Musical film
Encyclopedia
The musical film is a film genre in which song
s sung by the characters
are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers". A subgenre of the musical film is the musical comedy, which also includes a strong element of humor.
The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the deictic audience, as the performer looks directly into the camera and performs to it.
.
in 1923-24. After this, thousands of Vitaphone
shorts (1926–30) were made, many featuring bands, vocalists and dancers, in which a musical soundtrack played while the actors portrayed their characters just as they did in silent films: without dialogue. The Jazz Singer
, released in 1927 by Warner Brothers, was not only the first movie with synchronized dialogue, but the first feature film that was also a musical, featuring Al Jolson
singing "Dirty Hands, Dirty Face;" "Toot, Toot, Tootsie", "Blue Skies
" and "My Mammy
". Historian Scott Eyman
wrote, "As the film ended and applause grew with the houselights, Sam Goldwyn's wife Frances looked around at the celebrities in the crowd. She saw 'terror in all their faces', she said, as if they knew that 'the game they had been playing for years was finally over. Still, only Jolson's sequences had sound; most of the film was silent. In 1928, Warner Brothers followed this up with another Jolson part-talkie, The Singing Fool
, which was a blockbuster hit. Theatres scrambled to install the new sound equipment and to hire Broadway
composers to write musicals for the screen. The first all-talking feature, Lights of New York
, included a musical sequence in a night club. The enthusiasm of audiences was so great that in less than a year all the major studios were making sound pictures exclusively. The Broadway Melody
(1929) had a show-biz plot about two sisters competing for a charming song and dance man. Advertised by MGM as the first "All-Talking, All-Singing, All-Dancing" feature film, it was a hit and won the Academy Award for Best Picture
for 1929. There was a rush by the studios to hire talent from the stage to star in lavishly filmed versions of Broadway hits. The Love Parade
(Paramount 1929) starred Maurice Chevalier
and newcomer Jeanette MacDonald
, written by Broadway veteran Guy Bolton
.
Warner Brothers produced the first screen operetta, The Desert Song
in 1929. They spared no expense and photographed a large percentage of the film in Technicolor
. This was followed by the first all-color, all-talking musical feature which was entitled On with the Show
(1929). The most popular film of 1929 was the second all-color, all-talking feature which was entitled Gold Diggers of Broadway
(1929). This film broke all box office records and remained the highest grossing film ever produced until 1939. Suddenly the market became flooded with musicals, revues and operettas. The following all-color musicals were produced in 1929 and 1930 alone: The Show of Shows (1929), Sally
(1929),The Vagabond King
(1930), Follow Thru
(1930), Bright Lights (1930), Golden Dawn
(1930), Hold Everything
(1930), The Rogue Song (1930), Song of the Flame (1930), Song of the West (1930), Sweet Kitty Bellairs (1930), Under A Texas Moon (1930), Bride of the Regiment (1930), Whoopee!
(1930), The King of Jazz (1930), Viennese Nights (1930), Kiss Me Again
(1930). In addition, there were scores of musical features released with color sequences.
Hollywood released more than 100 musical films in 1930, but only 14 in 1931. By late 1930, audiences had been oversaturated with musicals and studios were forced to cut the music from films that were then being released. For example, Life of the Party (1930) was originally produced as an all-color, all-talking musical comedy. Before it was released, however, the songs were cut out. The same thing happened to Fifty Million Frenchmen
(1931) and Manhattan Parade (1932) both of which had been filmed entirely in Technicolor
. Marlene Dietrich
sang songs successfully in her films, and Rodgers and Hart
wrote a few well-received films, but even their popularity waned by 1932. The public had quickly come to associate color with musicals and thus the decline in their popularity also resulted in a decline.
began to enhance the traditional dance number with ideas drawn from the drill
precision he had experienced as a soldier during the First World War. In films such as 42nd Street
and Gold Diggers of 1933
(1933), Berkeley choreographed a number of films in his unique style. Berkeley's numbers typically begin on a stage but gradually transcend the limitations of theatrical space: his ingenious routines, involving human bodies forming patterns like a kaleidoscope, could never fit onto a real stage and the intended perspective is viewing from straight above.
and Ginger Rogers
were among the most popular and highly respected personalities in Hollywood during the classical era; the Fred and Ginger pairing was particularly successful, resulting in a number of classic films, such as Top Hat
(1935), Swing Time (1936) and Shall We Dance (1937). Many dramatic actors gladly participated in musicals as a way to break away from their typecasting. For instance, the multi-talented James Cagney
had originally risen to fame as a stage singer and dancer, but his repeated casting in "tough guy" roles and gangster movies gave him few chances to display these talents. Cagney's Oscar
-winning role in Yankee Doodle Dandy
(1942) allowed him to sing and dance, and he considered it to be one of his finest moments.
Many comedies (and a few dramas) included their own musical numbers. The Marx Brothers
' movies included a musical number in nearly every film, allowing the Brothers to highlight their musical talents. Their final film, entitled Love Happy
(1949), featured Vera-Ellen
, considered to be the best dancer among her colleagues and professionals in the half century.
headed by Arthur Freed
made the transition from old-fashioned musical films, whose formula had become repetitive, to something new. (However, they also produced Technicolor remakes of such musicals as Show Boat
, which had previously been filmed in the 1930s.) In 1939, Freed was hired as associate producer for the film Babes in Arms
. Starting in 1944 with Meet Me in St. Louis
, the Freed Unit worked somewhat independently of its own studio to produce some of the most popular and well-known examples of the genre. The products of this unit include Easter Parade (1948), On the Town
(1949), An American in Paris
(1951), Singin' in the Rain
(1952) and The Band Wagon
(1953). This era saw musical stars become household names, including Judy Garland
, Gene Kelly
, Ann Miller
, Donald O'Connor
, Cyd Charisse
, Mickey Rooney
, Vera-Ellen
, Jane Powell
, Howard Keel
, and Kathryn Grayson
. Fred Astaire was also coaxed out of retirement for Easter Parade and made a permanent comeback.
, The Music Man, My Fair Lady
, Mary Poppins
, and The Sound of Music
suggested that the traditional musical was in good health. However popular musical tastes were being heavily affected by rock and roll
and the freedom and youth associated with it, and indeed Elvis Presley
made a few movies that have been equated with the old musicals in terms of form. Most of the musical films of the 1950s and 1960s such as Oklahoma! and The Sound of Music were straightforward adaptations or restagings of successful stage productions. The most successful musical of the 1960s created specifically for film was Mary Poppins, one of Disney's biggest hits.
Despite the success of these musicals, Hollywood also produced a series of musical flops in the late 1960s and early 1970s which appeared to seriously misjudge public taste. The commercially and/or critically unsuccessful films included Camelot
, Finian's Rainbow
, Hello Dolly!, Sweet Charity
, Doctor Dolittle
, Star!
, Darling Lili
, Paint Your Wagon
, Song of Norway
, On a Clear Day You Can See Forever
, Man of La Mancha
, Lost Horizon
and Mame
. Collectively and individually these failures crippled several of the major studios.
and the abandonment of the Hays Code in 1968 also contributed to changing tastes in movie audiences. The 1973 film of Andrew Lloyd Webber
and Tim Rice
's Jesus Christ Superstar
was met with some criticism by religious groups, but was well received. By the mid-1970s filmmakers avoided the genre in favor of using music by popular rock or pop bands as background music, partly in hope of selling a soundtrack album
to fans. The Rocky Horror Picture Show
was originally released in 1975 and was a critical failure until it started midnight screenings in the 1980s where it achieved cult status. 1976 saw the release of the low-budget comic musical, The First Nudie Musical, released by Paramount. The 1978 film version of Grease
was considered a smash hit; its songs were original compositions done in a 1950s pop style. However, the sequel Grease 2
bombed at the box-office. Films about performers which incorporated gritty drama and musical numbers inter-weaved as a diegetic
part of the storyline were produced, such as All That Jazz
, Saturday Night Fever
, and New York, New York
. Some musicals released in the New Hollywood
period experimented with the form, such as Bugsy Malone
and Lisztomania. The film musicals that were still being made were financially and critically less successful than in their heyday. They include The Wiz
, At Long Last Love
, Funny Lady
(Barbra Streisand
's sequel to Funny Girl
), A Little Night Music and Hair
amongst others.
and London's West End
. Productions of the 1980s and 1990s included Annie
, The Best Little Whorehouse in Texas
, Victor Victoria, Little Shop of Horrors, Absolute Beginners
and Evita
. However, Can't Stop the Music
, starring The Village People, was a calamitous attempt to resurrect the old-style musical and was released to audience indifference in 1980. Little Shop of Horrors
was based on an off-Broadway musical adaptation of a 1960 Roger Corman film, a precursor of later film-to-stage-to-film adaptations, including The Producers
.
Many animated movies of the period - predominately from Disney - included traditional musical numbers. Howard Ashman
, Alan Menken
and Stephen Schwartz
had previous musical theater experience and wrote songs for animated films during this time, supplanting Disney workhorses the Sherman Brothers
. Starting with 1989's The Little Mermaid
, the Disney Renaissance
gave new life to the Film Musical. Other successful animated musicals included Aladdin, The Hunchback of Notre Dame
and Pocahontas
from Disney proper, The Nightmare Before Christmas
from Disney division Touchstone Pictures, The Prince of Egypt
from DreamWorks, Anastasia
from Fox and Don Bluth, and South Park: Bigger, Longer & Uncut
from Paramount.
(Beauty and the Beast
and The Lion King
were adapted for the stage after their blockbuster success.)
, Across the Universe
, and Enchanted; film adaptations of stage shows, such as Chicago
, The Phantom of the Opera
, Rent
, Fame
, Repo! The Genetic Opera
, Dreamgirls
, Sweeney Todd, and Mamma Mia!; and even film versions of stage shows that were themselves based on non-musical films, such as The Producers
, Hairspray
, Reefer Madness
, and Nine
. Across the Universe
, Moulin Rouge!
, and Mamma Mia! continued the trend of incorporating familiar hit songs in the sub-genre known as jukebox musical
s. Under the mainstream radar, there have been acclaimed independent musical films, such as Hedwig and the Angry Inch
and Dancer in the Dark; and foreign musical films, such as 8 Women, The Other Side of the Bed
and Yes Nurse! No Nurse!
. Some musicals films of the decade became successes without receiving a theatrical release, like the first two made-for-television High School Musical
films and the web series
Dr. Horrible's Sing-Along Blog
. In 2004, the New York Musical Theatre Festival
presented a week-long festival of modern movie musicals that included 10 independent features made since 1996, as well as several programs of short movie musicals. In contrast to the 1990s, fewer major animated features of the 2000s included musical numbers, as the success of Pixar and DreamWorks computer animated films (which were not musicals) upset Disney's dominance. The 2009 film The Princess and the Frog was considered a throwback to the Disney musical style.
, Burlesque
, Rio
, and Tangled are films released in the 2010s that include musical numbers. Successful Broadway musicals will receive movie adaptations - such as Rock of Ages, American Idiot, Spring Awakening, Aida, and Les Misérables
. Remakes of classic musical films are also planned, including Annie, A Star Is Born for 2012, and Jesus Christ Superstar in 2014.
An exception to the decline of the musical film is Indian cinema
, especially the Bollywood
film industry based in Mumbai
(formerly Bombay), where the majority of films have been and still are musicals. The majority of films produced in the Tamil industry
based in Chennai
(formerly Madras) and Telegu industry based in Hyderabad are also musicals.
stated that his successful musical film Moulin Rouge!
(2001) was directly inspired by Bollywood musicals. The film thus pays homage to India, incorporating an Indian-themed play based on the ancient Sanskrit drama
The Little Clay Cart and a Bollywood-style dance sequence with a song from the film China Gate
. The Guru and The 40-Year-Old Virgin
also feature Indian-style song-and-dance sequences; the Bollywood musical Lagaan
(2001) was nominated for the Academy Award for Best Foreign Language Film
; two other Bollywood films Devdas
(2002) and Rang De Basanti
(2006) were nominated for the BAFTA Award for Best Foreign Language Film
; and Danny Boyle
's Academy Award winning Slumdog Millionaire
(2008) also features a Bollywood-style song-and-dance number during the film's end credits.
said that cinema was “the most important of the arts.” His successor, Joseph Stalin
, also recognized the power of cinema in efficiently spreading Communist Party doctrine. Movies were widely popular in the 1920s, but it was foreign cinema that dominated the Soviet moviegoing market. Films from Germany and the U.S. proved more entertaining than Soviet director Sergei Eisenstein
’s historical dramas. By the 1930s it was clear that if the Soviet cinema was to compete with its Western counterparts, it would have to give audiences what they wanted: the glamour and fantasy they got from Hollywood. The musical film, which emerged in the 1930s embodied the ideal combination of entertainment and official ideology.
A struggle between laughter for laughter’s sake and entertainment with a clear ideological message would define the golden age of the Soviet musical of the 1930s and 1940s. Then-head of the film industry Boris Shumyatsky
sought to emulate Hollywood’s conveyor belt method of production, going so far as to suggest the establishment of a Soviet Hollywood.
to study Hollywood’s filmmaking process. The American films greatly impacted Aleksandrov, particularly the musicals. He returned in 1932, and in 1934 directed The Jolly Fellows
, the first Soviet musical. The film was light on plot and focused more on the comedy and musical numbers. Party officials at first met the film with great hostility. Aleksandrov defended his work by arguing the notion of laughter for laughter’s sake. Finally, when Aleksandrov showed the film to Stalin, the leader decided that musicals were an effective means of spreading propaganda. Messages like the importance of collective labor and rags-to-riches stories would become the plots of most Soviet musicals.
(the glorification of industry and the working class) on film.
The first successful blend of a social message and entertainment was Aleksandrov’s Circus
(1936). It starred his wife, Lyubov Orlova
(an operatic singer who had also appeared in The Jolly Fellows) as an American circus performer who has to immigrate to the USSR from the U.S. because she has a mixed race child, whom she had with a black man. Amidst the backdrop of lavish musical productions, she finally finds love and acceptance in the USSR, providing the message that racial tolerance can only be found in the Soviet Union.
The influence of Busby Berkeley
’s choreography on Aleksandrov’s directing can be seen in the musical number leading up to the climax. Another, more obvious reference to Hollywood is the Charlie Chaplin
impersonator who provides comic relief throughout the film. Four million people in Moscow and Leningrad went to see Circus during its first month in theaters.
Another of Aleksandrov’s more popular films was The Bright Path (1940). This was a reworking of the fairytale Cinderella set in the contemporary Soviet Union. The Cinderella of the story was again Orlova, who by this time was the most popular star in the USSR. It was a fantasy tale, but the moral of the story was that a better life comes from hard work. Whereas in Circus, the musical numbers involved dancing and spectacle, the only type of choreography in Bright Path is the movement of factory machines. The music was limited to Orlova’s singing. Here, work provided the spectacle.
. Unlike Aleksandrov, the focus of Pyryev’s films was life on the collective farms. His films, Tractor Drivers (1939), The Swineherd and the Shepherd (1941), and his most famous, Cossacks of the Kuban
(1949) all starred his wife, Marina Ladynina. Like in Aleksandrov’s Bright Path, the only choreography was the work the characters were doing on film. Even the songs were about the joys of working.
Rather than having a specific message for any of his films, Pyryev promoted Stalin’s slogan “life has become better, life has become more joyous.” Sometimes this message was in stark contrast with the reality of the time. During the filming of Cossacks of the Kuban, the Soviet Union was going through a postwar famine. In reality, the actors who were singing about a time of prosperity were hungry and malnourished. The films did, however, provide escapism and optimism for the viewing public.
. The star, again, was Lyubov Orlova and the film featured singing and dancing, having nothing to do with work. It is the most unusual of its type. The plot surrounds a love story between two individuals who want to play music. They are unrepresentative of Soviet values in that their focus is more on their music than their jobs. The gags poke fun at the local authorities and bureaucracy. There is no glorification of industry since it takes place in a small rural village. Work is not glorified either, since the plot revolves around a group of villagers using their vacation time to go on a trip up the Volga to perform in Moscow.
Volga-Volga followed the aesthetic principles of Socialist Realism rather than the ideological tenets. It became Stalin’s favorite movie and he gave it as a gift to President Roosevelt during WWII. It is another example of one of the films that claimed life is better. Released at the height of Stalin’s purges, it provided escapism and a comforting illusion for the public.
of the 1930s and the advent of sound films. A few zarzuela
s (Spanish operetta
) were even adapted as screenplays during the silent era. The beginnings of the Spanish musical were focused on romantic Spanish archetypes: Andalusian villages and landscapes, gypsys, "bandoleros", and copla
and other popular folk songs included in story development. These films had even more box-office success than Hollywood premieres in Spain. The first Spanish movie stars came from the musical genre: Imperio Argentina
, Estrellita Castro, Florián Rey
(director) and, later, Lola Flores
, Sara Montiel
and Carmen Sevilla
. The Spanish musical started to expand and grow. Juvenile stars appear and top the box-office. Marisol, Joselito, Pili & Mili and Rocío Dúrcal
was the major figures of musical films from 60's to 70's. Due to Spanish transition to democracy
and rise of "Movida culture
", the musical genre felt into a decadence of production and box-office, only saved by Carlos Saura
and his flamenco
musical films.
Song
In music, a song is a composition for voice or voices, performed by singing.A song may be accompanied by musical instruments, or it may be unaccompanied, as in the case of a cappella songs...
s sung by the characters
Character (arts)
A character is the representation of a person in a narrative work of art . Derived from the ancient Greek word kharaktêr , the earliest use in English, in this sense, dates from the Restoration, although it became widely used after its appearance in Tom Jones in 1749. From this, the sense of...
are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, though in some cases they serve merely as breaks in the storyline, often as elaborate "production numbers". A subgenre of the musical film is the musical comedy, which also includes a strong element of humor.
The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in a theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if there is a live audience watching. In a sense, the viewer becomes the deictic audience, as the performer looks directly into the camera and performs to it.
The classical sound era
The 1930s through the 1960s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western worldWestern world
The Western world, also known as the West and the Occident , is a term referring to the countries of Western Europe , the countries of the Americas, as well all countries of Northern and Central Europe, Australia and New Zealand...
.
The first musicals
Musical short films were made by Lee De ForestLee De Forest
Lee De Forest was an American inventor with over 180 patents to his credit. De Forest invented the Audion, a vacuum tube that takes relatively weak electrical signals and amplifies them. De Forest is one of the fathers of the "electronic age", as the Audion helped to usher in the widespread use...
in 1923-24. After this, thousands of Vitaphone
Vitaphone
Vitaphone was a sound film process used on feature films and nearly 1,000 short subjects produced by Warner Bros. and its sister studio First National from 1926 to 1930. Vitaphone was the last, but most successful, of the sound-on-disc processes...
shorts (1926–30) were made, many featuring bands, vocalists and dancers, in which a musical soundtrack played while the actors portrayed their characters just as they did in silent films: without dialogue. The Jazz Singer
The Jazz Singer (1927 film)
The Jazz Singer is a 1927 American musical film. The first feature-length motion picture with synchronized dialogue sequences, its release heralded the commercial ascendance of the "talkies" and the decline of the silent film era. Produced by Warner Bros. with its Vitaphone sound-on-disc system,...
, released in 1927 by Warner Brothers, was not only the first movie with synchronized dialogue, but the first feature film that was also a musical, featuring Al Jolson
Al Jolson
Al Jolson was an American singer, comedian and actor. In his heyday, he was dubbed "The World's Greatest Entertainer"....
singing "Dirty Hands, Dirty Face;" "Toot, Toot, Tootsie", "Blue Skies
Blue Skies (song)
-History:The song was composed in 1926 as a last minute addition to the Rodgers and Hart musical, Betsy. Although the show only ran for 39 performances, "Blue Skies" was an instant success, with audiences on opening night demanding 24 encores of the piece from star, Belle Baker. During the final...
" and "My Mammy
My Mammy
"My Mammy" is a U.S. popular song with music by Walter Donaldson and lyrics by Joe Young and Sam M. Lewis.Though associated with Al Jolson, who performed the song very successfully, "My Mammy" was performed first by William Frawley as a vaudeville-style act during 1918. Jolson heard the song and...
". Historian Scott Eyman
Scott Eyman
Scott Eyman is an American author and book editor of the Palm Beach Post and contributor for The New York Observer. His books specialize in the Golden Age of Hollywood. He is the author of Empire of Dreams: The Epic Life of Cecil B. DeMille, , Louis B...
wrote, "As the film ended and applause grew with the houselights, Sam Goldwyn's wife Frances looked around at the celebrities in the crowd. She saw 'terror in all their faces', she said, as if they knew that 'the game they had been playing for years was finally over. Still, only Jolson's sequences had sound; most of the film was silent. In 1928, Warner Brothers followed this up with another Jolson part-talkie, The Singing Fool
The Singing Fool
The Singing Fool is a 1928 musical drama Part-Talkie motion picture which was released by Warner Brothers. The film starred Al Jolson and was a follow-up to his previous film, The Jazz Singer...
, which was a blockbuster hit. Theatres scrambled to install the new sound equipment and to hire Broadway
Broadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
composers to write musicals for the screen. The first all-talking feature, Lights of New York
Lights of New York (1928 film)
Lights of New York was the first all-talking feature film, released by Warner Brothers and directed by Bryan Foy. The film, which cost only $23,000 to produce, grossed over $1,000,000. It was also the first film to define the crime genre...
, included a musical sequence in a night club. The enthusiasm of audiences was so great that in less than a year all the major studios were making sound pictures exclusively. The Broadway Melody
The Broadway Melody
The Broadway Melody is a 1929 American musical film and the first sound film to win an Academy Award for Best Picture. It was one of the first musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929-1930...
(1929) had a show-biz plot about two sisters competing for a charming song and dance man. Advertised by MGM as the first "All-Talking, All-Singing, All-Dancing" feature film, it was a hit and won the Academy Award for Best Picture
Academy Award for Best Picture
The Academy Award for Best Picture is one of the Academy Awards of Merit presented annually by the Academy of Motion Picture Arts and Sciences to artists working in the motion picture industry. The Best Picture category is the only category in which every member of the Academy is eligible not only...
for 1929. There was a rush by the studios to hire talent from the stage to star in lavishly filmed versions of Broadway hits. The Love Parade
The Love Parade
The Love Parade is a 1929 musical comedy film about the marital difficulties of Queen Louise of Sylvania and her consort, Count Alfred Renard...
(Paramount 1929) starred Maurice Chevalier
Maurice Chevalier
Maurice Auguste Chevalier was a French actor, singer, entertainer and a noted Sprechgesang performer. He is perhaps best known for his signature songs, including Louise, Mimi, Valentine, and Thank Heaven for Little Girls and for his films including The Love Parade and The Big Pond...
and newcomer Jeanette MacDonald
Jeanette MacDonald
Jeanette MacDonald was an American singer and actress best remembered for her musical films of the 1930s with Maurice Chevalier and Nelson Eddy...
, written by Broadway veteran Guy Bolton
Guy Bolton
Guy Reginald Bolton was a British-American playwright and writer of musical comedies. Born in England and educated in France and the U.S., he trained as an architect but turned to writing. Bolton preferred working in collaboration with others, principally the English writers P. G...
.
Warner Brothers produced the first screen operetta, The Desert Song
The Desert Song
The Desert Song is an operetta with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II, Otto Harbach and Frank Mandel. It was inspired by the 1925 uprising of the Riffs, a group of Moroccan fighters, against French colonial rule. It was also inspired by stories of Lawrence of...
in 1929. They spared no expense and photographed a large percentage of the film in Technicolor
Technicolor
Technicolor is a color motion picture process invented in 1916 and improved over several decades.It was the second major process, after Britain's Kinemacolor, and the most widely used color process in Hollywood from 1922 to 1952...
. This was followed by the first all-color, all-talking musical feature which was entitled On with the Show
On with the Show (1929 film)
On with the Show! is a 1929 American musical film released by Warner Bros. The film is noted as the first ever all-talking all-color feature length movie, and the second color movie released by Warner Bros.; the first was a partly color, black-and-white musical, The Desert Song . -Plot:With unpaid...
(1929). The most popular film of 1929 was the second all-color, all-talking feature which was entitled Gold Diggers of Broadway
Gold Diggers of Broadway (film)
Gold Diggers of Broadway is a 1929 Warner Bros. comedy/musical film which is historically important as the second two-strip Technicolor all-talking feature length movie . Gold Diggers of Broadway was also the third movie released by Warner Bros...
(1929). This film broke all box office records and remained the highest grossing film ever produced until 1939. Suddenly the market became flooded with musicals, revues and operettas. The following all-color musicals were produced in 1929 and 1930 alone: The Show of Shows (1929), Sally
Sally (film)
Sally is the third all talking-all color movie ever made . The color process of Sally was Technicolor...
(1929),The Vagabond King
The Vagabond King
The Vagabond King is a 1925 operetta by Rudolf Friml in four acts, with a book and lyrics by Brian Hooker and William H. Post, based upon Justin Huntly McCarthy's 1901 romantic play If I Were King...
(1930), Follow Thru
Follow Thru
Follow Thru is a 1930 musical comedy film photographed entirely in Technicolor. It was the second all-color all-talking feature to be produced by Paramount Pictures. The film was based on the popular 1929 Broadway play of the same name by Frank Mandel and Laurence Schwab. The play ran from January...
(1930), Bright Lights (1930), Golden Dawn
Golden Dawn (film)
Golden Dawn is a musical operetta released by Warner Brothers and photographed entirely in Technicolor. The film is based on the semi-hit stage musical of the same name by Oscar Hammerstein II and Otto Harbach.-Songs:...
(1930), Hold Everything
Hold Everything
Hold Everything may refer to:*Hold Everything!, 1928 Broadway musical*Hold Everything *Hold Everything , defunct retail chain...
(1930), The Rogue Song (1930), Song of the Flame (1930), Song of the West (1930), Sweet Kitty Bellairs (1930), Under A Texas Moon (1930), Bride of the Regiment (1930), Whoopee!
Whoopee! (film)
Whoopee is a 1930 "All-Talking All-Color" musical comedy film photographed in two-color Technicolor. The plot of the film closely followed the stage show produced by Florenz Ziegfeld in 1928.-Production:...
(1930), The King of Jazz (1930), Viennese Nights (1930), Kiss Me Again
Kiss Me Again
Kiss Me Again may refer to:*Kiss Me Again , a 1925 film directed by Ernst Lubitsch*Kiss Me Again , a 1931 film*Kiss Me Again , a 2006 film*Kiss Me Again , a 2010 film...
(1930). In addition, there were scores of musical features released with color sequences.
Hollywood released more than 100 musical films in 1930, but only 14 in 1931. By late 1930, audiences had been oversaturated with musicals and studios were forced to cut the music from films that were then being released. For example, Life of the Party (1930) was originally produced as an all-color, all-talking musical comedy. Before it was released, however, the songs were cut out. The same thing happened to Fifty Million Frenchmen
Fifty Million Frenchmen
Fifty Million Frenchmen is a musical comedy with a book by Herbert Fields and music and lyrics by Cole Porter. It opened on Broadway in 1929 and was adapted for a film two years later...
(1931) and Manhattan Parade (1932) both of which had been filmed entirely in Technicolor
Technicolor
Technicolor is a color motion picture process invented in 1916 and improved over several decades.It was the second major process, after Britain's Kinemacolor, and the most widely used color process in Hollywood from 1922 to 1952...
. Marlene Dietrich
Marlene Dietrich
Marlene Dietrich was a German-American actress and singer.Dietrich remained popular throughout her long career by continually re-inventing herself, professionally and characteristically. In the Berlin of the 1920s, she acted on the stage and in silent films...
sang songs successfully in her films, and Rodgers and Hart
Rodgers and Hart
Rodgers and Hart were an American songwriting partnership of composer Richard Rodgers and the lyricist Lorenz Hart...
wrote a few well-received films, but even their popularity waned by 1932. The public had quickly come to associate color with musicals and thus the decline in their popularity also resulted in a decline.
Busby Berkeley
The taste in musicals revived again in 1933 when director Busby BerkeleyBusby Berkeley
Busby Berkeley was a highly influential Hollywood movie director and musical choreographer. Berkeley was famous for his elaborate musical production numbers that often involved complex geometric patterns...
began to enhance the traditional dance number with ideas drawn from the drill
Parade (military)
A military parade is a formation of soldiers whose movement is restricted by close-order manouevering known as drilling or marching. The American usage is "formation or military review". The military parade is now mostly ceremonial, though soldiers from time immemorial up until the late 19th...
precision he had experienced as a soldier during the First World War. In films such as 42nd Street
42nd Street (film)
-Cast:*Warner Baxter as Julian Marsh, director*Bebe Daniels as Dorothy Brock, star*George Brent as Pat Denning, Dorothy's old vaudeville partner*Ruby Keeler as Peggy Sawyer, the newcomer*Guy Kibbee as Abner Dillon, the show's backer...
and Gold Diggers of 1933
Gold Diggers of 1933
Gold Diggers of 1933 is a pre-code Warner Bros. musical film directed by Mervyn LeRoy with songs by Harry Warren and Al Dubin , staged and choreographed by Busby Berkeley...
(1933), Berkeley choreographed a number of films in his unique style. Berkeley's numbers typically begin on a stage but gradually transcend the limitations of theatrical space: his ingenious routines, involving human bodies forming patterns like a kaleidoscope, could never fit onto a real stage and the intended perspective is viewing from straight above.
Musical stars
Musical stars such as Fred AstaireFred Astaire
Fred Astaire was an American film and Broadway stage dancer, choreographer, singer and actor. His stage and subsequent film career spanned a total of 76 years, during which he made 31 musical films. He was named the fifth Greatest Male Star of All Time by the American Film Institute...
and Ginger Rogers
Ginger Rogers
Ginger Rogers was an American actress, dancer, and singer who appeared in film, and on stage, radio, and television throughout much of the 20th century....
were among the most popular and highly respected personalities in Hollywood during the classical era; the Fred and Ginger pairing was particularly successful, resulting in a number of classic films, such as Top Hat
Top Hat
Top Hat is a 1935 screwball comedy musical film in which Fred Astaire plays an American dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick . He meets and attempts to impress Dale Tremont to win her affection...
(1935), Swing Time (1936) and Shall We Dance (1937). Many dramatic actors gladly participated in musicals as a way to break away from their typecasting. For instance, the multi-talented James Cagney
James Cagney
James Francis Cagney, Jr. was an American actor, first on stage, then in film, where he had his greatest impact. Although he won acclaim and major awards for a wide variety of performances, he is best remembered for playing "tough guys." In 1999, the American Film Institute ranked him eighth...
had originally risen to fame as a stage singer and dancer, but his repeated casting in "tough guy" roles and gangster movies gave him few chances to display these talents. Cagney's Oscar
Academy Awards
An Academy Award, also known as an Oscar, is an accolade bestowed by the American Academy of Motion Picture Arts and Sciences to recognize excellence of professionals in the film industry, including directors, actors, and writers...
-winning role in Yankee Doodle Dandy
Yankee Doodle Dandy
Yankee Doodle Dandy is a 1942 American biographical musical film about George M. Cohan, known as "The Man Who Owns Broadway". It stars James Cagney, Joan Leslie, Walter Huston, and Richard Whorf, and features Irene Manning, George Tobias, Rosemary DeCamp and Jeanne Cagney.The movie was written by...
(1942) allowed him to sing and dance, and he considered it to be one of his finest moments.
Many comedies (and a few dramas) included their own musical numbers. The Marx Brothers
Marx Brothers
The Marx Brothers were an American family comedy act, originally from New York City, that enjoyed success in Vaudeville, Broadway, and motion pictures from the early 1900s to around 1950...
' movies included a musical number in nearly every film, allowing the Brothers to highlight their musical talents. Their final film, entitled Love Happy
Love Happy
Love Happy was the 14th and last starring feature for the Marx Brothers. The film stars Harpo Marx, Chico Marx, and, in a smaller role than usual, Groucho Marx, plus Ilona Massey, Vera-Ellen, Paul Valentine, Marion Hutton, Raymond Burr, Bruce Gordon , and Eric Blore, with a walk-on by Marilyn Monroe...
(1949), featured Vera-Ellen
Vera-Ellen
Vera-Ellen was an American actress and dancer, principally celebrated for her filmed dance partnerships with Fred Astaire, Gene Kelly, Danny Kaye and Donald O'Connor.-Early life:...
, considered to be the best dancer among her colleagues and professionals in the half century.
The Freed Unit
During the late 1940s and into the 1950s, a production unit at Metro-Goldwyn-MayerMetro-Goldwyn-Mayer
Metro-Goldwyn-Mayer Inc. is an American media company, involved primarily in the production and distribution of films and television programs. MGM was founded in 1924 when the entertainment entrepreneur Marcus Loew gained control of Metro Pictures, Goldwyn Pictures Corporation and Louis B. Mayer...
headed by Arthur Freed
Arthur Freed
Arthur Freed was born Arthur Grossman in Charleston, South Carolina. He was a Jewish American lyricist and a Hollywood film producer.- Biography :Freed began his career as a song-plugger and pianist in Chicago...
made the transition from old-fashioned musical films, whose formula had become repetitive, to something new. (However, they also produced Technicolor remakes of such musicals as Show Boat
Show Boat
Show Boat is a musical in two acts with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It was originally produced in New York in 1927 and in London in 1928, and was based on the 1926 novel of the same name by Edna Ferber. The plot chronicles the lives of those living and working...
, which had previously been filmed in the 1930s.) In 1939, Freed was hired as associate producer for the film Babes in Arms
Babes in Arms (film)
Babes in Arms is the 1939 film version of the 1937 Broadway musical of the same name. The film version stars Mickey Rooney, Judy Garland, Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes and Betty Jaynes.-Production:...
. Starting in 1944 with Meet Me in St. Louis
Meet Me in St. Louis
Meet Me in St. Louis is a 1944 musical film from Metro-Goldwyn-Mayer which tells the story of an American family living in St. Louis at the time of the Louisiana Purchase Exposition World's Fair in 1904...
, the Freed Unit worked somewhat independently of its own studio to produce some of the most popular and well-known examples of the genre. The products of this unit include Easter Parade (1948), On the Town
On the Town (film)
On the Town is a 1949 musical film with music by Leonard Bernstein and Roger Edens and book and lyrics by Betty Comden and Adolph Green. It is an adaptation of the Broadway stage musical of the same name produced in 1944, although many changes in script and score were made from the original stage...
(1949), An American in Paris
An American in Paris (film)
An American in Paris is a 1951 MGM musical film inspired by the 1928 orchestral composition by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guetary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner...
(1951), Singin' in the Rain
Singin' in the Rain
Singin' in the Rain is a 1952 American comedy musical film starring Gene Kelly, Donald O'Connor and Debbie Reynolds and directed by Gene Kelly and Stanley Donen, with Kelly also providing the choreography...
(1952) and The Band Wagon
The Band Wagon
The Band Wagon is a 1953 musical comedy film that many critics rank, along with Singin' in the Rain, as the finest of the MGM musicals, although it was only a modest box-office success. It tells the story of an aging musical star who hopes a Broadway play will restart his career...
(1953). This era saw musical stars become household names, including Judy Garland
Judy Garland
Judy Garland was an American actress and singer. Through a career that spanned 45 of her 47 years and for her renowned contralto voice, she attained international stardom as an actress in musical and dramatic roles, as a recording artist and on the concert stage...
, Gene Kelly
Gene Kelly
Eugene Curran "Gene" Kelly was an American dancer, actor, singer, film director and producer, and choreographer...
, Ann Miller
Ann Miller
Johnnie Lucille Collier, better known as Ann Miller was an American singer, dancer and actress.-Early life:...
, Donald O'Connor
Donald O'Connor
Donald David Dixon Ronald O’Connor was an American dancer, singer, and actor who came to fame in a series of movies in which he co-starred alternately with Gloria Jean, Peggy Ryan, and Francis the Talking Mule...
, Cyd Charisse
Cyd Charisse
Cyd Charisse was an American actress and dancer.After recovering from polio as a child, and studying ballet, Charisse entered films in the 1940s...
, Mickey Rooney
Mickey Rooney
Mickey Rooney is an American film actor and entertainer whose film, television, and stage appearances span nearly his entire lifetime. He has won multiple awards, including an Honorary Academy Award, a Golden Globe and an Emmy Award...
, Vera-Ellen
Vera-Ellen
Vera-Ellen was an American actress and dancer, principally celebrated for her filmed dance partnerships with Fred Astaire, Gene Kelly, Danny Kaye and Donald O'Connor.-Early life:...
, Jane Powell
Jane Powell
Jane Powell is an American singer, dancer and actress.After rising to fame as a singer in her home state of Oregon, Powell was signed to Metro-Goldwyn-Mayer while still in her teens...
, Howard Keel
Howard Keel
Harold Clifford Keel , known professionally as Howard Keel, was an American actor and singer. He starred in many film musicals of the 1950s...
, and Kathryn Grayson
Kathryn Grayson
Kathryn Grayson was an American actress and operatic soprano singer.From the age of twelve, Grayson trained as an opera singer. She was under contract to MGM by the early 1940s, soon establishing a career principally through her work in musicals...
. Fred Astaire was also coaxed out of retirement for Easter Parade and made a permanent comeback.
The post-classical era
In the 1960s, 1970s and continuing up to today the musical film became less of a bankable genre that could be relied upon for sure-fire hits. Audiences for them lessened and fewer musical films were produced as the genre became less mainstream and more specialized.The 1960s musical
In the 1960s the success of the films West Side StoryWest Side Story (film)
West Side Story is a 1961 musical film directed by Robert Wise and Jerome Robbins. The film is an adaptation of the 1957 Broadway musical of the same name, which in turn was adapted from William Shakespeare's play Romeo and Juliet. It stars Natalie Wood, Richard Beymer, Russ Tamblyn, Rita Moreno,...
, The Music Man, My Fair Lady
My Fair Lady (film)
My Fair Lady is a 1964 musical film adaptation of the Lerner and Loewe stage musical, of the same name, based on the 1938 film adaptation of the original stage play Pygmalion by George Bernard Shaw. The ballroom scene and the ending were taken from the previous film adaptation , rather than from...
, Mary Poppins
Mary Poppins (film)
Mary Poppins is a 1964 musical film starring Julie Andrews and Dick Van Dyke, produced by Walt Disney, and based on the Mary Poppins books series by P. L. Travers with illustrations by Mary Shepard. The film was directed by Robert Stevenson and written by Bill Walsh and Don DaGradi, with songs by...
, and The Sound of Music
The Sound of Music (film)
Rodgers and Hammerstein's The Sound of Music is a 1965 American musical film directed by Robert Wise and starring Julie Andrews and Christopher Plummer. The film is based on the Broadway musical The Sound of Music, with songs written by Richard Rodgers and Oscar Hammerstein II, and with the musical...
suggested that the traditional musical was in good health. However popular musical tastes were being heavily affected by rock and roll
Rock and roll
Rock and roll is a genre of popular music that originated and evolved in the United States during the late 1940s and early 1950s, primarily from a combination of African American blues, country, jazz, and gospel music...
and the freedom and youth associated with it, and indeed Elvis Presley
Elvis Presley
Elvis Aaron Presley was one of the most popular American singers of the 20th century. A cultural icon, he is widely known by the single name Elvis. He is often referred to as the "King of Rock and Roll" or simply "the King"....
made a few movies that have been equated with the old musicals in terms of form. Most of the musical films of the 1950s and 1960s such as Oklahoma! and The Sound of Music were straightforward adaptations or restagings of successful stage productions. The most successful musical of the 1960s created specifically for film was Mary Poppins, one of Disney's biggest hits.
Despite the success of these musicals, Hollywood also produced a series of musical flops in the late 1960s and early 1970s which appeared to seriously misjudge public taste. The commercially and/or critically unsuccessful films included Camelot
Camelot (film)
Camelot is a 1967 film adaptation of the musical of the same name. Richard Harris stars as Arthur, Vanessa Redgrave as Guinevere, and Franco Nero as Lancelot. The film was directed by Joshua Logan.-Plot:...
, Finian's Rainbow
Finian's Rainbow (film)
Finian's Rainbow is a 1968 American musical film directed by Francis Ford Coppola that stars Fred Astaire and Petula Clark. The screenplay by E. Y. Harburg and Fred Saidy is based on their 1947 stage musical of the same name.-Plot:...
, Hello Dolly!, Sweet Charity
Sweet Charity (film)
Sweet Charity, full title of which is Sweet Charity: The Adventures of a Girl Who Wanted to Be Loved, is a 1969 American musical film directed and choreographed by Bob Fosse, written by Neil Simon, and with music by Cy Coleman and Dorothy Fields...
, Doctor Dolittle
Doctor Dolittle (film)
Doctor Dolittle is a 1967 American musical film directed by Richard Fleischer and starring Rex Harrison, Samantha Eggar, Anthony Newley and Richard Attenborough. It's adapted by Leslie Bricusse from the novel series by Hugh Lofting, primarily The Voyages of Doctor Dolittle, The Story of Doctor...
, Star!
Star! (film)
Star! is a 1968 American musical film directed by Robert Wise. The screenplay by William Fairchild is based upon the life and career of British performer Gertrude Lawrence.-Plot:...
, Darling Lili
Darling Lili
Darling Lili is a 1970 American musical film. The screenplay was written by William Peter Blatty and Blake Edwards, who also directed. The cast included Julie Andrews, Rock Hudson, and Jeremy Kemp.-Plot:...
, Paint Your Wagon
Paint Your Wagon (film)
Paint Your Wagon is a 1969 American musical film starring Lee Marvin and Clint Eastwood. The movie was adapted by Paddy Chayefsky from the 1951 stage musical by Lerner and Loewe, set in a mining camp in Gold Rush-era California.-Plot:...
, Song of Norway
Song of Norway (film)
Song of Norway is a 1970 film adaptation of the successful operetta of the same name, directed by Andrew L. Stone.Like the play from which it derived, the film tells of the early struggles of composer Edvard Grieg and his attempts to develop an authentic Norwegian national music...
, On a Clear Day You Can See Forever
On a Clear Day You Can See Forever (film)
On a Clear Day You Can See Forever is a 1970 American musical/romantic fantasy film directed by Vincente Minnelli. The screenplay by Alan Jay Lerner is adapted from his book for the 1965 stage production of the same name...
, Man of La Mancha
Man of La Mancha (film)
Man of La Mancha is a 1972 film adaptation of the Broadway musical Man of La Mancha by Dale Wasserman, with music by Mitch Leigh and lyrics by Joe Darion...
, Lost Horizon
Lost Horizon (1973 film)
Lost Horizon is a 1973 musical film directed by Charles Jarrott and starring Peter Finch, John Gielgud, Liv Ullmann, Michael York, Sally Kellerman, Bobby Van, George Kennedy, Olivia Hussey, James Shigeta and Charles Boyer....
and Mame
Mame (film)
Mame is a 1974 musical film based on the 1966 Broadway musical of the same name, directed by Gene Saks, written by Paul Zindel, and starring Lucille Ball and Beatrice Arthur.Warner Bros...
. Collectively and individually these failures crippled several of the major studios.
1970s
In the 1970s, film culture and the changing demographics of moviegoers placed greater emphasis on gritty realism, while the pure entertainment and theatricality of classical era Hollywood musicals was seen as old-fashioned. Changing cultural moresSexual revolution in 1960s America
The 1960s in the United States are often perceived today as a period of profound societal change, one in which a great many politically minded individuals, who on the whole were young and educated, sought to influence the status quo....
and the abandonment of the Hays Code in 1968 also contributed to changing tastes in movie audiences. The 1973 film of Andrew Lloyd Webber
Andrew Lloyd Webber
Andrew Lloyd Webber, Baron Lloyd-Webber is an English composer of musical theatre.Lloyd Webber has achieved great popular success in musical theatre. Several of his musicals have run for more than a decade both in the West End and on Broadway. He has composed 13 musicals, a song cycle, a set of...
and Tim Rice
Tim Rice
Sir Timothy Miles Bindon "Tim" Rice is an British lyricist and author.An Academy Award, Golden Globe Award, Tony Award and Grammy Award-winning lyricist, Rice is best known for his collaborations with Andrew Lloyd Webber, with whom he wrote Joseph and the Amazing Technicolor Dreamcoat, Jesus...
's Jesus Christ Superstar
Jesus Christ Superstar (film)
Jesus Christ Superstar is a 1973 American film adaptation of the Andrew Lloyd Webber/Tim Rice rock opera of the same name. Directed by Norman Jewison, the film centers on the conflict between Judas and Jesus during the last weeks before the crucifixion of Jesus...
was met with some criticism by religious groups, but was well received. By the mid-1970s filmmakers avoided the genre in favor of using music by popular rock or pop bands as background music, partly in hope of selling a soundtrack album
Soundtrack album
A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television program. In some cases, not all the tracks from the movie are included in the album; however there are rare cases of songs in the trailers that do not appear in...
to fans. The Rocky Horror Picture Show
The Rocky Horror Picture Show
The Rocky Horror Picture Show is the 1975 film adaptation of the British rock musical stageplay, The Rocky Horror Show, written by Richard O'Brien. The film is a parody of B-movie, science fiction and horror films of the late 1940s through early 1970s. Director Jim Sharman collaborated on the...
was originally released in 1975 and was a critical failure until it started midnight screenings in the 1980s where it achieved cult status. 1976 saw the release of the low-budget comic musical, The First Nudie Musical, released by Paramount. The 1978 film version of Grease
Grease (film)
Grease is a 1978 American musical film directed by Randal Kleiser and based on Warren Casey's and Jim Jacobs's 1971 musical of the same name about two lovers in a 1950s high school. The film stars John Travolta, Olivia Newton-John, Stockard Channing, and Jeff Conaway...
was considered a smash hit; its songs were original compositions done in a 1950s pop style. However, the sequel Grease 2
Grease 2
Grease 2 is a 1982 American musical film and sequel to Grease, which is based upon the musical of the same name by Jim Jacobs and Warren Casey. Grease 2 was produced by Allan Carr and Robert Stigwood, and directed and choreographed by Patricia Birch, who also choreographed the first film...
bombed at the box-office. Films about performers which incorporated gritty drama and musical numbers inter-weaved as a diegetic
Diegesis
Diegesis is a style of representation in fiction and is:# the world in which the situations and events narrated occur; and# telling, recounting, as opposed to showing, enacting.In diegesis the narrator tells the story...
part of the storyline were produced, such as All That Jazz
All That Jazz
All That Jazz is a 1979 American musical film directed by Bob Fosse. The screenplay by Robert Alan Aurthur and Fosse is a semi-autobiographical fantasy based on aspects of Fosse's life and career as dancer, choreographer and director. The film was inspired by Bob Fosse's manic effort to edit his...
, Saturday Night Fever
Saturday Night Fever
Saturday Night Fever is a 1977 drama film directed by John Badham and starring: John Travolta as Tony Manero, an immature young man whose weekends are spent visiting a local Brooklyn discothèque; Karen Lynn Gorney as his dance partner and eventual friend; and Donna Pescow as Tony's former dance...
, and New York, New York
New York, New York (film)
New York, New York is a 1977 American musical-drama film directed by Martin Scorsese. It is a musical tribute, featuring new songs by John Kander and Fred Ebb as well as standards, to Scorsese's home town of New York City, and stars Robert De Niro and Liza Minnelli as a pair of musicians and...
. Some musicals released in the New Hollywood
New Hollywood
New Hollywood or post-classical Hollywood, sometimes referred to as the "American New Wave", refers to the time from roughly the late-1960s to the early 1980s when a new generation of young filmmakers came to prominence in America, influencing the types of films produced, their production and...
period experimented with the form, such as Bugsy Malone
Bugsy Malone
Bugsy Malone is a 1976 musical film, very loosely based on events in New York City in the Prohibition era, specifically the exploits of gangsters like Al Capone and Bugs Moran, as dramatized in cinema...
and Lisztomania. The film musicals that were still being made were financially and critically less successful than in their heyday. They include The Wiz
The Wiz (film)
The Wiz is a 1978 musical film produced by Motown Productions and Universal Pictures, and released by Universal on October 24, 1978. An urbanized retelling of L. Frank Baum's The Wonderful Wizard of Oz featuring an entirely African-American cast, The Wiz was adapted from the 1975 Broadway musical...
, At Long Last Love
At Long Last Love
At Long Last Love is an American motion picture musical that was released in 1975. It was written, produced and directed by Peter Bogdanovich and stars Burt Reynolds and Cybill Shepherd....
, Funny Lady
Funny Lady
Funny Lady is a 1975 film starring Barbra Streisand, James Caan, Omar Sharif, Roddy McDowall, and Ben Vereen.A sequel to the 1968 film Funny Girl, it is a highly fictionalized account of the later life and career of comedienne Fanny Brice and her marriage to songwriter and empresario Billy Rose...
(Barbra Streisand
Barbra Streisand
Barbra Joan Streisand is an American singer, actress, film producer and director. She has won two Academy Awards, eight Grammy Awards, four Emmy Awards, a Special Tony Award, an American Film Institute award, a Peabody Award, and is one of the few entertainers who have won an Oscar, Emmy, Grammy,...
's sequel to Funny Girl
Funny Girl (film)
Funny Girl is a 1968 romantic musical film directed by William Wyler. The screenplay by Isobel Lennart was adapted from her book for the stage musical of the same title...
), A Little Night Music and Hair
Hair (film)
Hair is a 1979 American film adaptation of the 1968 Broadway musical of the same name about a Vietnam war draftee who meets and befriends a tribe of long-haired hippies on his way to the army induction center...
amongst others.
1980s to 1990s
By the 1980s, financiers grew increasingly confident in the musical genre, partly buoyed by the relative health of the musical on BroadwayBroadway theatre
Broadway theatre, commonly called simply Broadway, refers to theatrical performances presented in one of the 40 professional theatres with 500 or more seats located in the Theatre District centered along Broadway, and in Lincoln Center, in Manhattan in New York City...
and London's West End
West End theatre
West End theatre is a popular term for mainstream professional theatre staged in the large theatres of London's 'Theatreland', the West End. Along with New York's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English speaking...
. Productions of the 1980s and 1990s included Annie
Annie (film)
Annie is a 1982 American musical film directed by John Huston and choreographed by Arlene Phillips. The film is an adaption of the 1977 stage musical of the same name, which in turn was based on the 1924 Little Orphan Annie comic strip by Harold Gray. The movie features music by Charles Strouse,...
, The Best Little Whorehouse in Texas
The Best Little Whorehouse in Texas (film)
The Best Little Whorehouse in Texas is a 1982 film adaptation of the musical of the same name released by Universal Pictures, which was co-written and directed by Colin Higgins...
, Victor Victoria, Little Shop of Horrors, Absolute Beginners
Absolute Beginners (film)
Absolute Beginners is a 1986 British rock musical film adapted from the Colin MacInnes book of the same name about life in late 1950s London. The film was directed by Julien Temple, featured David Bowie and Sade, and a breakout role by Patsy Kensit...
and Evita
Evita (film)
Evita is the 1996 film adaptation of Tim Rice and Andrew Lloyd Webber's musical of the same name based on the life of Eva Perón. It was directed by Alan Parker and written by Parker and Oliver Stone. It starred Madonna, Antonio Banderas, and Jonathan Pryce...
. However, Can't Stop the Music
Can't Stop the Music
Can't Stop the Music is a 1980 musical comedy film directed by Nancy Walker. It is a pseudo-biography of disco's Village People which bears only a vague resemblance to the actual story of the group's formation...
, starring The Village People, was a calamitous attempt to resurrect the old-style musical and was released to audience indifference in 1980. Little Shop of Horrors
Little Shop of Horrors
Little Shop of Horrors may refer to:* The Little Shop of Horrors, a 1960 film directed by Roger Corman* Little Shop of Horrors , a 1982 musical based on the 1960 film...
was based on an off-Broadway musical adaptation of a 1960 Roger Corman film, a precursor of later film-to-stage-to-film adaptations, including The Producers
The Producers
The Producers commonly refers to Mel Brooks' series of comedic works about two con-men who attempt to cheat theater investors out of their money, only to have the scheme improbably backfire:...
.
Many animated movies of the period - predominately from Disney - included traditional musical numbers. Howard Ashman
Howard Ashman
Howard Elliott Ashman was an American playwright and lyricist. Ashman first studied at Boston University and Goddard College and then went on to achieve his master's degree from Indiana University in 1974...
, Alan Menken
Alan Menken
Alan Menken is an American musical theatre and film composer and pianist.Menken is best known for his numerous scores for films produced by Walt Disney Animation Studios. His scores for The Little Mermaid, Beauty and the Beast, Aladdin, and Pocahontas have each won him two Academy Awards...
and Stephen Schwartz
Stephen Schwartz (composer)
Stephen Lawrence Schwartz is an American musical theatre lyricist and composer. In a career spanning over four decades, Schwartz has written such hit musicals as Godspell , Pippin and Wicked...
had previous musical theater experience and wrote songs for animated films during this time, supplanting Disney workhorses the Sherman Brothers
Sherman Brothers
The Sherman Brothers are an American songwriting duo that specialize in musical films, made up of Robert B. Sherman and Richard M. Sherman ....
. Starting with 1989's The Little Mermaid
The Little Mermaid (1989 film)
The Little Mermaid is a 1989 American animated film produced by Walt Disney Feature Animation and based on the Hans Christian Andersen fairy tale of the same name. Distributed by Walt Disney Pictures, the film was originally released to theaters on November 14, 1989 and is the twenty-eighth film in...
, the Disney Renaissance
Disney Renaissance
The Disney Renaissance refers to an era beginning roughly in the late 1980s and ending in the late 1990s, during which Walt Disney Animation Studios returned to making successful animated films mostly based on stories that were known to many, restoring public and critical interest in Disney.The...
gave new life to the Film Musical. Other successful animated musicals included Aladdin, The Hunchback of Notre Dame
The Hunchback of Notre Dame (1996 film)
The Hunchback of Notre Dame is a 1996 American animated drama film produced by Walt Disney Feature Animation and released to theaters on June 21, 1996 by Walt Disney Pictures. The thirty-fourth animated feature in the Disney animated features canon, the film is inspired by Victor Hugo's novel of...
and Pocahontas
Pocahontas (1995 film)
Pocahontas is the 33rd animated feature in the Walt Disney Animated Classics series. It was produced by Walt Disney Feature Animation and was originally released to selected theaters on June 16, 1995 by Walt Disney Pictures...
from Disney proper, The Nightmare Before Christmas
The Nightmare Before Christmas
The Nightmare Before Christmas, often promoted as Tim Burton's The Nightmare Before Christmas, is a 1993 stop motion musical fantasy film directed by Henry Selick and produced/co-written by Tim Burton. It tells the story of Jack Skellington, a being from "Halloween Town" who opens a portal to...
from Disney division Touchstone Pictures, The Prince of Egypt
The Prince of Egypt
The Prince of Egypt is a 1998 American animated musical drama film and the first traditionally animated film produced and released by DreamWorks Animation. The film is an adaptation of the Book of Exodus and follows the life of Moses from being a prince of Egypt to his ultimate destiny to lead the...
from DreamWorks, Anastasia
Anastasia (1997 film)
Anastasia is a 1997 American animated musical film produced and directed by Don Bluth and Gary Goldman. It was the first feature film to be released by Fox Animation Studios....
from Fox and Don Bluth, and South Park: Bigger, Longer & Uncut
South Park: Bigger, Longer & Uncut
South Park: Bigger, Longer & Uncut is a 1999 animated musical comedy film based on the animated television series South Park, created by Matt Stone and Trey Parker. The film was directed by Parker, who also stars along with the rest of the regular voice cast from the series, including Stone, Mary...
from Paramount.
(Beauty and the Beast
Beauty and the Beast (1991 film)
Beauty and the Beast is a 1991 American animated fantasy film produced by Walt Disney Animation Studios and distributed by Walt Disney Pictures. The thirtieth film in the Walt Disney Animated Classics series and the third film of the Disney Renaissance period...
and The Lion King
The Lion King
The Lion King is a 1994 American animated film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It is the 32nd feature in the Walt Disney Animated Classics series...
were adapted for the stage after their blockbuster success.)
The 2000s musical
In the 2000s, the musical film began to rise in popularity once more, with new works such as Moulin Rouge!Moulin Rouge!
Moulin Rouge! is a 2001 romantic jukebox musical film directed, produced, and co-written by Baz Luhrmann. Following the Red Curtain Cinema principles, the film is based on the Orphean myth, La Traviata, and La Bohème...
, Across the Universe
Across the Universe (film)
Across the Universe is a musical romantic drama film directed by Julie Taymor, produced by Revolution Studios, and distributed by Columbia Pictures. The film's plot is centered around songs by The Beatles. It was released in the United States on October 12, 2007. The script is based on an original...
, and Enchanted; film adaptations of stage shows, such as Chicago
Chicago (2002 film)
Chicago is a 2002 musical film adapted from the satirical stage musical of the same name, exploring the themes of celebrity, scandal, and corruption in Jazz-age Chicago....
, The Phantom of the Opera
The Phantom of the Opera (2004 film)
The Phantom of the Opera is a 2004 film adaptation of Andrew Lloyd Webber's 1986 musical of the same name, which in turn was based on the French novel Le Fantôme de l'Opéra by Gaston Leroux....
, Rent
Rent (film)
Rent is a 2005 American musical drama film directed by Chris Columbus. It is an adaptation of the Broadway musical of the same name, in turn based on Giacomo Puccini's opera La bohème. The film depicts the lives of several Bohemians and their struggles with sexuality, cross-dressing, drugs, life...
, Fame
Fame (2009 film)
Fame is a 2009 musical film and a loose remake of the 1980 film of the same title. It was directed by Kevin Tancharoen and written by Allison Burnett. It was released on September 25, 2009 in the USA, Canada, Ireland, and the UK.-Freshman year:...
, Repo! The Genetic Opera
Repo! The Genetic Opera
Repo! The Genetic Opera is a 2008 horror-rock opera musical film directed by Darren Lynn Bousman. The film is based on a play written and composed by Darren Smith and Terrance Zdunich....
, Dreamgirls
Dreamgirls (film)
Dreamgirls is a 2006 musical drama film, directed by Bill Condon and jointly produced and released by DreamWorks and Paramount Pictures. The film debuted in three special road show engagements beginning December 15, 2006 before its nationwide release on December 25, 2006...
, Sweeney Todd, and Mamma Mia!; and even film versions of stage shows that were themselves based on non-musical films, such as The Producers
The Producers (2005 film)
# "Overture" - Orchestra# "Opening Night" - Opening Nighters# "We Can Do It" - Max and Leo# "I Wanna Be a Producer" - Leo, Accountants, Mr. Marks and Dancing Chorus Girls# "Der Guten Tag Hop-Clop" - Franz, Max, and Leo...
, Hairspray
Hairspray (2007 film)
Hairspray is a 2007 musical film produced by Kolaja Productions and distributed by New Line Cinema. It was released in the United States, Canada, and the United Kingdom on July 20, 2007. The film is an adaptation of the 2002 Broadway musical of the same name, which in turn was based on John...
, Reefer Madness
Reefer Madness (2005 film)
Reefer Madness premiered on April 16, 2005 on the Showtime cable network. It is a television movie version of the 1998 musical, and stars Alan Cumming as the Lecturer, Ana Gasteyer as Mae, and Kristen Bell as Mary. The movie also stars siblings Christian and Neve Campbell as Jimmy Harper and Miss...
, and Nine
Nine (film)
Nine is a 2009 musical-romantic film directed and produced by Rob Marshall. The screenplay, written by Michael Tolkin and Anthony Minghella, is based on Arthur Kopit's book for the 1982 musical of the same name, which was itself suggested by Federico Fellini's semi-autobiographical film 8½...
. Across the Universe
Across the Universe (film)
Across the Universe is a musical romantic drama film directed by Julie Taymor, produced by Revolution Studios, and distributed by Columbia Pictures. The film's plot is centered around songs by The Beatles. It was released in the United States on October 12, 2007. The script is based on an original...
, Moulin Rouge!
Moulin Rouge!
Moulin Rouge! is a 2001 romantic jukebox musical film directed, produced, and co-written by Baz Luhrmann. Following the Red Curtain Cinema principles, the film is based on the Orphean myth, La Traviata, and La Bohème...
, and Mamma Mia! continued the trend of incorporating familiar hit songs in the sub-genre known as jukebox musical
Jukebox musical
A jukebox musical is a stage or film musical that uses previously released popular songs as its musical score. Usually the songs have in common a connection with a particular popular musician or group — either because they were written by, or for, the artists in question, or were at least...
s. Under the mainstream radar, there have been acclaimed independent musical films, such as Hedwig and the Angry Inch
Hedwig and the Angry Inch (film)
Hedwig and the Angry Inch is a 2001 American musical comedy-drama film based on the stage musical of the same title about a fictional rock band fronted by an East German transgender singer. The film was adapted and directed by John Cameron Mitchell, who also portrayed the title role...
and Dancer in the Dark; and foreign musical films, such as 8 Women, The Other Side of the Bed
The Other Side of the Bed
The Other Side of the Bed a.k.a. The Wrong Side of the Bed is a 2002 film directed by Emilio Martínez Lázaro.-Main cast:*Ernesto Alterio – Javier*Paz Vega – Sonia...
and Yes Nurse! No Nurse!
Yes Nurse! No Nurse!
Yes Nurse! No Nurse! is a 2002 Dutch comedy musical film, based on the original story by Annie M.G. Schmidt.The film received a Golden Film and a Platinum Film in 2002....
. Some musicals films of the decade became successes without receiving a theatrical release, like the first two made-for-television High School Musical
High School Musical (film series)
The High School Musical film series consists of three Disney musical films directed by Kenny Ortega and created by Peter Barsocchini. It stars Zac Efron, Vanessa Hudgens, Ashley Tisdale, Lucas Grabeel, Corbin Bleu, and Monique Coleman. The original film was released simply as a Disney Channel...
films and the web series
Web series
A web series is a series of episodes released on the Internet or also by mobile or cellular phone, and part of the newly emerging medium called web television. A single instance of a web series program is called an episode .While the popularity of web series is continuing to rise, the concept...
Dr. Horrible's Sing-Along Blog
Dr. Horrible's Sing-Along Blog
Dr. Horrible's Sing-Along Blog is a 2008 musical tragicomedy miniseries in three acts, produced exclusively for Internet distribution. Filmed and set in Los Angeles, the show tells the story of Dr...
. In 2004, the New York Musical Theatre Festival
New York Musical Theatre Festival
The New York Musical Theatre Festival is an annual three-week fall Festival which presents more than thirty new musicals at venues in New York City's midtown theater district...
presented a week-long festival of modern movie musicals that included 10 independent features made since 1996, as well as several programs of short movie musicals. In contrast to the 1990s, fewer major animated features of the 2000s included musical numbers, as the success of Pixar and DreamWorks computer animated films (which were not musicals) upset Disney's dominance. The 2009 film The Princess and the Frog was considered a throwback to the Disney musical style.
Musical films today
Guy and Madeline on a Park BenchGuy and Madeline on a Park Bench
Guy and Madeline on a Park Bench is a 2009 American jazz musical film directed by Damien Chazelle, that recasts the MGM musical tradition in a gritty, vérité style...
, Burlesque
Burlesque (film)
Burlesque is a 2010 musical film directed and written by Steven Antin and starring Christina Aguilera and Cher. The film was released on November 24, 2010 in North America....
, Rio
Rio (film)
Rio, often promoted as Rio: The Movie, is a 2011 American 3D computer-animated musical comedy film produced by Blue Sky Studios and directed by Carlos Saldanha. The title refers to the Brazilian city of Rio de Janeiro, in which the film is set. The film features the voices of Jesse Eisenberg, Anne...
, and Tangled are films released in the 2010s that include musical numbers. Successful Broadway musicals will receive movie adaptations - such as Rock of Ages, American Idiot, Spring Awakening, Aida, and Les Misérables
Les Misérables (2012 film)
Les Misérables is an upcoming 2012 British musical film directed by Tom Hooper, written by William Nicholson and adapted from the popular musical of the same name, which is in turn based on an 1862 French novel by Victor Hugo.-Premise:...
. Remakes of classic musical films are also planned, including Annie, A Star Is Born for 2012, and Jesus Christ Superstar in 2014.
Indian musical films
An exception to the decline of the musical film is Indian cinema
Cinema of India
The cinema of India consists of films produced across India, which includes the cinematic culture of Andhra Pradesh, Assam, Gujarat, Haryana, Jammu and Kashmir, Karnataka, Kerala, Maharashtra, Orissa, Punjab, Tamil Nadu, and West Bengal. Indian films came to be followed throughout South Asia and...
, especially the Bollywood
Bollywood
Bollywood is the informal term popularly used for the Hindi-language film industry based in Mumbai , Maharashtra, India. The term is often incorrectly used to refer to the whole of Indian cinema; it is only a part of the total Indian film industry, which includes other production centers producing...
film industry based in Mumbai
Mumbai
Mumbai , formerly known as Bombay in English, is the capital of the Indian state of Maharashtra. It is the most populous city in India, and the fourth most populous city in the world, with a total metropolitan area population of approximately 20.5 million...
(formerly Bombay), where the majority of films have been and still are musicals. The majority of films produced in the Tamil industry
Tamil cinema
Tamil cinema is the film industry based in Chennai, Tamil Nadu, India, dedicated to the production of films in the Tamil language. It is based in Chennai's Kodambakkam district, where several South Indian film production companies are headquartered...
based in Chennai
Chennai
Chennai , formerly known as Madras or Madarasapatinam , is the capital city of the Indian state of Tamil Nadu, located on the Coromandel Coast off the Bay of Bengal. Chennai is the fourth most populous metropolitan area and the sixth most populous city in India...
(formerly Madras) and Telegu industry based in Hyderabad are also musicals.
Influence on Western films
In the 2000s, Bollywood musicals played an instrumental role in the revival of the musical film genre in the Western world. Baz LuhrmannBaz Luhrmann
Mark Anthony "Baz" Luhrmann is an Australian film director, screenwriter, and producer best known for The Red Curtain Trilogy, which includes his films Strictly Ballroom, William Shakespeare's Romeo + Juliet and Moulin Rouge!...
stated that his successful musical film Moulin Rouge!
Moulin Rouge!
Moulin Rouge! is a 2001 romantic jukebox musical film directed, produced, and co-written by Baz Luhrmann. Following the Red Curtain Cinema principles, the film is based on the Orphean myth, La Traviata, and La Bohème...
(2001) was directly inspired by Bollywood musicals. The film thus pays homage to India, incorporating an Indian-themed play based on the ancient Sanskrit drama
Sanskrit drama
The earliest-surviving fragments of Sanskrit drama date from the 1st century CE. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been the seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India.Its...
The Little Clay Cart and a Bollywood-style dance sequence with a song from the film China Gate
China Gate (1998 film)
China Gate is a 1998 Hindi film directed by Rajkumar Santoshi. The film is a "humble tribute to the late Akira Kurosawa", crediting Seven Samurai as its inspiration...
. The Guru and The 40-Year-Old Virgin
The 40-Year-Old Virgin
The 40-Year-Old Virgin is a 2005 American buddy comedy film about a middle-aged man's journey to finally have sex. The film was written and directed by Judd Apatow and co-written by its lead star, Steve Carell, though the film itself features a great deal of improvised dialogue...
also feature Indian-style song-and-dance sequences; the Bollywood musical Lagaan
Lagaan
Lagaan is a 2001 Bollywood sports film written and directed by Ashutosh Gowariker. Aamir Khan, who was also the producer for the film, stars with Gracy Singh in the lead roles; British actors Rachel Shelley and Paul Blackthorne play the supporting roles...
(2001) was nominated for the Academy Award for Best Foreign Language Film
Academy Award for Best Foreign Language Film
The Academy Award for Best Foreign Language Film is one of the Academy Awards of Merit, popularly known as the Oscars, handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences...
; two other Bollywood films Devdas
Devdas (2002 film)
Devdas is a 2002 Bollywood film based on the 1917 Sharat Chandra Chattopadhyay novella Devdas. This is the third Hindi version and the first colour film version of the story in Hindi...
(2002) and Rang De Basanti
Rang De Basanti
Rang De Basanti is a 2006 Indian drama film written and directed by Rakeysh Omprakash Mehra. It features an ensemble cast comprising Aamir Khan, Soha Ali Khan, Madhavan, Kunal Kapoor, Siddharth Narayan, Sharman Joshi, Atul Kulkarni and British actress Alice Patten in the lead roles...
(2006) were nominated for the BAFTA Award for Best Foreign Language Film
BAFTA Award for Best Film
This page lists the winners and nominees for the BAFTA Award for Best Film, BAFTA Award for Best Film not in the English Language and Alexander Korda Award for Best British Film for each year, in addition to the retired earlier versions of those awards...
; and Danny Boyle
Danny Boyle
Daniel "Danny" Boyle is an English filmmaker and producer. He is best known for his work on films such as Slumdog Millionaire, 127 Hours, 28 Days Later, Sunshine and Trainspotting. For Slumdog Millionaire, Boyle won numerous awards in 2008, including the Academy Award for Best Director...
's Academy Award winning Slumdog Millionaire
Slumdog Millionaire
Slumdog Millionaire is a 2008 British epic romantic drama adventure film directed by Danny Boyle, written by Simon Beaufoy, and co-directed in India by Loveleen Tandan. It is an adaptation of the novel Q & A by Indian author and diplomat Vikas Swarup...
(2008) also features a Bollywood-style song-and-dance number during the film's end credits.
Soviet musical film under Stalin
Unlike the musical films of Hollywood and Bollywood, popularly identified with escapism, the Soviet musical was first and foremost a form of propaganda. Vladimir LeninVladimir Lenin
Vladimir Ilyich Lenin was a Russian Marxist revolutionary and communist politician who led the October Revolution of 1917. As leader of the Bolsheviks, he headed the Soviet state during its initial years , as it fought to establish control of Russia in the Russian Civil War and worked to create a...
said that cinema was “the most important of the arts.” His successor, Joseph Stalin
Joseph Stalin
Joseph Vissarionovich Stalin was the Premier of the Soviet Union from 6 May 1941 to 5 March 1953. He was among the Bolshevik revolutionaries who brought about the October Revolution and had held the position of first General Secretary of the Communist Party of the Soviet Union's Central Committee...
, also recognized the power of cinema in efficiently spreading Communist Party doctrine. Movies were widely popular in the 1920s, but it was foreign cinema that dominated the Soviet moviegoing market. Films from Germany and the U.S. proved more entertaining than Soviet director Sergei Eisenstein
Sergei Eisenstein
Sergei Mikhailovich Eisenstein , né Eizenshtein, was a pioneering Soviet Russian film director and film theorist, often considered to be the "Father of Montage"...
’s historical dramas. By the 1930s it was clear that if the Soviet cinema was to compete with its Western counterparts, it would have to give audiences what they wanted: the glamour and fantasy they got from Hollywood. The musical film, which emerged in the 1930s embodied the ideal combination of entertainment and official ideology.
A struggle between laughter for laughter’s sake and entertainment with a clear ideological message would define the golden age of the Soviet musical of the 1930s and 1940s. Then-head of the film industry Boris Shumyatsky
Boris Shumyatsky
Boris Zakharovich Shumyatsky was the de facto executive producer for the Soviet film monopoly from 1930 to 1937...
sought to emulate Hollywood’s conveyor belt method of production, going so far as to suggest the establishment of a Soviet Hollywood.
The Jolly Fellows
In 1930 the esteemed Soviet film director Sergei Eisenstein went to the United States with fellow director Grigori AleksandrovGrigori Aleksandrov
Grigori Vasilyevich Aleksandrov or Alexandrov was a prominent Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labor in 1973...
to study Hollywood’s filmmaking process. The American films greatly impacted Aleksandrov, particularly the musicals. He returned in 1932, and in 1934 directed The Jolly Fellows
Jolly Fellows (1934 film)
Jolly Fellows , also translated Happy-Go-Lucky Guys and Moscow Laughs, is a 1934 Soviet musical film, directed by Grigori Aleksandrov and starring his wife Lyubov Orlova, a gifted singer and the first recognized star of Soviet cinema....
, the first Soviet musical. The film was light on plot and focused more on the comedy and musical numbers. Party officials at first met the film with great hostility. Aleksandrov defended his work by arguing the notion of laughter for laughter’s sake. Finally, when Aleksandrov showed the film to Stalin, the leader decided that musicals were an effective means of spreading propaganda. Messages like the importance of collective labor and rags-to-riches stories would become the plots of most Soviet musicals.
"Movies for the Millions"
The success of The Jolly Fellows ensured a place in Soviet cinema for the musical format, but immediately Shumyatsky set up strict guidelines to make sure the films promoted Communist values. Shumyatsky’s decree “Movies for the Millions” demanded conventional plots, characters, and montage to successfully portray Socialist RealismSocialist realism
Socialist realism is a style of realistic art which was developed in the Soviet Union and became a dominant style in other communist countries. Socialist realism is a teleologically-oriented style having its purpose the furtherance of the goals of socialism and communism...
(the glorification of industry and the working class) on film.
The first successful blend of a social message and entertainment was Aleksandrov’s Circus
Circus (1936 film)
Circus is a 1936 Soviet melodramatic comedy musical film. It was directed by Grigori Aleksandrov at the Mosfilm studios. In his own words, it was conceived as "an eccentric comedy...a real side splitter."...
(1936). It starred his wife, Lyubov Orlova
Lyubov Orlova
Lyubov Petrovna Orlova, was the first recognized star of Soviet cinema, famous theatre actress and a gifted singer.She was born to a middle class family in Zvenigorod near Moscow and grew up in Yaroslavl...
(an operatic singer who had also appeared in The Jolly Fellows) as an American circus performer who has to immigrate to the USSR from the U.S. because she has a mixed race child, whom she had with a black man. Amidst the backdrop of lavish musical productions, she finally finds love and acceptance in the USSR, providing the message that racial tolerance can only be found in the Soviet Union.
The influence of Busby Berkeley
Busby Berkeley
Busby Berkeley was a highly influential Hollywood movie director and musical choreographer. Berkeley was famous for his elaborate musical production numbers that often involved complex geometric patterns...
’s choreography on Aleksandrov’s directing can be seen in the musical number leading up to the climax. Another, more obvious reference to Hollywood is the Charlie Chaplin
Charlie Chaplin
Sir Charles Spencer "Charlie" Chaplin, KBE was an English comic actor, film director and composer best known for his work during the silent film era. He became the most famous film star in the world before the end of World War I...
impersonator who provides comic relief throughout the film. Four million people in Moscow and Leningrad went to see Circus during its first month in theaters.
Another of Aleksandrov’s more popular films was The Bright Path (1940). This was a reworking of the fairytale Cinderella set in the contemporary Soviet Union. The Cinderella of the story was again Orlova, who by this time was the most popular star in the USSR. It was a fantasy tale, but the moral of the story was that a better life comes from hard work. Whereas in Circus, the musical numbers involved dancing and spectacle, the only type of choreography in Bright Path is the movement of factory machines. The music was limited to Orlova’s singing. Here, work provided the spectacle.
Ivan Pyryev
The other director of musical films was Ivan PyryevIvan Pyryev
Ivan Aleksandrovich Pyryev , served as Director of the Mosfilm studios and was, for a time, the most influential man in the Soviet motion picture industry.Pyryev was born in Kamen-na-Obi, now Altai Krai, Russia...
. Unlike Aleksandrov, the focus of Pyryev’s films was life on the collective farms. His films, Tractor Drivers (1939), The Swineherd and the Shepherd (1941), and his most famous, Cossacks of the Kuban
Cossacks of the Kuban
The Cossack of the Kuban from Mosfilm is a color film, glorifying the life of the farmers in the kolkhoz of the Soviet Union's Kuban region, directed by Ivan Pyryev and starring Marina Ladynina, his wife at that time.-Cast:* Marina Ladynina, as Galina...
(1949) all starred his wife, Marina Ladynina. Like in Aleksandrov’s Bright Path, the only choreography was the work the characters were doing on film. Even the songs were about the joys of working.
Rather than having a specific message for any of his films, Pyryev promoted Stalin’s slogan “life has become better, life has become more joyous.” Sometimes this message was in stark contrast with the reality of the time. During the filming of Cossacks of the Kuban, the Soviet Union was going through a postwar famine. In reality, the actors who were singing about a time of prosperity were hungry and malnourished. The films did, however, provide escapism and optimism for the viewing public.
Volga-Volga
The most popular film of the brief era of Stalinist musicals was Alexandrov’s 1938 film Volga-VolgaVolga-Volga
Volga-Volga is a Soviet comedy directed by Grigori Aleksandrov, released on April 24, 1938. It centres around a group of amateur performers on their way to Moscow to perform in a talent contest called the Moscow Musical Olympiad. Most of the action takes place on a steamboat travelling on the...
. The star, again, was Lyubov Orlova and the film featured singing and dancing, having nothing to do with work. It is the most unusual of its type. The plot surrounds a love story between two individuals who want to play music. They are unrepresentative of Soviet values in that their focus is more on their music than their jobs. The gags poke fun at the local authorities and bureaucracy. There is no glorification of industry since it takes place in a small rural village. Work is not glorified either, since the plot revolves around a group of villagers using their vacation time to go on a trip up the Volga to perform in Moscow.
Volga-Volga followed the aesthetic principles of Socialist Realism rather than the ideological tenets. It became Stalin’s favorite movie and he gave it as a gift to President Roosevelt during WWII. It is another example of one of the films that claimed life is better. Released at the height of Stalin’s purges, it provided escapism and a comforting illusion for the public.
Spanish musical films
Spain has a history and tradition of musical films that were made independent of Hollywood influence. The first films arise during the Second Spanish RepublicSecond Spanish Republic
The Second Spanish Republic was the government of Spain between April 14 1931, and its destruction by a military rebellion, led by General Francisco Franco....
of the 1930s and the advent of sound films. A few zarzuela
Zarzuela
Zarzuela is a Spanish lyric-dramatic genre that alternates between spoken and sung scenes, the latter incorporating operatic and popular song, as well as dance...
s (Spanish operetta
Operetta
Operetta is a genre of light opera, light in terms both of music and subject matter. It is also closely related, in English-language works, to forms of musical theatre.-Origins:...
) were even adapted as screenplays during the silent era. The beginnings of the Spanish musical were focused on romantic Spanish archetypes: Andalusian villages and landscapes, gypsys, "bandoleros", and copla
Copla (music)
The copla or copla andaluza is a form of Spanish popular song, deriving from the poetic form of the same name. The genre arose in the 1940s, and is epitomized by songwriters Antonio Quintero, Rafael de León and Manuel Quiroga.One of the first singers of coplas was Raquel Meller...
and other popular folk songs included in story development. These films had even more box-office success than Hollywood premieres in Spain. The first Spanish movie stars came from the musical genre: Imperio Argentina
Imperio Argentina
Magdalena Nile del Río was a professional singer and movie actress who was better known as Imperio Argentina. Although born in Buenos Aires, Argentina, she became a citizen of Spain....
, Estrellita Castro, Florián Rey
Florián Rey
Florián Rey , born at La Almunia de Doña Godina, , 25 January 1894 - death at Benidorm , 11 April 1962 was the most successful Spanish film director in the 20's and 30's....
(director) and, later, Lola Flores
Lola Flores
María Dolores "Lola" Flores Ruiz was a Spanish singer, dancer, and actress.- Professional career :Flores was born in Jerez de la Frontera, Cadiz . Although thought to be only part gypsy, she strongly identified with the Spanish gypsy culture...
, Sara Montiel
Sara Montiel
Sara Montiel is a Spanish singer, and actress. She is still a much-loved and internationally known name in the Spanish-speaking movie and music industries....
and Carmen Sevilla
Carmen Sevilla
Carmen Sevilla is a popular Spanish actress, singer and TV presenter. She made her film debut in 1948 in Jalisco Canta en Sevilla. Other roles include Academy Award nominee La venganza, Buscando a Mónica and the 1956 French film Don Juan.She played Mary Magdalene in Nicholas Ray's King of Kings...
. The Spanish musical started to expand and grow. Juvenile stars appear and top the box-office. Marisol, Joselito, Pili & Mili and Rocío Dúrcal
Rocío Dúrcal
Rocío Dúrcal , born as María de los Ángeles de Las Heras Ortíz, was a Spanish singer and actress, known artistically as Rocío Durcal. Spanish is the best selling solo albums with more than 80 million to date...
was the major figures of musical films from 60's to 70's. Due to Spanish transition to democracy
Spanish transition to democracy
The Spanish transition to democracy was the era when Spain moved from the dictatorship of Francisco Franco to a liberal democratic state. The transition is usually said to have begun with Franco’s death on 20 November 1975, while its completion has been variously said to be marked by the Spanish...
and rise of "Movida culture
La Movida Madrileña
La Movida Madrileña was a countercultural movement that took place mainly in Madrid during the Spanish transition after Francisco Franco's death in 1975...
", the musical genre felt into a decadence of production and box-office, only saved by Carlos Saura
Carlos Saura
Carlos Saura Atarés is a Spanish film director and photographer.-Early life:Born into a family of artists , he developed his artistic sense in childhood as a photography enthusiast.He obtained his directing diploma in Madrid in 1957 at the Institute of Cinema Research and Studies...
and his flamenco
Flamenco
Flamenco is a genre of music and dance which has its foundation in Andalusian music and dance and in whose evolution Andalusian Gypsies played an important part....
musical films.
Lists of musical films
- See List of musicals: A to L and List of musicals: M to Z for a list of musicals in alphabetical order; note that not all of these have been made into films.
- See List of musical films by year for a list of musical films in chronological order.
- See List of Bollywood films for a list of Bollywood musical films.
See also
- List of movies based on stage plays or musicals
- AFI's Greatest Movie Musicals