Zarzuela
Encyclopedia
Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating opera
tic and popular song, as well as dance. The etymology of the name is not totally certain but some propose it may derive from the name of a Royal hunting lodge, the Palacio de la Zarzuela
near Madrid, where, allegedly, this type of entertainment was first presented to the court. The palace was named after the place called "La Zarzuela" because of the profusion of brambles (zarzas) that grew there and so the festivities held within the walls became known as "Zarzuelas".
There are two main forms of zarzuela: Baroque
zarzuela (c.1630–1750), the earliest style, and Romantic
zarzuela (c.1850–1950), which can be further divided into two. Main sub-genres are género grande and género chico
, although other sub-divisions exist.
Zarzuela spread to the Spanish colonies, and many Hispanic countries – notably Cuba – developed their own traditions. There is also a strong tradition in the Philippines
where it is also known as sarswela/sarsuela'. Other regional and linguistic variants in Spain includes the Basque
zartzuela and the Catalan
sarsuela.
A masque
-like musical theatre had existed in Spain since the time of Juan del Encina
. The zarzuela genre was innovative in giving a dramatic function to the musical numbers, which were integrated into the argument of the work. Dances and choruses were incorporated as well as solo and ensemble numbers, all to orchestral accompaniment.
, King Philip IV of Spain
, Queen Mariana and their court attended the first performance of a new comedy by Pedro Calderón de la Barca
, with music by Juan Hidalgo de Polanco. El Laurel de Apolo (The Laurels of Apollo) traditionally symbolises the birth of a new musical genre which had become known as La Zarzuela.
Like Calderón de la Barca's earlier El golfo de las sirenas (The Sirens' Gulf, 1657), El Laurel de Apolo mixed mythological verse drama with operatic solos, popular songs and dances. The characters in these early, baroque
zarzuelas were a mixture of gods, mythological creatures and rustic or pastoral comedy characters; Antonio de Literes
's popular Acis y Galatea (1708) is yet another example. Unlike some other operatic forms, there were spoken interludes, often in verse.
Spain, Italian artistic style dominated in the arts, including Italian opera
. Zarzuela, though still written to Spanish texts, changed to accommodate the Italian vogue. During the reign of King Charles III
, political problems provoked a series of revolts against his Italian ministers; these were echoed in theatrical presentations. The older style zarzuela fell out of fashion, but popular Spanish tradition continued to manifest itself in shorter works, such as the single-scene tonadilla
(or intermezzo
) of which the finest literary exponent was Ramón de la Cruz
. Musicians such as Antonio Rodríguez de Hita
were proficient in the shorter style of works, though he also wrote a full-scale zarzuela with de la Cruz entitled Las segadoras de Vallecas (The Reapers of Vallecas, 1768). José Castel
was one of several composers to write for the Teatro del Príncipe.
and Joaquín Gaztambide revived the zarzuela form, seeing in it a possible release from French and Italian cultural hegemony. The elements of the work continue to be the same: sung solos and choruses, spiced with spoken scenes, and comedic songs, ensembles and dances. Costume drama
s and regional variations abound, and the libretto
s (though often based on French originals) are rich in Spanish idioms and popular jargon.
The zarzuelas of the day included in their librettos various regionalisms and popular slang, such as that of Madrid castizos. Often, the success of a work was due to one or more songs that the public came to know and love. Despite some modifications the basic structure of the zarzuela remained the same: dialogue scenes, songs, choruses, and comic scenes generally performed by two actor-singers. The culminating masterpieces from this period
were Barbieri's Pan y toros and Gaztambide's El juramento. Another notable composer from this period was Emilio Arrieta
.
of 1868, the country entered a deep crisis (especially economically), which was reflected in theatre. The public could not afford high-priced theatre tickets for grandiose productions, which led to the rise of the Teatros Variedades ("variety theatres") in Madrid, with cheap tickets for one-act plays (sainete
s). This "theatre of an hour" had great success and zarzuela composers took to the new formula with alacrity. Single-act zarzuelas were classified as género chico
("little genre") whilst the longer zarzuelas of three acts, lasting up to four hours, were called género grande ("grand genre"). Zarzuela grande battled on at the Teatro de la Zarzuela de Madrid, founded by Barbieri and his friends in the 1850s. A newer theatre, the Apolo, opened in 1873. At first it attempted to present the género grande, but it soon yielded to the taste and economics of the time, and became the "temple" of the more populist género chico in the late 1870s.
Musical content from this era ranges from full-scale operatic arias (romanzas) through to popular songs, and dialogue from high poetic drama to lowlife comedy
characters. There are also many types of zarzuela in between the two named genres, with a variety of musical and dramatic flavours.
Many of the greatest zarzuelas were written in the 1880s and 1890s, but the form continued to adapt to new theatrical stimuli until well into the 20th century. With the onset of the Spanish Civil War
, the form rapidly declined, and the last romantic zarzuelas to hold the stage were written in the 1950s.
Whilst Barbieri produced the greatest zarzuela grande in El barberillo de Lavapiés, the classic exponent of the género chico
was his pupil Federico Chueca
, whose La gran vía (composed with Joaquín Valverde Durán
) was a cult success both in Spain and throughout Europe.
The musical heir of Chueca was José Serrano
, whose short, one act género chico
zarzuelas - notably La canción del olvido, Alma de dios and the much later Los claveles and La dolorosa - form a stylistic bridge to the more musically sophisticated zarzuelas of the 20th Century.
In the second decade of the century, the influences of operetta
and the English followers of Sullivan
such as Lionel Monckton
made themselves felt, in works such as Molinos de viento and El asombro de Damasco (both by Pablo Luna
), before the Spanish tradition was reassered in Vives's Doña Francisquita (1923). The zarzuela continued to flourish in the 1930's, thanks to composers of the stature of Pablo Sorozábal
– who reinvigorated it as a vehicle for socio-political comment – Federico Moreno Torroba
, and Francisco Alonso.
However, the Spanish Civil War
brought a decline of the genre, and after the war, its extinction as a live genre was almost total. There were no new authors and the compositions are not renovated. There have been no significant new works created since the 1950s; the existing zarzuela repertoire is costly to produce, and many classics have been performed only sporadically in recent years, at least professionally.
Interest has been renewed in zarzuela since the late 1970s and the death of Francisco Franco
. The genre has again found favour in Spain and elsewhere: younger people, in particular, have been drawn to its lyrical music and theatrical spectacle. Spanish radio and television have dedicated time to zarzuela, not least in a popular series of programs produed by TVE and entitled Antología de la zarzuela ("Zarzuela Anthology"). These were based on lip sync
s of the classic recordings of the 1950s. Some years earlier, impresario
Jose Tamayo created a theatrical show of the same name which popularized zarzuela through several national and international tours.
developed its own zarzuela, with librettos in Catalan
. The atmosphere, the plots, and the music were quite different from the model that triumphed in Madrid; the Catalan zarzuela was looking to attract a different public, the bourgeois classes. Catalan zarzuela was turned little by little into what is called, in Catalan, teatre líric català ("Catalan lyric theater"), with a personality of its own, and with modernista
lyricists and composers.
In the final years of the 19th century, as modernisme
emerged, one of the notable modernistas, and one of Felipe Pedrell
's pupils, Amadeo Vives
came onto the Barcelona scene. He contributed to the creation of the Orfeó Català in 1891, along with Lluís Millet. In spite of a success sustained over many years, his musical ambition took him to Madrid, where zarzuela had a higher profile. Vives became one of the most important zarzuela composers, with such masterpieces as Doňa Francisquita, La villana (both based on plays by Lope de Vega
) and the through-written opera in zarzuela style Maruxa.
zarzuelas of Ernesto Lecuona
(María la O; El cafetal), Eliseo Grenet
(La virgen morena) and Gonzalo Roig
(Cecilia Valdés
, based on Cirilo Villaverde
's classic novel) represent a brief golden age of political and cultural importance. These and other works centred on the plight of the mulata woman and other black underclasses in Cuban society. The outstanding star of many of these productions was Rita Montaner
. Mexico and the Philippines
likewise had their own zarzuela traditions. In the Philippines, the zarzuela (or sarsuwela) was supported financially by Imelda Marcos
. In addition, Zarzuela Ilocana has been staged in the Ilocano
dialect.
had particular success. Many featured singers soon to become world famous, such as Teresa Berganza
, Alfredo Kraus
and Pilar Lorengar
; and later, Montserrat Caballé
and Plácido Domingo
. Less known performers such as Ana María Iriarte, Inés Ribadeneira, Toñy Rosado, Carlos Munguía, Renato Cesari, and others frequently lent their voices to the recordings. The choirs of Orfeón Donostiarra and Singers' Choir of Madrid also contributed, rounding out the overall quality of the works. After Argenta's death others such as Indalecio Cisneros and Rafael Frühbeck de Burgos
continued in his footsteps. There were also recordings made conducted by the composers themselves, such as Pablo Sorozábal
and Federico Moreno Torroba
.
Many zarzuela productions are now to be seen on DVD
and Blu-ray disc. In March 2009, EuroArts released Amor, Vida de Mi Vida, a recording on Blu-ray disc of an August 2007 zarzuela concert by Plácido Domingo and Ana María Martínez
, with the Mozarteum Orchestra of Salzburg
conducted by Jesús López-Cobos
. In April 2009, BBC/Opus Arte released a Blu-ray disc of a July 2006 performance of Federico Moreno Torroba
's Luisa Fernanda with Plácido Domingo and Nancy Herrera
, recorded at the Teatro Real de Madrid
with Jesús López-Cobos conducting.
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic and popular song, as well as dance. The etymology of the name is not totally certain but some propose it may derive from the name of a Royal hunting lodge, the Palacio de la Zarzuela
Palacio de la Zarzuela
Zarzuela Palace is the principal residence of King Juan Carlos of Spain and Queen Sofia and their family. The palace is on the outskirts of Madrid, near the Royal Palace of El Pardo. The complex also houses the official residence of the Prince and Princess of Asturias in a nearby mansion...
near Madrid, where, allegedly, this type of entertainment was first presented to the court. The palace was named after the place called "La Zarzuela" because of the profusion of brambles (zarzas) that grew there and so the festivities held within the walls became known as "Zarzuelas".
There are two main forms of zarzuela: Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
zarzuela (c.1630–1750), the earliest style, and Romantic
Romanticism
Romanticism was an artistic, literary and intellectual movement that originated in the second half of the 18th century in Europe, and gained strength in reaction to the Industrial Revolution...
zarzuela (c.1850–1950), which can be further divided into two. Main sub-genres are género grande and género chico
Género chico
Género chico is a Spanish genre of short light musical plays. It is a subgenre of zarzuela, the Spanish operetta...
, although other sub-divisions exist.
Zarzuela spread to the Spanish colonies, and many Hispanic countries – notably Cuba – developed their own traditions. There is also a strong tradition in the Philippines
Philippines
The Philippines , officially known as the Republic of the Philippines , is a country in Southeast Asia in the western Pacific Ocean. To its north across the Luzon Strait lies Taiwan. West across the South China Sea sits Vietnam...
where it is also known as sarswela/sarsuela'. Other regional and linguistic variants in Spain includes the Basque
Basque language
Basque is the ancestral language of the Basque people, who inhabit the Basque Country, a region spanning an area in northeastern Spain and southwestern France. It is spoken by 25.7% of Basques in all territories...
zartzuela and the Catalan
Catalan language
Catalan is a Romance language, the national and only official language of Andorra and a co-official language in the Spanish autonomous communities of Catalonia, the Balearic Islands and Valencian Community, where it is known as Valencian , as well as in the city of Alghero, on the Italian island...
sarsuela.
A masque
Masque
The masque was a form of festive courtly entertainment which flourished in 16th and early 17th century Europe, though it was developed earlier in Italy, in forms including the intermedio...
-like musical theatre had existed in Spain since the time of Juan del Encina
Juan del Encina
Juan del Enzina – the spelling he used – or Juan del Encina – modern Spanish spelling – was a composer, poet and playwright, often called the founder of Spanish drama...
. The zarzuela genre was innovative in giving a dramatic function to the musical numbers, which were integrated into the argument of the work. Dances and choruses were incorporated as well as solo and ensemble numbers, all to orchestral accompaniment.
Baroque zarzuela
In 1657 at the Royal Palace of El PardoEl Pardo
The Royal Palace of El Pardo is a historical building near Madrid, Spain, in the present-day district of Fuencarral-El Pardo. Owned by the Spanish state and administered by the Patrimonio Nacional agency, the palace began as a hunting lodge.-Overview:...
, King Philip IV of Spain
Philip IV of Spain
Philip IV was King of Spain between 1621 and 1665, sovereign of the Spanish Netherlands, and King of Portugal until 1640...
, Queen Mariana and their court attended the first performance of a new comedy by Pedro Calderón de la Barca
Pedro Calderón de la Barca
Pedro Calderón de la Barca y Barreda González de Henao Ruiz de Blasco y Riaño usually referred as Pedro Calderón de la Barca , was a dramatist, poet and writer of the Spanish Golden Age. During certain periods of his life he was also a soldier and a Roman Catholic priest...
, with music by Juan Hidalgo de Polanco. El Laurel de Apolo (The Laurels of Apollo) traditionally symbolises the birth of a new musical genre which had become known as La Zarzuela.
Like Calderón de la Barca's earlier El golfo de las sirenas (The Sirens' Gulf, 1657), El Laurel de Apolo mixed mythological verse drama with operatic solos, popular songs and dances. The characters in these early, baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
zarzuelas were a mixture of gods, mythological creatures and rustic or pastoral comedy characters; Antonio de Literes
Antonio de Literes
Antonio de Literes was a Spanish composer of zarzuelas, a type of performance that mixes spoken word, song and dance...
's popular Acis y Galatea (1708) is yet another example. Unlike some other operatic forms, there were spoken interludes, often in verse.
Italian influence
In 18th-century BourbonHouse of Bourbon
The House of Bourbon is a European royal house, a branch of the Capetian dynasty . Bourbon kings first ruled Navarre and France in the 16th century. By the 18th century, members of the Bourbon dynasty also held thrones in Spain, Naples, Sicily, and Parma...
Spain, Italian artistic style dominated in the arts, including Italian opera
Italian opera
Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. Many famous operas in Italian were written by foreign composers,...
. Zarzuela, though still written to Spanish texts, changed to accommodate the Italian vogue. During the reign of King Charles III
Charles III of Spain
Charles III was the King of Spain and the Spanish Indies from 1759 to 1788. He was the eldest son of Philip V of Spain and his second wife, the Princess Elisabeth Farnese...
, political problems provoked a series of revolts against his Italian ministers; these were echoed in theatrical presentations. The older style zarzuela fell out of fashion, but popular Spanish tradition continued to manifest itself in shorter works, such as the single-scene tonadilla
Tonadilla
Tonadilla was a Spanish musical song form of theatrical origin; not danced. The genre was a type of short, satirical musical comedy popular in 18th-century Spain, and later in Cuba and other Spanish colonial countries. It originated as a song type, then dialogue for characters was written into the...
(or intermezzo
Intermezzo
In music, an intermezzo , in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work...
) of which the finest literary exponent was Ramón de la Cruz
Ramón de la Cruz
Ramón de la Cruz , Spanish neoclassical dramatist, was born in Madrid.He was a clerk in the ministry of finance, and is the author of three hundred sainetes, little farcical sketches of city life, written to be played between the acts of a longer play. He published a selection in ten volumes...
. Musicians such as Antonio Rodríguez de Hita
Antonio Rodríguez de Hita
-Life:Rodríguez was born at Valverde de Alcalá. He became maestro de capilla at Palencia Cathedral and at the Royal Convent of La Encarnación, Madrid....
were proficient in the shorter style of works, though he also wrote a full-scale zarzuela with de la Cruz entitled Las segadoras de Vallecas (The Reapers of Vallecas, 1768). José Castel
José Castel
José Castel was a Spanish composer.José Castel was a church musician in his native Tudela and Aragon before moving to Madrid around 1760. There, in addition to his church duties, he was active as a theatrical composer, for the Teatro del Príncipe, as well as a printer and publisher...
was one of several composers to write for the Teatro del Príncipe.
19th century
In the 1850s and 1860s a group of patriotic writers and composers led by Francisco BarbieriFrancisco Asenjo Barbieri
Francisco Asenjo Barbieri was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Don Quijote, Los diamantes de la corona, and El Diablo en el poder.He was born and died in Madrid, appropriately, since the...
and Joaquín Gaztambide revived the zarzuela form, seeing in it a possible release from French and Italian cultural hegemony. The elements of the work continue to be the same: sung solos and choruses, spiced with spoken scenes, and comedic songs, ensembles and dances. Costume drama
Costume drama
A costume drama or period drama is a period piece in which elaborate costumes, sets and properties are featured in order to capture the ambiance of a particular era.The term is usually used in the context of film and television...
s and regional variations abound, and the libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
s (though often based on French originals) are rich in Spanish idioms and popular jargon.
The zarzuelas of the day included in their librettos various regionalisms and popular slang, such as that of Madrid castizos. Often, the success of a work was due to one or more songs that the public came to know and love. Despite some modifications the basic structure of the zarzuela remained the same: dialogue scenes, songs, choruses, and comic scenes generally performed by two actor-singers. The culminating masterpieces from this period
were Barbieri's Pan y toros and Gaztambide's El juramento. Another notable composer from this period was Emilio Arrieta
Emilio Arrieta
Pascual Juan Emilio Arrieta Corera was a Spanish composer.Arrieta was born in Puente la Reina, Navarre, and died in Madrid...
.
Romantic zarzuela
After the Glorious RevolutionGlorious Revolution (Spain)
The Glorious Revolution took place in Spain in 1868, resulting in the deposition of Queen Isabella II.An 1866 rebellion led by General Juan Prim and a revolt of the sergeants at San Gil barracks, in Madrid, sent a signal to Spanish liberals and republicans that there was serious unrest with the...
of 1868, the country entered a deep crisis (especially economically), which was reflected in theatre. The public could not afford high-priced theatre tickets for grandiose productions, which led to the rise of the Teatros Variedades ("variety theatres") in Madrid, with cheap tickets for one-act plays (sainete
Sainete
A sainete was a popular Spanish comic opera piece, a one-act dramatic vignette, with music. It was often placed at the end of entertainments, or between other types of performance. It was vernacular in style, and used scenes of low life. Active from the 18th to 20th centuries, it superseded the...
s). This "theatre of an hour" had great success and zarzuela composers took to the new formula with alacrity. Single-act zarzuelas were classified as género chico
Género chico
Género chico is a Spanish genre of short light musical plays. It is a subgenre of zarzuela, the Spanish operetta...
("little genre") whilst the longer zarzuelas of three acts, lasting up to four hours, were called género grande ("grand genre"). Zarzuela grande battled on at the Teatro de la Zarzuela de Madrid, founded by Barbieri and his friends in the 1850s. A newer theatre, the Apolo, opened in 1873. At first it attempted to present the género grande, but it soon yielded to the taste and economics of the time, and became the "temple" of the more populist género chico in the late 1870s.
Musical content from this era ranges from full-scale operatic arias (romanzas) through to popular songs, and dialogue from high poetic drama to lowlife comedy
Comedy
Comedy , as a popular meaning, is any humorous discourse or work generally intended to amuse by creating laughter, especially in television, film, and stand-up comedy. This must be carefully distinguished from its academic definition, namely the comic theatre, whose Western origins are found in...
characters. There are also many types of zarzuela in between the two named genres, with a variety of musical and dramatic flavours.
Many of the greatest zarzuelas were written in the 1880s and 1890s, but the form continued to adapt to new theatrical stimuli until well into the 20th century. With the onset of the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...
, the form rapidly declined, and the last romantic zarzuelas to hold the stage were written in the 1950s.
Whilst Barbieri produced the greatest zarzuela grande in El barberillo de Lavapiés, the classic exponent of the género chico
Género chico
Género chico is a Spanish genre of short light musical plays. It is a subgenre of zarzuela, the Spanish operetta...
was his pupil Federico Chueca
Federico Chueca
Federico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
, whose La gran vía (composed with Joaquín Valverde Durán
Joaquín Valverde Durán
Joaquín Valverde Durán was a Spanish composer, conductor and flautist. As a composer he is known for his collaborations with other composers on zarzuelas...
) was a cult success both in Spain and throughout Europe.
The musical heir of Chueca was José Serrano
José Serrano (composer)
José Serrano Simeón was a Spanish composer of zarzuelas. He was born in Sueca, Valencia, Spain.His most famous works include La dolorosa and La canción del olvido . Serrano’s works tend to be simple popular theater but filled with dramatic emotion...
, whose short, one act género chico
Género chico
Género chico is a Spanish genre of short light musical plays. It is a subgenre of zarzuela, the Spanish operetta...
zarzuelas - notably La canción del olvido, Alma de dios and the much later Los claveles and La dolorosa - form a stylistic bridge to the more musically sophisticated zarzuelas of the 20th Century.
Twentieth century
From about 1900, the term género ínfimo ("degraded" or "low genre") was coined to describe an emerging form of entertainment allied to the revista ("revue"): these were musical works similar to the género chico zarzuela but lighter and bolder in their social criticism , with scenes portraying sexual themes and many verbal double entendres. One popular work from the género ínfimo years is La corte de Faraón (1910), by Vicente Lleó, which was based on the French operetta Madame Putiphar.In the second decade of the century, the influences of operetta
Operetta
Operetta is a genre of light opera, light in terms both of music and subject matter. It is also closely related, in English-language works, to forms of musical theatre.-Origins:...
and the English followers of Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
such as Lionel Monckton
Lionel Monckton
Lionel John Alexander Monckton was an English writer and composer of musical theatre. He was Britain's most popular musical theatre composer of the early years of the 20th century.-Early life:...
made themselves felt, in works such as Molinos de viento and El asombro de Damasco (both by Pablo Luna
Pablo Luna
Pablo Luna Gamio is a Mexican coach in the Liga de Ascenso. He is the current manager of Alacranes de Durango....
), before the Spanish tradition was reassered in Vives's Doña Francisquita (1923). The zarzuela continued to flourish in the 1930's, thanks to composers of the stature of Pablo Sorozábal
Pablo Sorozábal
Pablo Sorozábal Mariezcurrena was a Basque-Spanish composer.Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum...
– who reinvigorated it as a vehicle for socio-political comment – Federico Moreno Torroba
Federico Moreno Torroba
Federico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...
, and Francisco Alonso.
However, the Spanish Civil War
Spanish Civil War
The Spanish Civil WarAlso known as The Crusade among Nationalists, the Fourth Carlist War among Carlists, and The Rebellion or Uprising among Republicans. was a major conflict fought in Spain from 17 July 1936 to 1 April 1939...
brought a decline of the genre, and after the war, its extinction as a live genre was almost total. There were no new authors and the compositions are not renovated. There have been no significant new works created since the 1950s; the existing zarzuela repertoire is costly to produce, and many classics have been performed only sporadically in recent years, at least professionally.
Interest has been renewed in zarzuela since the late 1970s and the death of Francisco Franco
Francisco Franco
Francisco Franco y Bahamonde was a Spanish general, dictator and head of state of Spain from October 1936 , and de facto regent of the nominally restored Kingdom of Spain from 1947 until his death in November, 1975...
. The genre has again found favour in Spain and elsewhere: younger people, in particular, have been drawn to its lyrical music and theatrical spectacle. Spanish radio and television have dedicated time to zarzuela, not least in a popular series of programs produed by TVE and entitled Antología de la zarzuela ("Zarzuela Anthology"). These were based on lip sync
Lip sync
Lip sync, lip-sync, lip-synch is a technical term for matching lip movements with sung or spoken vocals...
s of the classic recordings of the 1950s. Some years earlier, impresario
Impresario
An impresario is a person who organizes and often finances concerts, plays or operas; analogous to a film producer in filmmaking, television production and an angel investor in business...
Jose Tamayo created a theatrical show of the same name which popularized zarzuela through several national and international tours.
Zarzuela in Catalonia
While the zarzuela tradition flourished in Madrid and other Spanish cities, CataloniaCatalonia
Catalonia is an autonomous community in northeastern Spain, with the official status of a "nationality" of Spain. Catalonia comprises four provinces: Barcelona, Girona, Lleida, and Tarragona. Its capital and largest city is Barcelona. Catalonia covers an area of 32,114 km² and has an...
developed its own zarzuela, with librettos in Catalan
Catalan language
Catalan is a Romance language, the national and only official language of Andorra and a co-official language in the Spanish autonomous communities of Catalonia, the Balearic Islands and Valencian Community, where it is known as Valencian , as well as in the city of Alghero, on the Italian island...
. The atmosphere, the plots, and the music were quite different from the model that triumphed in Madrid; the Catalan zarzuela was looking to attract a different public, the bourgeois classes. Catalan zarzuela was turned little by little into what is called, in Catalan, teatre líric català ("Catalan lyric theater"), with a personality of its own, and with modernista
Modernisme
Modernisme was a cultural movement associated with the search for Catalan national identity. It is often understood as an equivalent to a number of fin-de-siècle art movements, such as Art Nouveau, Jugendstil, Secessionism, and Liberty style, and was active from roughly 1888 to 1911 Modernisme ...
lyricists and composers.
In the final years of the 19th century, as modernisme
Modernisme
Modernisme was a cultural movement associated with the search for Catalan national identity. It is often understood as an equivalent to a number of fin-de-siècle art movements, such as Art Nouveau, Jugendstil, Secessionism, and Liberty style, and was active from roughly 1888 to 1911 Modernisme ...
emerged, one of the notable modernistas, and one of Felipe Pedrell
Felipe Pedrell
Felip Pedrell , was a Spanish Catalan composer. He worked as a musicologist and early music specialist and edited Victoria’s opera omnia and the requiem of Joan Brudieu. This and other of his writings fostered a keen interest in the early music of Spain...
's pupils, Amadeo Vives
Amadeo Vives
Amadeu Vives i Roig was a Catalan Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable...
came onto the Barcelona scene. He contributed to the creation of the Orfeó Català in 1891, along with Lluís Millet. In spite of a success sustained over many years, his musical ambition took him to Madrid, where zarzuela had a higher profile. Vives became one of the most important zarzuela composers, with such masterpieces as Doňa Francisquita, La villana (both based on plays by Lope de Vega
Lope de Vega
Félix Arturo Lope de Vega y Carpio was a Spanish playwright and poet. He was one of the key figures in the Spanish Golden Century Baroque literature...
) and the through-written opera in zarzuela style Maruxa.
Zarzuela in Cuba and the Philippines
In Cuba the afrocubanismoAfrocubanismo
Afrocubanismo: the movement in black-themed Cuban culture with origins in the 1920s, as in works by the cultural anthropologist Fernando Ortiz. The movement marks the time, between the two world wars, when white intellectuals in Cuba acknowledged openly the significance of African culture in Cuba....
zarzuelas of Ernesto Lecuona
Ernesto Lecuona
Ernesto Lecuona y Casado was a Cuban composer and pianist of Canarian father and Cuban mother, and worldwide fame. He composed over six hundred pieces, mostly in the Cuban vein, and was a pianist of exceptional quality....
(María la O; El cafetal), Eliseo Grenet
Eliseo Grenet
Eliseo Grenet Sánchez was a Cuban pianist and a leading composer/arranger of the day. He composed music for stage shows and films, and some famous Cuban dance music. Eliseo was one of three musical brothers, all composers, the others being Emilio and Ernesto...
(La virgen morena) and Gonzalo Roig
Gonzalo Roig
Gonzalo Roig was a Cuban musician, composer, musical director and founder of several orchestras. He was a pioneer of the symphonic movement in Cuba....
(Cecilia Valdés
Cecilia Valdés
Cecilia Valdés is both a novel by the Cuban Cirilo Villaverde , and a zarzuela based on the novel. It is a work of importance for its quality, and its revelation of the interaction of classes and races in Cuba.- The novel :...
, based on Cirilo Villaverde
Cirilo Villaverde
Cirilo Villaverde was a Cuban poet, novelist, journalist and freedom fighter....
's classic novel) represent a brief golden age of political and cultural importance. These and other works centred on the plight of the mulata woman and other black underclasses in Cuban society. The outstanding star of many of these productions was Rita Montaner
Rita Montaner
Rita Montaner, born Rita Aurelia Fulcida Montaner y Facenda , was a Cuban singer, pianist, actress and star of stage, film, radio and television. In Cuban parlance, she was a vedette , and she was well known in Mexico City, Paris, Miami and New York, where she performed, filmed and recorded on...
. Mexico and the Philippines
Philippines
The Philippines , officially known as the Republic of the Philippines , is a country in Southeast Asia in the western Pacific Ocean. To its north across the Luzon Strait lies Taiwan. West across the South China Sea sits Vietnam...
likewise had their own zarzuela traditions. In the Philippines, the zarzuela (or sarsuwela) was supported financially by Imelda Marcos
Imelda Marcos
Imelda R. Marcos is a Filipino politician and widow of 10th Philippine President Ferdinand Marcos. Upon the ascension of her husband to political power, she held various positions to the government until 1986...
. In addition, Zarzuela Ilocana has been staged in the Ilocano
Ilokano language
Ilokano or Ilocano is the third most-spoken language of the Republic of the Philippines....
dialect.
Recorded zarzuela
From 1950 onwards, zarzuela prospered in a series of LP recordings from EMI, Hispavox and others, with worldwide distribution. A series produced by the Alhambra company of Madrid, the majority conducted by the leading Spanish conductor Ataulfo ArgentaAtaúlfo Argenta
Ataúlfo Exuperio Martín de Argenta Maza , was a Spanish conductor and pianist.-Biography:Argenta was born in Castro Urdiales, Cantabria, one of the two children, and the only son, of the local station master and a worker with the railways, Juan Martín de Argenta, and Laura Maza...
had particular success. Many featured singers soon to become world famous, such as Teresa Berganza
Teresa Berganza
Teresa Berganza, born on March 16, 1935), is a Spanish mezzo-soprano. She is most closely associated with the roles of Rossini, Mozart, and Bizet. She is admired for her technical virtuosity, musical intelligence and beguiling stage presence.- Biography :...
, Alfredo Kraus
Alfredo Kraus
Alfredo Kraus Trujillo was a distinguished Spanish tenor of partly Austrian descent, particularly known for the artistry he brought to opera's bel canto roles...
and Pilar Lorengar
Pilar Lorengar
Lorenza Pilar García Seta was a Spanish soprano who used the professional name Pilar Lorengar. She was best known for her interpretations of opera and the Spanish genre Zarzuela, and as a soprano she was known for her full register, a youthful timbre as well as a distinctive vibrato.Pilar was...
; and later, Montserrat Caballé
Montserrat Caballé
Montserrat Caballé is a Spanish operatic soprano. Although she sang a wide variety of roles, she is best known as an exponent of the bel canto repertoire, notably the works of Rossini, Bellini, Donizetti and Verdi....
and Plácido Domingo
Plácido Domingo
Plácido Domingo KBE , born José Plácido Domingo Embil, is a Spanish tenor and conductor known for his versatile and strong voice, possessing a ringing and dramatic tone throughout its range...
. Less known performers such as Ana María Iriarte, Inés Ribadeneira, Toñy Rosado, Carlos Munguía, Renato Cesari, and others frequently lent their voices to the recordings. The choirs of Orfeón Donostiarra and Singers' Choir of Madrid also contributed, rounding out the overall quality of the works. After Argenta's death others such as Indalecio Cisneros and Rafael Frühbeck de Burgos
Rafael Frühbeck de Burgos
Rafael Frühbeck de Burgos is a Spanish conductor and composer.Frühbeck studied violin, piano, and composition at the conservatories of Bilbao and Madrid...
continued in his footsteps. There were also recordings made conducted by the composers themselves, such as Pablo Sorozábal
Pablo Sorozábal
Pablo Sorozábal Mariezcurrena was a Basque-Spanish composer.Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum...
and Federico Moreno Torroba
Federico Moreno Torroba
Federico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...
.
Many zarzuela productions are now to be seen on DVD
DVD
A DVD is an optical disc storage media format, invented and developed by Philips, Sony, Toshiba, and Panasonic in 1995. DVDs offer higher storage capacity than Compact Discs while having the same dimensions....
and Blu-ray disc. In March 2009, EuroArts released Amor, Vida de Mi Vida, a recording on Blu-ray disc of an August 2007 zarzuela concert by Plácido Domingo and Ana María Martínez
Ana María Martínez
Ana María Martínez is a Grammy award–winning operatic soprano from Puerto Rico. "The most beautiful voice of Latin America", [Martínez] "requires ranking among the top lyric sopranos of the day...[with] immaculate musicality underpinning every utterance." -Early life:Ana María Martínez was born...
, with the Mozarteum Orchestra of Salzburg
Mozarteum Orchestra of Salzburg
The Salzburg Mozarteum Orchestra is the symphony orchestra of the town and state of Salzburg, Austria. It was founded in 1841 and acquired its current name in 1908. It is a major participant at the Salzburg Festival....
conducted by Jesús López-Cobos
Jesús López-Cobos
Jesús López-Cobos is a Spanish conductor.López-Cobos was born in Toro, Zamora, Castile-León, Spain. He studied at Complutense University of Madrid and graduated with a degree in philosophy...
. In April 2009, BBC/Opus Arte released a Blu-ray disc of a July 2006 performance of Federico Moreno Torroba
Federico Moreno Torroba
Federico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...
's Luisa Fernanda with Plácido Domingo and Nancy Herrera
Nancy Fabiola Herrera
Nancy Fabiola Herrera is a mezzo-soprano opera singer. Born in Venezuela to Canarian parents, Herrera is the recipient of the "Best Zarzuela Singer of 2007" award presented by the Fundación Premios Liricos Teatro Campoamor, for her performance in Ruperto Chapí's La Bruja.In the summer of 2006,...
, recorded at the Teatro Real de Madrid
Teatro Real
The Teatro Real or simply El Real , is a major opera house located in Madrid, Spain.-History:...
with Jesús López-Cobos conducting.
Spanish zarzuelas (including zarzuela-style operas)
- Adiós a la bohemia (1933) Pablo SorozábalPablo SorozábalPablo Sorozábal Mariezcurrena was a Basque-Spanish composer.Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum...
- Agua, azucarillos y aguardiente Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- La alegría de la huerta Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- El año pasado por agua Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- El asombro de Damasco Pablo SorozábalPablo SorozábalPablo Sorozábal Mariezcurrena was a Basque-Spanish composer.Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum...
- Alma de Dios
- El barberillo de Lavapiés Francisco Asenjo BarbieriFrancisco Asenjo BarbieriFrancisco Asenjo Barbieri was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Don Quijote, Los diamantes de la corona, and El Diablo en el poder.He was born and died in Madrid, appropriately, since the...
- El bateo Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- Black, el payaso
- Bohemios (1904) VivesAmadeo VivesAmadeu Vives i Roig was a Catalan Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable...
. - Gigantes y cabezudosGigantes y cabezudosMany Spanish festivals include costumed figures known as gigantes y cabezudos, roughly, “Giants and Big-Heads”, or, in Catalan, gegants i capgrossos...
Manuel Fernandez Caballero - La bruja
- La calesera Francisco Alonso
- La canción del olvido
- El caserío Jesús GuridiJesús GuridiJesús Guridi Bidaola was a Spanish Basque composer, and is a key player in the Spanish and Basque music of the twentieth century. His style fits into what we might call the late romantic stamp, directly inherited from Wagner, and with a strong influence from the Basque culture...
- El chaleco blanco "The white waistcoat" (1890) Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- La chulapona Federico Moreno TorrobaFederico Moreno TorrobaFederico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...
- Los claveles José SerranoJosé SerranoJosé Enrique Serrano is the U.S. Representative for , serving since 1990. He is a member of the Democratic Party....
- La corte de Faraón Vicente Lleó
- La Dogaresa Rafael Millán
- La dolorosa José SerranoJosé SerranoJosé Enrique Serrano is the U.S. Representative for , serving since 1990. He is a member of the Democratic Party....
- Don Gil de Alcalá
- Don Manolito
- Doña FrancisquitaDoña FrancisquitaDoña Francisquita is a zarzuela in three acts composed by Amadeo Vives to a Spanish libretto by Federico Romero and Guillermo Fernández Shaw and based on Lope de Vega's play La discreta enamorada...
(1923) VivesAmadeo VivesAmadeu Vives i Roig was a Catalan Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable...
. - La fiesta de San Antón
- La fontana del placer José CastelJosé CastelJosé Castel was a Spanish composer.José Castel was a church musician in his native Tudela and Aragon before moving to Madrid around 1760. There, in addition to his church duties, he was active as a theatrical composer, for the Teatro del Príncipe, as well as a printer and publisher...
- Los gavilanes "The sparrowhawks" Jacinto GuerreroJacinto GuerreroJacinto Guerrero , was a prolific composer of zarzuelas and revues, as well as some orchestral compositions...
- La generala
- Las golondrinas
- La Gran Vía Federico ChuecaFederico ChuecaFederico Chueca was a Spanish composer of zarzuelas and author of La gran vía along with Joaquín Valverde Durán in 1886. Chueca was one of the most prominent figures of the género chico....
- El huésped del Sevillano Jacinto GuerreroJacinto GuerreroJacinto Guerrero , was a prolific composer of zarzuelas and revues, as well as some orchestral compositions...
- Jugar con fuego
- El juramento
- Katiuska
- Las Leandras
- Luisa Fernanda TorrobaFederico Moreno TorrobaFederico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...
- La del manojo de rosas
- MarinaMarinaA marina is a dock or basin with moorings and supplies for yachts and small boats.A marina differs from a port in that a marina does not handle large passenger ships or cargo from freighters....
Emilio ArrietaEmilio ArrietaPascual Juan Emilio Arrieta Corera was a Spanish composer.Arrieta was born in Puente la Reina, Navarre, and died in Madrid... - Maruxa Amadeo VivesAmadeo VivesAmadeu Vives i Roig was a Catalan Spanish musical composer, creator of over a hundred stage works. He is best known for Doña Francisquita, which Christopher Webber has praised for its "easy lyricism, fluent orchestration and colourful evocation of 19th Century Madrid—not to mention its memorable...
- La leyenda del beso
- Me llaman la Presumida
- Molinos de viento Pablo LunaPablo LunaPablo Luna Gamio is a Mexican coach in the Liga de Ascenso. He is the current manager of Alacranes de Durango....
- La montería
- El dúo de La africana, Manuel Fernández Caballero
- El niño judío Pablo LunaPablo LunaPablo Luna Gamio is a Mexican coach in the Liga de Ascenso. He is the current manager of Alacranes de Durango....
- Pan y toros (1864), Francisco Asenjo BarbieriFrancisco Asenjo BarbieriFrancisco Asenjo Barbieri was a well-known composer of the popular Spanish opera form, zarzuela. His works include: El barberillo de Lavapiés, Jugar con fuego, Pan y toros, Don Quijote, Los diamantes de la corona, and El Diablo en el poder.He was born and died in Madrid, appropriately, since the...
- La parranda
- La patria chica
- La pícara molinera Pablo LunaPablo LunaPablo Luna Gamio is a Mexican coach in the Liga de Ascenso. He is the current manager of Alacranes de Durango....
- La revoltosa Ruperto ChapíRuperto ChapíRuperto Chapí y Lorente was a Spanish composer, and co-founder of the Sociedad General de Autores y Editores.Chapí was born at Villena, the son of a Valencian barber. He trained in his home town and Madrid...
- El rey que rabió
- La rosa del azafrán
- El santo de la Isidra
- El señor Joaquín
- Los sobrinos del capitán Grant
- La del Soto del Parral Reveriano Soutullo, and Juan Vert
- La tabernera del puerto Pablo SorozábalPablo SorozábalPablo Sorozábal Mariezcurrena was a Basque-Spanish composer.Trained in San Sebastián, Madrid and Leipzig; then in Berlin, where he preferred Friedrich Koch as composition teacher to Arnold Schönberg, whose theories he disliked. It was in Germany that he made his conducting debut, and the rostrum...
- La tempestad
- La tempranica Jerónimo Giménez
- La verbena de la Paloma Tomas BretonTomás BretónTomás Bretón was a Spanish musician and composer.-Biography:Tomás Bretón was born in Salamanca.He gained renown as a result of the success of his zarzuela La verbena de la Paloma, although other were well-received works, included his operas Los amantes de Teruel, based on the eponymous legend,...
- La viejecita
- La villana Federico Moreno TorrobaFederico Moreno TorrobaFederico Moreno Torroba was a Spanish composer, born in Madrid.-Biography:Moreno Torroba is often associated with the zarzuela, a traditional Spanish musical form. Directing several opera companies, Moreno Torroba helped introduce the zarzuela to international audiences...