Sergei Lemeshev
Encyclopedia
Sergei Yakovlevich Lemeshev ' onMouseout='HidePop("77803")' href="/topics/Tver">Tver
District – died June 26, 1977, Moscow) was one of the most well-known and beloved Russia
n opera
tic lyric tenors.
Between 1921-1925, he studied at the Moscow Conservatory
with Nazari Raisky. In 1924, he sang in the opera studio of Konstantin Stanislavsky. From 1926-1931, he sang in the theatres of Sverdlovsk
, Harbin
, and Tbilisi
.
In 1931 Lemeshev was invited to the Bolshoi Theatre
, made his debut and eventually became the theatre's soloist. His lyrical tenor of an unusually soft and light timbre almost at once brought him love and popularity among admirers of the operatic art. Nevertheless, Lemeshev was a great worker and worked hard to develop each of his opera roles. His vocal and artistic qualities, evident to every listener, are beauty of timbre, musicality, effortlessness of vocal production, expressiveness, very clear diction and incredible pianissimo
.
The best years of his operatic career were 1931-1942. He was also an outstanding concert singer and a brilliant performer of traditional Russian folk songs. In 1938, he became the first artist to sing all 100 romances by Tchaikovsky in 5 concerts. Folk songs broadcasted on the radio further sealed his stature as a truly national singer.
, complicated by pleurisy
and tuberculosis
of the right lung. He was treated with artificial pneumothorax
, which induced the therapeutic collapse of one lung. Although singing was forbidden, he adapted by being more conscious and sensitive with regard to his technique, and continued to sing with one lung from 1942 to 1948, when the other lung was also artificially collapsed and re-inflated. During that period he recorded Lakme
, The Snow Maiden
, Les pêcheurs de perles
, Mozart and Salieri
and pieces from operas like The Barber of Seville
and Rigoletto
.
In 1947, he toured and performed at the Berlin State Opera
. Along with his friendly rival, tenor Ivan Kozlovsky
, he was the leading tenor at the Bolshoi until 1956.
and The Barber of Seville
respectively.
by Pyotr Tchaikovsky, and he performed it more than 500 times from 1927 onwards. He performed it for the last time on his 70th birthday, after suffering three heart attacks and having a lung removed.
. He was also appointed Assistant Manager of the Bolshoi from 1957 to 1959. He debuted as director in 1951, with the production of La Traviata
in the Maly Opera Theatre in Leningrad (now known as the Mikhaylovsky Theatre
). Following this, he was made director for the production of Massenet's Werther in 1957 at the Bolshoi.
Toward the end of his career, he mainly gave concerts of Russian classic romances and folk songs, with performances aired on the radio, and taught in the Moscow Conservatory as Associate Professor.
He was buried in the Novodevichy Cemetery
in Moscow.
Almost all his performances during 1930s and 1940s were accompanied by crowds of fans followed him through the streets, spending days and nights near his house. http://greatoperasingers.blogspot.com/2010/09/great-sergei-lemeshev-view-from-russia.html
While Lemeshev was one of the leading tenors of the Bolshoi Theatre, he was admired by fans, who were jokingly called "lemeshistki." The theatre lobby was a venue for scuffles between the "lemeshistki" and the "kozlovityanki" (fans of Lemeshev's rival Ivan Kozlovsky).http://www.peoples.ru/art/music/tenor/lemeshev/history.html
Additionally, the film "The Musical Story" (1941) http://www.imdb.com/title/tt0032825/ in which he played the main role, brought him the Stalin prize, and even more widespread furore and fame all over the USSR.
Ultimately, he found his life partner in singer Vera Kudryavtseva. Their marriage lasted for over 20 years, until Lemeshev's death in 1977.
Asteroid
number 4561
received the name Lemeshev in 1978, a year after Sergei Lemeshev's death.
more information
"He sang sul soffio (leaning on the breath), avoided stressful abdominal respiration (only Caruso could do it), and directed the sound current to the mask, the method of singing which was so much Lauri-Volpi's gospel." (Dr. Joseph Fragala) http://www.grandi-tenori.com/tenors/lemeshev.php
"He developed a mixed voice of incomparable beauty, which made it possible for him to take the highest notes with such beautiful richness that even specialists could not explain how it was done technically….His high C’s … sounded virile and full…His manner of lowering his larynx a bit on high notes allowed him to perform the parts which we ordinary lyric tenors did not sing, [roles such as] Rodolfo in La Bohème, Levko in May Night, Dubrovsky, Fra Diavolo…" (A.Orfenov) http://greatoperasingers.blogspot.com/2010/09/great-sergei-lemeshev-view-from-russia.html
Tver
Tver is a city and the administrative center of Tver Oblast, Russia. Population: 403,726 ; 408,903 ;...
District – died June 26, 1977, Moscow) was one of the most well-known and beloved Russia
Russia
Russia or , officially known as both Russia and the Russian Federation , is a country in northern Eurasia. It is a federal semi-presidential republic, comprising 83 federal subjects...
n opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
tic lyric tenors.
Early Life and Career
Lemeshev was born into a peasant family, and his father wanted him to become a cobbler. In 1914, he left a parish school and was sent to be trained to make shoes in St Petersburg. In 1917, he graduated from school in Tver, where he received vocal training. He began first at a local workers' club and later moved to Moscow.Between 1921-1925, he studied at the Moscow Conservatory
Moscow Conservatory
The Moscow Conservatory is a higher musical education institution in Moscow, and the second oldest conservatory in Russia after St. Petersburg Conservatory. Along with the St...
with Nazari Raisky. In 1924, he sang in the opera studio of Konstantin Stanislavsky. From 1926-1931, he sang in the theatres of Sverdlovsk
Yekaterinburg
Yekaterinburg is a major city in the central part of Russia, the administrative center of Sverdlovsk Oblast. Situated on the eastern side of the Ural mountain range, it is the main industrial and cultural center of the Urals Federal District with a population of 1,350,136 , making it Russia's...
, Harbin
Harbin
Harbin ; Manchu language: , Harbin; Russian: Харби́н Kharbin ), is the capital and largest city of Heilongjiang Province in Northeast China, lying on the southern bank of the Songhua River...
, and Tbilisi
Tbilisi
Tbilisi is the capital and the largest city of Georgia, lying on the banks of the Mt'k'vari River. The name is derived from an early Georgian form T'pilisi and it was officially known as Tiflis until 1936...
.
In 1931 Lemeshev was invited to the Bolshoi Theatre
Bolshoi Theatre
The Bolshoi Theatre is a historic theatre in Moscow, Russia, designed by architect Joseph Bové, which holds performances of ballet and opera. The Bolshoi Ballet and Bolshoi Opera are amongst the oldest and most renowned ballet and opera companies in the world...
, made his debut and eventually became the theatre's soloist. His lyrical tenor of an unusually soft and light timbre almost at once brought him love and popularity among admirers of the operatic art. Nevertheless, Lemeshev was a great worker and worked hard to develop each of his opera roles. His vocal and artistic qualities, evident to every listener, are beauty of timbre, musicality, effortlessness of vocal production, expressiveness, very clear diction and incredible pianissimo
Dynamics (music)
In music, dynamics normally refers to the volume of a sound or note, but can also refer to every aspect of the execution of a given piece, either stylistic or functional . The term is also applied to the written or printed musical notation used to indicate dynamics...
.
The best years of his operatic career were 1931-1942. He was also an outstanding concert singer and a brilliant performer of traditional Russian folk songs. In 1938, he became the first artist to sing all 100 romances by Tchaikovsky in 5 concerts. Folk songs broadcasted on the radio further sealed his stature as a truly national singer.
Health
The beginning of the Great Patriotic War was crucial for Lemeshev; during one evacuation he caught a very bad cold which resulted in two attacks of pneumoniaPneumonia
Pneumonia is an inflammatory condition of the lung—especially affecting the microscopic air sacs —associated with fever, chest symptoms, and a lack of air space on a chest X-ray. Pneumonia is typically caused by an infection but there are a number of other causes...
, complicated by pleurisy
Pleurisy
Pleurisy is an inflammation of the pleura, the lining of the pleural cavity surrounding the lungs. Among other things, infections are the most common cause of pleurisy....
and tuberculosis
Tuberculosis
Tuberculosis, MTB, or TB is a common, and in many cases lethal, infectious disease caused by various strains of mycobacteria, usually Mycobacterium tuberculosis. Tuberculosis usually attacks the lungs but can also affect other parts of the body...
of the right lung. He was treated with artificial pneumothorax
Pneumothorax
Pneumothorax is a collection of air or gas in the pleural cavity of the chest between the lung and the chest wall. It may occur spontaneously in people without chronic lung conditions as well as in those with lung disease , and many pneumothoraces occur after physical trauma to the chest, blast...
, which induced the therapeutic collapse of one lung. Although singing was forbidden, he adapted by being more conscious and sensitive with regard to his technique, and continued to sing with one lung from 1942 to 1948, when the other lung was also artificially collapsed and re-inflated. During that period he recorded Lakme
Lakmé
Lakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. Delibes wrote the score during 1881–82 with its first performance on 14 April 1883 at the Opéra Comique in Paris. Set in British India in the mid 19th century, Lakmé is based on the 1880 novel...
, The Snow Maiden
The Snow Maiden
The Snow Maiden: A Spring Fairy Tale is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky .The first performance of Rimsky-Korsakov's opera took place at the...
, Les pêcheurs de perles
Les pêcheurs de perles
Les pêcheurs de perles is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was first performed on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run...
, Mozart and Salieri
Mozart and Salieri
Mozart and Salieri is a one-act opera in two scenes by Nikolai Rimsky-Korsakov, written in 1897 to a Russian libretto taken almost verbatim from Alexander Pushkin's 1830 verse drama of the same name....
and pieces from operas like The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
and Rigoletto
Rigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
.
In 1947, he toured and performed at the Berlin State Opera
Berlin State Opera
The Staatsoper Unter den Linden is a German opera company. Its permanent home is the opera house on the Unter den Linden boulevard in the Mitte district of Berlin, which also hosts the Staatskapelle Berlin orchestra.-Early years:...
. Along with his friendly rival, tenor Ivan Kozlovsky
Ivan Kozlovsky
Ivan Semyonovitch Kozlovsky was a Soviet lyric tenor of Ukrainian ethnicity, one of the greatest stars of Soviet opera, as well a producer and director of his own opera company, and longtime teacher at the Moscow Conservatory.-Biography:...
, he was the leading tenor at the Bolshoi until 1956.
Repertoire
Lemeshev's operatic repertoire consisted primarily Russian works along with a particularly significant amount of French and a few Italian and German pieces. Almost all works were performed in the Russian language. Considerably very few complete recordings are available, with excerpts only available in spite of Lemeshev's numerous number of performances on stage in roles such as the Duke and Almaviva in RigolettoRigoletto
Rigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
and The Barber of Seville
The Barber of Seville
The Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
respectively.
- Rodolfo in La BohèmeLa bohèmeLa bohème is an opera in four acts,Puccini called the divisions quadro, a tableau or "image", rather than atto . by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa, based on Scènes de la vie de bohème by Henri Murger...
by Giacomo PucciniGiacomo PucciniGiacomo Antonio Domenico Michele Secondo Maria Puccini was an Italian composer whose operas, including La bohème, Tosca, Madama Butterfly, and Turandot, are among the most frequently performed in the standard repertoire... - Duke in RigolettoRigolettoRigoletto is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the play Le roi s'amuse by Victor Hugo. It was first performed at La Fenice in Venice on March 11, 1851...
by Giuseppe VerdiGiuseppe VerdiGiuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century... - Romeo in Roméo et JulietteRoméo et JulietteRoméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
by Charles GounodCharles GounodCharles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:... - Almaviva in The Barber of SevilleThe Barber of SevilleThe Barber of Seville, or The Futile Precaution is an opera buffa in two acts by Gioachino Rossini with a libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's comedy Le Barbier de Séville , which was originally an opéra comique, or a mixture of spoken play with music...
by Gioachino Rossini - Levko in May NightMay NightMay Night is an opera in three acts, four scenes, by Nikolai Rimsky-Korsakov from a libretto by the composer and is based on Nikolai Gogol's story May Night, or the Drowned Maiden, from his collection Evenings on a Farm Near Dikanka....
by Nikolai Rimsky-KorsakovNikolai Rimsky-KorsakovNikolai Andreyevich Rimsky-Korsakov was a Russian composer, and a member of the group of composers known as The Five.The Five, also known as The Mighty Handful or The Mighty Coterie, refers to a circle of composers who met in Saint Petersburg, Russia, in the years 1856–1870: Mily Balakirev , César... - Alfredo in La TraviataLa traviataLa traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
by Giuseppe Verdi - Astrologer in The Golden CockerelThe Golden CockerelThe Golden Cockerel is an opera in three acts, with short prologue and even shorter epilogue, by Nikolai Rimsky-Korsakov. Its libretto, by Vladimir Belsky, derives from Alexander Pushkin's 1834 poem The Tale of the Golden Cockerel, which in turn is based on two chapters of Tales of the Alhambra by...
by Nikolai Rimsky-Korsakov - Vladimir Igorevich in Prince IgorPrince IgorPrince Igor is an opera in four acts with a prologue. It was composed by Alexander Borodin. The composer adapted the libretto from the East Slavic epic The Lay of Igor's Host, which recounts the campaign of Russian prince Igor Svyatoslavich against the invading Polovtsian tribes in 1185...
by Alexander BorodinAlexander BorodinAlexander Porfiryevich Borodin was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five , who were dedicated to producing a specifically Russian kind of art music... - Rodolfo in Luisa MillerLuisa MillerLuisa Miller is an opera in three acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play Kabale und Liebe by Friedrich von Schiller. The first performance was given at the Teatro San Carlo in Naples on December 8, 1849...
by Giuseppe Verdi - Indian guest in SadkoSadko (opera)Sadko is an opera in seven scenes by Nikolai Rimsky-Korsakov. The libretto was written by the composer, with assistance from Vladimir Belsky, Vladimir Stasov, and others. Rimsky-Korsakov was first inspired by the bylina of Sadko in 1867, when he completed a tone poem on the subject, his Op. 5...
by Nikolai Rimsky-Korsakov - Lohengrin in LohengrinLohengrin (opera)Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
by Richard WagnerRichard WagnerWilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas... - Nadir in Les pêcheurs de perlesLes pêcheurs de perlesLes pêcheurs de perles is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was first performed on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run...
by Georges BizetGeorges BizetGeorges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a... - Doctor Faust in FaustFaust (opera)Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
by Charles Gounod - Tsar Berendei in The Snow MaidenThe Snow MaidenThe Snow Maiden: A Spring Fairy Tale is an opera in four acts with a prologue by Nikolai Rimsky-Korsakov, composed during 1880–1881. The Russian libretto, by the composer, is based on the like-named play by Alexander Ostrovsky .The first performance of Rimsky-Korsakov's opera took place at the...
by Nikolai Rimsky-Korsakov - Boyan in Ruslan and Ludmila by Mikhail GlinkaMikhail GlinkaMikhail Ivanovich Glinka , was the first Russian composer to gain wide recognition within his own country, and is often regarded as the father of Russian classical music...
- Prince Sidonal in The DemonThe Demon (opera)The Demon is an opera in three acts by Russian composer Anton Rubinstein. The work was composed in 1871. The libretto was by Pavel Viskovatov, based on the poem of the same name by Mikhail Lermontov.-Background:...
by Anton RubinsteinAnton RubinsteinAnton Grigorevich Rubinstein was a Russian-Jewish pianist, composer and conductor. As a pianist he was regarded as a rival of Franz Liszt, and he ranks amongst the great keyboard virtuosos... - Dubrovsky in DubrovskyDubrovsky (opera)Dubrovsky is an opera in four acts Op. 58, by Eduard Nápravník, to a Russian libretto by Modest Ilyich Tchaikovsky after the novel of the same title by Alexander Pushkin.-Creation and performance history:...
by Eduard NapravnikEduard NápravníkEduard Francevič Nápravník was a Czech conductor and composer, who settled in Russia and is best known for his leading role in Russian musical life as the principal conductor of the Imperial Mariinsky Theatre in Saint Petersburg for many decades... - Gérald in LakméLakméLakmé is an opera in three acts by Léo Delibes to a French libretto by Edmond Gondinet and Philippe Gille. Delibes wrote the score during 1881–82 with its first performance on 14 April 1883 at the Opéra Comique in Paris. Set in British India in the mid 19th century, Lakmé is based on the 1880 novel...
by Léo DelibesLéo DelibesClément Philibert Léo Delibes was a French composer of ballets, operas, and other works for the stage... - Werther in WertherWertherWerther is an opera in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann based on the German epistolary novel The Sorrows of Young Werther by Johann Wolfgang von Goethe....
by Jules MassenetJules MassenetJules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas... - Fra Diavolo in Fra DiavoloFra Diavolo (opera)Fra Diavolo, ou L'hôtellerie de Terracine is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe...
by Daniel AuberDaniel AuberDaniel François Esprit Auber was a French composer.-Biography:The son of a Paris print-seller, Auber was born in Caen in Normandy. Though his father expected him to continue in the print-selling business, he also allowed his son to learn how to play several musical instruments...
, among others.
Signature Role as Lensky in Eugene Onegin
Lemeshev's signature role was as Lensky in Eugene OneginEugene Onegin (opera)
Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
by Pyotr Tchaikovsky, and he performed it more than 500 times from 1927 onwards. He performed it for the last time on his 70th birthday, after suffering three heart attacks and having a lung removed.
Other Key Roles
In 1953 Lemeshev was given the prestigious title People's Artist of the USSRPeople's Artist of the USSR
People's Artist of the USSR, also sometimes translated as National Artist of the USSR, was an honorary title granted to citizens of the Soviet Union.- Nomenclature and significance :...
. He was also appointed Assistant Manager of the Bolshoi from 1957 to 1959. He debuted as director in 1951, with the production of La Traviata
La traviata
La traviata is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on La dame aux Camélias , a play adapted from the novel by Alexandre Dumas, fils. The title La traviata means literally The Fallen Woman, or perhaps more figuratively, The Woman...
in the Maly Opera Theatre in Leningrad (now known as the Mikhaylovsky Theatre
Mikhaylovsky Theatre
The Mikhaylovsky Theatre is one of the oldest opera and ballet houses in Russia. It was founded in 1833 and is situated in a historical building on the Arts Square in St. Petersburg...
). Following this, he was made director for the production of Massenet's Werther in 1957 at the Bolshoi.
Toward the end of his career, he mainly gave concerts of Russian classic romances and folk songs, with performances aired on the radio, and taught in the Moscow Conservatory as Associate Professor.
He was buried in the Novodevichy Cemetery
Novodevichy Cemetery
Novodevichy Cemetery is the most famous cemetery in Moscow, Russia. It is next to the 16th-century Novodevichy Convent, which is the city's third most popular tourist site. It should not be confused with the Novodevichy Cemetery in Saint Petersburg....
in Moscow.
Lemeshev-mania
Lemeshev’s talent, artistry, acting skills and conspicuous charm very quickly made him a public idol.Almost all his performances during 1930s and 1940s were accompanied by crowds of fans followed him through the streets, spending days and nights near his house. http://greatoperasingers.blogspot.com/2010/09/great-sergei-lemeshev-view-from-russia.html
While Lemeshev was one of the leading tenors of the Bolshoi Theatre, he was admired by fans, who were jokingly called "lemeshistki." The theatre lobby was a venue for scuffles between the "lemeshistki" and the "kozlovityanki" (fans of Lemeshev's rival Ivan Kozlovsky).http://www.peoples.ru/art/music/tenor/lemeshev/history.html
Additionally, the film "The Musical Story" (1941) http://www.imdb.com/title/tt0032825/ in which he played the main role, brought him the Stalin prize, and even more widespread furore and fame all over the USSR.
Personal life
Six marriages and numerous affairs focused the attention of Lemeshev's fans on his personal life. His fifth wife was the famous soprano, Irina Maslennikova, who gave birth to Lemeshev's daughter Maria.Ultimately, he found his life partner in singer Vera Kudryavtseva. Their marriage lasted for over 20 years, until Lemeshev's death in 1977.
Legacy
He authored the book "The Way to Art", published in 1968.Asteroid
Asteroid
Asteroids are a class of small Solar System bodies in orbit around the Sun. They have also been called planetoids, especially the larger ones...
number 4561
4561 Lemeshev
4561 Lemeshev is a main-belt asteroid discovered on September 13, 1978 by N. S. Chernykh at Nauchnyj. It was named for Soviet tenor Sergei Lemeshev.- External links :...
received the name Lemeshev in 1978, a year after Sergei Lemeshev's death.
Recordings
- Tchaikovsky - Eugene OneginEugene Onegin (opera)Eugene Onegin, Op. 24, is an opera in 3 acts , by Pyotr Ilyich Tchaikovsky. The libretto was written by Konstantin Shilovsky and the composer and his brother Modest, and is based on the novel in verse by Alexander Pushkin....
, cond. Boris KhaikinBoris KhaikinBoris Emmanuilovich Khaykin was a Russian Jewish conductor who was named a People's Artist of the USSR in 1972.Khaykin was born in Minsk, then part of the Russian Empire . He studied at the Moscow Conservatory under Nikolai Malko and Konstantin Saradzhev...
, Bolshoi Theatre (CD) Label: Opera D'oro (1956 studio recording, remastered), 1999 - Rimsky-Korsakov - May NightMay NightMay Night is an opera in three acts, four scenes, by Nikolai Rimsky-Korsakov from a libretto by the composer and is based on Nikolai Gogol's story May Night, or the Drowned Maiden, from his collection Evenings on a Farm Near Dikanka....
, cond. Vasili Nebolsin, Bolshoi Theatre (3 LP Monarch MWL 338-340), about 1948. - Scenes and Arias from Operas - Sergei Lemeshev (CD) Label: Yedang Entertainment, 2002
- Lebendige Vergangenheit: Sergei Lemeshev, Preiser Records Audio CD (July 4, 1998)
more information
Quotations about Lemeshev
"Soft spoken and self-effacing, Lemeshev hated his star status and all the pomp and partying that it implied. His workaholic attitude and exactingness were legendary and directors, conductors, accompanists, and fellow singers always found him a nice and easygoing man everyone loved to work with…" (Voice of Russia) http://www.vor.ru/English/MTales/tales_024.html"He sang sul soffio (leaning on the breath), avoided stressful abdominal respiration (only Caruso could do it), and directed the sound current to the mask, the method of singing which was so much Lauri-Volpi's gospel." (Dr. Joseph Fragala) http://www.grandi-tenori.com/tenors/lemeshev.php
"He developed a mixed voice of incomparable beauty, which made it possible for him to take the highest notes with such beautiful richness that even specialists could not explain how it was done technically….His high C’s … sounded virile and full…His manner of lowering his larynx a bit on high notes allowed him to perform the parts which we ordinary lyric tenors did not sing, [roles such as] Rodolfo in La Bohème, Levko in May Night, Dubrovsky, Fra Diavolo…" (A.Orfenov) http://greatoperasingers.blogspot.com/2010/09/great-sergei-lemeshev-view-from-russia.html
External links
- Sergei Lemeshev at the Allmusic.com
- Lemeshev sings Tchaikovsky's songs (free Mp3 downloads)
- Operatic arias & folk songs (free Mp3 downloads)
- Biography (in Russian)
- Peoples.ru
- Grandi Tenori
- Voice of Russia: The Rivals
- Biography of Sergei Lemeshev
- History of the Tenor - Sound Clips and Narration
- YouTube: SERGEI LEMESHEV - "Questa o Quella & La Donna e Mobile" from Rigoletto (in Russian)
- YouTube: Sergei Lemeshev - "Una furtiva lagrima" from L'elisir d'amore (in Italian)
- YouTube: Sergei Lemeshev - Pearlfishers/Nadir's romance (1938)
- YouTube: Sergei Lemeshev - "На заре ты ее не буди/Don't wake her at dawn" (Russian romance)
- YouTube: Sergei Lemeshev - "Тройка/Troika" (Russian folk song)
- YouTube: "The Musical Story" (1941)