written in rustic capitals
Rustic capitals
Rustic capitals is an ancient Roman calligraphic script. As the term is negatively connotated supposing an opposition to the more 'civilized' form of the Roman square capitals Bernhard Bischoff prefers to call the script canonized capitals.Rustic capitals are similar to Roman square capitals, but...
, a script which by the 9th century had fallen out of favour in Carolingian manuscripts. These are now widely viewed as imitation rustic capitals, and the manuscript is dated no earlier than the 9th century (Lowe, 237). It has been suggested that because of the capitals and the book's size, the Utrecht Psalter was intended as a choir book for several monks to read at the same time while singing; alternatively that it was intended for young monks learning the Psalms by heart in groups, a suggestion that perhaps better explains the amount of illustration. The psalter is believed to have been made near Reims
Reims
Reims , a city in the Champagne-Ardenne region of France, lies east-northeast of Paris. Founded by the Gauls, it became a major city during the period of the Roman Empire....
, as its style is similar to that of the Ebbo Gospels
Ebbo Gospels
The Ebbo Gospels is an early Carolingian illuminated Gospel book known for an unusual, energetic style of illustration...
(Benson, 23). It may have been sponsored by Ebbo, Archbishop of Reims
Ebbo, Archbishop of Reims
Ebbo was archbishop of Rheims from 816 until 835 and again from 840 to 841. He was born a German serf on the royal demesne of Charlemagne. He was educated at his court and became the librarian and councillor of Louis the Pious, king of Aquitaine, son of Charlemagne...
, and so is usually dated between 816 and 835. Others have argued for a date c. 850, saying that the psalm illustrations draw from the travels of Gottschalk of Orbais
Gottschalk (theologian)
Gottschalk of Orbais was a Saxon theologian, monk and poet who is best known for being an early advocate of the doctrine of two-fold predestination...
, and the illustration with the Athanasian Creed and other details pertain more to Ebbo's successor, Hincmar
Hincmar, Archbishop of Reims
Hincmar , archbishop of Reims, the friend, advisor and propagandist of Charles the Bald, was one of the most remarkable figures in the ecclesiastical history of the Carolingian period...
(Chazelle, 1058, 1068, 1073).
A period spent in the late 9th century in the area of Metz
Metz
Metz is a city in the northeast of France located at the confluence of the Moselle and the Seille rivers.Metz is the capital of the Lorraine region and prefecture of the Moselle department. Located near the tripoint along the junction of France, Germany, and Luxembourg, Metz forms a central place...
, perhaps at the court of Charles the Bald
Charles the Bald
Charles the Bald , Holy Roman Emperor and King of West Francia , was the youngest son of the Emperor Louis the Pious by his second wife Judith.-Struggle against his brothers:He was born on 13 June 823 in Frankfurt, when his elder...
, has been suggested on the basis of apparent influences from the manuscript in the art of the area. The manuscript had reached Canterbury Cathedral
Canterbury Cathedral
Canterbury Cathedral in Canterbury, Kent, is one of the oldest and most famous Christian structures in England and forms part of a World Heritage Site....
by c. 1000, at which time a copy began to be made of it; this, the Harley Psalter
Harley Psalter
The Harley Psalter is an illuminated manuscript of the second and third decades of the eleventh century, with some later additions. It is a Latin psalter on vellum, measures 380 x 310 mm and was probably produced at Christ Church, Canterbury...
, is in the British Library
British Library
The British Library is the national library of the United Kingdom, and is the world's largest library in terms of total number of items. The library is a major research library, holding over 150 million items from every country in the world, in virtually all known languages and in many formats,...
as MS Harley 603 (Benson, 14). The Psalter was copied in full three times in the Middle Ages, the second copy being the Eadwine Psalter (Cambridge, Trinity College Library, MS R.17.1) of 1155–60, with additions 1160–70, and the texts extended to five versions of each psalm. The last copy is a fine version in full colour with gold backgrounds that is known as the "Anglo-Catalan Psalter" or MS Lat. 8846 in the BnF
BNF
BNF may stand for:In science:*Biological nitrogen fixation, a process that converts nitrogen in the atmosphere to ammonia*British National Formulary, the standard drug reference manual**British National Formulary for Children...
, of 1180-90 (Morgan, 47-9). This was half-illustrated by an English artist in about 1180-1200, and completed by a Catalan artist in 1340-50, naturally using a different Gothic
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
style. The images are necessarily somewhat simplified, and the number of figures reduced.
Earlier there were derivative works in other media; similar groups of figures appear in a Carolingian engraved crystal in the British Museum
British Museum
The British Museum is a museum of human history and culture in London. Its collections, which number more than seven million objects, are amongst the largest and most comprehensive in the world and originate from all continents, illustrating and documenting the story of human culture from its...
(the Lothair Crystal
Lothair Crystal
The Lothair Crystal is an engraved gem from Lotharingia in North-West Europe, showing scenes of the biblical story of Susanna, dating from 855-869...
, stylistically very different) and metalwork, and some late Carolingian ivories repeat figure compositions found in the Utrecht psalter (Calkins, 211).
The original manuscript spent at least two centuries at Canterbury from the year 1000, and after the English Dissolution of the Monasteries
Dissolution of the Monasteries
The Dissolution of the Monasteries, sometimes referred to as the Suppression of the Monasteries, was the set of administrative and legal processes between 1536 and 1541 by which Henry VIII disbanded monasteries, priories, convents and friaries in England, Wales and Ireland; appropriated their...
(Canterbury was a monastic cathedral) came into the possession of Robert Bruce Cotton
Robert Bruce Cotton
Sir Robert Bruce Cotton, 1st Baronet was an English antiquarian and Member of Parliament, founder of the important Cotton library....
, the famous English antiquary, at which point it was rebound, with his arms on the cover. Cotton lent the manuscript to the great collector the Earl of Arundel
Thomas Howard, 21st Earl of Arundel
Thomas Howard, 21st Earl of Arundel KG, was a prominent English courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. When he died he possessed 700 paintings, along with large collections of sculpture,...
, who took it into exile with him during the English Civil War
English Civil War
The English Civil War was a series of armed conflicts and political machinations between Parliamentarians and Royalists...
; it was taken to the Netherlands in around 1642 and sold on Howard's death by his widow and son. It reached Utrecht University
Utrecht University
Utrecht University is a university in Utrecht, Netherlands. It is one of the oldest universities in the Netherlands and one of the largest in Europe. Established March 26, 1636, it had an enrollment of 29,082 students in 2008, and employed 8,614 faculty and staff, 570 of which are full professors....
in 1716, at which point it was incorporated into the University Library. It was rediscovered in the library in 1858 (Benson, 13).
Illumination
The Utrecht Psalter is lavishly illustrated with lively pen and ink drawings for each psalm. The miniatures consist of outline drawings in plain bistreBistre
Bistre is either: 1) A shade of gray, 2) A shade of brown made from soot, and 3) The name for a color resembling the pigment. Bistre's appearance is generally of a dark grayish brown, with a yellowish cast....
, a technique which gained popularity in the Carolingian Renaissance
Carolingian Renaissance
In the history of ideas the Carolingian Renaissance stands out as a period of intellectual and cultural revival in Europe occurring from the late eighth century, in the generation of Alcuin, to the 9th century, and the generation of Heiric of Auxerre, with the peak of the activities coordinated...
; it was cheaper than full coloured illustrations and quicker to produce. However the Gospel book
Gospel Book
The Gospel Book, Evangelion, or Book of the Gospels is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament...
still remained the main focus of illumination at this period, and the Utrecht Psalter is highly unusual both in the number of illustrations, their size, and the large groups of small figures they contain.
The Utrecht Psalter is generally considered to be important to the development of Anglo-Saxon art
Anglo-Saxon art
Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of a large Anglo-Saxon nation-state whose...
in the late tenth century, as the artistic style of its artwork seems to have been drawn on and adapted by Anglo-Saxon artists of this time (Pächt, 172). Although it is hardly likely that this single manuscript was solely responsible for beginning an entire new phase, the style which developed from it is sometimes known as the 'Utrecht' style of outline drawing, and survived almost unchanged into the 1020s (Wormald).
The Psalter is the earliest and most fully illustrated of a "narrative" group of Carolingian Psalters and other manuscripts; the much greater freedom of their illustrations may represent a different, probably monastic, audience for them from the more hieratic productions for the court and the altar. Images are unframed, often varied and original in iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
, showing a "liveliness of mind and independence of convention" not found in the more formal books (Hinks, 117). Other members of the group are the Golden Psalter of St. Gall and the Drogo Sacramentary
Drogo Sacramentary
The Drogo Sacramentary is a Carolingian illuminated manuscript on vellum of c.850 AD, one of the monuments of Carolingian book illumination...
, which made the important innovation of placing most illustrations in inhabited initial
Initial
In a written or published work, an initial is a letter at the beginning of a work, a chapter, or a paragraph that is larger than the rest of the text. The word is derived from the Latin initialis, which means standing at the beginning...
s. The Byzantine Chludov Psalter
Chludov Psalter
Chludov Psalter is an illuminated marginal Psalter made in the middle of the 9th Century. It is a unique monument of Byzantine art at the time of the Iconoclasm, one of only three illuminated Byzantine Psalters to survive from the 9th century....
represents a comparable tradition in the East (Hinks, 115-119), and the Reims style was also influenced by artists fleeing Byzantine iconoclasm (Berenson, 163).
Meyer Schapiro
Meyer Schapiro
Meyer Schapiro was a Lithuanian-born American art historian known for forging new art historical methodologies that incorporated an interdisciplinary approach to the study of works of art...
is among those who have proposed that the Psalter copied illustrations from a Late Antique manuscript; apart from an original perhaps of the 4th or 5th centuries, details of the iconography led him to believe in an intermediary "Latin model" of after about 700 (Shapiro, 77, 110 and passim). That the miniatures are in large part based on an earlier manuscript, initially disputed by some (Tselos, 334 etc.), seems to have gained general acceptance, though the precise nature and dates of earlier postulated versions vary.
The style of the outline drawings is dramatic, marked by activity, leaping creatures and fluttering folds of drapery set in faintly sketched landscape backgrounds stretching the full span of a page. Several different episodes may be shown in an illustration, some interpreting the text very literally, indeed over-literally in typical medieval fashion, others building on an association with the text to create elaborate images, including New Testament
New Testament
The New Testament is the second major division of the Christian biblical canon, the first such division being the much longer Old Testament....
scenes or motifs from Christian iconography (Pächt, 168-170). Despite the individuality of the style, the hands of eight different artists have been detected.
The illustration for Psalm 27 centers on they "that go down into the pit". Winged figures poke the "workers of iniquity" with spears. On the left a king stands before a temple; Christ and his angels are shown above. The umbrella held over the king was considered strong evidence that the manuscript was not produced by an Anglo-Saxon artist (Birch, 232)
The illustration for Psalm 115 shows a crucifixion
Crucifixion
Crucifixion is an ancient method of painful execution in which the condemned person is tied or nailed to a large wooden cross and left to hang until dead...
with a chalice
Chalice (cup)
A chalice is a goblet or footed cup intended to hold a drink. In general religious terms, it is intended for drinking during a ceremony.-Christian:...
catching the blood flowing from the side of Christ. The earliest known comparable images are a miniature from the Drogo Sacramentary (dated 840-855), and an ivory from the Pericopes of Henry II
Pericopes of Henry II
The Pericopes of Henry II is a luxurious medieval illuminated manuscript made for Henry II, the last Ottonian Holy Roman Emperor, made c. 1002 – 1012 AD...
(dated 840-870). This illustration leads to one argument for a later date for the Utrecht Psalter, because dating the illustration before about 835 would make it substantially predate other extant Carolingian examples of this theme (Chazelle, 1072).
Additional texts
After the Psalms, like many psalters the manuscript includes various canticleCanticle
A canticle is a hymn taken from the Bible. The term is often expanded to include ancient non-biblical hymns such as the Te Deum and certain psalms used liturgically.-Roman Catholic Church:From the Old Testament, the Roman Breviary takes seven canticles for use at Lauds, as follows:*...
s and other material, including the Canticles of Isaiah the Prophet ( and ), and a third Canticle of Isaiah . The canticle of Moses the Prophet includes 17-20 added on the lower margin. The canticle of Habakkuk follows with the canticle of Moses to the children of Israel . The following canticle is the blessing of the three children
The Prayer of Azariah and Song of the Three Holy Children
The Prayer of Azariah and the Song of the Three Holy Children is a lengthy passage that appears after Daniel 3:23 in Roman Catholic and Eastern Orthodox Bibles, as well as in the ancient Greek Septuagint translation. It is listed as non-canonical in Article VI of the Thirty-Nine Articles of the...
, then the Te Deum
Te Deum
The Te Deum is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered literally as "Thee, O God, we praise"....
attributed to St. Ambrose of Milan, the Benedictus
Benedictus (Song of Zechariah)
The Benedictus , given in Gospel of , is one of the three canticles in the opening chapters of this Gospel. The Benedictus was the song of thanksgiving uttered by Zechariah on the occasion of the birth of his son, John the Baptist.The whole canticle naturally falls into two parts...
of Zachary with a nativity group, and the Magnificat
Magnificat
The Magnificat — also known as the Song of Mary or the Canticle of Mary — is a canticle frequently sung liturgically in Christian church services. It is one of the eight most ancient Christian hymns and perhaps the earliest Marian hymn...
. The Magnificat is accompanied by an illustration of the Virgin holding a small child which is not the child Jesus, but a representation of her "spirit" (exultavit spiritus meus). The Nunc Dimittis
Nunc dimittis
The Nunc dimittis is a canticle from a text in the second chapter of Luke named after its first words in Latin, meaning 'Now dismiss...'....
folio includes the Gloria in Excelsis. Next follows the “Oratio Dominica secundum Matheum
Pater Noster
Pater Noster is probably the best-known prayer in Christianity.Pater Noster or Paternoster may also refer to:* Paternoster, a passenger elevator which consists of a chain of open compartments that move slowly in a loop up and down inside a building* Paternoster, Western Cape, South Africa* Pierres...
” , with the Apostle's Creed on the same folio. In the illustration for the creed, the Virgin holds the child Jesus with a cruciform halo
Halo (religious iconography)
A halo is a ring of light that surrounds a person in art. They have been used in the iconography of many religions to indicate holy or sacred figures, and have at various periods also been used in images of rulers or heroes...
.
Next comes the Athanasian Creed
Athanasian Creed
The Athanasian Creed is a Christian statement of belief, focusing on Trinitarian doctrine and Christology. The Latin name of the creed, Quicumque vult, is taken from the opening words, "Whosoever wishes." The Athanasian Creed has been used by Christian churches since the sixth century...
. The illustration appears to be a group of churchmen, with a central figure wearing the pallium
Pallium
The pallium is an ecclesiastical vestment in the Roman Catholic Church, originally peculiar to the Pope, but for many centuries bestowed by him on metropolitans and primates as a symbol of the jurisdiction delegated to them by the Holy See. In that context it has always remained unambiguously...
of an archbishop. This need not be Athanasius at the council of Nicea; it may also be Ebbo, or it may represent an archbishop generically as personifying the doctrinal orthodoxy of a creed. The psalter's creed had been mentioned by James Ussher
James Ussher
James Ussher was Church of Ireland Archbishop of Armagh and Primate of All Ireland between 1625–56...
in his 1647 De Symbolis when the manuscript was part of the Cotton library, but it was gone by 1723 (Vinton, 161). When the psalter was rediscovered again in the 19th century, it was thought to be the oldest manuscript containing the Latin text of the creed (Schaff, 70), as some thought the psalter dated from the 6th century. The oldest manuscripts of the Athanasian creed date from the late 8th century (Chazelle, 1056). After this is the "Apocryphal psalm", Psalm 151
Psalm 151
Psalm 151 is the name given to a short psalm that is found in most copies of the Septuagint but not in the Masoretic Text of the Hebrew Bible. The title given to this psalm in the Septuagint indicates that it is supernumerary, and no number is affixed to it: "This Psalm is ascribed to David and...
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The Psalter is bound with 12 leaves of a different Gospel book
Gospel Book
The Gospel Book, Evangelion, or Book of the Gospels is a codex or bound volume containing one or more of the four Gospels of the Christian New Testament...
written in uncial
Uncial
Uncial is a majuscule script commonly used from the 3rd to 8th centuries AD by Latin and Greek scribes. Uncial letters are written in either Greek, Latin, or Gothic.-Development:...
characters with a text similar to the Codex Amiatinus
Codex Amiatinus
The Codex Amiatinus, designated by siglum A, is the earliest surviving manuscript of the nearly complete Bible in the Latin Vulgate version, and is considered to be the most accurate copy of St. Jerome's text. It is missing the Book of Baruch. It was produced in the Anglo-Saxon kingdom of...
. These leaves date from around 700 and show characteristics typical of an Anglo-Saxon scribe (Lowe, 273). The psalter was at one time also bound with the Reculver charter (Birch, 77), but this was later removed (Benson, 14). Robert Cotton may have bound them together due to their similar folio size.