Tomb of Antipope John XXIII
Encyclopedia
The Tomb of Antipope John XXIII is the marble
and bronze tomb
monument
of Antipope
John XXIII
(Baldassare Cossa, c. 1360–1419), created by Donatello
and Michelozzo
for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossa's will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence. According to Ferdinand Gregorovius
, the tomb is "at once the sepulchre
of the Great Schism
in the church and the last Papal tomb which is outside Rome itself".
Cossa had a long history of cooperation with Florence, which had viewed him as the legitimate pontiff for a time during the Western Schism
. The tomb monument is often interpreted as an attempt to strengthen the legitimacy of Cossa's pontificate by linking him to the spiritually powerful site of the Baptistry. The evocation of papal symbolism on the tomb and the linkage between Cossa and Florence have been interpreted as a snub to Cossa's successor Pope Martin V
or vicarious "Medici
self-promotion", as such a tomb would have been deemed unacceptable for a Florentine citizen.
The tomb monument's design included figures of the three Virtues
in niche
s, Cossa's family arms
, a gilded bronze recumbent efficy
laid out above an inscription-bearing sarcophagus
supported on corbel brackets, and above it a Madonna and Child in a half-lunette
, with a canopy
over all. At the time of its completion, the monument was the tallest sculpture in Florence, and one of very few tombs within the Baptistry or the neighboring Duomo. The tomb monument was the first of several collaborations between Donatello and Michelozzo, and the attribution of its various elements to each of them has been debated by art historians, as have the interpretations of its design and iconography
.
Antipope John XXIII had a complicated life, legacy, and relationship with Florence. Baldassare Cossa was a Neapolitan
nobleman who grew up in Bologna
. Pope Boniface IX
elevated Cossa to the Archdiocese of Bologna
in 1396 and made him a cardinal
in 1402. After the Council of Pisa
in 1409, Cossa encouraged rebellion against Pope Gregory XII
, who refused to resign. Cossa was deprived of his cardinalate, but it was restored by Antipope Alexander V
, who had been elected by the council.
Cossa succeeded Alexander V as John XXIII in 1410. John XXIII was acknowledged as pope by France
, England
, Bohemia
, Prussia
, Portugal
, parts of the Holy Roman Empire
, and numerous Northern Italian city states, including Florence and Venice
; however, the Avignon Pope Benedict XIII was regarded as pope
by the Kingdoms of Aragon
, Castile
, and Scotland
and Gregory XII was still favored by Ladislaus of Naples, Carlo I Malatesta
, the princes of Bavaria, Louis III
, Elector Palatine, and parts of Germany and Poland
.
When Ladislaus of Naples conquered Rome in 1413, John XXIII was forced to flee to Florence. He was compelled by Sigismund, Holy Roman Emperor
, to convoke the Council of Constance
in 1414, although when the threat to his pontificate and possibly his person became apparent, he fled in 1415. Although he expected his departure would disperse the council, the members of which he called to join him under the protection of Frederick IV, Duke of Austria
, it continued to operate where they were. As John XXIII tried to make his way towards the territory of John II, Duke of Burgundy
, Frederick IV surrendered him to the custody of Sigismund and the Council, and he was imprisoned by Louis III.
In the meantime, the Council deposed John XXIII on May 29, 1415 and elected Pope Martin V
on November 11, 1417; Martin V proceeded to Florence in February 1419. Cossa was ransomed by the Republic of Florence
in 1419 (Louis III had abandoned the allegiance of Sigismund in 1417), as orchestrated by Giovanni di Bicci de' Medici
. His ransom may have been a reward for past assistance to Florence, or a manoeuvre to put pressure on Martin V (still in Florence; he would arrive in Rome in September 1420), or both. Cossa had helped Florence conquer Pisa
in 1405 in his capacity as Papal legate
to Bologna and, as pope, had designated the Medici bank
as the depository-general for the papal finances.
In Florence, Cossa submitted to Martin V on June 14, 1419 and was rewarded with a cardinal's hat on June 26, only to die on December 22. Although given the title of Cardinal Bishop of Tusculum
, Cossa called himself "Cardinal of Florence".
with his cardinal's hat at his feet on the funerary bier during the rituals, which took place entirely within the Baptistry and Duomo. The first three days of ceremonies celebrated in turn Cossa's role as cardinal and pope, his role as an ally of Florence, and his role as a private citizen. He received a temporary burial until the tomb was complete.
—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.
Cossa designated four prominent Florentines as his executor
s: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici
, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici
.
The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi
, on behalf of the Arte di Calimala
, the guild
who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel
requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.
The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic
of the right index finger
of John the Baptist
(and 200 florins
for an appropriate reliquary
) to the Baptistry. With this finger John was believed to have pointed to Jesus
, saying "Ecce Agnus Dei" ("Behold the lamb of God") in . The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V
, who passed it to his successors Gregory XI
and Urban VI
, who was dispossessed of it during the siege of Nocera
, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli
.
, in 1424 (by the Florentine calendar
) part of the tomb was installed. Michelozzo's Catasto
from July 1427 indicates that Michelozzo had been Donatello's partner for about two years ("due anni o incircha") and that three-fourths of the 800 florin budget had been spent. To harmonize these accounts, one must conclude either that Michelozzo's chronology was imprecise, that Donatello received the commission before the partnership was formed, or that the 1424 date in the Florentine calendar falls in 1425 in the modern calendar.
On February 2, 1425, Bartolomeo Valori and Cosimo de' Medici requested 400 of the 800 florins that had been deposited with the Calimala, likely for work already completed. This deposit was insurance in case the executors left the tomb unfinished and the Calimala was forced to pay for its completion, as it had been obliged to with the finger reliquary. This request is also the most direct piece of evidence for Cosimo's involvement with the commissioning. Despite this document, Vasari's claim in his Vite
of 1550 that Cosimo was responsible for the handling of the commission has been questioned.
It is probable that the sarcophagus was installed on or shortly before May 2, 1426, when the Calimala contracted for two chaplain
s to say a daily mass for Cossa's soul. The records of the Duomo workshop indicate that on January 28, 1427 Valori bought four white marble blocks for the tomb.
The exact date of completion is unknown but an extreme terminus ante quem
is given by the death in 1431 of Pope Martin V, who is known to have visited the completed tomb; other factors may push the terminus ante quem back significantly into the 1420s. The most reliable such indication is that in September 1428 Jacopo della Quercia
returned to Bologna and produced a wall tomb with Virtues reflecting in minute details the Cossa Virtues.
Vasari suggests that the tomb went over budget, costing 1,000 florins, although it is unclear who covered the excess. Although the original source for this claim is unknown, it has gained credence with modern scholars as the effigy alone would have cost 500 florins, yet its exactness may be taken with a grain of salt.
The tomb monument adapted to the conditions imposed by the Calimala and integrated with the interior of the Baptistry. The wall tomb was required to be placed between two pre-existing Corinthian column
s—the central pillars between Ghiberti
's North Doors and the eastern tribune
—constituting one-third of one of the octagonal walls, near the altar and facing Ghiberti's East Doors. The setting starves the tomb monument of light, especially when the Baptistry’s doors are closed, which is normally the case. It would be even darker were it not for the "screen" back wall protruding 48.4 centimetres (19.1 in) from the Baptistry wall. The white and brown (and whitish-brown) marble further integrates the structure with the polychromatic
white and green of the Baptistry interior. Some scholars accept the colored sketch of Buonaccorso Ghirberti as evidence that the "original effaced polychromy" of the tomb was more integrated, although others contend that the sketch is too inaccurate. The canopy’s interaction with the columns and conceit
of being supported by the Baptistry cornice make the tomb monument further "wedded to the architecture" around it, even if the marriage is morganatic. Apart from the effigy on the sarcophagus, all the other sculpted figures are in high relief.
Although the style of the work is thoroughly classicising, the overall form reflects the grandest type of the medieval Italian wall tomb, in which the vertical piling-up of a series of different elements is characteristic. Italian Gothic sculpture always retained considerable elements of classicism, and it was not necessary for Donatello and Michelozzo to adopt a radically original overall scheme from those of Tino di Camaino
(c. 1285–1337), the Siennese
sculptor whose wall-tombs of a century before had been very influential throughout Italy. A life-size marble effigy lying on top of an elevated protruding sarcophagus is highly typical. The motif of curtains at the top is often found in monuments using Gothic decorative details, and the shape recalls the triangular gable
tops of monuments in a more thoroughly Gothic style; other monuments have curtains, often held open by angels, around the effigy, and then sculptures above. The Cossa monument is often compared to the monument to Doge
Tommaso Mocenigo
of Venice, of 1423, which has high relief saints in shell niches on and above the sarcophagus, above which a large pair of curtains sweep up to a single terminal; however the architectural detailing here is Gothic. The design of the Cossa tomb itself was elaborated on, and adapted to local conventions, in the tomb by the same team for Cardinal Brancacci in Naples, and influenced the monument to Leonardo Bruni
by Bernardo Rossellino
, of about 20 years later, in the Basilica of Santa Croce, Florence.
, of the tomb monument rests on a 38 centimetres (15 in) high plinth
, separated by a cornice
and concave moulding
s. The pylon is 1.39 metres (4.56 ft) high and 2.02 metres (6.63 ft) wide, decorated with a frieze
of winged angel heads (perhaps seraphim) and garland
s and ribbons.
—from left to right, Faith
, Charity
, and Hope
—in shell niches, separated by four Corinthian
fluted pilasters
. Such a motif is unprecedented in Tuscan
funerary sculpture but found at this date in Venice
, Padua
, and especially Cossa’s native Naples
. As a result, excursions to Venice have been suggested for both Michelozzo and Donatello. However, Janson suggests that one "need not go all the way to Venice" to find such motifs. Outside Florence, Virtues were common on tombs, with the cardinal Virtues
used for laymen, and the theological virtues
reserved for ecclesiastics, including the Brancaccio
tomb. However, the Cossa Virtues, from their hair to their sandals, are more thoroughly antique. Donatello also produced two similar bronze Virtues for the Siena Baptistry, whose chronological relationship to the Cossa Virtues is unclear.
The 1.05 metres (3.44 ft) tall Faith, to the right of Charity, is holding a Eucharist
ic chalice
; the 1.07 metres (3.51 ft) tall Charity is holding a cornucopia
and a brazier
(or flaming vase); and the 1.06 metres (3.48 ft) tall Hope, to the left of Charity, has hands clasped in prayer
. The central figure of Charity is the most antique, assimilating elements of Classical depictions of Abundantia
, Ceres, and Juno
, all of which were depicted with cornucopias in their left hands. Besides underscoring the antiquity of the tomb monument, the main purpose of the tall yet poorly finished Virtues is to put additional vertical distance between the viewer and the effigy, which has the cumulative effect of de-emphasizing the peculiarities of Cossa, in favor of a generic pontiff (i.e. a potential line of Florentine popes), by blunting the "immediacy" of the trope of lying in state
, which was otherwise dominant on Quattrocento
wall tombs.
decorated with acanthus
leaves support the sarcophagus. In the tripartite
space between the consoles—from left to right—are Cossa’s family arms with the papal tiara
, the papal coat of arms
, and Cossa’s family arms with the cardinal’s hat. The rilievo schiacciato (a type of very shallow bas-relief pioneered by Donatello) on the architrave
sarcophagus (2.12 metres (6.96 ft) wide and 0.7 metres (2.3 ft) high) depicts two putti
or spiratelli ("little spirits") holding open a large inscribed parchment
, perhaps in the style of a papal brief
. The putti (or spiratelli) share many characteristics with their ancient counterparts, except for their crossed legs.
The inscription reads:
Which translates to:
John the former pope
XXIII. Died in Florence
A.D. 1419, on 11th
day before the Calends of January
Pope Martin V objected to a portion of the inscription—""—because he thought it implied Cossa had died as pope (the Latin
"" could mean either "the former" or "the late"). The use of "olim Papa", as was common in many contemporary documents, instead of "quondam Papa" would probably have removed Martin V’s objections. Martin himself suggested instead that Cossa be identified as a Neapolitan cardinal, thus emphasizing instead his submission. Contemporary sources report that the Signoria
mimicked the reply of Pontius Pilate
regarding the inscription on the cross of Christ: "What is written, is written." Martin V himself was buried underneath an undecorated bronze floor slab, the only known example of a two-dimensional papal monument, although also the first to be set in the central nave of a major basilica, the Basilica of St. John Lateran
in Rome, and cast in bronze—probably also by Donatello.
According to Avery, Donatello’s Ascension of Christ and the Giving of the Keys to St. Peter may have been intended to share the front of the sarcophagus, further strengthening the papal associations, which were created by dating Cossa’s death using the ancient Roman Calends of January, which was uncommon on Florentine tombs, but was used in papal ones.
of the effigy is supported by lion
s whose shape mimics Trecento
consoles. The lions may be based on the Florentine Marzocco, as if to mark John XXIII in the same manner as a conquered city-state. As Donatello’s Marzocco for the papal apartment in Santa Maria Novella conveyed Florence’s ambivalence towards Martin V (as both a source of prestige by visiting, and a potential adversary of the Republic), the lions supporting the bier contextualize the tomb monument's support for John XXIII’s claim to the papacy by cementing it as a Florentine claim. Yet, any iconographical interpretation of the lions must be taken with a grain of salt as lions are symbolically promiscuous, and are also seen as supports on earlier tombs, such as that of Lapo de’ Bardi (d. 1342) in the Bargello
.
The bier and the pall spread over it are tilted towards the viewer with the lion supporting the head standing 2 centimetre (0.78740157480315 in) shorter, increasing the visibility of the effigy
, especially the head. The gilded-bronze
, life-size effigy itself makes no attempt to argue for Cossa’s papal status, dressing Cossa clearly in the costume of a cardinal; the bedding it rests on is of un-gilt bronze. The opening in the 16th century of the sarcophagus confirmed that Cossa’s actual burial clothes matched the effigy. There was no precedent for a three-dimensional gilded-bronze effigy on an Italian tomb monument; there was, however, a 6 feet (1.83 m) gilt bronze statue on the balcony of the Palazzo della Briada in Bologna commissioned by Pope Boniface VIII
.
Some scholars suggest that Donatello created the effigy with the aid of a death mask
, but others disagree.
of the Madonna and Child on a half-lunette
, a typical—symbolizing intercession—motif for a tomb. Above the effigy and Madonna is a gilt-edged architectonic canopy decorated with patterned stemmed flowers, giving the conceit
of being supported by the ribbed brass ring, an impossibility given its weight. McHam suggests that the canopy is based on the "Dome of Heaven", and thus the baldacchino
of papal enthronement. However, Lightbown is emphatic that the double-summited canopy looped against the pillars is not a baldacchino, but rather a secular bed-canopy.
and Michelozzo
, who went on to collaborate on the tomb of Cardinal Rainaldo Brancacci
in the Church of Sant’Angelo a Nilo in Naples, the tomb of Papal Secretary Bartolomeo Aragazzi in what is now the Duomo
of Montepulciano
, and the external pulpit of the Duomo of Prato
. At the time of their partnership, Donatello was already well-known for his statues of prophets and saints for the Duomo and Orsanmichele
, while Michelozzo was more obscure. Both had worked for a time for Ghiberti, whose workshop then led Florentine sculpture.
Nearly every element of the tomb monument has been attributed to both Donatello and Michelozzo by different art historians
. These characterizations are mostly of historiographical
interest: attribution to Donatello is more of an indication of what is valued by each commentator than any objective criteria; often, aspects are attributed to Michelozzo explicitly because they are "less well executed".
Descriptions from 1475 to 1568 attribute all of the tomb except for the figure of Faith to Donatello. Some modern sources reverse this dichotomy, attributing all of the tomb to Michelozzo with the exception of the gilded bronze effigy. Some sources credit Donatello only with the bronze effigy. According to Janson, of the marble work, only the putti
can be attributed to "Donatello’s own hand". Donatello’s alleged deficiencies in casting or in architecture have been proposed as the reason for his partnership with Michelozzo, in addition to his busy schedule.
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
and bronze tomb
Tomb
A tomb is a repository for the remains of the dead. It is generally any structurally enclosed interment space or burial chamber, of varying sizes...
monument
Church monument
A church monument is an architectural or sculptural memorial to a dead person or persons, located within a Christian church. It can take various forms, from a simple wall tablet to a large and elaborate structure which may include an effigy of the deceased person and other figures of familial or...
of Antipope
Antipope
An antipope is a person who opposes a legitimately elected or sitting Pope and makes a significantly accepted competing claim to be the Pope, the Bishop of Rome and leader of the Roman Catholic Church. At times between the 3rd and mid-15th century, antipopes were typically those supported by a...
John XXIII
Antipope John XXIII
Baldassarre Cossa was Pope John XXIII during the Western Schism. The Catholic Church regards him as an antipope.-Biography:...
(Baldassare Cossa, c. 1360–1419), created by Donatello
Donatello
Donato di Niccolò di Betto Bardi , also known as Donatello, was an early Renaissance Italian artist and sculptor from Florence...
and Michelozzo
Michelozzo
thumb|250px|[[Palazzo Medici]] in Florence.Michelozzo di Bartolomeo Michelozzi was an Italian architect and sculptor.-Biography:...
for the Florence Baptistry adjacent to the Duomo. It was commissioned by the executors of Cossa's will after his death on December 22, 1419 and completed during the 1420s, establishing it as one of the early landmarks of Renaissance Florence. According to Ferdinand Gregorovius
Ferdinand Gregorovius
Ferdinand Gregorovius was a German historian who specialized in the medieval history of Rome. He is best known for Wanderjahre in Italien, his account of the walks he took through Italy in the 1850s, and the monumental Die Geschichte der Stadt Rom im Mittelalter , a classic for Medieval and early...
, the tomb is "at once the sepulchre
Sepulchre
The rock-cut tombs in ancient Israel are a group of hundreds of rock-cut tombs constructed in Israel in ancient times. They were cut into the rock, sometimes with elaborate facades and multiple burial chambers. Some are free-standing, but most are caves. Each tomb typically belonged to a...
of the Great Schism
Western Schism
The Western Schism or Papal Schism was a split within the Catholic Church from 1378 to 1417. Two men simultaneously claimed to be the true pope. Driven by politics rather than any theological disagreement, the schism was ended by the Council of Constance . The simultaneous claims to the papal chair...
in the church and the last Papal tomb which is outside Rome itself".
Cossa had a long history of cooperation with Florence, which had viewed him as the legitimate pontiff for a time during the Western Schism
Western Schism
The Western Schism or Papal Schism was a split within the Catholic Church from 1378 to 1417. Two men simultaneously claimed to be the true pope. Driven by politics rather than any theological disagreement, the schism was ended by the Council of Constance . The simultaneous claims to the papal chair...
. The tomb monument is often interpreted as an attempt to strengthen the legitimacy of Cossa's pontificate by linking him to the spiritually powerful site of the Baptistry. The evocation of papal symbolism on the tomb and the linkage between Cossa and Florence have been interpreted as a snub to Cossa's successor Pope Martin V
Pope Martin V
Pope Martin V , born Odo Colonna, was Pope from 1417 to 1431. His election effectively ended the Western Schism .-Biography:...
or vicarious "Medici
Medici
The House of Medici or Famiglia de' Medici was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside,...
self-promotion", as such a tomb would have been deemed unacceptable for a Florentine citizen.
The tomb monument's design included figures of the three Virtues
Theological virtues
Theological virtues - in theology and Christian philosophy, are the character qualities associated with salvation, resulting from the grace of God, which enlightens human mind.- In the Bible :The three theological virtues are:...
in niche
Niche (architecture)
A niche in classical architecture is an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. Nero's Domus Aurea was the first semi-private dwelling that possessed rooms that were given richly varied floor plans, shaped with niches and exedras;...
s, Cossa's family arms
Coat of arms
A coat of arms is a unique heraldic design on a shield or escutcheon or on a surcoat or tabard used to cover and protect armour and to identify the wearer. Thus the term is often stated as "coat-armour", because it was anciently displayed on the front of a coat of cloth...
, a gilded bronze recumbent efficy
Effigy
An effigy is a representation of a person, especially in the form of sculpture or some other three-dimensional form.The term is usually associated with full-length figures of a deceased person depicted in stone or wood on church monuments. These most often lie supine with hands together in prayer,...
laid out above an inscription-bearing sarcophagus
Sarcophagus
A sarcophagus is a funeral receptacle for a corpse, most commonly carved or cut from stone. The word "sarcophagus" comes from the Greek σαρξ sarx meaning "flesh", and φαγειν phagein meaning "to eat", hence sarkophagus means "flesh-eating"; from the phrase lithos sarkophagos...
supported on corbel brackets, and above it a Madonna and Child in a half-lunette
Lunette
In architecture, a lunette is a half-moon shaped space, either filled with recessed masonry or void. A lunette is formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If a door is set within a round-headed arch, the space within the...
, with a canopy
Baldachin
A baldachin, or baldaquin , is a canopy of state over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is...
over all. At the time of its completion, the monument was the tallest sculpture in Florence, and one of very few tombs within the Baptistry or the neighboring Duomo. The tomb monument was the first of several collaborations between Donatello and Michelozzo, and the attribution of its various elements to each of them has been debated by art historians, as have the interpretations of its design and iconography
Iconography
Iconography is the branch of art history which studies the identification, description, and the interpretation of the content of images. The word iconography literally means "image writing", and comes from the Greek "image" and "to write". A secondary meaning is the painting of icons in the...
.
Antipope John XXIII
Antipope John XXIII had a complicated life, legacy, and relationship with Florence. Baldassare Cossa was a Neapolitan
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
nobleman who grew up in Bologna
Bologna
Bologna is the capital city of Emilia-Romagna, in the Po Valley of Northern Italy. The city lies between the Po River and the Apennine Mountains, more specifically, between the Reno River and the Savena River. Bologna is a lively and cosmopolitan Italian college city, with spectacular history,...
. Pope Boniface IX
Pope Boniface IX
Pope Boniface IX , born Piero Tomacelli, was the second Roman Pope of the Western Schism from November 2, 1389, until October 1, 1404...
elevated Cossa to the Archdiocese of Bologna
Archdiocese of Bologna
The Archdiocese of Bologna is a Roman Catholic archbishopric in northern Italy, with the archiepiscopal seat in Bologna Cathedral. The current Archbishop is Cardinal Carlo Caffarra since 2003.The archdiocese has the following suffragans:*diocese of Imola...
in 1396 and made him a cardinal
Cardinal (Catholicism)
A cardinal is a senior ecclesiastical official, usually an ordained bishop, and ecclesiastical prince of the Catholic Church. They are collectively known as the College of Cardinals, which as a body elects a new pope. The duties of the cardinals include attending the meetings of the College and...
in 1402. After the Council of Pisa
Council of Pisa
The Council of Pisa was an unrecognized ecumenical council of the Catholic Church held in 1409 that attempted to end the Western Schism by deposing Benedict XIII and Gregory XII...
in 1409, Cossa encouraged rebellion against Pope Gregory XII
Pope Gregory XII
Pope Gregory XII , born Angelo Correr or Corraro, Pope from 1406 to 1415, succeeded Pope Innocent VII on 30 November 1406....
, who refused to resign. Cossa was deprived of his cardinalate, but it was restored by Antipope Alexander V
Antipope Alexander V
Alexander V was antipope during the Western Schism . He reigned from June 26, 1409, to his death in 1410 and is officially regarded by the Roman Catholic Church as an antipope....
, who had been elected by the council.
Cossa succeeded Alexander V as John XXIII in 1410. John XXIII was acknowledged as pope by France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
, England
England
England is a country that is part of the United Kingdom. It shares land borders with Scotland to the north and Wales to the west; the Irish Sea is to the north west, the Celtic Sea to the south west, with the North Sea to the east and the English Channel to the south separating it from continental...
, Bohemia
Bohemia
Bohemia is a historical region in central Europe, occupying the western two-thirds of the traditional Czech Lands. It is located in the contemporary Czech Republic with its capital in Prague...
, Prussia
Prussia
Prussia was a German kingdom and historic state originating out of the Duchy of Prussia and the Margraviate of Brandenburg. For centuries, the House of Hohenzollern ruled Prussia, successfully expanding its size by way of an unusually well-organized and effective army. Prussia shaped the history...
, Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
, parts of the Holy Roman Empire
Holy Roman Empire
The Holy Roman Empire was a realm that existed from 962 to 1806 in Central Europe.It was ruled by the Holy Roman Emperor. Its character changed during the Middle Ages and the Early Modern period, when the power of the emperor gradually weakened in favour of the princes...
, and numerous Northern Italian city states, including Florence and Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
; however, the Avignon Pope Benedict XIII was regarded as pope
Pope
The Pope is the Bishop of Rome, a position that makes him the leader of the worldwide Catholic Church . In the Catholic Church, the Pope is regarded as the successor of Saint Peter, the Apostle...
by the Kingdoms of Aragon
Kingdom of Aragon
The Kingdom of Aragon was a medieval and early modern kingdom in the Iberian Peninsula, corresponding to the modern-day autonomous community of Aragon, in Spain...
, Castile
Kingdom of Castile
Kingdom of Castile was one of the medieval kingdoms of the Iberian Peninsula. It emerged as a political autonomous entity in the 9th century. It was called County of Castile and was held in vassalage from the Kingdom of León. Its name comes from the host of castles constructed in the region...
, and Scotland
Kingdom of Scotland
The Kingdom of Scotland was a Sovereign state in North-West Europe that existed from 843 until 1707. It occupied the northern third of the island of Great Britain and shared a land border to the south with the Kingdom of England...
and Gregory XII was still favored by Ladislaus of Naples, Carlo I Malatesta
Carlo I Malatesta
Carlo I Malatesta was an Italian condottiero during the Wars in Lombardy and lord of Rimini, Fano, Cesena and Pesaro...
, the princes of Bavaria, Louis III
Louis III, Elector Palatine
Louis III, Count Palatine of the Rhine , was an Elector Palatine of the Rhine from the house of Wittelsbach in 1410–1436....
, Elector Palatine, and parts of Germany and Poland
Kingdom of Poland (1385–1569)
The Kingdom of Poland of the Jagiellons was the Polish state created by the accession of Jogaila , Grand Duke of Lithuania, to the Polish throne in 1386. The Union of Krewo or Krėva Act, united Poland and Lithuania under the rule of a single monarch...
.
When Ladislaus of Naples conquered Rome in 1413, John XXIII was forced to flee to Florence. He was compelled by Sigismund, Holy Roman Emperor
Sigismund, Holy Roman Emperor
Sigismund of Luxemburg KG was King of Hungary, of Croatia from 1387 to 1437, of Bohemia from 1419, and Holy Roman Emperor for four years from 1433 until 1437, the last Emperor of the House of Luxemburg. He was also King of Italy from 1431, and of Germany from 1411...
, to convoke the Council of Constance
Council of Constance
The Council of Constance is the 15th ecumenical council recognized by the Roman Catholic Church, held from 1414 to 1418. The council ended the Three-Popes Controversy, by deposing or accepting the resignation of the remaining Papal claimants and electing Pope Martin V.The Council also condemned and...
in 1414, although when the threat to his pontificate and possibly his person became apparent, he fled in 1415. Although he expected his departure would disperse the council, the members of which he called to join him under the protection of Frederick IV, Duke of Austria
Frederick IV, Duke of Austria
Frederick IV, Duke of Further Austria , also known as Frederick of the Empty Pockets, was the Habsburg duke of Further Austria from 1402, and Count of Tyrol from 1406, until his death...
, it continued to operate where they were. As John XXIII tried to make his way towards the territory of John II, Duke of Burgundy
Duke of Burgundy
Duke of Burgundy was a title borne by the rulers of the Duchy of Burgundy, a small portion of traditional lands of Burgundians west of river Saône which in 843 was allotted to Charles the Bald's kingdom of West Franks...
, Frederick IV surrendered him to the custody of Sigismund and the Council, and he was imprisoned by Louis III.
In the meantime, the Council deposed John XXIII on May 29, 1415 and elected Pope Martin V
Pope Martin V
Pope Martin V , born Odo Colonna, was Pope from 1417 to 1431. His election effectively ended the Western Schism .-Biography:...
on November 11, 1417; Martin V proceeded to Florence in February 1419. Cossa was ransomed by the Republic of Florence
Republic of Florence
The Republic of Florence , or the Florentine Republic, was a city-state that was centered on the city of Florence, located in modern Tuscany, Italy. The republic was founded in 1115, when the Florentine people rebelled against the Margraviate of Tuscany upon Margravine Matilda's death. The...
in 1419 (Louis III had abandoned the allegiance of Sigismund in 1417), as orchestrated by Giovanni di Bicci de' Medici
Giovanni di Bicci de' Medici
Giovanni di Bicci de' Medici was an Italian banker, the first historically relevant member of Medici family of Florence, and the founder of the Medici bank...
. His ransom may have been a reward for past assistance to Florence, or a manoeuvre to put pressure on Martin V (still in Florence; he would arrive in Rome in September 1420), or both. Cossa had helped Florence conquer Pisa
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
in 1405 in his capacity as Papal legate
Papal legate
A papal legate – from the Latin, authentic Roman title Legatus – is a personal representative of the pope to foreign nations, or to some part of the Catholic Church. He is empowered on matters of Catholic Faith and for the settlement of ecclesiastical matters....
to Bologna and, as pope, had designated the Medici bank
Medici bank
The Medici Bank was a financial institution created by the Medici family in Italy during the 15th century. It was the largest and most respected bank in Europe during its prime. There are some estimates that the Medici family was, for a period of time, the wealthiest family in Europe...
as the depository-general for the papal finances.
In Florence, Cossa submitted to Martin V on June 14, 1419 and was rewarded with a cardinal's hat on June 26, only to die on December 22. Although given the title of Cardinal Bishop of Tusculum
Tusculum
Tusculum is a ruined Roman city in the Alban Hills, in the Latium region of Italy.-Location:Tusculum is one of the largest Roman cities in Alban Hills. The ruins of Tusculum are located on Tuscolo hill—more specifically on the northern edge of the outer crater ring of the Alban volcano...
, Cossa called himself "Cardinal of Florence".
Funeral
Cossa's body was moved to the Baptistry and the nine-day funeral, as prescribed by the Ordo Romanus, was well-attended by the Florentine elite and the papal court. Cossa's corpse was crowned with a white mitreMitre
The mitre , also spelled miter, is a type of headwear now known as the traditional, ceremonial head-dress of bishops and certain abbots in the Roman Catholic Church, as well as in the Anglican Communion, some Lutheran churches, and also bishops and certain other clergy in the Eastern Orthodox...
with his cardinal's hat at his feet on the funerary bier during the rituals, which took place entirely within the Baptistry and Duomo. The first three days of ceremonies celebrated in turn Cossa's role as cardinal and pope, his role as an ally of Florence, and his role as a private citizen. He received a temporary burial until the tomb was complete.
Commissioning
The commissioning of Cossa's tomb monument was negotiated for about a decade following Cossa's death. Cossa's last will and testamentWill (law)
A will or testament is a legal declaration by which a person, the testator, names one or more persons to manage his/her estate and provides for the transfer of his/her property at death...
—written on his death bed on December 22, 1419—made several of the customary Florentine civic bequests, acts of charity, and traditional ecclesiastical courtesies, but the bulk of his estate was left to his nephews Michele and Giovanni. The bequests to his nephews took priority, and his estate remained disputed by various creditors while the tomb was being completed.
Cossa designated four prominent Florentines as his executor
Executor
An executor, in the broadest sense, is one who carries something out .-Overview:...
s: Bartolommeo di Taldo Valori, Niccolò da Uzzano, Giovanni di Bicci de' Medici
Giovanni di Bicci de' Medici
Giovanni di Bicci de' Medici was an Italian banker, the first historically relevant member of Medici family of Florence, and the founder of the Medici bank...
, and Vieri Guadagni, allowing any two of the executors to act on behalf of all four, as Valori and Medici appear to have done. Valori died on September 2, 1427, by which time Guadagni was also deceased and Uzzano had long lost interest, leaving the remaining work of commissioning entirely to Giovanni, or—more likely—Cosimo de' Medici
Cosimo de' Medici
Còsimo di Giovanni degli Mèdici was the first of the Medici political dynasty, de facto rulers of Florence during much of the Italian Renaissance; also known as "Cosimo 'the Elder'" and "Cosimo Pater Patriae" .-Biography:Born in Florence, Cosimo inherited both his wealth and his expertise in...
.
The executors claimed that Cossa had revealed his desire for burial in the Baptistry to them but had been too modest to request it in his will. Most later scholars accept this testimony of the executors, attributing Cossa with "tact—and tactics", although at least one has postulated that the executors chose the site of the Baptistry against Cossa's wishes.
Documentary records indicate that, on January 9, 1421, Palla Strozzi
Palla Strozzi
Palla di Onofrio Strozzi was an Italian banker, politician, writer, philosopher and philologist.-Biography:He was born in Florence into the rich family of the Strozzi. He was educated by humanists, learning Greek and Latin, and establishing an important collection of rare books...
, on behalf of the Arte di Calimala
Arte di Calimala
The Arte di Calimala, the guild of the cloth finishers and merchants in foreign cloth, was one of the greater guilds of Florence, the Arti Maggiori, who arrogated to themselves the civic power of the Republic of Florence during the Late Middle Ages...
, the guild
Guild
A guild is an association of craftsmen in a particular trade. The earliest types of guild were formed as confraternities of workers. They were organized in a manner something between a trade union, a cartel, and a secret society...
who were responsible for the upkeep of the Baptistry, authorized a "breve et honestissima" ("small and inconspicuous") monument in the Baptistry, but not the chapel
Chapel
A chapel is a building used by Christians as a place of fellowship and worship. It may be part of a larger structure or complex, such as a church, college, hospital, palace, prison or funeral home, located on board a military or commercial ship, or it may be an entirely free-standing building,...
requested by Cossa's will; present scholarship accepts Strozzi's assertion that burial within the Baptistry was a considerable honor, perhaps beyond the status of Cossa. After this meeting, there are no extant records from the Calimala regarding the tomb as the bulk of documents from the 1420s have been lost, although the notes of Senatore Carlo Strozzi, who went through the records, are extant.
The Calimala's acquiescence is traditionally explained by Cossa's donation of the relic
Relic
In religion, a relic is a part of the body of a saint or a venerated person, or else another type of ancient religious object, carefully preserved for purposes of veneration or as a tangible memorial...
of the right index finger
Index finger
The index finger, , is the first finger and the second digit of a human hand. It is located between the first and third digits, between the thumb and the middle finger...
of John the Baptist
John the Baptist
John the Baptist was an itinerant preacher and a major religious figure mentioned in the Canonical gospels. He is described in the Gospel of Luke as a relative of Jesus, who led a movement of baptism at the Jordan River...
(and 200 florins
Italian coin florin
The Italian florin was a coin struck from 1252 to 1533 with no significant change in its design or metal content standard. It had 54 grains of nominally pure gold worth approximately 200 modern US Dollars...
for an appropriate reliquary
Reliquary
A reliquary is a container for relics. These may be the physical remains of saints, such as bones, pieces of clothing, or some object associated with saints or other religious figures...
) to the Baptistry. With this finger John was believed to have pointed to Jesus
Jesus
Jesus of Nazareth , commonly referred to as Jesus Christ or simply as Jesus or Christ, is the central figure of Christianity...
, saying "Ecce Agnus Dei" ("Behold the lamb of God") in . The long and complicated history of the relic would only have increased the legendary status of the finger: Philotheus Kokkinos, Patriarch of Constantinople presented it in 1363 to Pope Urban V
Pope Urban V
Pope Urban V , born Guillaume Grimoard, was Pope from 1362 to 1370.-Biography:Grimoard was a native of Grizac in Languedoc . He became a Benedictine and a doctor in Canon Law, teaching at Montpellier and Avignon...
, who passed it to his successors Gregory XI
Pope Gregory XI
Gregory XI was pope from 1370 until his death.-Biography:He was born Pierre Roger de Beaufort, in Maumont, in the modern commune of Rosiers-d'Égletons, Limousin around 1336. He succeeded Pope Urban V in 1370, and was pope until 1378...
and Urban VI
Pope Urban VI
Pope Urban VI , born Bartolomeo Prignano, was Pope from 1378 to 1389.-Biography:Born in Itri, he was a devout monk and learned casuist, trained at Avignon. On March 21, 1364, he was consecrated Archbishop of Acerenza in the Kingdom of Naples...
, who was dispossessed of it during the siege of Nocera
Nocera Inferiore
Nocera Inferiore, formerly Nocera dei Pagani, is a town and comune in Campania, Italy, in the province of Salerno, at the foot of Monte Albino, 20 km east-south-east of Naples by rail.-History:...
, after which John XXIII bought it for 800 florins and wore it on his person before hiding it in the monastery of Santa Maria degli Angeli
Santa Maria degli Angeli, Florence
Santa Maria degli Angeli is the former church of a now-defunct monastery in Florence, Italy. It belonged to the Camaldolese order, which was a reformed branch of the Benedictines. The congregation was founded in 1012 by the hermit St. Romuald at Camaldoli, near Arezzo, hence the name...
.
Completion
The chronology of the tomb monument's completion is not precisely known, but portions can be determined from various sources. According to the passing reference of a Florentine notaryCivil law notary
Civil-law notaries, or Latin notaries, are lawyers of noncontentious private civil law who draft, take, and record legal instruments for private parties, provide legal advice and give attendance in person, and are vested as public officers with the authentication power of the State...
, in 1424 (by the Florentine calendar
Florentine calendar
The Florentine calendar was used in Italy in the Middle Ages. In this system, the new day begins at sunset. When the reference of a birth was, for example, "two hours into the day", this meant two hours after sunset...
) part of the tomb was installed. Michelozzo's Catasto
Catasto
Catasto is the Italian system of land registration. The word gives rise to the English cadastre.The register itself is maintained at a local level by the individual councils or Comuni...
from July 1427 indicates that Michelozzo had been Donatello's partner for about two years ("due anni o incircha") and that three-fourths of the 800 florin budget had been spent. To harmonize these accounts, one must conclude either that Michelozzo's chronology was imprecise, that Donatello received the commission before the partnership was formed, or that the 1424 date in the Florentine calendar falls in 1425 in the modern calendar.
On February 2, 1425, Bartolomeo Valori and Cosimo de' Medici requested 400 of the 800 florins that had been deposited with the Calimala, likely for work already completed. This deposit was insurance in case the executors left the tomb unfinished and the Calimala was forced to pay for its completion, as it had been obliged to with the finger reliquary. This request is also the most direct piece of evidence for Cosimo's involvement with the commissioning. Despite this document, Vasari's claim in his Vite
Lives of the Most Excellent Painters, Sculptors, and Architects
The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite de' più eccellenti pittori, scultori, e architettori da Cimabue insino a' tempi nostri, as it was originally known in Italian, is a series of artist biographies written by 16th century...
of 1550 that Cosimo was responsible for the handling of the commission has been questioned.
It is probable that the sarcophagus was installed on or shortly before May 2, 1426, when the Calimala contracted for two chaplain
Chaplain
Traditionally, a chaplain is a minister in a specialized setting such as a priest, pastor, rabbi, or imam or lay representative of a religion attached to a secular institution such as a hospital, prison, military unit, police department, university, or private chapel...
s to say a daily mass for Cossa's soul. The records of the Duomo workshop indicate that on January 28, 1427 Valori bought four white marble blocks for the tomb.
The exact date of completion is unknown but an extreme terminus ante quem
Terminus post quem
Terminus post quem and terminus ante quem specify approximate dates for events...
is given by the death in 1431 of Pope Martin V, who is known to have visited the completed tomb; other factors may push the terminus ante quem back significantly into the 1420s. The most reliable such indication is that in September 1428 Jacopo della Quercia
Jacopo della Quercia
Jacopo della Quercia was an Italian sculptor of the Italian Renaissance, a contemporary of Brunelleschi, Ghiberti and Donatello. He is considered a precursor of Michelangelo.-Biography:...
returned to Bologna and produced a wall tomb with Virtues reflecting in minute details the Cossa Virtues.
Vasari suggests that the tomb went over budget, costing 1,000 florins, although it is unclear who covered the excess. Although the original source for this claim is unknown, it has gained credence with modern scholars as the effigy alone would have cost 500 florins, yet its exactness may be taken with a grain of salt.
Design
The Baptistry already contained three sarcophagi: those of Bishop Ranieri (d. 1113) and two reused Roman sarcophagi. However, the tomb monument at 7.32 metres (24.02 ft) in height was easily the tallest monument in the Baptistry, and—at the time—in Florence. The Duomo contains few tombs, with some notable exceptions, such as that of Aldobrandino Ottobuoni.The tomb monument adapted to the conditions imposed by the Calimala and integrated with the interior of the Baptistry. The wall tomb was required to be placed between two pre-existing Corinthian column
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
s—the central pillars between Ghiberti
Lorenzo Ghiberti
Lorenzo Ghiberti , born Lorenzo di Bartolo, was an Italian artist of the early Renaissance best known for works in sculpture and metalworking.-Early life:...
's North Doors and the eastern tribune
Tribune
Tribune was a title shared by elected officials in the Roman Republic. Tribunes had the power to convene the Plebeian Council and to act as its president, which also gave them the right to propose legislation before it. They were sacrosanct, in the sense that any assault on their person was...
—constituting one-third of one of the octagonal walls, near the altar and facing Ghiberti's East Doors. The setting starves the tomb monument of light, especially when the Baptistry’s doors are closed, which is normally the case. It would be even darker were it not for the "screen" back wall protruding 48.4 centimetres (19.1 in) from the Baptistry wall. The white and brown (and whitish-brown) marble further integrates the structure with the polychromatic
Polychromatic
The term polychromatic means having several colours.It is used to describe light that exhibits more than one color. In a technical respect, this can also mean that it contains radiation of more than one wavelength. The study of polychromatics is particularly useful in the production of diffraction...
white and green of the Baptistry interior. Some scholars accept the colored sketch of Buonaccorso Ghirberti as evidence that the "original effaced polychromy" of the tomb was more integrated, although others contend that the sketch is too inaccurate. The canopy’s interaction with the columns and conceit
Conceit
In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison...
of being supported by the Baptistry cornice make the tomb monument further "wedded to the architecture" around it, even if the marriage is morganatic. Apart from the effigy on the sarcophagus, all the other sculpted figures are in high relief.
Although the style of the work is thoroughly classicising, the overall form reflects the grandest type of the medieval Italian wall tomb, in which the vertical piling-up of a series of different elements is characteristic. Italian Gothic sculpture always retained considerable elements of classicism, and it was not necessary for Donatello and Michelozzo to adopt a radically original overall scheme from those of Tino di Camaino
Tino di Camaino
thumb|300px|Tomb of Antonio d'Orso, in [[Santa Maria del Fiore]], [[Florence]].Tino di Camaino was an Italian sculptor....
(c. 1285–1337), the Siennese
Siena
Siena is a city in Tuscany, Italy. It is the capital of the province of Siena.The historic centre of Siena has been declared by UNESCO a World Heritage Site. It is one of the nation's most visited tourist attractions, with over 163,000 international arrivals in 2008...
sculptor whose wall-tombs of a century before had been very influential throughout Italy. A life-size marble effigy lying on top of an elevated protruding sarcophagus is highly typical. The motif of curtains at the top is often found in monuments using Gothic decorative details, and the shape recalls the triangular gable
Gable
A gable is the generally triangular portion of a wall between the edges of a sloping roof. The shape of the gable and how it is detailed depends on the structural system being used and aesthetic concerns. Thus the type of roof enclosing the volume dictates the shape of the gable...
tops of monuments in a more thoroughly Gothic style; other monuments have curtains, often held open by angels, around the effigy, and then sculptures above. The Cossa monument is often compared to the monument to Doge
Doge of Venice
The Doge of Venice , often mistranslated Duke was the chief magistrate and leader of the Most Serene Republic of Venice for over a thousand years. Doges of Venice were elected for life by the city-state's aristocracy. Commonly the person selected as Doge was the shrewdest elder in the city...
Tommaso Mocenigo
Tommaso Mocenigo
Tommaso Mocenigo was doge of Venice from 1414 until his death.-Biography:He commanded the crusading fleet in the expedition to Nicopolis in 1396 and also won battles against the Genoese during the War of Chioggia of 1378-1381....
of Venice, of 1423, which has high relief saints in shell niches on and above the sarcophagus, above which a large pair of curtains sweep up to a single terminal; however the architectural detailing here is Gothic. The design of the Cossa tomb itself was elaborated on, and adapted to local conventions, in the tomb by the same team for Cardinal Brancacci in Naples, and influenced the monument to Leonardo Bruni
Leonardo Bruni
Leonardo Bruni was an Italian humanist, historian and statesman. He has been called the first modern historian.-Biography:...
by Bernardo Rossellino
Bernardo Rossellino
Bernardo di Matteo del Borra Gamberelli , better known as Bernardo Rossellino, was an Italian sculptor and architect, the elder brother of the sculptor Antonio Rossellino...
, of about 20 years later, in the Basilica of Santa Croce, Florence.
Base
The base slab, or pylonPylon (architecture)
Pylon is the Greek term for a monumental gateway of an Egyptian temple It consists of two tapering towers, each surmounted by a cornice, joined by a less elevated section which enclosed the entrance between them. The entrance was generally about half the height of the towers...
, of the tomb monument rests on a 38 centimetres (15 in) high plinth
Plinth
In architecture, a plinth is the base or platform upon which a column, pedestal, statue, monument or structure rests. Gottfried Semper's The Four Elements of Architecture posited that the plinth, the hearth, the roof, and the wall make up all of architectural theory. The plinth usually rests...
, separated by a cornice
Cornice
Cornice molding is generally any horizontal decorative molding that crowns any building or furniture element: the cornice over a door or window, for instance, or the cornice around the edge of a pedestal. A simple cornice may be formed just with a crown molding.The function of the projecting...
and concave moulding
Molding (decorative)
Molding or moulding is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster but may be made from plastic or reformed wood...
s. The pylon is 1.39 metres (4.56 ft) high and 2.02 metres (6.63 ft) wide, decorated with a frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
of winged angel heads (perhaps seraphim) and garland
Garland (decoration)
A garland is a decorative wreath or cord, used at festive occasions, which can be hung round a person's neck, or on inanimate objects like Christmas trees. Originally garlands were made of flowers or leaves.-Etymology:...
s and ribbons.
Virtues
Above the pylon, separated by the cornice, are the three VirtuesTheological virtues
Theological virtues - in theology and Christian philosophy, are the character qualities associated with salvation, resulting from the grace of God, which enlightens human mind.- In the Bible :The three theological virtues are:...
—from left to right, Faith
Faith
Faith is confidence or trust in a person or thing, or a belief that is not based on proof. In religion, faith is a belief in a transcendent reality, a religious teacher, a set of teachings or a Supreme Being. Generally speaking, it is offered as a means by which the truth of the proposition,...
, Charity
Charity (virtue)
In Christian theology charity, or love , means an unlimited loving-kindness toward all others.The term should not be confused with the more restricted modern use of the word charity to mean benevolent giving.- Caritas: altruistic love :...
, and Hope
Hope (virtue)
Hope is one of the three theological virtues in Christian tradition. Hope being a combination of the desire for something and expectation of receiving it, the virtue is hoping for Divine union and so eternal happiness...
—in shell niches, separated by four Corinthian
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
fluted pilasters
Pilaster
A pilaster is a slightly-projecting column built into or applied to the face of a wall. Most commonly flattened or rectangular in form, pilasters can also take a half-round form or the shape of any type of column, including tortile....
. Such a motif is unprecedented in Tuscan
Tuscany
Tuscany is a region in Italy. It has an area of about 23,000 square kilometres and a population of about 3.75 million inhabitants. The regional capital is Florence ....
funerary sculpture but found at this date in Venice
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
, Padua
Padua
Padua is a city and comune in the Veneto, northern Italy. It is the capital of the province of Padua and the economic and communications hub of the area. Padua's population is 212,500 . The city is sometimes included, with Venice and Treviso, in the Padua-Treviso-Venice Metropolitan Area, having...
, and especially Cossa’s native Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...
. As a result, excursions to Venice have been suggested for both Michelozzo and Donatello. However, Janson suggests that one "need not go all the way to Venice" to find such motifs. Outside Florence, Virtues were common on tombs, with the cardinal Virtues
Cardinal virtues
In Christian traditionthere are 4 cardinal virtues:*Prudence - able to judge between actions with regard to appropriate actions at a given time*Justice - proper moderation between self-interest and the rights and needs of others...
used for laymen, and the theological virtues
Theological virtues
Theological virtues - in theology and Christian philosophy, are the character qualities associated with salvation, resulting from the grace of God, which enlightens human mind.- In the Bible :The three theological virtues are:...
reserved for ecclesiastics, including the Brancaccio
Brancaccio
Brancaccio is a neighbourhood of Palermo, Sicily. It is a semi-traditional area of the working class. It was important in the history of the Cosa Nostra....
tomb. However, the Cossa Virtues, from their hair to their sandals, are more thoroughly antique. Donatello also produced two similar bronze Virtues for the Siena Baptistry, whose chronological relationship to the Cossa Virtues is unclear.
The 1.05 metres (3.44 ft) tall Faith, to the right of Charity, is holding a Eucharist
Eucharist
The Eucharist , also called Holy Communion, the Sacrament of the Altar, the Blessed Sacrament, the Lord's Supper, and other names, is a Christian sacrament or ordinance...
ic chalice
Chalice (cup)
A chalice is a goblet or footed cup intended to hold a drink. In general religious terms, it is intended for drinking during a ceremony.-Christian:...
; the 1.07 metres (3.51 ft) tall Charity is holding a cornucopia
Cornucopia
The cornucopia or horn of plenty is a symbol of abundance and nourishment, commonly a large horn-shaped container overflowing with produce, flowers, nuts, other edibles, or wealth in some form...
and a brazier
Brazier
A brazier is a container for fire, generally taking the form of an upright standing or hanging metal bowl or box. Used for holding burning coal as well as fires, a brazier allows for a source of light, heat, or cooking...
(or flaming vase); and the 1.06 metres (3.48 ft) tall Hope, to the left of Charity, has hands clasped in prayer
Prayer
Prayer is a form of religious practice that seeks to activate a volitional rapport to a deity through deliberate practice. Prayer may be either individual or communal and take place in public or in private. It may involve the use of words or song. When language is used, prayer may take the form of...
. The central figure of Charity is the most antique, assimilating elements of Classical depictions of Abundantia
Abundantia
In ancient Roman religion, Abundantia was a divine personification of abundance and prosperity. She was among the embodiments of virtues in religious propaganda that cast the emperor as the ensurer of "Golden Age" conditions. Abundantia thus figures in art, cult, and literature, but has little...
, Ceres, and Juno
Juno (mythology)
Juno is an ancient Roman goddess, the protector and special counselor of the state. She is a daughter of Saturn and sister of the chief god Jupiter and the mother of Mars and Vulcan. Juno also looked after the women of Rome. Her Greek equivalent is Hera...
, all of which were depicted with cornucopias in their left hands. Besides underscoring the antiquity of the tomb monument, the main purpose of the tall yet poorly finished Virtues is to put additional vertical distance between the viewer and the effigy, which has the cumulative effect of de-emphasizing the peculiarities of Cossa, in favor of a generic pontiff (i.e. a potential line of Florentine popes), by blunting the "immediacy" of the trope of lying in state
Lying in state
Lying in state is a term used to describe the tradition in which a coffin is placed on view to allow the public at large to pay their respects to the deceased. It traditionally takes place in the principal government building of a country or city...
, which was otherwise dominant on Quattrocento
Quattrocento
The cultural and artistic events of 15th century Italy are collectively referred to as the Quattrocento...
wall tombs.
Sarcophagus and inscription
Above the Virtues, four classical consolesCorbel
In architecture a corbel is a piece of stone jutting out of a wall to carry any superincumbent weight. A piece of timber projecting in the same way was called a "tassel" or a "bragger". The technique of corbelling, where rows of corbels deeply keyed inside a wall support a projecting wall or...
decorated with acanthus
Acanthus (ornament)
The acanthus is one of the most common plant forms to make foliage ornament and decoration.-Architecture:In architecture, an ornament is carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to...
leaves support the sarcophagus. In the tripartite
Triptych
A triptych , from tri-= "three" + ptysso= "to fold") is a work of art which is divided into three sections, or three carved panels which are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works...
space between the consoles—from left to right—are Cossa’s family arms with the papal tiara
Papal Tiara
The Papal Tiara, also known incorrectly as the Triple Tiara, or in Latin as the Triregnum, in Italian as the Triregno and as the Trirègne in French, is the three-tiered jewelled papal crown, supposedly of Byzantine and Persian origin, that is a prominent symbol of the papacy...
, the papal coat of arms
Coat of arms
A coat of arms is a unique heraldic design on a shield or escutcheon or on a surcoat or tabard used to cover and protect armour and to identify the wearer. Thus the term is often stated as "coat-armour", because it was anciently displayed on the front of a coat of cloth...
, and Cossa’s family arms with the cardinal’s hat. The rilievo schiacciato (a type of very shallow bas-relief pioneered by Donatello) on the architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
sarcophagus (2.12 metres (6.96 ft) wide and 0.7 metres (2.3 ft) high) depicts two putti
Putto
A putto is a figure of an infant often depicted as a young male. Putti are defined as chubby, winged or wingless, male child figure in nude. Putti are distinct from cherubim, but some English-speakers confuse them with each other, except that in the plural, "the Cherubim" refers to the biblical...
or spiratelli ("little spirits") holding open a large inscribed parchment
Parchment
Parchment is a thin material made from calfskin, sheepskin or goatskin, often split. Its most common use was as a material for writing on, for documents, notes, or the pages of a book, codex or manuscript. It is distinct from leather in that parchment is limed but not tanned; therefore, it is very...
, perhaps in the style of a papal brief
Papal brief
The Papal Brief is a formal document emanating from the Pope, in a somewhat simpler and more modern form than a Papal Bull.-History:The introduction of briefs, which occurred at the beginning of the pontificate of Pope Eugenius IV , was clearly prompted for the same desire for greater simplicity...
. The putti (or spiratelli) share many characteristics with their ancient counterparts, except for their crossed legs.
The inscription reads:
Which translates to:
John the former pope
XXIII. Died in Florence
A.D. 1419, on 11th
day before the Calends of January
Pope Martin V objected to a portion of the inscription—""—because he thought it implied Cossa had died as pope (the Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
"" could mean either "the former" or "the late"). The use of "olim Papa", as was common in many contemporary documents, instead of "quondam Papa" would probably have removed Martin V’s objections. Martin himself suggested instead that Cossa be identified as a Neapolitan cardinal, thus emphasizing instead his submission. Contemporary sources report that the Signoria
Signoria of Florence
The Signoria was the government of medieval and renaissance Florence. Its nine members, the Priori, were chosen from the ranks of the guilds of the city: six of them from the major guilds, and two from the minor guilds...
mimicked the reply of Pontius Pilate
Pontius Pilate
Pontius Pilatus , known in the English-speaking world as Pontius Pilate , was the fifth Prefect of the Roman province of Judaea, from AD 26–36. He is best known as the judge at Jesus' trial and the man who authorized the crucifixion of Jesus...
regarding the inscription on the cross of Christ: "What is written, is written." Martin V himself was buried underneath an undecorated bronze floor slab, the only known example of a two-dimensional papal monument, although also the first to be set in the central nave of a major basilica, the Basilica of St. John Lateran
Basilica of St. John Lateran
The Papal Archbasilica of St. John Lateran , commonly known as St. John Lateran's Archbasilica and St. John Lateran's Basilica, is the cathedral of the Diocese of Rome and the official ecclesiastical seat of the Bishop of Rome, who is the Pope...
in Rome, and cast in bronze—probably also by Donatello.
According to Avery, Donatello’s Ascension of Christ and the Giving of the Keys to St. Peter may have been intended to share the front of the sarcophagus, further strengthening the papal associations, which were created by dating Cossa’s death using the ancient Roman Calends of January, which was uncommon on Florentine tombs, but was used in papal ones.
Effigy
On top of the sarcophagus, the bierBier
A bier is a stand on which a corpse, coffin or casket containing a corpse, is placed to lie in state or to be carried to the grave.In Christian burial, the bier is often placed in the centre of the nave with candles surrounding it, and remains in place during the funeral.The bier is a flat frame,...
of the effigy is supported by lion
Lion
The lion is one of the four big cats in the genus Panthera, and a member of the family Felidae. With some males exceeding 250 kg in weight, it is the second-largest living cat after the tiger...
s whose shape mimics Trecento
Trecento
The Trecento refers to the 14th century in Italian cultural history.Commonly the Trecento is considered to be the beginning of the Renaissance in art history...
consoles. The lions may be based on the Florentine Marzocco, as if to mark John XXIII in the same manner as a conquered city-state. As Donatello’s Marzocco for the papal apartment in Santa Maria Novella conveyed Florence’s ambivalence towards Martin V (as both a source of prestige by visiting, and a potential adversary of the Republic), the lions supporting the bier contextualize the tomb monument's support for John XXIII’s claim to the papacy by cementing it as a Florentine claim. Yet, any iconographical interpretation of the lions must be taken with a grain of salt as lions are symbolically promiscuous, and are also seen as supports on earlier tombs, such as that of Lapo de’ Bardi (d. 1342) in the Bargello
Bargello
The Bargello, also known as the Bargello Palace or Palazzo del Popolo is a former barracks and prison, now an art museum, in Florence, Italy.-Terminology:...
.
The bier and the pall spread over it are tilted towards the viewer with the lion supporting the head standing 2 centimetre (0.78740157480315 in) shorter, increasing the visibility of the effigy
Effigy
An effigy is a representation of a person, especially in the form of sculpture or some other three-dimensional form.The term is usually associated with full-length figures of a deceased person depicted in stone or wood on church monuments. These most often lie supine with hands together in prayer,...
, especially the head. The gilded-bronze
Gilding
The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as "gilt"...
, life-size effigy itself makes no attempt to argue for Cossa’s papal status, dressing Cossa clearly in the costume of a cardinal; the bedding it rests on is of un-gilt bronze. The opening in the 16th century of the sarcophagus confirmed that Cossa’s actual burial clothes matched the effigy. There was no precedent for a three-dimensional gilded-bronze effigy on an Italian tomb monument; there was, however, a 6 feet (1.83 m) gilt bronze statue on the balcony of the Palazzo della Briada in Bologna commissioned by Pope Boniface VIII
Pope Boniface VIII
Pope Boniface VIII , born Benedetto Gaetani, was Pope of the Catholic Church from 1294 to 1303. Today, Boniface VIII is probably best remembered for his feuds with Dante, who placed him in the Eighth circle of Hell in his Divina Commedia, among the Simonists.- Biography :Gaetani was born in 1235 in...
.
Some scholars suggest that Donatello created the effigy with the aid of a death mask
Death mask
In Western cultures a death mask is a wax or plaster cast made of a person’s face following death. Death masks may be mementos of the dead, or be used for creation of portraits...
, but others disagree.
Canopy
Behind the effigy is a 1.34 metres (4.4 ft) tripartite pylon with sunk molded borders supporting the cornice and framed by two additional Corinthian pilasters. Above it rests an entablatureEntablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...
of the Madonna and Child on a half-lunette
Lunette
In architecture, a lunette is a half-moon shaped space, either filled with recessed masonry or void. A lunette is formed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If a door is set within a round-headed arch, the space within the...
, a typical—symbolizing intercession—motif for a tomb. Above the effigy and Madonna is a gilt-edged architectonic canopy decorated with patterned stemmed flowers, giving the conceit
Conceit
In literature, a conceit is an extended metaphor with a complex logic that governs a poetic passage or entire poem. By juxtaposing, usurping and manipulating images and ideas in surprising ways, a conceit invites the reader into a more sophisticated understanding of an object of comparison...
of being supported by the ribbed brass ring, an impossibility given its weight. McHam suggests that the canopy is based on the "Dome of Heaven", and thus the baldacchino
Baldachin
A baldachin, or baldaquin , is a canopy of state over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is...
of papal enthronement. However, Lightbown is emphatic that the double-summited canopy looped against the pillars is not a baldacchino, but rather a secular bed-canopy.
Attribution
The tomb monument was the first collaboration between DonatelloDonatello
Donato di Niccolò di Betto Bardi , also known as Donatello, was an early Renaissance Italian artist and sculptor from Florence...
and Michelozzo
Michelozzo
thumb|250px|[[Palazzo Medici]] in Florence.Michelozzo di Bartolomeo Michelozzi was an Italian architect and sculptor.-Biography:...
, who went on to collaborate on the tomb of Cardinal Rainaldo Brancacci
Tomb of Cardinal Rainaldo Brancacci
The Tomb of Cardinal Rainaldo Brancacci is a sculptural work in the church of Sant'Angelo a Nilo in Naples, southern Italy, executed by Donatello and Michelozzo around 1426-1428...
in the Church of Sant’Angelo a Nilo in Naples, the tomb of Papal Secretary Bartolomeo Aragazzi in what is now the Duomo
Duomo
Duomo is a term for a cathedral church. The formal word for a church that is presently a cathedral is cattedrale; a Duomo may be either a present or a former cathedral . Some, like the Duomo of Monza, have never been cathedrals, although old and important...
of Montepulciano
Montepulciano
Montepulciano is a medieval and Renaissance hill town and comune in the province of Siena in southern Tuscany, in Italy. Montepulciano, with an elevation of 605 m, sits on a high limestone ridge. By car it is 13 km E of Pienza; 70 km SE of Siena, 124 km SE of Florence, and...
, and the external pulpit of the Duomo of Prato
Prato Cathedral
The Cathedral of Prato is the main Catholic church of Prato, Tuscany, Central Italy and seat of the bishop. It is dedicated to St. Stephen, the first Christian martyr. It is one of the most ancient churches in the city, existing already in the 10th century and having been built and in several...
. At the time of their partnership, Donatello was already well-known for his statues of prophets and saints for the Duomo and Orsanmichele
Orsanmichele
Orsanmichele is a church in the Italian city of Florence...
, while Michelozzo was more obscure. Both had worked for a time for Ghiberti, whose workshop then led Florentine sculpture.
Nearly every element of the tomb monument has been attributed to both Donatello and Michelozzo by different art historians
Art history
Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style...
. These characterizations are mostly of historiographical
Historiography
Historiography refers either to the study of the history and methodology of history as a discipline, or to a body of historical work on a specialized topic...
interest: attribution to Donatello is more of an indication of what is valued by each commentator than any objective criteria; often, aspects are attributed to Michelozzo explicitly because they are "less well executed".
Descriptions from 1475 to 1568 attribute all of the tomb except for the figure of Faith to Donatello. Some modern sources reverse this dichotomy, attributing all of the tomb to Michelozzo with the exception of the gilded bronze effigy. Some sources credit Donatello only with the bronze effigy. According to Janson, of the marble work, only the putti
Putto
A putto is a figure of an infant often depicted as a young male. Putti are defined as chubby, winged or wingless, male child figure in nude. Putti are distinct from cherubim, but some English-speakers confuse them with each other, except that in the plural, "the Cherubim" refers to the biblical...
can be attributed to "Donatello’s own hand". Donatello’s alleged deficiencies in casting or in architecture have been proposed as the reason for his partnership with Michelozzo, in addition to his busy schedule.