List of compositions by Giovanni Pierluigi da Palestrina
Encyclopedia
This is a list of compositions by Giovanni Pierluigi da Palestrina
, sorted by genre. The volume (given in parentheses for motets
) refers to which volume of the Breitkopf & Härtel
complete edition
in which the work can be found. Six of the volumes of masses
and some of his motets and other works were published
in these editions during Palestrina's lifetime. Others were collected later, from papal choirbooks
and other sources. The dates of most pieces are unknown, unless it is known to have been composed in connection with some celebration. Of those works published during Palestrina's lifetime, many were composed considerably before they were published, and of the others a large quantity remained unpublished until the 19th century.
The 32 volumes of Palestrina's collected works were published by Breitkopf & Härtel between 1862 and 1907. The volumes of the masses maintain the works in the previously published volumes of masses (with the Collected Works Vol. 10 corresponding to the first book of Masses, etc.). Some of the pieces in the last three volumes, 30-32, are considered spurious or doubtful.
.
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...
, sorted by genre. The volume (given in parentheses for motets
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
) refers to which volume of the Breitkopf & Härtel
Breitkopf & Härtel
Breitkopf & Härtel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf . The catalogue currently contains over 1000 composers, 8000 works and 15,000 music editions or books on music. The name "Härtel" was added when Gottfried...
complete edition
Edition
In printmaking, an edition is a number of prints struck from one plate, usually at the same time. This is the meaning covered by this article...
in which the work can be found. Six of the volumes of masses
Mass (liturgy)
"Mass" is one of the names by which the sacrament of the Eucharist is called in the Roman Catholic Church: others are "Eucharist", the "Lord's Supper", the "Breaking of Bread", the "Eucharistic assembly ", the "memorial of the Lord's Passion and Resurrection", the "Holy Sacrifice", the "Holy and...
and some of his motets and other works were published
Publishing
Publishing is the process of production and dissemination of literature or information—the activity of making information available to the general public...
in these editions during Palestrina's lifetime. Others were collected later, from papal choirbooks
Choirbook
A Choirbook is a large format manuscript used by choirs in churches or cathedrals during the Middle Ages and Renaissance. The book is large enough for the entire choir to read from one book. Often for polyphonic works all the musical parts or voices of a piece of music are presented on a single...
and other sources. The dates of most pieces are unknown, unless it is known to have been composed in connection with some celebration. Of those works published during Palestrina's lifetime, many were composed considerably before they were published, and of the others a large quantity remained unpublished until the 19th century.
The 32 volumes of Palestrina's collected works were published by Breitkopf & Härtel between 1862 and 1907. The volumes of the masses maintain the works in the previously published volumes of masses (with the Collected Works Vol. 10 corresponding to the first book of Masses, etc.). Some of the pieces in the last three volumes, 30-32, are considered spurious or doubtful.
Masses
Title | Voices | Volume | Mode | Type | Source of theme | Year |
---|---|---|---|---|---|---|
Missa Ad coenam Agni | 5 | 10 | Easter hymn | |||
Missa ad fugam | 4 | 11 | ||||
Missa Aeterna Christi munera | 4 | 14 | Transposed ionian | Cantus firmus | Hymn from matins on Apostle's and Evangelists' days | 1590 |
Missa Alma Redemptoris | 6 | 20 | Transposed ionian | Advent antiphon | ||
Missa Ascendo ad Patrem | 5 | 21 | ||||
Missa Aspice Domine | 5 | 11 | Dorian | Third responsorium on first Sunday in November | ||
Missa Assumpta est Maria | 6 | 23 | Mixolydian | |||
Missa Ave Maria | 4 | 16 | Transposed dorian | Ave Maria, second antiphon usual of the Annunciation | ||
Missa Ave Maria | 6 | 15 | Transposed ionian | Cantus firmus | same | |
Missa Ave Regina coelorum | 4 | 18 | Hypoionian | Ave Regina caelorum, Marian antiphon | ||
Missa Beatus Laurentius | 5 | 23 | Transposed hypomixolydian | Palestrina's motet | ||
Missa brevis | 4 | 12 | Transposed ionian | Claude Goudimel Claude Goudimel Claude Goudimel was a French composer, music editor and publisher, and music theorist of the Renaissance.-Biography:... 's Missa Audi filia |
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Missa Confitebor tibi Domine | 8 | 22 | Transposed dorian | 8-part motet | ||
Missa de beata Virgine | 4 | 11 | various | plainsong | ||
Missa de beata Virgine (vel dominicalis) | 6 | 12 | various | Plainsong, including tropes | ||
Missa de feria | 4 | 12 | Phrygian | Plainsong | ||
Missa Descendit angelus Domini | 4 | 20 | Transposed ionian | Motet by Hilaire Penet | ||
Missa Dies sanctificatus | 4 | 15 | Mixolydian | Palestrina's four-part motet | ||
Missa Dilexi quomiam | 5 | 15 | Mixolydian | |||
Missa Dum complerentur | 6 | 17 | Transposed ionian | Motet of same name | ||
Missa Dum esset summus pontifex | 4 | 17 | Dorian | Antiphon to Magnifcat for 2nd Vesper | ||
Missa Ecce ego Joannes | 6 | 24 | ||||
Missa Ecce sacerdos magnus | 4 | 10 | Mixolydian | Cantus firmus | Choral antiphon in Missa de Confessore Pontifice | |
Missa Emendemus | 4 | 16 | Hypodorian | Similar to Missa Sine nomine in Volume 15; or motet by Spaniard Gabriel Calvez, now lost | ||
Missa Fratres ego enim accepi | 8 | 22 | Transposed dorian | 8-part motet | ||
Missa Gabriel archangelus | 4 | 10 | Transposed dorian | Parody | Motet by Philippe Verdelot Philippe Verdelot Philippe Verdelot was a French composer of the Renaissance, who spent most of his life in Italy. He is commonly considered to be the father of the Italian madrigal, and certainly was one of its earliest and most prolific composers; in addition he was prominent in the musical life of Florence... |
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Missa Già fu chi m'ebbe cara | 4 | 19 | Madrigal | |||
Missa Hodie Christus natus est | 8 | 22 | Mixolydian | Christmas motet | ||
Missa Illumina oculos meos | 6 | 19 | ||||
Missa In illo tempore | 4 | 19 | Dorian | Motet | ||
Missa In majoribus duplicibus | 4 | 23 | various | plainsong | ||
Missa In minoribus duplicibus | 4 | 23 | various | plainsong | ||
Missa In te Domine speravi | 4 | 15 | Dorian | Offertory for first Tuesday in Lent | ||
Missa In te Domine speravi | 6 | 18 | Ionian | Gregorian melody of Ambrosian hymn | ||
Missa Inviolata | 4 | 11 | Transposed hypolydian | Official melody from Advent | ||
Missa Iste confessor | 4 | 14 | Hypodorian | Cantus firmus | Latin hymn | |
Missa Jam Christus astra ascenderat | 4 | 14 | Transposed dorian | Cantus firmus | Ascentiontide hymn | |
Missa L'homme armé | 5 | 12 | Hypomyxolydian | Cantus firmus | L'homme armé L'homme armé L'homme armé was a French secular song from the time of the Renaissance. It was the most popular tune used for musical settings of the Ordinary of the Mass: over 40 separate compositions entitled Missa L'homme armé survive from the period.... (secular song) |
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Missa Laudate Dominum omnes gentes | 8 | 22 | Transposed dorian | Palestrina's motet | ||
Missa Memor esto | 5 | 17 | Motet with similar title | |||
Missa Nasce la gioia mia | 6 | 14 | Transposed dorian | Madrigal by Gio. Leonardo Primavera dell' Arpa | ||
Missa Nigra sum | 5 | 14 | Transposed hypoaeolian | Parody | Palestrina's motet from the series on the Song of Solomon | |
Missa O admirabile commercium | 5 | 17 | Mixolydian | Palestrina's motet, from first vesper antiphon for Christmas octave | ||
Missa O Regem Coeli | 4 | 10 | Parody | responsorium from Christmas octave, and motet by Andreas Silva | ||
Missa O Rex gloriae | 4 | 21 | Transposed hypodorian | Palestrina's motet | ||
Missa O sacrum convivium | 5 | 23 | Ionian | Palestrina's motet | ||
Missa O Virgo simul et Mater | 5 | 19 | Motet | |||
Missa octavi toni | 6 | 20 | Hypomixolydian | Cantus firmus | ||
Missa Panem nostrum | 5 | 24 | Hypodorian | Palestrina's motet, based on plainchant | ||
Missa Panis quem ego dabo | 4 | 14 | Hypodorian | Motet by Johannes Lupus and another by Jachet | ||
Missa Papae Marcelli Missa Papae Marcelli Missa Papae Marcelli, or Pope Marcellus Mass, is a mass by Giovanni Pierluigi da Palestrina. It is his most well-known and most often-performed mass, and is frequently taught in university courses on music... |
6 | 11 | Hypoionian (mixolydian) | Plainsong | 1562 | |
Missa Pater noster | 4 | 24 | Hypodorian | Palestrina's motet, based on plainchant | ||
Missa Petra sancta | 5 | 19 | Aeolian | Unknown | ||
Missa prima (Eripe me de inimicis) | 5 | 13 | Dorian | Cantus firmus | Verses for 9th Sunday after Pentecost | |
Missa prima (Lauda Sion) | 4 | 13 | Hypomixolydian | Lauda Sion Lauda Sion Lauda Sion Salvatorem is a sequence prescribed for the Roman Catholic Mass of Corpus Christi. It was written by St. Thomas Aquinas around 1264, at the request of Pope Urban IV for the new Mass of this Feast, along with Pange lingua, Sacris solemniis, and Verbum supernum, which are used in the... , Sequence for Corpus Christi |
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Missa primi toni (Io mi son giovinetta) | 4 | 12 | Transposed dorian | Parody | Madrigal by Domenico Ferrabosco | |
Missa Pro defunctis | 5 | 10 | various | |||
Missa Qual è il più grand' amor? | 5 | 21 | Transposed hypoionian | Madrigal by Cypriano de Rore? | ||
Missa Quam pulchra es | 4 | 15 | Ionian | Theme by J. Lupus | ||
Missa Quando lieta sperai | 5 | 20 | Aeolian | Madrigal by Cypriano de Rore | ||
Missa quarta | 4 | 13 | Dorian | Cantus firmus | L'homme armé L'homme armé L'homme armé was a French secular song from the time of the Renaissance. It was the most popular tune used for musical settings of the Ordinary of the Mass: over 40 separate compositions entitled Missa L'homme armé survive from the period.... , secular song |
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Missa Quem dicunt homines | 4 | 17 | Hypomixolydian | Motet by Jean Richafort | ||
Missa quinti toni | 6 | 19 | Lydian (Ionian) | |||
Missa Regina coeli | 5 | 20 | Transposed ionian | Easter antiphon | ||
Missa Regina coeli | 4 | 21 | Transposed hypoionian | same | ||
Missa Repleatur os meum | 5 | 12 | Phrygian | responsorium for Thursday in second week of Epiphany and motet by Jachet | ||
Missa Sacerdos et Pontifex | 5 | 16 | Hypodorian | Magnificat Commune Conf. Pont. Mode II | ||
Missa Sacerdotes Domini | 6 | 17 | Hypomixolydian | Triple canon | ||
Missa Salve Regina | 5 | 24 | Leading motive (not cantus firmus) | Salve Regina Salve Regina The "Salve Regina", also known as the Hail Holy Queen, is a Marian hymn and one of four Marian antiphons sung at different seasons within the Christian liturgical calendar of the Roman Catholic Church. The Salve Regina is traditionally sung at Compline in the time from the Saturday before Trinity... , Marian antiphon |
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Missa Salvum me fac | 5 | 11 | Transposed dorian | Fifth responsorium for Matins on Palm Sunday and motet by Jachet | ||
Missa Sanctorum meritis | 4 | 16 | Phrygian | Hymn | ||
Missa secunda | 5 | 13 | Transposed dorian | Unknown | ||
Missa secunda (primi toni) | 4 | 13 | Transposed dorian | Unknown | ||
Missa Sicut lilium inter spinas | 5 | 14 | Transposed aeolian | Parody | Palestrina's motet | |
Missa sine nomine | 4 | 11 | Hypophrygian | Unknown | ||
Missa sine nomine | 4 | 15 | Mass by Jean Maillard Jean Maillard Jean Maillard was a French composer of the Renaissance.While little is known with certainty about his life, he may have been associated with the French royal court, since he wrote at least one motet for them. Most likely he lived and worked in Paris, based on evidence of his print editions, which... on his own theme "Je suis deshéritée" |
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Missa sine nomine | 5 | 18 | Dorian | Canon | ||
Missa sine nomine | 6 | 10 | Transposed phrygian | Unknown | ||
Missa sine titulo | 5 | 30 | ||||
Missa sine titulo | 6 | 24 | Hypomixolydian | Mass by Orlando di Lasso or motet "Benedictua" of Josquin des Prez Josquin Des Prez Josquin des Prez [Josquin Lebloitte dit Desprez] , often referred to simply as Josquin, was a Franco-Flemish composer of the Renaissance... |
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Missa sine titulo | 6 | 32 | ||||
Missa Spem in alium | 4 | 12 | Aeolian | First nocturn for 5th Sunday in September, and a model by Jachet | ||
Missa Te Deum laudamus | 6 | 18 | Phrygian | Plainsong | ||
Missa tertia (Jesu, nostra redemptio) | 4 | 13 | Hypophrygian | Hymn for Pentecost | ||
Missa tertia (O magnum mysterium) | 5 | 13 | Hypophrygian | Palestrina's motet of O Magnum Mysterium O Magnum Mysterium O Magnum Mysterium is a responsorial chant from the Matins of Christmas. A number of composers have reworked the chant into a contemporary setting; the settings by Byrd, Victoria, Gabrieli, Palestrina, Poulenc, Judith Bingham, Harbison, La Rocca, Mäntyjärvi, Pierre Villette, Morales, Lauridsen and... |
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Missa Tu es pastor ovium | 5 | 16 | Dorian | Motet, from plainsong of Magnificat from Festival of St. Peter | 1585 | |
Missa Tu es Petrus | 6 | 21 | Mixolydian | 5th antiphon at Vespers on the Feast of S. Peter and Paul | ||
Missa Tu es Petrus | 6 | 24 | Mixolydian | Second half of motet of the same name | ||
Missa Ut, Re, Mi, Fa, Sol, La (Hexachord Mass) | 6 | 12 | Ionian | Cantus firmus | Guidonean hexachord Hexachord In music, a hexachord is a collection of six pitch classes including six-note segments of a scale or tone row. The term was adopted in the Middle Ages and adapted in the twentieth-century in Milton Babbitt's serial theory.-Middle Ages:... |
1561-62 |
Missa Creator Spiritus | 6 | 23 | Mixolydian | Cyclic | Veni Creator Spiritus Veni Creator Spiritus Veni Creator Spiritus is a hymn believed to have been written by Rabanus Maurus in the 9th century. It is normally sung in Gregorian Chant and often associated with the Roman Catholic Church, where it is performed during the liturgical celebration of the feast of Pentecost... , Pentecostal hymn |
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Missa Veni sponsa Christi | 4 | 18 | Palestrina's motet, based on plainchant | |||
Missa Vestiva i colli | 5 | 18 | Dorian | Madrigal, possibly also Easter sequence Victimae Paschali Laudes Victimae Paschali Laudes Victimae paschali laudes is a sequence prescribed for the Roman Catholic Mass and liturgical Protestant Eucharists of Easter Sunday. It is usually attributed to the 11th century Wipo of Burgundy, chaplain to the German Emperor Conrad II, but has also been attributed to Notker Balbulus, Robert II of... |
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Missa Viri Galilaei | 6 | 21 | Transposed dorian | Palestrina's motet | ||
Missa Virtute magna | 4 | 10 | Mixolydian | Parody | responsorium from Easter week and a motet by Andrea de Salva |
Four voices
- Ad Dominum cum tribularer. Sagittae potentis (5)
- Adoramus te, Christe (5)
- Ad te levavi oculos meos. Miserere nostri Domine (5)
- Alma Redemptoris Mater. Tu quae genuisti natura mirante (5)
- Ascendens Christus in altum (7)
- Ave Maria gratia plena (5)
- Ave Regina coelorum. Gaude gloriosa (5)
- Beatus Laurentius (5)
- Beatus vir qui suffert (5)
- Benedicta sit sancta Trinitas (5)
- Benedictus Dominus Deus (30)
- Confitemini Domino (5)
- Congratulamini mihi omnes (4)
- Deus, qui animae famuli tui Gregorii (7)
- Dies sanctificatus (5)
- Doctor bonus (5)
- Domine quando veneris. Commissa mea (5)
- Domine, secundum actum meum (7)
- Dum aurora finem daret (5)
- Ecce nunc benedicite Dominum (5)
- Ecce nunc benedicite Dominum (7)
- Ego sum panis vivus (5)
- Exaudi Domine (5)
- Fuit homo missus a Deo (5)
- Fundamenta ejus. Numquid Sion dicet (5)
- Gaude Barbara beata (7)
- Gaudent in coelis (5)
- Gloriosi principes (5)
- Haec dies quam fecit (5)
- Heu mihi Domine. Anima mea turbata (5)
- Hic est vere martyr (5)
- Hodie beata virgo Maria (5)
- In diebus illis (5)
- Innocentes pro Christo infantes (7)
- Iste est qui ante Deum (5)
- Isti sunt viri sancti (5)
- Jesus junxit se discipulis (5)
- Lapidabant Stephanum (5)
- Lauda Sion Salvatorem (5)
- Loquebantur variis linguis (5)
- Magnus haereditatis mysterium (5)
- Magnus sanctus Paulus (5)
- Miserere mei Deus (30)
- Missa Herodes spiculatore (5)
- Nativitatis tua (5)
- Ne recorderis peccata mea, Domine (7)
- Nos autem gloriari (5)
- O quam suavis est (30)
- O quantus luctus (5)
- O Rex gloriae (5)
- Princeps gloriosissime Michael Archangele (7)
- Pueri Hebraeorum (5)
- Quae est ista (5)
- Quam pulchri sunt (5)
- Quia vidisti me Thoma (5)
- Salvator mundi salva nos (5)
- Salve Regina. Eia ergo advocata nostra (5)
- Sicut cervus desiderat. Sitivit anima mea (5)
- Sub tuum praesidium (5)
- Super flumina Babylonis (5)
- Surge, propera amica mea (5)
- Surrexit pastor bonus (5)
- Tollite jugum meum (5)
- Tribus miraculis (5)
- Tu es pastor ovium (5)
- Valde honorandus est (5)
- Veni sponsa Christi (5)
Five voices
Those marked with an asterisk form a cycle of 29 settings from the Song of SolomonSong of Solomon
The Song of Songs of Solomon, commonly referred to as Song of Songs or Song of Solomon, is a book of the Hebrew Bible—one of the megillot —found in the last section of the Tanakh, known as the Ketuvim...
.
- Adjuro vos, filiae Hierusalem* (4)
- Aegypte noli flere (4)
- Alleluia! tulerunt Dominum (1)
- Angelus Domini descendit de coelo. Et introeuntes in monumentum (3)
- Apparuit caro suo (4)
- Ardens est cor meum (4)
- Ascendo ad patrem meum. Ego rogabo patrem (2)
- Ave Maria (3)
- Ave Regina coelorum (4)
- Ave Trinitatis sanctuarium (4)
- Beatae Mariae Magdalenae (1)
- Beatus Laurentius orabat (1)
- Canite tuba in Sion. Rorate coeliRorate CoeliRorate Coeli , from the Book of Isaiah in the Vulgate, are the opening words of a text used in Catholic and, less frequently, Protestant liturgy...
(2) - Cantantibus organis. Biduanis ac triduanis (3)
- Caput ejus aurum optimum* (4)
- Caro mea vere est cibus (3)
- Coenantibus illis accepit Jesus (2)
- Congrega, Domine. Afflige opprimentes nos (3)
- Corona aurea. Domine praevenisti eum (2)
- Crucem sanctam subiit (1)
- Cum pervenisset beatus Andreas (1)
- Derelinquat implus viam (2)
- Descendi in hortum meum* (4)
- Deus qui dedisti legem (1)
- Dilectus meus descendit in hortum suum* (4)
- Dilectus meus mihi et ego illi* (4)
- Domine Deus, qui conteris. Tu Domine (3))
- Domine secundum actum meum (4)
- Dominus Jesus in qua nocte (2)
- Duo ubera tua* (4)
- Ecce merces sanctorum (4)
- Ecce tu pulcher es, dilecte mi* (4)
- Ego sum panis vivus. Panis quem ego dabo (1)
- Exi cito in plateas (2)
- Exsultate Deo (4)
- Fasciculus myrrhae* (4)
- Fuit homo missus a Deo. Erat Joannes in deserto (3)
- Gaude Barbara beata. Gaude quia meruisti (2)
- Gaude gloriosa (4)
- Guttur tuum sicut* (4)
- Hic est discipulus ille (1)
- Hodie nata est beata Virgo (1)
- Homo quidam fuit (2)
- Inclytae sanctae virginis Catherinae (3)
- In illo tempore egressus (2)
- Introduxit me rex in cellam* (4)
- Jubilate Deo, omnis terra. Laudate nomen ejus (3)
- Laetus Hyperboream. O patruo pariterque (4)
- Laeva ejus sub capite meo* (4)
- Lapidabant Stephanum (1)
- Manifesto vobis veritatem. Pax vobis, noli timere (3)
- Memor esto verbi tui servo tuo (2)
- Nigra sum, sed formosa* (4)
- O admirabile commercium (1)
- O Antoni eremita (1)
- O beata et gloriosa Trinitas. O vera summa sempiterna Trinitas (1)
- O beatum pontificem (1)
- O beatum virum (1)
- O lux et decus. O singulare praesidium (3)
- Omnipotens sempiterne Deus (3)
- O quam metuendus (3)
- Orietur stella (4)
- O sacrum conviviumO Sacrum ConviviumO Sacrum Convivium is a Latin prose text honoring the Blessed Sacrament. It was written by Saint Thomas Aquinas. It was included in the Latin Catholic liturgy as an antiphon on the feast of Corpus Christi...
(2) - O sancte praesul Nicolae. Gaude praesul optime (3)
- Osculetur me osculo oris sui* (4)
- O Virgo simul et Mater (2)
- Parce mihi Domine. Peccavi, peccavi (4)
- Pater noster (3)
- Paucitas dierum meorum. Manus tuae Domine (4)
- Peccantem me quotidie (2)
- Puer qui natus est (1)
- Pulchra es amica mea* (4)
- Pulchrae sunt genae tuae* (4)
- Quae est ista* (4)
- Quam pulchra es et quam decora* (4)
- Quam pulchri sunt gressus (1)
- Quam pulchri sunt gressus tui* (4)
- Quid habes Hester. Vidi te Domine (3)
- Quodcumque ligaveris (6)
- Rex Melchior (4)
- Salve Regina. Eia ergo advocata (4)
- Sancte Paule apostole (1)
- Sanctificavit Dominus (3)
- Senex puerum portabat. Hodie beata virgo Maria (1)
- Sic Deus dilexit mundum (4)
- Sicut lilium inter spinas (1)
- Sicut lilium inter spinas* (4)
- Si ignoras te, o pulchra inter mulieres* (4)
- Stella quam viderant magi (1)
- Surgam et circuibo civitatem* (4)
- Surge amica mea, speciosa mea* (4)
- Surge Petre (4)
- Surge, propera amica mea* (4)
- Surge sancte Dei. Ambula sancte Dei (4)
- Suscipe verbum virgo Maria. Paries quidem filium (1)
- Tempus est, ut revertar. Nisi ego abiero (4)
- Tota pulchra es, amica mea* (4)
- Tradent enim vos (3)
- Trahe me post te* (4)
- Tribulationes civitatum. Peccavimus (4)
- Tu es pastor ovium (6)
- Unus ex duobus (1)
- Venit Michael Archangelus (1)
- Veni, veni dilecte me* (4)
- Videns secundus (4)
- Vineam meam non custodivi* (4)
- Vox dilecti mei* (4)
- Vulnerasti cor meum* (4)
Six voices
- Accepit Jesus calicem (3)
- Assumpta est Maria (6)
- Beata Barbara. Gloriosam mortem (2)
- Cantabo Domino in vita mea. Deficiant peccatores (2)
- Columna es immobilis (3)
- Cum autem esset Stephanus (6)
- Cum inducerent puerum Jesum (6)
- Cum ortus fuerit (3)
- Deus qui ecclesiam tuam (3)
- Dum complerentur dies pentecostes. Dum ergo essent in unum discipuli (1)
- Eia ergo, advocata nostra (7)
- Haec dies, quam fecit Dominus (3)
- Hic est beatissimus Evangelista (6)
- Hic est discipulus ille (6)
- Hierusalem, cito veniet salus tua. Ego enim sum Dominus (2)
- Judica me, Deus, et discerne (3)
- O bone Jesu (3)
- O Domine Jesu Christe (1)
- O magnum mysterium. Quem vidistis pastores (1)
- Positis autem genibus (6)
- Pulchra es, o Maria virgo (1)
- Quae est ista (6)
- Responsum accepit Simeon (6)
- Rex pacificus (3)
- Salve Regina, mater misericordiae (7)
- Sancta et immaculata Virginitas. Benedicta tu (2)
- Solve jubente Deo. Quodcunque ligaveris (1)
- Susanna ab improbis. Postquam autem (3)
- Tradent enim vos in conciliis (6)
- Tribularer si nescirem. Secundum multitudinem dolorum (2)
- Tu es Petrus. Quodcunque ligaveris (2)
- Veni Domine et noli tardare. Excita Domine (2)
- Vidi turbam magnam. Et omnes angeli stabant (1)
- Viri Galilaei quid statis. Ascendit Deus in jubilatione (1)
Eight voices
- Alma Redemptoris Mater (6)
- Alma Redemptoris Mater (7)
- Apparuit gratia Dei (7)
- Ave Maria, gratia plena (6)
- Ave mundi spes, Maria (6)
- Ave Regina coelorum (3)
- Ave Regina coelorum (7)
- Beata es, virgo Maria (6)
- Caro mea vere est cibus (6)
- Confitebor tibi Domine. Notas facite in populis (2)
- Congratulamini mihi onmes (7)
- Dies sanctificatus illuxit nobis (7)
- Disciplinam et sapientiam docuit (6)
- Domine in virtute tua. Magna est gloria ejus (2)
- Ecce veniet dies illa (7)
- Etenim Pascha nostrum (6)
- Et increpavit eos dicens (6)
- Expurgate vetus fermentum (6)
- Fili, non te fragant labores (7)
- Fratres, ego enim accepi (6)
- Haec dies, quam fecit Dominus (7)
- Haec est dies praeclara (7)
- Hic est panis (6)
- Hodie Christus natus est (3)
- Hodie gloriosa semper virgo Maria (6)
- Jesus junxit se discipulis (6)
- Jubilate Deo (3)
- Lauda Sion Salvatorem (3)
- Lauda Sion Salvatorem (7)
- Laudate Dominum in sanctis (30)
- Laudate Dominum omnes gentes (2)
- Laudate pueri Dominum. Quis sicut Dominus Deus (2)
- Magnus sanctus Paulus (7)
- Nunc dimittis servum tuum (7)
- O admirabile commercium (7)
- O bone Jesu, exaudi me (6)
- O Domine Jesu Christe (6)
- Omnes gentes plaudite (7)
- O pretiosum et admirandum convivium (7)
- O quam suavis est, Domine, spiritus tuus (6)
- Pater noster, qui es in coelis (6)
- Regina coeli, laetare (6)
- Regina mundi, hodie (6)
- Salve Regina, mater misericordiae (6)
- Sancte Paule Apostole (7)
- Spiritus Sanctus replevit (6)
- Stabat Mater dolorosa (6)
- Sub tuum praesidium (6)
- Surge illuminare Hierusalem (3). Et ambulabant gentes in lumine (6)
- Surrexit pastor bonus (6)
- Tria sunt munera pretiosa (7)
- Veni Sancte Spiritus (3)
- Veni Sancte Spiritus (7)
- Victimae Paschali laudes (7)
- Videntes stellam Magi (7)
- Vos amici mei estis (30)
Twelve voices
- Ecce hunc benedicite Dominum (7)
- Laudate Dominum in tympanis (7)
- Laudate nomen ejus (26)
- Nunc dimittis servum tuum (7)
- O quam bonus et suavis (26)
- Stabat Mater dolorosa (7) (attributed by some writers to Felice AnerioFelice AnerioFelice Anerio was an Italian composer of the late Renaissance and early Baroque eras, and a member of the Roman School of composers. He was the older brother of another important, and somewhat more progressive composer of the same period, Giovanni Francesco Anerio.-Life:Anerio was born in Rome and...
)
Hymns for four voices
(All in Volume 8)- Ad coenam Agni providi
- Ad preces nostras
- A solis ortu cardine
- Aurea luce
- Ave maris stella
- Christe qui lux es
- Christe Redemptor omnium (2 settings)
- Conditor alme siderum
- Decus morum dux
- Deus tuorum militum (2 settings)
- Doctor egregie
- En gratulemur hodie
- Exultet coelum laudibus
- Hostis Herodes impie
- Hujus obtentu
- Hymnus canoris
- Iste confessor
- Jesu corona virginum (2 settings)
- Jesu nostra redemptio
- Lauda mater ecclesiae
- Laudibus summis
- Lucis Creator optime
- Magne pater Augustine
- Mensis Augusti
- Nunc jurat celsi
- O lux beata Trinitas
- Pange lingua gloriosi
- Petrus beatus
- Prima lux surgens
- Proles de coelo prodiit
- Quicumque Christum quaeritis
- Quodcumque vinclis
- Rex gloriose martyrumRex gloriose martyrumIn Roman Catholic liturgy, Rex Gloriose Martyrum is the hymn at Lauds in the Common of Martyrs given in the Roman Breviary...
- Salvete flores martyrum
- Sanctorum meritis
- Tibi Christe, splendor patris
- Tristes erant apostoli
- Urbs beata Jerusalem
- Ut queant laxis
- Veni Creator Spiritus
- Vexilla Regis prodeunt (2 settings)
Offertories for five voices
(All in Volume 9)- Ad te, Domine, levavi
- Afferentur regi virgines
- Angelus Domini descendit
- Anima nostra sicut
- Ascendit Deus in jubilatione
- Assumpta est Maria
- Ave Maria, gratia plena
- Benedicam Dominum
- Benedictie gentes
- Benedictus Domine
- Benedictus sit Deus
- Benedixisti Domine
- Bonum est confiteri
- Confessio et pulchritudo
- Confirma hoc Deus
- Confitebor tibi Domine
- Confitebuntur coeli
- Constitues eos principes
- De profundis
- Deus conversus
- Deus enim firmavit
- Deus meus ad te
- Dextera domini fecit
- Diffusa est gratia
- Domine convertere
- Domine Deus, in simplicitate
- Domine in auxilium
- Elegerunt apostoli
- Exaltabo te Domine
- Expectans expectavi
- Illumina oculos meos
- Immittet angelus
- Improperium expectavit
- In omnem terram exivit
- In te speravi
- Inveni David
- Jubilate Deo omnis
- Jubilate Deo universa
- Justitiae Domine rectae (2 settings)
- Justorum animae
- Justus ut palma (2 settings)
- Laetamini in Domino
- Lauda anima mea
- Laudate Dominum quia
- Meditabor in mandatis
- Mihi autem nimis
- Oravi ad Dominum
- Perfice gressus meos
- Populum bumilem
- Posuisti Domine
- Precatus est Moyses
- Recordare mei
- Reges Tharsis et insulae
- Sacerdotes Domini
- Sanctificavit Moyses
- Scapulis suis
- Si ambulavero
- Sicut in holocaustis
- Sperent in te omnes
- Stetit angelus
- Super flumina Babylonis
- Terra tremuit
- Tu es Petrus
- Tui sunt coeli
- Veritas mea
- Vir erat in terra
Lamentations for four voices
(All in Volume 25. There are three other settings: (1) for 4, 5, 6, and 8 voices, (2) for 3, 4, 5, and 6 voices, and (3) for 4, 5, and 6 voices)- Incipit lamentatio Jeremiae Prophetae. Aleph. Quomodo sedet.
- Vau. Et egressus est a filia Sion.
- Jod. Manum suam misit hostis.
- De lamentatione Jeremiae Prophetae. Heth. Cogitavit.
- Lamed. Matribus suis dixerunt.
- Aleph. Ego vir.
- De lamentatione Jeremiae Prophetae. Heth. Misericordiae Domini.
- Aleph. Quomodo obscuratum est aurum.
- Incipit oratio Jeremiae Prophetae.
Litanies
(All in Volume 26)- Litaniae de B. Virgine Maria inest Ave Maria (3 and 4 voices)
- Litaniae de B. Virgine Maria (5 voices)
- Litaniae de B. Virgine Maria (6 voices)
- Litaniae de B. Virgine Maria (8 voices; 2 settings)
- Litaniae deiparae Virginis inest Ave Maria (4 voices)
- Litaniae Domini (8 voices; 3 settings)
- Litaniae Sacrosanctae Eucharistiae (8 voices; 2 settings)
Psalms
(All in Volume 26)- Ad te levavi oculos meos (Ps. 122)
- Beati omnes, qui timent Dominum (Ps. 127)
- Domine, quis habitabit (Ps. 14)
- Jubilate Deo omnis terra (Ps. 99)
Magnificats
(All in Volume 27)- First tone (5 settings)
- Second tone (4 settings)
- Third tone (4 settings)
- Fourth tone (5 settings)
- Fifth tone (5 settings)
- Sixth tone (4 settings)
- Seventh tone (4 settings)
- Eighth tone (4 settings)
Cantiones sacrae
(All in Volume 30)- Benedictus Dominus Deus (4 voices)
- Illumina oculos (doubtful; 3 voices)
- In Domino laetabitur (doubtful; 4 voices)
- Laudate Dominum in sanctis (8 voices)
- Miserere mei, Deus (4 voices)
- O quam suavis est (4 voices)
- Vos amici mei estis (8 voices)
Five voices
(All in Volume 29)- Al fin, madre di Dio
- Amor, senza il tuo dono
- Anzi, se foco e ferro
- Cedro gentil
- Città di Dio
- Dammi, scala del ciel
- Dammi, vermiglia rosa
- Dunque divin Spiracolo
- E con i raggi tuoi
- E dal letto
- Ed arda ornor
- Eletta Mirra
- E quella certa speme
- E questo spirto
- E, se fur gia
- E, se il pensier
- E, se mai voci
- E, se nel foco
- E tua mercè
- E tu, anima mia
- E tu Signor
- Fa, che con l' acque tue
- Figlio immortal
- Giammai non resti
- Ma so ben, Signor
- Non basta ch' una volta
- Novella Aurora
- O cibo di dolcezza
- O Jesu dolce
- O manna saporito
- O refrigerio acceso
- Orto che sei si chiuso
- Orto sol, che
- O solo incoronato
- Paraclito amoroso
- Per questo, Signor mio
- Quanto più t' offend' io
- Regina delle vergini
- Santo Altare
- Se amarissimo fiele
- Signor, dammi scienza
- S' io non ti conoscessi
- Specchio che fosti
- Spirito santo, Amore
- Tu di fortezza torre
- Tu sei soave fiume
- Vello di Gedeon
- Vergine bella
- Vergine chiara
- Vergine pura
- Vergine, quante lagrime
- Vergine saggia
- Vergine santa
- Vergine sola al mondo
- Vergine, tale è terra
- Vincitrice de l' empia idra
Three voices
- Jesu, Rex admirabilis (30)
- Tua Jesu dilectio (30)
- Jesu, sommo conforto (not included)
- Rex virtutem (not included)
Secular madrigals
(All in Volume 28)- Ahi che quest' occhi
- Alla riva del Tebro
- Amor, ben puoi
- Amor, che meco
- Amor, Fortuna
- Amor, quando fioria
- Ardo lungi
- Beltà, se com'
- Che debbo far
- Che non fia
- Chiara, sì chiaro
- Chi dunque fia
- Chi estinguera
- Com' in più negre
- Così la fama
- Così le chiome
- Da così dotta man sei
- Deh! fuss' or
- Deh or foss' io
- Dido chi giace
- Dolor non fu
- Donna bell' e gentil
- Donna gentil
- Donna, vostra mercede
- Ecc' oscurati
- Ecc' ove giunse
- Eran le vostre lagrime
- Febbre, ond' or
- Fu l' ardor grave
- Già fu chi m' ebbe cara
- Gioia m'abond'
- Gitene liete rime
- Godete dunque
- Il dolce sonno
- Il tempo vola
- Io dovea ben
- Io felice sarei
- Io sento qui d' intorno
- Io son ferito
- I vaghi fiori
- Ivi vedrai
- La cruda mia
- La ver l' aurora
- Le selv' avea
- Lontan dalla mia diva
- Mai fù più cruda
- Ma voi, fioriti
- Mentre a le dolci
- Mentre ch' al mar
- Mirate altrove
- Morì quasi il mio core
- Nè spero
- Nessun visse giammai
- Non son le vostre mani
- O bella Ninfa
- O che splendor
- Ogni beltà
- Ogni loco
- Oh! felici ore
- O me felice
- Onde seguendo
- Ovver de' sensi
- Partomi donna
- Perchè s' annida
- Per mostrar gioia
- Pero contento
- Placide l' acque
- Poscia che
- Pose un gran foco
- Prima vedransi
- Prima vedrassi
- Privo di fede
- Quai rime
- Quando dal terzo cielo
- Quando fe loro
- Queste saranno
- Questo doglioso
- Rara beltà
- Rime, dai sospir
- Saggio e santo pastor
- Se ben non veggon
- Se di pianti
- Se fra quest' erb'
- Se lamentar
- Se 'l pensier
- Se non fusse il pensier
- Si è debile il filo
- S' i' 'l dissi mai
- Soave fia il morir
- Struggomi
- S' un sguardo
- Vaghi pensier
- Vedrassi prima
- Veramente in amore
- Vestiva i colli
Cantiones profanae
(All in Volume 30)- Amor, se pur sei dio (4 voices)
- Anima, dove sei (5 voices)
- Chiare, fresche, e dolci acque (4 voices)
- Con dolce, altiero ed amoroso cenno (4 voices)
- Da fuoco così bel (4 voices)
- Donna, presso al cui viso (5 voices)
- Dunque perfido amante (5 voices)
- Il caro è morto (5 voices)
- Non fu già suon di trombe (5 voices)
- Quand', ecco, donna (5 voices)
- Se dai soavi accenti (4 voices)
- Voi mi poneste in fuoco (4 voices)
Other
There are also works ascribed to Palestrina in the archives of the Julian Chapel, from the archives of the Pontifical Chapel, from the Vatican Library, from the archives of St. John Lateran, from the archives of Santa Maria Maggiore, from the library of the Roman College, and various other collections, included in volumes 30, 31, and 32. Many of these, however, are considered doubtful or spurious.External links
- Complete Works at IMSLP