Greek temple
Encyclopedia
Greek temples were structures built to house deity statues within Greek sanctuaries in Greek paganism. The temples themselves did usually not directly serve a cult purpose, since the sacrifices and rituals dedicated to the respective deity took place outside them. Temples were frequently used to store votive offerings. They are the most important and most widespread building type in Greek architecture. In the Hellenistic
kingdoms of Southwest Asia
and of North Africa
, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian
and Bactria
n temples, or to the Ptolemaic
examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.
structures into monumental double porticos buildings , often reaching more than 20 metres in height (not including the roof). Stylistically, they were governed by the regionally specific architectural orders. Originally, the distinction being initially between the Doric
and Ionic
orders, with the Corinthian order
provided a third alternative in the late 3rd century BC. A multitude of different ground plans were developed, each of which could be combined with the superstructure in the different orders. From the 3rd century BC onwards, the construction of large temples became less common; after a short 2nd century BC flourish, it ceased nearly entirely in the 1st century BC. Thereafter, only smaller structures were newly begun, older temples continued to be renovated or (if incomplete) completed.
Greek temples were designed and constructed according to set proportions, mostly determined by the lower diameter of the column
s or by the dimensions of the foundation levels. The nearly mathematical strictness of the basic designs thus reached was lightened by optical refinements. In spite of the still widespread idealised image, Greek temples were painted, so that bright reds and blues contrasted with the white of the building stones or of stucco
. The more elaborate temples were equipped with very rich figural decoration in the form of relief
s and pedimental sculpture
. The construction of temples was usually organised and financed by cities
or by the administrations of sanctuaries. Private individuals, especially Hellenistic rulers, could also sponsor such buildings. In the late Hellenistic period
, their decreasing financial wealth, along with the progressive incorporation of the Greek world within the Roman State
, whose officials and rulers took over as sponsors, led to the end of Greek temple construction. New temples now belonged to the tradition of Roman architecture
, which, in spite of the Greek influence on it, aimed for different goals and followed different aesthetic principles.
, the temple was a simple rectangular shrine with protruding side walls (antae), forming a small porch. Until the 8th century BC, there were also apsidal structures
with more or less semi-circular back walls, but the rectangular type prevailed. By adding columns to this small basic structure, the Greeks triggered the development and variety of their temple architecture.
structures on stone foundations. The columns and superstructure (entablature
) were wooden, door openings and antae were protected with wooden planks. The mudbrick walls were often reinforced by wooden posts, in a type of half-timbered technique. The elements of this simple and clearly structured wooden architecture produced all the important design principles that were to determine the development of Greek temples for centuries.
Near the end of the 7th century BC, the dimensions of these simple structures were increased considerably. Temple B at Thermos
is the first of the hekatompedoi, temples with a length of 100 feet (30.5 m). Since it was not technically possible to roof broad spaces at that time, these temples remained very narrow, at 6 to 10 metres in width.
To stress the importance of the cult statue and the building holding it, the naos was equipped with a canopy
, supported by columns. The resulting set of porticos surrounding the temple on all sides (the peristasis
) was exclusively used for temples in Greek architecture.
The combination of the temple with porticos (ptera
) on all sides posed a new aesthetic challenge for the architects and patrons: the structures had to be built to be viewed from all directions. This led to the development of the peripteros
, with a frontal pronaos (porch), mirrored by a similar arrangement at the back of the building, the opisthodomos
, which became necessary for entirely aesthetic reasons.
.
In the 6th century BC, Ionian
Samos
developed the double-colonnaded dipteros as an alternative to the single peripteros. This idea was later copied in Didyma
, Ephesos and Athens
. Between the 6th and the late 4th century BC, innumerable temples were built; nearly every polis
, every colony contained one or several. There were also temples at extra-urban sites and at major sanctuaries like Olympia
and Delphi
.
The observable change of form indicates the search for a harmonious form of all architectural elements: the development led from simpler early forms which often appear coarse and bulky up to the aesthetic perfection and refinement of the later structures; from simple experimentation to the strict mathematical complexity of ground plans and superstructures.
onwards, the Greek peripteral temple lost much of its importance. With very few exceptions, Classical temple construction ceased both in Hellenistic Greece
and in the Greek colonies of Magna Graecia
. Only the west of Asia Minor
maintained a low level of temple construction during the 3rd century BC. The construction of large projects, such as the temple of Apollo
at Didyma
near Miletus
and the Artemision at Sardis
did not make much progress.
The 2nd century BC saw a revival of temple architecture, including peripteral temples. This is partially due to the influence of the architect Hermogenes of Priene
, who redefined the principles of Ionic temple construction both practically and through theoretical work. At the same time, the rulers of the various Hellenistic kingdoms provided copious financial resources. Their self-aggrandisation, rivalry, desires to stabilise their spheres of influence, as well as the increasing conflict with Rome
(partially played out in the field of culture), combined to release much energy into the revival of complex Greek temple architecture. During this phase, Greek temples became widespread in southern Asia Minor
, Egypt and Northern Africa.
But in spite of such examples and of the positive conditions produced by the economic upturn and the high degree of technical innovation in the 3rd and 2nd centuries BC, Hellenistic religious architecture is mostly represented by a multitude of small temples in antis
and prostyle temples
, as well as tiny shrines (naiskoi
). The latter had been erected in important places, on market squares, near springs and by roads, since the Archaic period, but reached their main flourish now. This limitation to smaller structures led to the development of a special form, the pseudoperipteros
, which uses engaged column
s along the cella
walls to produce the illusion of a peripteral temple. An early case of this is temple L at Epidauros, followed by many prominent Roman examples, such as the Maison Carrée
at Nîmes
.
led to changes of architectural practice. The role of sponsor was increasingly taken by Roman magistrates of the Eastern provinces
, who rarely demonstrated their generosity by building temples. Nevertheless, some temples were erected at this time, e.g. the Temple of Aphrodite at Aphrodisias
.
The introduction of the principate
lead to few new buildings, mostly temples for the imperial cult
or to Roman deities
, e.g. the temple of Jupiter
at Baalbek
. Although new temples to Greek deities still continued to be constructed, e.g. the Tychaion
at Selge they tend to follow the canonical forms of the developing Roman imperial style of architecture or to maintain local non-Greek idiosyncrasies, like the temples in Petra
or Palmyra
. The increasing romanisation of the east entailed the end of Greek temple architecture, although work continued on the completion of unfinished large structures like the temple of Apollo
at Didyma
or the Olympieion at Athens
into the later 2nd century AD.
and his successors on the throne of the Roman Empire
, banning pagan cults
, led to the gradual closure of Greek temples, or their conversion into Christian
churches.
Thus ends the history of the Greek temple, although many of them remained in use for a long time afterwards. For example, the Athenian Parthenon
, first reconsecrated as a church was turned into a mosque
after the Ottoman
conquest and remained structurally unharmed until the 17th century AD. Only the unfortunate impact of a Venetian
cannonball into the building, then used to store gunpowder, led to the destruction of this important temple, more than 2,000 years after it was built.
Greek Temples were known for being extremely flammable especially the architrave.
, and of architectural members, determining the elevation.
, can be separated in several areas. Usually, the main room, the cella
, contained a cult statue
of the respective deity. In Archaic temples, a separate room, the so-called adyton
was sometimes included in the cella for this purpose. In Sicily
, this habit continued into the Classical
period.
. There is no door connecting the latter with the cella; its existence is necessitated entirely by aesthetic considerations: to maintain the consistency of the peripteral temple and to ensure its viewability from all sides, the execution of the front has to be repeated at the rear.
, usually a single row, rarely a double one, of columns. This produces a surrounding portico, the pteron
, which offered shelter to visitors of the sanctuary and room for cult processions.
If the porch of a temple in antis has a row of usually four or six columns in front of its whole breadth, the temple is described as a prostylos or prostyle temple
. An amphiprostylos
repeats the same column setting at the back.
In contrast, the term peripteros
designates a temple surrounded by ptera
(colonnades) on all four sides, each usually formed by single row of columns. This produces an unobstructed surrounding portico, the peristasis
, on all four sides of the temple. A Hellenistic and Roman form of this shape is the pseudoperipteros, where the side and rear porches are indicated only by engaged column
s or pilaster
s directly attached to the external cella walls.
A dipteros is equipped with a double colonnade on all four sides, sometimes with further rows of columns at the front and back. A pseudodipteros lacks the inner row of columns in its peristasis, but has porches of double width.
Circular temples form a special type. If they are surrounded by a colonnade, they are known as peripteral tholoi
. Although of sacred character, their function as a temple can often not be asserted. A comparable structure is the monopteros, or cyclostyle
which, however, lacks a cella.
To clarify ground plan types, the defining terms can be combined, producing terms such as: peripteral double anta temple, prostyle in antis, peripteral amphiprostyle, etc.
(IV, 3, 3) is determined by the number of columns at the front. Modern scholarship uses the following terms:
The term dodekastylos is only used for the 12-column hall at the Didyma
ion. No temples with facades of that width are known.
Very few temples had an uneven number of columns at the front. Examples are Temple of Hera
I at Paestum
, Temple of Apollo
A at Metapontum
, both of which have a width of nine columns (enneastyle), and the Archaic temple at Thermos
with a width of five columns (pentastyle).
, the column
s and the entablature
.
, partially protrudes above the ground level. Its surface is carefully smoothed and levelled. It supports a further foundation of three steps, the crepidoma
. The uppermost level of the crepidoma provides the surface on which the columns and walls are placed; it is called stylobate
. Stereobate, euthynteria and crepidoma form the substructure of the temple.
are cut into the column shaft: Doric columns have 18 to 20 flutings, Ionic and Corinthian ones normally have 24. Early Ionic columns had up to 48 flutings. While Doric columns stand directly on the stylobate, Ionic and Corinthian ones possess a base, sometimes additionally placed atop a plinth
.
In Doric columns
, the top is formed by a concavely curved neck, the hypotrachelion
, and the capital
, in Ionic columns, the capital sits directly on the shaft. In the Doric order, the capital consists of a circular torus
bulge, originally very flat, the so-called echinus
, and a square slab, the abacus
. In the course of their development, the echinus expands more and more, culminating in a linear diagonal, at 45° to the vertical. The echinus of Ionic columns
is decorated with an egg-and-dart
band followed by a sculpted pillow forming two volute
s, supporting a thin abacus. The eponymous Corinthian capital of the Corinthian order
is crowned by rings of stylised acanthus
leaves, forming tendrils and volutes that reach to the corners of the abacus.
. In the Doric order, the entablature always consists of two parts, the architrave
and the Doric frieze
(or triglyph
frieze). The Ionic order of Athens and the Cyclades
also used a frieze above an architrave, whereas the frieze remained unknown in the Ionic architecture of Asia Minor
until the 4th century BC. There, the architrave was directly followed by the dentil
. The frieze was originally placed in front of the roof beams, which were externally visible only in the earlier temples of Asia Minor. The Doric frieze
was structured by triglyph
s. These were placed above the axis of each column, and above the centre of each intercolumniation
. The spaces between the triglyphs contained metope
s, sometimes painted or decorated with relief sculpture. In the Ionic or Corinthian orders, the frieze possesses no triglyphs and is simply left flat, sometimes decorated with paintings or reliefs. With the introduction of stone architecture, the protection of the porticos and the support of the roof construction was moved upwards to the level of the geison
, depriving the frieze of its structural function and turning it into an entirely decorative feature. Frequently, the cella is also decorated with architrave and frieze, especially at the front of the pronaos.
of the Ionic or Corinthian orders, the cornice
protrudes notably. It consists of the geison
(on the sloped sides or pediment
s of the narrow walls a sloped geison), and the sima. On the long side, the sima, often elaborately decorated, was equipped with water spouts, often in the shape of lions' heads. The pedimental triangle or tympanon
on the narrow sides of the temple was created by the Doric introduction of the gabled roof, earlier temples often had hipped roofs
. The tympanon was usually richly decorated with sculptures of mythical scenes or battles. The corners and ridges of the roof were decorated with acroteria, originally geometric, later floral or figural decorations.
s which were often designed as part of a planned urban area or square and had a strong emphasis on being viewed frontally.
or bay
) could also be used as a basic unit. these measurements were in set proportions to other elements of design, such as column height and column distance. In conjunction with the number of columns per side, they also determined the dimensions of stylobate
and peristasis
, as well as of the naos
proper. The rules regarding vertical proportions, especially in the Doric order, also allow for a deduction of the basic design options for the entablature from the same principles. Alternatives to this very rational system were sought in the temples of the late 7th and early 6th centuries BC, when it was attempted to develop the basic measurements from the planned dimensions of cella or stylobate, i.e. to reverse the system described above and deduce the smaller units from the bigger ones. Thus, for example, the cella length was sometimes set at 100 feet (30.5 m) (100 is a sacred number, also known from the hecatomb
, a sacrifice of 100 animals), and all further measurements had to be in relation to this number, leading to aesthetically quite unsatisfactory solutions.
in Greece (circa 500 to 336 BC) had 6 x 13 columns or 5 x 11 intercolumnitions. The same proportions, in a more abstract form, determine most of the Parthenon
, not only in its 8 x 17 column peristasis, but also, reduced to 4:9, in all other basic measurements, including the intercolumniations, the stylobate, the width-height proportion of the entire building, and the geison (here reversed to 9:4).
. According to this proportion, Vitruvius (3, 3, 1 ff) distinguished between five different design concepts and temple types:
The determination and discussion of these basic principles went back to Hermogenes
, whom Vitruvius credits with the invention of the eustylos. The Temple of Dionysos at Teos
, normally ascribed to Hermogenes, does indeed have intercolumnia measuring 2 ⅙ of the lower column diameters.
of the whole building, hardly visible with the naked eye, was introduced. The ancient architects had realised that long horizontal lines tend to make the optical impression of sagging towards their centre. To prevent this effect, the horizontal lines of stylobate and/or entablature were raised by a few centimetres towards the middle of a building. This avoidance of mathematically straight lines also included the columns, which did not taper in a linear fashion, but were refined by a pronounced "swelling" (entasis
) of the shaft. Additionally, columns were placed with a slight inclination
towards the centre of the building. Curvature and entasis occur from the mid 6th century BC onwards. The most consistent use of these principles is seen in the Classical Parthenon
on the Athenian
Acropolis
. Its curvature affects all horizontal elements up to the sima, even the cella walls reflect it throughout their height. The inclination of its columns (which also have a clear entasis), is continued by architrave and triglyph frieze, the external walls of the cella also reflect it. Not one block of the building, not a single architrave or frieze element could be hewn as a simple rectilinear block. All architectural elements display slight variations from the right angle, individually calculated for each block. As a side effect, each preserved building block from the Parthenon, its columns, cella walls or entablature, can be assigned its exact position today. In spite of the immense extra effort entailed in this perfection, the Parthenon, including its sculptural decoration, was completed in the record time of sixteen years (447 to 431 BC).
and guttae) might be painted in different colours. The frieze was clearly structured by use of colours. In a Doric triglyph frieze, blue triglyphs alternated with red metopes, the latter often serving as a background for individually painted sculptures. Reliefs, ornaments and pedimental sculptures were executed with a wider variety of colours and nuances. Recessed or otherwise shaded elements, like mutules or triglyph slits could be painted black. Paint was mostly applied to parts that were not load-bearing, whereas structural parts like columns or the horizontal elements of architrave and geison were left unpainted (if made of high quality limestone or marble) or covered with a white stucco
.
areas offered space for relief
s and relief slabs; the pediment
al triangles often contained scenes of free-standing sculpture
. In Archaic times, even the architrave could be relief-decorated on Ionic temples, as demonstrated by the earlier temple of Apollo
at Didyma
. Here, the architrave corners bore gorgon
s, surrounded by lions and perhaps other animals. On the other hand, the Ionic temples of Asia Minor did not possess a separate frieze to allow space for relief decoration. The most common area for relief decoration remained the frieze, either as a typical Doric triglyph frieze, with sculpted metopes, or as a continuous frieze on Cycladic and later on Eastern Ionic temples.
s, separate individual tableaux that could usually not contain more than three figures each, usually depicted individual scenes belonging to a broader context. It is rare for scenes to be distributed over several metopes; instead, a general narrative context, usually a battle, is created by the combination of multiple isolated scenes. Other thematical contexts could be depicted in this fashion. For example, the metopes at the front and back of the Temple of Zeus
at Olympia
depicted the Twelve Labours of Heracles
. Individual mythological scenes, like the abduction of Europa
or a cattle raid by the Dioscuri could be thus depicted, as could scenes from the voyage of the Argonauts
or the Trojan War
. The battles against the centaurs and amazons
, as well as the gigantomachy
, all three depicted on the Parthenon
, were recurring themes on many temples.
on the temple of Hekate at Lagina
, or the Amazonomachy
on the temple of Artemis
at Magnesia on the Maeander
, both from the late 2nd century BC. Complex compositions visualised the back and forth of fighting for the viewer. Such scenes were contrasted by more quiet or peaceful ones: The Assembly of the gods and a procession dominate the 160 m long frieze
that is placed on top of the naos walls of the Parthenon
.
al triangles, not least because of their size and frontal position. Originally, the pediments were filled with massive reliefs, e.g. shortly after 600 BC on the temple of Artemis
at Kerkyra, where the west pediment is taken up by the gorgon
Medusa
and her children at the centre, flanked by panthers. Smaller scenes are displayed in the low corners of the pediments, e.g. Zeus
with a thunderbolt, fighting a Giant
. The pedimental sculpture of the first peripteral temple on the Athenian Acropolis, from circa 570 BC, is nearly free-standing sculpture, but remains dominated by a central scene of fighting lions. Again, the corners contain separate scenes, including Heracles
fighting Triton
. After the mid-6th century BC, the compositional scheme changes: animal scenes are now placed in the corners, soon they disappear entirely. The central composition is now taken over by mythological fights or by rows of human figures. The high regard in which the Greeks held pedimental sculptures in demonstrated by the discovery of the sculptures from the Late Archaic temple of Apollo
at Delphi
, which had received a veritable burial after the temple's destruction in 373 BC. The themes of the individual pedimental scenes are increasingly dominated by myths connected with the locality. Thus, the east pediment at Olympia
depicts the preparations for a chariot race between Pelops
and Oinomaos, the mythical king of nearby Pisa
. It is the foundation myth of the sanctuary itself, displayed here in its most prominent position. A similarly direct association is provided by the birth of Athena
on the east pediment of the Parthenon
, or the struggle for Attica
between her and Poseidon
on its west pediment. The pediment of the later temple of the Kabeiroi at Samothrace
, late 3rd century BC, depicted a probably purely local legend, of no major interest to Greece as a whole.
s, griffin
s, spinxes, and especially mythical figures and deities. For example, depictions of the running Nike
crowned the Alcmaeonid
temple of Apollo at Delphi, and mounted amazons formed the corner akroteria of the temple of Asklepios in Epidauros. Pausanias
(5, 10, 8) describes bronze tripods forming the corner akroteria and statues of Nike by Paeonios forming the ridge ones on the Temple of Zeus
at Olympia
.
. Here, already on the Archaic temples, the lower parts of the column shafts were decorated by protruding relief decorations, originally depicting rows of figures, replaced on their late Classical and Hellenistic successors with mythological scenes and battles.
and of Athena at Tegea
, where the southern cella wall had a door, potentially allowing more light into the interior. A special situation applies to the temples of the Cyclades
, where the roof was usually of marble
tiles. Marble roofs also covered the temple of Zeus
at Olympia
and the Parthenon
at Athens
. As marble is not entirely opaque, those cellas may have been permeated with a distinctive diffused light. For cultic reasons, but also to use the light of the rising sun, virtually all Greek temples were oriented to the east. Some exceptions existed, e.g. the west-facing temples of Artemis
at Ephesos and at Magnesia on the Maeander
, or the north-south oriented temples of Arcadia
. Such exceptions are probably connected with cult practice.
, placed axially in front of the temple. To preserve this connection, the single row of columns often found along the central axis of the cella in early temples was replaced by two separate rows towards the sides. The central one of the three aisles thereby created was often emphasised as the main one. The dignity of the central aisle of the cella could be underlined by the use of special elements of design. For example, the oldest known Corinthian capitals are from the naoi of Doric temples. The impressiveness of the internal aisle could be emphasised further by having a third row of columns along the back, as is the case at the Parthenon
and at the temple of Zeus
in Nemea
. The Parthenon cella, also had another impressive feature, namely two tiers of columns atop each other, as did the temple of Aphaia on Aegina
. The temple of Athena at Tegea
shows another variation, where the two column rows are indicated by half-columns protruding from the side walls and crowned with Corinthian capitals. An early form of this solution can be seen at Bassae, where the central column of the back portico remains free-stading, while the columns along the sides are in fact semi-columns connected with the walls by curved protrusions.
. Especially in Magna Graecia
, this tradition continued for a long time. Over the decades and centuries, numerous votive offerings could be placed in the cella, giving it a museum-like character (Pausanias 5, 17).
contained the treasury of the Delian League
, thus directly protected by the deity. Pronaos and opisthodomos were often closed off from the peristasis by wooden barriers or fences.
. The peristasis could also be used for cult procession
s, or simply as shelter from the elements, a function emphasised by Vitruvius (III 3, 8f).
s. The financial needs were covered by income from taxes or special levies, or by the sale of raw materials like silver. The collection of donations also occurred, especially for supra-regional sanctuaries like Delphi
or Olympia
. Hellenistic monarchs could appear as private donors in cities outside their immediate sphere of influence and sponsor public buildings, as exemplified by Antiochos IV, who ordered the rebuilding of the Olympieion at Athens
. In such cases, the money came from the private treasury of the donor.
chosen as their basic aesthetic principle. This choice, which was rarely entirely free, but normally determined by tradition and local habit, would lead to widely differing rules of design. According to the three major orders, a basic distinction can be made between the Doric, the Ionic and the Corinthian Temple.
. Especially the ruins of Southern Italy
and Sicily were accessible to western travellers quite early in the development of Classical studies, e.g. the temples at Paestum
, Akragas or Segesta
, but the Hephaisteion and the Parthenon
of Athens
also influenced scholarship and Neoclassical architecture
from an early point onwards.
, circa 625 BC, a 100 feet (30.5 m) hekatompedos, surrounded by a peristasis of 5 x 15 columns, its cella divided in two aisles by a central row of columns. Its entirely Doric entablature is indicated by painted clay plaques, probably early example of metopes, and clay triglyphs. It appears to be the case that all temples erected within the spheres of influence of Corinth
and Argos
in the 7th century BC were Doric peripteroi. The earliest stone columns did not display the simple squatness of the high and late Archaic specimens, but rather mirror the slenderness of their wooden predecessors. Already around 600 BC, the demand of viewability from all sides was applied to the Doric temple, leading to the mirroring of the frontal pronaos by an opisthodomos at the back. This early demand continued to affect Doric temples especially in the Greek motherland. Neither the Ionic temples, nor the Doric specimens in Magna Graecia
followed this principle The increasing monumentalisation of stone buildings, and the transfer of the wooden roof construction to the level of the geison removed the fixed relationship between the naos and the peristasis. This relationship between the axes of walls and columns, almost a matter of course in smaller structures, remained undefined and without fixed rules for nearly a century: the position of the naos "floated" within the peristasis.
The Heraion of Olympia
(circa 600 BC) exemplifies the transition from wood to stone construction. This building, initially constructed entirely of wood and mudbrick, had its wooden columns gradually replaced with stone ones over time. Like a museum of Doric columns and Doric capitals, it contains examples of all chronological phases, up to the Roman period. One of the columns in the opisthodomos remained wooden at least until the 2nd century AD, when Pausanias
described it. This 6 by 16 column temple already called for a solution to the Doric corner conflict
. It was achieved through a reduction of the corner intercolumniations the so-called corner contraction. The Heraion is most advanced in regards to the relationship between naos and peristasis, as it uses the solution that became canonical decades later, a linear axis running along the external faces of the outer naos walls and through the central axis of the associated columns. Its differentiation between wider intercolumnia on the narrow sides and narrower ones on the long sides was also an influential feature, as was the positioning of the columns within the cella, corresponding with those on the outside, a feature not repeated until the construction of the temple at Bassae
150 years later.
The oldest Doric temple entirely built of stone is represented by the early 6th century BC Artemis Temple
in Kerkyra (modern Corfu
). All parts of this building are bulky and heavy, its columns reach a height of barely five times their bottom diameter and were very closely spaced with an intercolumniation of a single column width. The individual members of its Doric orders all differ considerably from the later canon, although all essential Doric features are present. Its ground plan of 8 by 17 columns, probably pseudoperipteral, is unusual.
Among the Doric temples, the Peisistratid Olympieion at Athens
has a special position. Although this building was never completed, its architect apparently attempted to adapt the Ionic dipteros. Column drums built into the later foundations indicate that it was originally planned as a Doric temple. Nonetheless, its ground plan follows the Ionic examples of Samos
so closely that it would be hard to reconcile such a solution with a Doric triglyph frieze. After the expulsion of Hippias in 510 BC, work on this structure was stopped: Democratic Athens
had no desire to continue a monument of tyrannical
self-aggrandisation.
of Greater Greece
, the Classical Doric temple type remained the peripteros. Its perfection was a priority of artistic endeavour throughout the Classical period
.
The canonical solution was found fairly soon by the architect Libon
of Elis
, who erected the Temple of Zeus
at Olympia
around 460 BC. With its 6 x 13 columns or 5 x 12 intercolumniations, this temple was designed entirely rationally. Its column bays (axis to axis) measured 16 feet (4.9 m), a triglyph + metope 8 feet (2.4 m), a mutulus plus the adjacent space (via) 4 feet (1.2 m), the tile width of the marble roof was 2 foot (0.6096 m). Its columns are powerful, with only a slight entasis; the echinus
of the capitals is already nearly linear at 45°. All of the superstructure is affected by curvature. The cella measures exactly 3 x 9 column distances (axis to axis), its external wall faces are aligned with the axes of the adjacent columns.
6 x 13 columns, the Classical proportion, is taken up by numerous temples, e.g. the Temple of Apollo
on Delos
(circa 470 BC), the Temple of Hephaistos at Athens
and the temple of Poseidon on Cape Sounion. A slight variation, with 6 x 12 columns or 5 x 11 intercolumniations occurs as frequently.
The Parthenon
maintains the same proportion at a larger scale of 8 x 17 columns, but follows the same principles. In spite of the eight columns on its front, the temple is a pure peripteros, its external cella walls align with the axes of the 2nd and 7th columns. In other regards, the Parthenon is distinguished as an exceptional example among the mass of Greek peripteroi by many distinctive aesthetic solutions in detail. For example, the antae of pronaos and opisthodomos are shortened so as to form simple pillars. Instead of longer antae, there are prostyle colonnades inside the peristasis on the front and back, reflecting Ionic habits. The execution of the naos, with a western room containing four columns, is also exceptional. The Parthenon's Archaic predecessor
already contained such a room. All measurements in the Parthenon are determined by the proportion 4:9. It determines column width to column distance, width to length of the stylobate, and of the naos without antae. The temple's width to height up to the geison is determined by the reverse proportion 9:4, the same proportion squared, 81:16, determines temple length to height. All of this mathematical rigour is relaxed and loosened by the optical refinements mentioned above, which affect the whole building, from layer to layer, and element to element. 92 sculpted metopes decorate its triglyph frieze: centauromachy, amazonomachy
and gigantomachy
are its themes. The external walls of the naos are crowned with a figural frieze
surrounding the entire cella and depicting the Panathenaic procession as well as the Assembly of the Gods. Large format figures decorate the pediments on the narrow sides. This conjunction of strict principles and elaborate refinements makes the Parthenon
the paradigmatic Classical
temple. The Temple of Hephaistos at Athens
, erected shortly after the Parthenon, uses the same aesthetic and proportional principles, without adhering as closely to the 4:9 proportion.
and that of Athena in Tegea
. Generally, Doric temples followed a tendency to become lighter in their superstructures. Columns became narrower, intercolumniations wider. This shows a growing adjustment to the proportion and weight of Ionic temples, mirrored by a progressive tendency among Ionic temples to become somewhat heavier. In the light of this mutual influence it is not surprising that in the late 4th century BC temple of Zeus
at Nemea
, the front is emphasised by a pronaos two intercolumniations deep, while the opisthodomos is suppressed. Frontality is a key feature of Ionic temples. The emphasis on the pronaos already occurred in the slightly older temple of Athena
at Tegea
, but there it was repeated in the opisthodomos. Both temples continued the tendency towards more richly equipped interiors, in both cases with engaged or full columns of the Corinthian order.
The increasing reduction of the number of columns along the long sides, clearly visible on Ionic temples, is mirrored in Doric constructions. A small temple at Kournó has a peristasis of merely 6 x 7 columns, a stylobate of only 8 x 10 m and corners executed as pilasters towards the front. The peristasis of monumental Doric temples is merely hinted at here; the function as a simple canopy for the shrine of the sult statue is clear
and Temple of Apollo A at Metapontum
. Both temples had fronts of nine columns.
The technical possibilities of the western Greeks, which had progressed beyond those in the motherland, permitted many deviations. For example, innovations regarding the construction of the entablature developed in the west allowed the spanning of much wider spaces than before, leading to some very deep peristaseis and broad naoi. The peristasis often had a depth of two column distances, e.g. at Temple of Hera I, Paestum
, and temples C, F and G at Selinus, classifying them as pseudodipteroi. The opisthodomos only played a subsidiary role, but did occur sometimes, e.g. at the tenple of Poseidon
in Paestum
. Much more frequently, the temples included a separate room at the back end of the cella, entrance to which was usually forbidden, the adyton
. In some cases, the adyton was a free-standing structure within the cella, e.g. temple G in Selinus. If possible, columns inside the cella were avoided, allowing for open roof constructions of up to 13 m width.
The largest such structure was the Olympieion
of Akragas, an 8 x 17 column peripteros, but in many regards an absolutely "un-Greek" structure, equipped with details such as engaged, figural pillars (Telamon
s), and a peristasis partially closed off by walls. With external dimensions of 56 x 113 m, it was the largest Doric building ever to be completed. If the colonies showed remarkable independence and will to experiment in basic terms, they did so even more in terms of detail. For example, the lower surfaces of Doric geisa could be decorated with coffer
s instead of mutuli.
Although a strong tendency to emphasize the front, e.g. through the addition of ramps or stairs with up to eight steps (at Temple C in Selinus), or a pronaos depth of 3.5 column distances (temple of Apollo
at Syracuse
) had been become a key principle of design, this was relativised by the broadening of column distances on the long sides, e.g. Temple of Hera I at Paestum
. Only in the colonies could the Doric corner conflict be ignored. If South Italian architects tried to solve it, they used a variety of solutions: broadening of the corner metopes or triglyphs, variation of column distance or metopes. In some cases, different solutions were used on the broad and narrow sides of the same building.
. No fragments of architecture belonging to the Ionic order
have been found from this time. Nonetheless, some early temples in the area already indicate the rational system that was to characterise the Ionic system later on, e.g. the Heraion II of Samos
. Thus, even at an early point, the axes of the cella walls aligned with the column axes, whereas in Doric architecture, the external wall faces do so. The early temples also show no concern for the typical Doric feature of viewability from all sides, they regularly lack an opisthodomos; the peripteros only became widespread in the area in the 4th century BC. In contrast, from an early point, Ionic temples stress the front by using double porticos. Elongated peristaseis became a determining element. At the same time, the Ionic temples were characterised by their tendency to use varied and richly decorated surfaces, as well as the widespread use of light-shade contrasts.
As soon as the Ionic order becomes recognisable in temple architecture, it is increased to monumental sizes. The temple in the Heraion of Samos, erected by Rhoikos
around 560 BC, is the first known dipteros, with outside dimensions of 52 x 105 m. A double portico of 8 x 21 columns enclosed the naos, the back even had ten columns. The front used differing column distances, with a wider central opening. In proportion to the bottom diameter, the columns reached three times the height of a Doric counterpart. 40 flutings enriched the complex surface structure of the column shafts. Samian column bases were decorated with a sequence of horizontal flutings, but in spite of this playfulness they weighed 1,500 kg a piece. The capitals of this structure were probably still entirely of wood, as was the entablature. Ionic volute capitals survive from the outer peristasis of the later rebuilding by Polycrates
. The columns of the inner peristasis had leaf decoration and no volutes.
In the Cyclades
, there were early temples entirely built of marble. Volute capitals have not been found associated with these, but their marble entablatures belonged to the Ionic order.
Roughly beginning with the erection of the older Artemision of Ephesos around 550 BC the quantity of archaeological remains of Ionic temples increases. The Artemision was planned as a dipteros, its architect Theodoros
had been one of the builders of the Samian Heraion. With a substructure of 55 x 115 m, the Artemision outscaled all precedents. Its cella was exceuted as unroofed internal peristyle
courtyard, the so-called sekos. The building was entirely of marble.The temple was considered as one of the seven wonders of the ancient world
, which may be justified, considering the efforts involved in its construction. The columns stood on ephesian bases, 36 of them were decorated with life-sized friezes of human figures at the bottom of the shaft, the so-called columnae caelatae. The columns had between 40 and 48 flutings, some of them cut to alternate between a wider and a narrower fluting. The oldest marble architraves of Greek architecture, found at the Atemision, also spanned the widest distances ever achieved in pure stone. The middle architrave block was 8.74 m long and weighed 24 metric tons; it had to be lifted to its final position, 20 m above ground, with a system of pulleys. Like its precedents, the temple used differentiated column widths in the front, and had a higher number of columns at the back. According to ancient sources, Kroisos
was one of the sponsors. An inscription referring to his sponsorship was indeed found on one of the columns. The temple was burnt down by Herostratos in 356 BC and reerected soon thereafter. For the replacement, a crepidoma
of ten or more steps was erected. Older Ionic temples normally lacked a specific visible substructure. This emphasised basis had to be balanced out be a heightened entablature, producing not only a visual contrast to, but also a major weight upon the slender columns.
The temple of Apollo at Didyma
near Miletus
, begun around 540 BC, was another dipteros with open internal courtyard The interior was structured with powerful pilasters, their rhythm reflecting that of the external peristasis. The columns, with 36 flutings, were executed as columnae caelatae with figural decoration, like those at Ephesos. Construction ceased around 500 BC, but was restarted in 331 BC and finally completed in the 2nd century BC. The enormous costs involved may have been one of the reasons for the long period of construction. The building was the first Ionic temple to follow the Attic tradition of uniform column distances, the frontal diffentiation was not practised any more.
Ionic peripteroi were usually somewhat smaller and shorter in their dimensions than Doric ones. E.g. the temple of Zeus
at Labraunda
had only 6 × 8 columns, the temple of Aphrodite
in Samothrace
only 6 × 9. The temple of Athena Polias at Priene
, already considered in antiquity as the Classical example of a Ionic temple, has partially survived. It was the first monumental peripteros of Ionia, erected between 350 and 330 BC by Pytheos
. It is based on a 6 by 6 ft (1.8 by 1.8 m) grid (the exact dimensions of its plinths). The temple had 6 × 11 columns, i.e. a proportion of 5:10 or 1:2 intercolumnia. Walls and columns were aligned axially, according to Ionic tradition. The peristasis was of equal depth on all sides, eliminating the usual emphasis on the front, an opisthodomos, integrated into the back of the cella, is the first proper example in Ionic architecture. The evident rational-mathematical aspect to the design suits Ionic Greek culture, with its strong tradition of natural philosophy
. Pytheos was to be of major influence far beyond his lifetime. Hermogenes
, who probably came from Priene, was a deserving successor and achieved the final flourish of Ionic architecture around 200 BC.
One of the projects led by Hermogenes was the Artemision of Magnesia on the Maeander
, one of the first pseudodipteroi. (other early pseudodipteroi include the temple of Aphrodite at Messa on Lesbos, belonging to the age of Hermogenes or earlier, the temple of Apollo Sminthaios on Chryse
and the temple of Apollo
at Alabanda
. The arrangement of the pseudodipteros, omitting the interior row of columns while maintaining a peristasis with the width of two column distances, produces a massively broadened portico, comparable to the contemporaneous hall architecture. The grid of the temple of Magnesia was based on a 12 by 12 ft (3.7 by 3.7 m) square. The peristasis was surrounded by 8 × 15 columns or 7 × 14 intercolumnia, i.e. a 1:2 proportion. The naos consisted of a pronaos of four column depths, a four column cella, and a 2 column opisthodomos. Above the architrave of the peristasis, there was a figural frieze of 137 m length, depicting the amazonomachy
. Above it lay the dentil
, the Ionic geison and the sima.
Although Athens and Attica were also ethnically Ionian, the Ionic order was of minor importance in this area. The Temple of Nike Aptera on the Acropolis, a small amphiprostyle temple completed around 420 BC, with Ionic columns on plinthless Attic bases, a triple-layered architrave and a figural frieze, but without the typical Ionic dentil
, is notable. The east and north halls of the Erechtheion, completed in 406 BC, follow the same succession of elements.
An innovative Ionic temple was that of Asklepios in Epidaurus
, one of the first of the pseudoperipteros type. This small ionic prostyle temple had engaged columns along the sides and back, the peristasis was thus reduced to a mere hint of a full portico facade.
There is very little evidence of Ionic temples in Magna Graecia
. One of the few exceptions is the early Classical Temple D, an 8 x 20 columnn peripteros, at Metapontum
. Its architect combined the dentil, typicalm of Asia Minor, with an Attic frieze, thus proving that the colonies were quite capable of partaking in the developments of the motherland. A small Ionic Hellenistic prostyle temple was found on the Poggetto San Nicola at Agrigento
.
came to be used for the external design of Greek temples quite late. After it had proved its adequacy, e.g. on a mausoleum
of at modern-day Belevi
(near Ephesos), it appears to have found increasing popularity in the 2nd half of the 3rd century BC. Early examples probably include the Serapeum
of Alexandria
and a temple at Hermopolis Magna, both erected by Ptolemaios III. A small temple of Athena Limnastis at Messene
, definitely Corinthian, is only attested through drawings by early travellers and very scarce fragments. It probably dates to the late 3rd century BC.
The first dateable and well-preserved presence of the Corinthian temple is the Hellenistic rebuilding of the Olympieion of Athens, planned and started between 175 and 146 BC. This mighty dipteros with its 110 × 44 m substructure and 8 × 20 columns was to be one of the largest Corinthian temples ever. Donated by Antiochus IV Epiphanes, it combined all elements of the asian/Ionic
order with the Corinthian capital. Its Asian elements and its conception as a dipteros made the temple an exception in Athens.
Around the middle of the 2nd century BC, a 6 × 12 column Corinthian peripteros was built in Olba-Diokaisarea in Rugged Cilicia. Its columns, mostly still upright, stand on Attic bases without plinths, exceptional for the period. The 24 flutings of the columns are only indicated by facets in the lower third. Each of the Corinthian capitals is made of three separate parts, an exceptional form. The entablature of the temple was probably in the Doric order, as is suggested by fragments of mutuli scattered among the ruins. All of these details suggest an Alexandrian workshop, since Alexandria
showed the greatest tendency to combine Doric entablatures with Corinthian capitals and to do without the plinth under Attic bases.
A further plan option is shown by the temple of Hekate at Lagina
, a small pseudoperipteros of 8 × 11 columns. Its architectural members are entirely in keeping with the Asian/Ionic canon. Its distinctive feature, a rich figural frieze, makes this building, erected around 100 BC, an architectural gem. Further late Greek temples in the Corinthian order are known e.g. at Mylasa and, on the middle gymnasium terrace at Pergamon
.
, the Corinthian temple came to be widely distributed in all of the Graeco-Roman world, especially in Asia Minor, until the late Imperial period.
Hellenistic Greece
In the context of Ancient Greek art, architecture, and culture, Hellenistic Greece corresponds to the period between the death of Alexander the Great in 323 BC and the annexation of the classical Greek heartlands by Rome in 146 BC...
kingdoms of Southwest Asia
Southwest Asia
Western Asia, West Asia, Southwest Asia or Southwestern Asia are terms that describe the westernmost portion of Asia. The terms are partly coterminous with the Middle East, which describes a geographical position in relation to Western Europe rather than its location within Asia...
and of North Africa
North Africa
North Africa or Northern Africa is the northernmost region of the African continent, linked by the Sahara to Sub-Saharan Africa. Geopolitically, the United Nations definition of Northern Africa includes eight countries or territories; Algeria, Egypt, Libya, Morocco, South Sudan, Sudan, Tunisia, and...
, buildings erected to fulfill the functions of a temple often continued to follow the local traditions. Even where a Greek influence is visible, such structures are not normally considered as Greek temples. This applies, for example, to the Graeco-Parthian
Parthia
Parthia is a region of north-eastern Iran, best known for having been the political and cultural base of the Arsacid dynasty, rulers of the Parthian Empire....
and Bactria
Bactria
Bactria and also appears in the Zend Avesta as Bukhdi. It is the ancient name of a historical region located between south of the Amu Darya and west of the Indus River...
n temples, or to the Ptolemaic
Ptolemaic Egypt
Ptolemaic Egypt began when Ptolemy I Soter invaded Egypt and declared himself Pharaoh of Egypt in 305 BC and ended with the death of queen Cleopatra VII of Egypt and the Roman conquest in 30 BC. The Ptolemaic Kingdom was a powerful Hellenistic state, extending from southern Syria in the east, to...
examples, which follow Egyptian tradition. Most Greek temples were oriented astronomically.
Overview
Between the 9th century BC and the 6th century BC, Ancient Greek temples developed from the small mudbrickMudbrick
A mudbrick is a firefree brick, made of a mixture of clay, mud, sand, and water mixed with a binding material such as rice husks or straw. They use a stiff mixture and let them dry in the sun for 25 days....
structures into monumental double porticos buildings , often reaching more than 20 metres in height (not including the roof). Stylistically, they were governed by the regionally specific architectural orders. Originally, the distinction being initially between the Doric
Doric order
The Doric order was one of the three orders or organizational systems of ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian.-History:...
and Ionic
Ionic order
The Ionic order forms one of the three orders or organizational systems of classical architecture, the other two canonic orders being the Doric and the Corinthian...
orders, with the Corinthian order
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
provided a third alternative in the late 3rd century BC. A multitude of different ground plans were developed, each of which could be combined with the superstructure in the different orders. From the 3rd century BC onwards, the construction of large temples became less common; after a short 2nd century BC flourish, it ceased nearly entirely in the 1st century BC. Thereafter, only smaller structures were newly begun, older temples continued to be renovated or (if incomplete) completed.
Greek temples were designed and constructed according to set proportions, mostly determined by the lower diameter of the column
Column
A column or pillar in architecture and structural engineering is a vertical structural element that transmits, through compression, the weight of the structure above to other structural elements below. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces...
s or by the dimensions of the foundation levels. The nearly mathematical strictness of the basic designs thus reached was lightened by optical refinements. In spite of the still widespread idealised image, Greek temples were painted, so that bright reds and blues contrasted with the white of the building stones or of stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
. The more elaborate temples were equipped with very rich figural decoration in the form of relief
Relief
Relief is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is thus to give the impression that the sculpted material has been raised above the background plane...
s and pedimental sculpture
Pediment
A pediment is a classical architectural element consisting of the triangular section found above the horizontal structure , typically supported by columns. The gable end of the pediment is surrounded by the cornice moulding...
. The construction of temples was usually organised and financed by cities
Polis
Polis , plural poleis , literally means city in Greek. It could also mean citizenship and body of citizens. In modern historiography "polis" is normally used to indicate the ancient Greek city-states, like Classical Athens and its contemporaries, so polis is often translated as "city-state."The...
or by the administrations of sanctuaries. Private individuals, especially Hellenistic rulers, could also sponsor such buildings. In the late Hellenistic period
Hellenistic period
The Hellenistic period or Hellenistic era describes the time which followed the conquests of Alexander the Great. It was so named by the historian J. G. Droysen. During this time, Greek cultural influence and power was at its zenith in Europe and Asia...
, their decreasing financial wealth, along with the progressive incorporation of the Greek world within the Roman State
Roman Greece
Roman Greece is the period of Greek history following the Roman victory over the Corinthians at the Battle of Corinth in 146 BC until the reestablishment of the city of Byzantium and the naming of the city by the Emperor Constantine as the capital of the Roman Empire...
, whose officials and rulers took over as sponsors, led to the end of Greek temple construction. New temples now belonged to the tradition of Roman architecture
Roman architecture
Ancient Roman architecture adopted certain aspects of Ancient Greek architecture, creating a new architectural style. The Romans were indebted to their Etruscan neighbors and forefathers who supplied them with a wealth of knowledge essential for future architectural solutions, such as hydraulics...
, which, in spite of the Greek influence on it, aimed for different goals and followed different aesthetic principles.
Development
Origins
The basic principles for the development of Greek temple architecture have their roots between the 10th century BC and the 7th century BC. In its simplest form as a naosCella
A cella or naos , is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture...
, the temple was a simple rectangular shrine with protruding side walls (antae), forming a small porch. Until the 8th century BC, there were also apsidal structures
Apse
In architecture, the apse is a semicircular recess covered with a hemispherical vault or semi-dome...
with more or less semi-circular back walls, but the rectangular type prevailed. By adding columns to this small basic structure, the Greeks triggered the development and variety of their temple architecture.
Wooden architecture: Early Archaic
The first temples were mostly mudbrickMudbrick
A mudbrick is a firefree brick, made of a mixture of clay, mud, sand, and water mixed with a binding material such as rice husks or straw. They use a stiff mixture and let them dry in the sun for 25 days....
structures on stone foundations. The columns and superstructure (entablature
Entablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...
) were wooden, door openings and antae were protected with wooden planks. The mudbrick walls were often reinforced by wooden posts, in a type of half-timbered technique. The elements of this simple and clearly structured wooden architecture produced all the important design principles that were to determine the development of Greek temples for centuries.
Near the end of the 7th century BC, the dimensions of these simple structures were increased considerably. Temple B at Thermos
Thermos (Aetolia)
Thermos was an ancient Greek sanctuary, which served as the regular meeting place of the Aetolian League...
is the first of the hekatompedoi, temples with a length of 100 feet (30.5 m). Since it was not technically possible to roof broad spaces at that time, these temples remained very narrow, at 6 to 10 metres in width.
To stress the importance of the cult statue and the building holding it, the naos was equipped with a canopy
Canopy (building)
A canopy is an overhead roof or else a structure over which a fabric or metal covering is attached, able to provide shade or shelter. A canopy can also be a tent, generally without a floor....
, supported by columns. The resulting set of porticos surrounding the temple on all sides (the peristasis
Peristasis (architecture)
The Peristasis was a four-sided porch or hall of columns surrounding the cella in an ancient Greek peripteros temple. This allowed priests to pass round the cella in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis...
) was exclusively used for temples in Greek architecture.
The combination of the temple with porticos (ptera
Pteron
Pteron is an architectural term used by Pliny the Elder for the peristyle of the tomb of Mausolus, which was raised on a lofty podium, and so differed from an ordinary peristyle raised only on a stylobate, as in Greek temples, or on a low podium, as in Roman temples....
) on all sides posed a new aesthetic challenge for the architects and patrons: the structures had to be built to be viewed from all directions. This led to the development of the peripteros
Peripteros
Peripteros is the special name given to a type of ancient Greek or Roman temple surrounded by a portico with columns. It refers to the useful element for the architectural definition of buildings surrounded around their outside by a colonnade on all four sides of the cella , creating a four-sided...
, with a frontal pronaos (porch), mirrored by a similar arrangement at the back of the building, the opisthodomos
Opisthodomos
An opisthodomos can refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton ; the confusion arises from the lack of agreement in ancient inscriptions. In modern scholarship, it usually refers to the rear porch of a temple...
, which became necessary for entirely aesthetic reasons.
Introduction of stone architecture: Archaic and Classical
Since the introduction of stone architecture in the early 20th century, the essential elements and forms of each sculture and temples, such as the number of columns and of column rows, underwent constant change throughout Greek antiquityAncient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
.
In the 6th century BC, Ionian
Ionians
The Ionians were one of the four major tribes into which the Classical Greeks considered the population of Hellenes to have been divided...
Samos
Samos Island
Samos is a Greek island in the eastern Aegean Sea, south of Chios, north of Patmos and the Dodecanese, and off the coast of Asia Minor, from which it is separated by the -wide Mycale Strait. It is also a separate regional unit of the North Aegean region, and the only municipality of the regional...
developed the double-colonnaded dipteros as an alternative to the single peripteros. This idea was later copied in Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
, Ephesos and Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
. Between the 6th and the late 4th century BC, innumerable temples were built; nearly every polis
Polis
Polis , plural poleis , literally means city in Greek. It could also mean citizenship and body of citizens. In modern historiography "polis" is normally used to indicate the ancient Greek city-states, like Classical Athens and its contemporaries, so polis is often translated as "city-state."The...
, every colony contained one or several. There were also temples at extra-urban sites and at major sanctuaries like Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
and Delphi
Delphi
Delphi is both an archaeological site and a modern town in Greece on the south-western spur of Mount Parnassus in the valley of Phocis.In Greek mythology, Delphi was the site of the Delphic oracle, the most important oracle in the classical Greek world, and a major site for the worship of the god...
.
The observable change of form indicates the search for a harmonious form of all architectural elements: the development led from simpler early forms which often appear coarse and bulky up to the aesthetic perfection and refinement of the later structures; from simple experimentation to the strict mathematical complexity of ground plans and superstructures.
Decline of Greek temple building: Hellenistic period
From the early Hellenistic periodHellenistic period
The Hellenistic period or Hellenistic era describes the time which followed the conquests of Alexander the Great. It was so named by the historian J. G. Droysen. During this time, Greek cultural influence and power was at its zenith in Europe and Asia...
onwards, the Greek peripteral temple lost much of its importance. With very few exceptions, Classical temple construction ceased both in Hellenistic Greece
Hellenistic Greece
In the context of Ancient Greek art, architecture, and culture, Hellenistic Greece corresponds to the period between the death of Alexander the Great in 323 BC and the annexation of the classical Greek heartlands by Rome in 146 BC...
and in the Greek colonies of Magna Graecia
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
. Only the west of Asia Minor
Asia Minor
Asia Minor is a geographical location at the westernmost protrusion of Asia, also called Anatolia, and corresponds to the western two thirds of the Asian part of Turkey...
maintained a low level of temple construction during the 3rd century BC. The construction of large projects, such as the temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
near Miletus
Miletus
Miletus was an ancient Greek city on the western coast of Anatolia , near the mouth of the Maeander River in ancient Caria...
and the Artemision at Sardis
Sardis
Sardis or Sardes was an ancient city at the location of modern Sart in Turkey's Manisa Province...
did not make much progress.
The 2nd century BC saw a revival of temple architecture, including peripteral temples. This is partially due to the influence of the architect Hermogenes of Priene
Hermogenes of Priene
Interest in Hermogenes of Priene , the Hellenistic architect of a temple of Artemis Leukophryene at Magnesia in Lydia, an Ionian colony on the banks of the Maeander river in Anatolia, has been sparked by references to his esthetic made by the 1st century Roman architect Vitruvius .Hermogenes'...
, who redefined the principles of Ionic temple construction both practically and through theoretical work. At the same time, the rulers of the various Hellenistic kingdoms provided copious financial resources. Their self-aggrandisation, rivalry, desires to stabilise their spheres of influence, as well as the increasing conflict with Rome
Ancient Rome
Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....
(partially played out in the field of culture), combined to release much energy into the revival of complex Greek temple architecture. During this phase, Greek temples became widespread in southern Asia Minor
Asia Minor
Asia Minor is a geographical location at the westernmost protrusion of Asia, also called Anatolia, and corresponds to the western two thirds of the Asian part of Turkey...
, Egypt and Northern Africa.
But in spite of such examples and of the positive conditions produced by the economic upturn and the high degree of technical innovation in the 3rd and 2nd centuries BC, Hellenistic religious architecture is mostly represented by a multitude of small temples in antis
Anta
An anta is an architectural term describing the posts or pillars on either side of a doorway or entrance of a Greek temple - the slightly projecting piers which terminate the walls of the naos.In contrast to pillars, they are directly connected with the walls of a temple...
and prostyle temples
Prostyle
Prostyle is an architectural term defining free standing columns across the front of a building, as often in a portico. The term is often used as an adjective when referring to the portico of a classical building which projects from the main structure...
, as well as tiny shrines (naiskoi
Naiskos
The naiskos is a small temple in Classical order with columns or pillars and pediment. Often applied as an artificial motif, it is not rare in ancient art...
). The latter had been erected in important places, on market squares, near springs and by roads, since the Archaic period, but reached their main flourish now. This limitation to smaller structures led to the development of a special form, the pseudoperipteros
Pseudoperipteral
In architecture, a pseudoperipteral building is one with free standing columns in the front , but the columns along the sides are engaged in the peripheral walls of the building...
, which uses engaged column
Engaged column
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi or three-quarter detached...
s along the cella
Cella
A cella or naos , is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture...
walls to produce the illusion of a peripteral temple. An early case of this is temple L at Epidauros, followed by many prominent Roman examples, such as the Maison Carrée
Maison Carrée
The Maison Carrée is an ancient building in Nîmes, southern France; it is one of the best preserved temples to be found anywhere in the territory of the former Roman Empire.- History :...
at Nîmes
Nîmes
Nîmes is the capital of the Gard department in the Languedoc-Roussillon region in southern France. Nîmes has a rich history, dating back to the Roman Empire, and is a popular tourist destination.-History:...
.
The end of Greek temple construction: Roman Greece
In the early 1st century BC, the Mithridatic WarsMithridatic Wars
There were three Mithridatic Wars between Rome and the Kingdom of Pontus in the 1st century BC. They are named for Mithridates VI who was King of Pontus at the time....
led to changes of architectural practice. The role of sponsor was increasingly taken by Roman magistrates of the Eastern provinces
Roman province
In Ancient Rome, a province was the basic, and, until the Tetrarchy , largest territorial and administrative unit of the empire's territorial possessions outside of Italy...
, who rarely demonstrated their generosity by building temples. Nevertheless, some temples were erected at this time, e.g. the Temple of Aphrodite at Aphrodisias
Aphrodisias
Aphrodisias was a small city in Caria, on the southwest coast of Asia Minor. Its site is located near the modern village of Geyre, Turkey, about 230 km from İzmir....
.
The introduction of the principate
Principate
The Principate is the first period of the Roman Empire, extending from the beginning of the reign of Caesar Augustus to the Crisis of the Third Century, after which it was replaced with the Dominate. The Principate is characterized by a concerted effort on the part of the Emperors to preserve the...
lead to few new buildings, mostly temples for the imperial cult
Imperial cult (ancient Rome)
The Imperial cult of ancient Rome identified emperors and some members of their families with the divinely sanctioned authority of the Roman State...
or to Roman deities
Roman mythology
Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans...
, e.g. the temple of Jupiter
Jupiter (mythology)
In ancient Roman religion and myth, Jupiter or Jove is the king of the gods, and the god of the sky and thunder. He is the equivalent of Zeus in the Greek pantheon....
at Baalbek
Baalbek
Baalbek is a town in the Beqaa Valley of Lebanon, altitude , situated east of the Litani River. It is famous for its exquisitely detailed yet monumentally scaled temple ruins of the Roman period, when Baalbek, then known as Heliopolis, was one of the largest sanctuaries in the Empire...
. Although new temples to Greek deities still continued to be constructed, e.g. the Tychaion
Tyche
In ancient Greek city cults, Tyche was the presiding tutelary deity that governed the fortune and prosperity of a city, its destiny....
at Selge they tend to follow the canonical forms of the developing Roman imperial style of architecture or to maintain local non-Greek idiosyncrasies, like the temples in Petra
Petra
Petra is a historical and archaeological city in the Jordanian governorate of Ma'an that is famous for its rock cut architecture and water conduits system. Established sometime around the 6th century BC as the capital city of the Nabataeans, it is a symbol of Jordan as well as its most visited...
or Palmyra
Palmyra
Palmyra was an ancient city in Syria. In the age of antiquity, it was an important city of central Syria, located in an oasis 215 km northeast of Damascus and 180 km southwest of the Euphrates at Deir ez-Zor. It had long been a vital caravan city for travellers crossing the Syrian desert...
. The increasing romanisation of the east entailed the end of Greek temple architecture, although work continued on the completion of unfinished large structures like the temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
or the Olympieion at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
into the later 2nd century AD.
The abandonment and conversion of temples: Late Antiquity
The edicts of Theodosius ITheodosius I
Theodosius I , also known as Theodosius the Great, was Roman Emperor from 379 to 395. Theodosius was the last emperor to rule over both the eastern and the western halves of the Roman Empire. During his reign, the Goths secured control of Illyricum after the Gothic War, establishing their homeland...
and his successors on the throne of the Roman Empire
Roman Empire
The Roman Empire was the post-Republican period of the ancient Roman civilization, characterised by an autocratic form of government and large territorial holdings in Europe and around the Mediterranean....
, banning pagan cults
Paganism
Paganism is a blanket term, typically used to refer to non-Abrahamic, indigenous polytheistic religious traditions....
, led to the gradual closure of Greek temples, or their conversion into Christian
Christian
A Christian is a person who adheres to Christianity, an Abrahamic, monotheistic religion based on the life and teachings of Jesus of Nazareth as recorded in the Canonical gospels and the letters of the New Testament...
churches.
Thus ends the history of the Greek temple, although many of them remained in use for a long time afterwards. For example, the Athenian Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
, first reconsecrated as a church was turned into a mosque
Mosque
A mosque is a place of worship for followers of Islam. The word is likely to have entered the English language through French , from Portuguese , from Spanish , and from Berber , ultimately originating in — . The Arabic word masjid literally means a place of prostration...
after the Ottoman
Ottoman Greece
Most of Greece gradually became part of the Ottoman Empire from the 15th century until its declaration of independence in 1821, a historical period also known as Tourkokratia ....
conquest and remained structurally unharmed until the 17th century AD. Only the unfortunate impact of a Venetian
Republic of Venice
The Republic of Venice or Venetian Republic was a state originating from the city of Venice in Northeastern Italy. It existed for over a millennium, from the late 7th century until 1797. It was formally known as the Most Serene Republic of Venice and is often referred to as La Serenissima, in...
cannonball into the building, then used to store gunpowder, led to the destruction of this important temple, more than 2,000 years after it was built.
Greek Temples were known for being extremely flammable especially the architrave.
Structure
Canonical Greek temples maintained the same basic structure throughout many centuries. The Greeks used a limited number of spatial components, influencing the planFloor plan
In architecture and building engineering, a floor plan, or floorplan, is a diagram, usually to scale, showing a view from above of the relationships between rooms, spaces and other physical features at one level of a structure....
, and of architectural members, determining the elevation.
Naos
The central cult structure of the temple, the naosCella
A cella or naos , is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture...
, can be separated in several areas. Usually, the main room, the cella
Cella
A cella or naos , is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture...
, contained a cult statue
Cult image
In the practice of religion, a cult image is a human-made object that is venerated for the deity, spirit or daemon that it embodies or represents...
of the respective deity. In Archaic temples, a separate room, the so-called adyton
Adyton
The adyton or adytum was a restricted area within the cella of a Greek or Roman temple. Its name meant "inaccessible" or "do not enter". The adyton was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just nine by twelve feet. The adyton would...
was sometimes included in the cella for this purpose. In Sicily
Sicily
Sicily is a region of Italy, and is the largest island in the Mediterranean Sea. Along with the surrounding minor islands, it constitutes an autonomous region of Italy, the Regione Autonoma Siciliana Sicily has a rich and unique culture, especially with regard to the arts, music, literature,...
, this habit continued into the Classical
Classical Greece
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC. This classical period had a powerful influence on the Roman Empire and greatly influenced the foundation of Western civilizations. Much of modern Western politics, artistic thought, such as...
period.
Pronaos and opisthodomos
At the front of the cella, there is a porch, the pronaos, created by the protruding side walls of the cella (the antae), and two columns placed between them. A similar room at the back of the cella is called the opisthodomosOpisthodomos
An opisthodomos can refer to either the rear room of an ancient Greek temple or to the inner shrine, also called the adyton ; the confusion arises from the lack of agreement in ancient inscriptions. In modern scholarship, it usually refers to the rear porch of a temple...
. There is no door connecting the latter with the cella; its existence is necessitated entirely by aesthetic considerations: to maintain the consistency of the peripteral temple and to ensure its viewability from all sides, the execution of the front has to be repeated at the rear.
Peristasis
The naos is enclosed on all four sides by the peristasisPeristasis (architecture)
The Peristasis was a four-sided porch or hall of columns surrounding the cella in an ancient Greek peripteros temple. This allowed priests to pass round the cella in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis...
, usually a single row, rarely a double one, of columns. This produces a surrounding portico, the pteron
Pteron
Pteron is an architectural term used by Pliny the Elder for the peristyle of the tomb of Mausolus, which was raised on a lofty podium, and so differed from an ordinary peristyle raised only on a stylobate, as in Greek temples, or on a low podium, as in Roman temples....
, which offered shelter to visitors of the sanctuary and room for cult processions.
Plan types
These components allowed the realisation of a variety of different plan types in Greek temple architecture. The simplest example of a Greek temple is the templum in antis, a small rectangular structure sheltering the cult statue. In front of the cella, a small porch or pronaos was formed by the protruding cella walls, the antae. The pronaos was linked to the cella by a door. To support the superstructure, two columns were placed between the fronts of the antae (in antis). When equipped with an opisthodomos, this type is called a double anta temple. A variant of that type has the opisthodomos at the back of the cella indicated merely by half-columns and shortened antae, so that it can be described as a pseudo-opisthodomos.If the porch of a temple in antis has a row of usually four or six columns in front of its whole breadth, the temple is described as a prostylos or prostyle temple
Prostyle
Prostyle is an architectural term defining free standing columns across the front of a building, as often in a portico. The term is often used as an adjective when referring to the portico of a classical building which projects from the main structure...
. An amphiprostylos
Amphiprostyle
In classical architecture, Amphiprostyle denotes a temple with a portico both at the front and the rear. This never exceeded the use of four columns in the front, and four in the rear. The best-known example is the tetrastyle small Temple of Athena Nike at Athens.See also the Temple of Venus and...
repeats the same column setting at the back.
In contrast, the term peripteros
Peripteros
Peripteros is the special name given to a type of ancient Greek or Roman temple surrounded by a portico with columns. It refers to the useful element for the architectural definition of buildings surrounded around their outside by a colonnade on all four sides of the cella , creating a four-sided...
designates a temple surrounded by ptera
Pteron
Pteron is an architectural term used by Pliny the Elder for the peristyle of the tomb of Mausolus, which was raised on a lofty podium, and so differed from an ordinary peristyle raised only on a stylobate, as in Greek temples, or on a low podium, as in Roman temples....
(colonnades) on all four sides, each usually formed by single row of columns. This produces an unobstructed surrounding portico, the peristasis
Peristasis (architecture)
The Peristasis was a four-sided porch or hall of columns surrounding the cella in an ancient Greek peripteros temple. This allowed priests to pass round the cella in cultic processions. If such a hall of columns surrounds a patio or garden, it is called a peristyle rather than a peristasis...
, on all four sides of the temple. A Hellenistic and Roman form of this shape is the pseudoperipteros, where the side and rear porches are indicated only by engaged column
Engaged column
In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi or three-quarter detached...
s or pilaster
Pilaster
A pilaster is a slightly-projecting column built into or applied to the face of a wall. Most commonly flattened or rectangular in form, pilasters can also take a half-round form or the shape of any type of column, including tortile....
s directly attached to the external cella walls.
A dipteros is equipped with a double colonnade on all four sides, sometimes with further rows of columns at the front and back. A pseudodipteros lacks the inner row of columns in its peristasis, but has porches of double width.
Circular temples form a special type. If they are surrounded by a colonnade, they are known as peripteral tholoi
Tholos
Τholos is the name given to several Ancient Greek structures and buildings:**The Tholos at Athens was the building which housed the Prytaneion, or seat of government, in ancient Athens...
. Although of sacred character, their function as a temple can often not be asserted. A comparable structure is the monopteros, or cyclostyle
Cyclostyle
A cyclostyle is a term used in architecture. A structure composed of a circular range of columns without a core is cyclostylar; with a core the range would be peristyle. This is the species of edifice called "monopteral" by Vitruvius....
which, however, lacks a cella.
To clarify ground plan types, the defining terms can be combined, producing terms such as: peripteral double anta temple, prostyle in antis, peripteral amphiprostyle, etc.
Column number terminology
An additional definition, already used by VitruviusVitruvius
Marcus Vitruvius Pollio was a Roman writer, architect and engineer, active in the 1st century BC. He is best known as the author of the multi-volume work De Architectura ....
(IV, 3, 3) is determined by the number of columns at the front. Modern scholarship uses the following terms:
technical term | number of columns at front |
---|---|
distyle | 2 columns |
tetrastyle | 4 columns, term used by Vitruvius |
hexastyle | 6 columns, term used by Vitruvius |
octastyle | 8 columns |
decastyle | 10 columns |
The term dodekastylos is only used for the 12-column hall at the Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
ion. No temples with facades of that width are known.
Very few temples had an uneven number of columns at the front. Examples are Temple of Hera
Hera
Hera was the wife and one of three sisters of Zeus in the Olympian pantheon of Greek mythology and religion. Her chief function was as the goddess of women and marriage. Her counterpart in the religion of ancient Rome was Juno. The cow and the peacock were sacred to her...
I at Paestum
Paestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
, Temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
A at Metapontum
Metapontum
Metapontum, Metapontium or Metapontion , was an important city of Magna Graecia, situated on the gulf of Tarentum, between the river Bradanus and the Casuentus . It was distant about 20 km from Heraclea and 40 from Tarentum...
, both of which have a width of nine columns (enneastyle), and the Archaic temple at Thermos
Thermos
Thermos may refer to:* A vacuum flask generically known as a "thermos"* a brand of domestic vacuum flask made by Thermos L.L.C.* Thermos , an ancient Greek city, the capital city of the Aetolian League...
with a width of five columns (pentastyle).
Elevation
The elevation of Greek temples is always subdivided in three zones: the crepidomaCrepidoma
Crepidoma is an architectural term related to ancient Greek buildings. The crepidoma is the platform of, usually, three levels upon which the superstructure of the building is erected. The levels typically decrease in size incrementally, forming a series of steps along all or some sides of the...
, the column
Column
A column or pillar in architecture and structural engineering is a vertical structural element that transmits, through compression, the weight of the structure above to other structural elements below. For the purpose of wind or earthquake engineering, columns may be designed to resist lateral forces...
s and the entablature
Entablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...
.
Foundations and crepidoma
The underground foundation of a Greek temple is known as the stereobate. It consists of several layers of squared stone blocks. The uppermost layer, the euthynteriaEuthynteria
Euthynteria is the ancient Greek term for the uppermost course of a building's foundations, partly emerging from groundline. The superstructure of the building were set on the euthynteria. Archaeologists and architects use the term in discussion of Classical architecture.-References:Robertson, D....
, partially protrudes above the ground level. Its surface is carefully smoothed and levelled. It supports a further foundation of three steps, the crepidoma
Crepidoma
Crepidoma is an architectural term related to ancient Greek buildings. The crepidoma is the platform of, usually, three levels upon which the superstructure of the building is erected. The levels typically decrease in size incrementally, forming a series of steps along all or some sides of the...
. The uppermost level of the crepidoma provides the surface on which the columns and walls are placed; it is called stylobate
Stylobate
In classical Greek architecture, a stylobate is the top step of the crepidoma, the stepped platform on which colonnades of temple columns are placed...
. Stereobate, euthynteria and crepidoma form the substructure of the temple.
Columns
Placed on the stylobate are the vertical column shafts, tapering towards the top. They are normally made of several separately cut column drums. Depending on the architectural order, a different number of flutingsFluting (architecture)
Fluting in architecture refers to the shallow grooves running vertically along a surface.It typically refers to the grooves running on a column shaft or a pilaster, but need not necessarily be restricted to those two applications...
are cut into the column shaft: Doric columns have 18 to 20 flutings, Ionic and Corinthian ones normally have 24. Early Ionic columns had up to 48 flutings. While Doric columns stand directly on the stylobate, Ionic and Corinthian ones possess a base, sometimes additionally placed atop a plinth
Plinth
In architecture, a plinth is the base or platform upon which a column, pedestal, statue, monument or structure rests. Gottfried Semper's The Four Elements of Architecture posited that the plinth, the hearth, the roof, and the wall make up all of architectural theory. The plinth usually rests...
.
In Doric columns
Doric order
The Doric order was one of the three orders or organizational systems of ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian.-History:...
, the top is formed by a concavely curved neck, the hypotrachelion
Hypotrachelium
In classical architecture, the hypotrachelium is the space between the annulet of the echinus and the upper bed of the shafts, including, according to C. R. Cockerell, the three grooves or sinkings found in some of the older examples, as in the temple of Neptune at Paestum and the temple of Aphaea...
, and the capital
Capital (architecture)
In architecture the capital forms the topmost member of a column . It mediates between the column and the load thrusting down upon it, broadening the area of the column's supporting surface...
, in Ionic columns, the capital sits directly on the shaft. In the Doric order, the capital consists of a circular torus
Torus
In geometry, a torus is a surface of revolution generated by revolving a circle in three dimensional space about an axis coplanar with the circle...
bulge, originally very flat, the so-called echinus
Molding (decorative)
Molding or moulding is a strip of material with various profiles used to cover transitions between surfaces or for decoration. It is traditionally made from solid milled wood or plaster but may be made from plastic or reformed wood...
, and a square slab, the abacus
Abacus (architecture)
In architecture, an abacus is a flat slab forming the uppermost member or division of the capital of a column, above the bell. Its chief function is to provide a large supporting surface to receive the weight of the arch or the architrave above...
. In the course of their development, the echinus expands more and more, culminating in a linear diagonal, at 45° to the vertical. The echinus of Ionic columns
Ionic order
The Ionic order forms one of the three orders or organizational systems of classical architecture, the other two canonic orders being the Doric and the Corinthian...
is decorated with an egg-and-dart
Egg-and-dart
Egg-and-dart or Egg-and-tongue is an ornamental device often carved in wood, stone, or plaster quarter-round ovolo mouldings, consisting of an egg-shaped object alternating with an element shaped like an arrow, anchor or dart. Egg-and-dart enrichment of the ovolo molding of the Ionic capital is...
band followed by a sculpted pillow forming two volute
Volute
A volute is a spiral scroll-like ornament that forms the basis of the Ionic order, found in the capital of the Ionic column. It was later incorporated into Corinthian order and Composite column capitals...
s, supporting a thin abacus. The eponymous Corinthian capital of the Corinthian order
Corinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
is crowned by rings of stylised acanthus
Acanthus (ornament)
The acanthus is one of the most common plant forms to make foliage ornament and decoration.-Architecture:In architecture, an ornament is carved into stone or wood to resemble leaves from the Mediterranean species of the Acanthus genus of plants, which have deeply cut leaves with some similarity to...
leaves, forming tendrils and volutes that reach to the corners of the abacus.
Entablature
The capitals support the entablatureEntablature
An entablature refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave , the frieze ,...
. In the Doric order, the entablature always consists of two parts, the architrave
Architrave
An architrave is the lintel or beam that rests on the capitals of the columns. It is an architectural element in Classical architecture.-Classical architecture:...
and the Doric frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
(or triglyph
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze, so called because of the angular channels in them, two perfect and one divided, the two chamfered angles or hemiglyphs being reckoned as one. The square recessed spaces between the triglyphs on a Doric...
frieze). The Ionic order of Athens and the Cyclades
Cyclades
The Cyclades is a Greek island group in the Aegean Sea, south-east of the mainland of Greece; and a former administrative prefecture of Greece. They are one of the island groups which constitute the Aegean archipelago. The name refers to the islands around the sacred island of Delos...
also used a frieze above an architrave, whereas the frieze remained unknown in the Ionic architecture of Asia Minor
Asia Minor
Asia Minor is a geographical location at the westernmost protrusion of Asia, also called Anatolia, and corresponds to the western two thirds of the Asian part of Turkey...
until the 4th century BC. There, the architrave was directly followed by the dentil
Dentil
In classical architecture a dentil is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect Vitruvius In classical architecture a dentil (from Lat. dens, a tooth) is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect...
. The frieze was originally placed in front of the roof beams, which were externally visible only in the earlier temples of Asia Minor. The Doric frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
was structured by triglyph
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze, so called because of the angular channels in them, two perfect and one divided, the two chamfered angles or hemiglyphs being reckoned as one. The square recessed spaces between the triglyphs on a Doric...
s. These were placed above the axis of each column, and above the centre of each intercolumniation
Intercolumniation
In architecture, intercolumniation is the spacing between columns in a colonnade, as measured at the bottom of their shafts. In classical, Renaissance, and Baroque architecture, intercolumniation was determined by a system devised by the 1st century BC Roman architect Vitruvius...
. The spaces between the triglyphs contained metope
Metope (architecture)
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order...
s, sometimes painted or decorated with relief sculpture. In the Ionic or Corinthian orders, the frieze possesses no triglyphs and is simply left flat, sometimes decorated with paintings or reliefs. With the introduction of stone architecture, the protection of the porticos and the support of the roof construction was moved upwards to the level of the geison
Geison
Geison is an architectural term of relevance particularly to ancient Greek and Roman buildings, as well as archaeological publications of the same...
, depriving the frieze of its structural function and turning it into an entirely decorative feature. Frequently, the cella is also decorated with architrave and frieze, especially at the front of the pronaos.
Cornice and geison
Above the frieze, or an intermediate member, e.g. the dentilDentil
In classical architecture a dentil is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect Vitruvius In classical architecture a dentil (from Lat. dens, a tooth) is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect...
of the Ionic or Corinthian orders, the cornice
Cornice
Cornice molding is generally any horizontal decorative molding that crowns any building or furniture element: the cornice over a door or window, for instance, or the cornice around the edge of a pedestal. A simple cornice may be formed just with a crown molding.The function of the projecting...
protrudes notably. It consists of the geison
Geison
Geison is an architectural term of relevance particularly to ancient Greek and Roman buildings, as well as archaeological publications of the same...
(on the sloped sides or pediment
Pediment
A pediment is a classical architectural element consisting of the triangular section found above the horizontal structure , typically supported by columns. The gable end of the pediment is surrounded by the cornice moulding...
s of the narrow walls a sloped geison), and the sima. On the long side, the sima, often elaborately decorated, was equipped with water spouts, often in the shape of lions' heads. The pedimental triangle or tympanon
Tympanum (architecture)
In architecture, a tympanum is the semi-circular or triangular decorative wall surface over an entrance, bounded by a lintel and arch. It often contains sculpture or other imagery or ornaments. Most architectural styles include this element....
on the narrow sides of the temple was created by the Doric introduction of the gabled roof, earlier temples often had hipped roofs
Hip roof
A hip roof, or hipped roof, is a type of roof where all sides slope downwards to the walls, usually with a fairly gentle slope. Thus it is a house with no gables or other vertical sides to the roof. A square hip roof is shaped like a pyramid. Hip roofs on the houses could have two triangular side...
. The tympanon was usually richly decorated with sculptures of mythical scenes or battles. The corners and ridges of the roof were decorated with acroteria, originally geometric, later floral or figural decorations.
Aspect
As far as topographically possible, the temples were freestanding and designed to be viewed from all sides. They were not normally designed with consideration for their surroundings, but formed autonomous structures. This is a major difference from Roman templeRoman temple
Ancient Roman temples are among the most visible archaeological remains of Roman culture, and are a significant source for Roman architecture. Their construction and maintenance was a major part of ancient Roman religion. The main room housed the cult image of the deity to whom the temple was...
s which were often designed as part of a planned urban area or square and had a strong emphasis on being viewed frontally.
Proportions
The foundations of Greek temples could reach dimensions of up to 115 by 55 m, i.e. the size of an average soccer field. Columns could reach a height of 20 m. To design such large architectural bodies harmoniously, a number of basic aesthetic principles were developed and tested already on the smaller temples. the main measurement was the foot, varying between 29 and 34 cm from region to region. This initial measurement was the basis for all the units that determined the shape of the temple. Important factors include the lower diameter of the columns and the width of their plinths. The distance between the column axes (intercolumniationIntercolumniation
In architecture, intercolumniation is the spacing between columns in a colonnade, as measured at the bottom of their shafts. In classical, Renaissance, and Baroque architecture, intercolumniation was determined by a system devised by the 1st century BC Roman architect Vitruvius...
or bay
Bay (architecture)
A bay is a unit of form in architecture. This unit is defined as the zone between the outer edges of an engaged column, pilaster, or post; or within a window frame, doorframe, or vertical 'bas relief' wall form.-Defining elements:...
) could also be used as a basic unit. these measurements were in set proportions to other elements of design, such as column height and column distance. In conjunction with the number of columns per side, they also determined the dimensions of stylobate
Stylobate
In classical Greek architecture, a stylobate is the top step of the crepidoma, the stepped platform on which colonnades of temple columns are placed...
and peristasis
Peristasis
Peristasis may refer to:*Peristasis *Peristasis, inactive phases of vasoconstriction in inflammation...
, as well as of the naos
Cella
A cella or naos , is the inner chamber of a temple in classical architecture, or a shop facing the street in domestic Roman architecture...
proper. The rules regarding vertical proportions, especially in the Doric order, also allow for a deduction of the basic design options for the entablature from the same principles. Alternatives to this very rational system were sought in the temples of the late 7th and early 6th centuries BC, when it was attempted to develop the basic measurements from the planned dimensions of cella or stylobate, i.e. to reverse the system described above and deduce the smaller units from the bigger ones. Thus, for example, the cella length was sometimes set at 100 feet (30.5 m) (100 is a sacred number, also known from the hecatomb
Hecatomb
In Ancient Greece, a Hecatomb was a sacrifice to the gods of 100 cattle . Hecatombs were offered to Greek gods Apollo, Athena, and Hera, during special religious ceremonies....
, a sacrifice of 100 animals), and all further measurements had to be in relation to this number, leading to aesthetically quite unsatisfactory solutions.
Naos-peristasis relationship
Another determining design feature was the relationship linking naos and peristasis. In the original temples, this would have been subject entirely to practical necessities, and always based on axial links between cella walls and columns, but the introduction of stone architecture broke that connection. Nevertheless, it did survive throughout Ionic architecture. In Doric temples, however, the wooden roof construction, originally placed behind the frieze, now started at a higher level, behind the geison. This ended the structural link between frieze and roof; the structural elements of the latter could now be placed independent of axial relationships. As a result, the cella walls lost their fixed connection with the columns for a long time and could be freely placed within the peristasis. Only after a long phase of developments did the architects choose the alignment of the outer wall face with the adjacent column axis as the obligatory principle for Doric temples. Doric temples in Greater Greece rarely follow this system.Column number formula
The basic proportions of the building were determined by the numeric relationship of columns on the front and back to those on the sides. The classic solution chosen by Greek architects is the formula "frontal columns : side columns = n : (2n+1)", which can also be used for the number of intercolumniations. As a result, numerous temples of the Classical periodClassical Greece
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC. This classical period had a powerful influence on the Roman Empire and greatly influenced the foundation of Western civilizations. Much of modern Western politics, artistic thought, such as...
in Greece (circa 500 to 336 BC) had 6 x 13 columns or 5 x 11 intercolumnitions. The same proportions, in a more abstract form, determine most of the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
, not only in its 8 x 17 column peristasis, but also, reduced to 4:9, in all other basic measurements, including the intercolumniations, the stylobate, the width-height proportion of the entire building, and the geison (here reversed to 9:4).
Column spacing
Since the turn of the 3rd and 2nd centuries BC, the proportion of column width to the space between columns, the intercolumnium, played an increasingly important role in architectural theory, reflected, for example, in the works of VitruviusVitruvius
Marcus Vitruvius Pollio was a Roman writer, architect and engineer, active in the 1st century BC. He is best known as the author of the multi-volume work De Architectura ....
. According to this proportion, Vitruvius (3, 3, 1 ff) distinguished between five different design concepts and temple types:
- Pyknostyle, tight-columned: intercolumnium = 1 ½ lower column diameters
- Systyle, close-columned: intercolumnium = 2 lower column diameters
- Eustyle, well-columned: intercolumnium = 2 ¼ lower column diameters
- Diastyle, board-columned: interkolumnium = 3 lower column diameters
- Araeostyle, light-columned: intercolumnium = 3 ½ lower column diameters
The determination and discussion of these basic principles went back to Hermogenes
Hermogenes of Priene
Interest in Hermogenes of Priene , the Hellenistic architect of a temple of Artemis Leukophryene at Magnesia in Lydia, an Ionian colony on the banks of the Maeander river in Anatolia, has been sparked by references to his esthetic made by the 1st century Roman architect Vitruvius .Hermogenes'...
, whom Vitruvius credits with the invention of the eustylos. The Temple of Dionysos at Teos
Teos
Teos or Teo was a maritime city of Ionia, on a peninsula between Chytrium and Myonnesus, colonized by Orchomenian Minyans, Ionians, and Boeotians. The city is situated on a low hilly narrow strip of land connecting two larger areas of land . Teos ranked among twelve cities comprising the Ionian...
, normally ascribed to Hermogenes, does indeed have intercolumnia measuring 2 ⅙ of the lower column diameters.
Optical refinements
To loosen up the mathematical strictness and to counteract distortions of human visual perception, a slight curvatureCurvature
In mathematics, curvature refers to any of a number of loosely related concepts in different areas of geometry. Intuitively, curvature is the amount by which a geometric object deviates from being flat, or straight in the case of a line, but this is defined in different ways depending on the context...
of the whole building, hardly visible with the naked eye, was introduced. The ancient architects had realised that long horizontal lines tend to make the optical impression of sagging towards their centre. To prevent this effect, the horizontal lines of stylobate and/or entablature were raised by a few centimetres towards the middle of a building. This avoidance of mathematically straight lines also included the columns, which did not taper in a linear fashion, but were refined by a pronounced "swelling" (entasis
Entasis
In architecture, entasis is the application of a convex curve to a surface for aesthetic purposes. Its best-known use is in certain orders of Classical columns that curve slightly as their diameter is decreased from the bottom upwards. In the Hellenistic period some columns with entasis are...
) of the shaft. Additionally, columns were placed with a slight inclination
Inclination
Inclination in general is the angle between a reference plane and another plane or axis of direction.-Orbits:The inclination is one of the six orbital parameters describing the shape and orientation of a celestial orbit...
towards the centre of the building. Curvature and entasis occur from the mid 6th century BC onwards. The most consistent use of these principles is seen in the Classical Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
on the Athenian
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
Acropolis
Acropolis
Acropolis means "high city" in Greek, literally city on the extremity and is usually translated into English as Citadel . For purposes of defense, early people naturally chose elevated ground to build a new settlement, frequently a hill with precipitous sides...
. Its curvature affects all horizontal elements up to the sima, even the cella walls reflect it throughout their height. The inclination of its columns (which also have a clear entasis), is continued by architrave and triglyph frieze, the external walls of the cella also reflect it. Not one block of the building, not a single architrave or frieze element could be hewn as a simple rectilinear block. All architectural elements display slight variations from the right angle, individually calculated for each block. As a side effect, each preserved building block from the Parthenon, its columns, cella walls or entablature, can be assigned its exact position today. In spite of the immense extra effort entailed in this perfection, the Parthenon, including its sculptural decoration, was completed in the record time of sixteen years (447 to 431 BC).
Colouring
Greek temples were, as a rule, colourfully painted. Only three basic colours, with no shades, were used: white, blue and red, occasionally also black. The crepidoma, columns and architrave were mostly white. Only details, like the horizontally cut grooves at the bottom of Doric capitals (anuli), or decorative elements of Doric architraves (e.g. taeniaTaenia
Taenia can refer to:* Taenia of Doric columnsIn medicine and anatomy* Taenia coli of the large intestine* Taenia thalami of the mammal brain* Taenia of fourth ventricle of the mammal brain...
and guttae) might be painted in different colours. The frieze was clearly structured by use of colours. In a Doric triglyph frieze, blue triglyphs alternated with red metopes, the latter often serving as a background for individually painted sculptures. Reliefs, ornaments and pedimental sculptures were executed with a wider variety of colours and nuances. Recessed or otherwise shaded elements, like mutules or triglyph slits could be painted black. Paint was mostly applied to parts that were not load-bearing, whereas structural parts like columns or the horizontal elements of architrave and geison were left unpainted (if made of high quality limestone or marble) or covered with a white stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
.
Architectural sculpture
Greek temples were often enhanced with figural decorations. especially the friezeFrieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
areas offered space for relief
Relief
Relief is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is thus to give the impression that the sculpted material has been raised above the background plane...
s and relief slabs; the pediment
Pediment
A pediment is a classical architectural element consisting of the triangular section found above the horizontal structure , typically supported by columns. The gable end of the pediment is surrounded by the cornice moulding...
al triangles often contained scenes of free-standing sculpture
Sculpture
Sculpture is three-dimensional artwork created by shaping or combining hard materials—typically stone such as marble—or metal, glass, or wood. Softer materials can also be used, such as clay, textiles, plastics, polymers and softer metals...
. In Archaic times, even the architrave could be relief-decorated on Ionic temples, as demonstrated by the earlier temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
. Here, the architrave corners bore gorgon
Gorgon
In Greek mythology, the Gorgon was a terrifying female creature. The name derives from the Greek word gorgós, which means "dreadful." While descriptions of Gorgons vary across Greek literature, the term commonly refers to any of three sisters who had hair of living, venomous snakes, and a...
s, surrounded by lions and perhaps other animals. On the other hand, the Ionic temples of Asia Minor did not possess a separate frieze to allow space for relief decoration. The most common area for relief decoration remained the frieze, either as a typical Doric triglyph frieze, with sculpted metopes, or as a continuous frieze on Cycladic and later on Eastern Ionic temples.
Metopes
The metopeMetope (architecture)
In classical architecture, a metope is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order...
s, separate individual tableaux that could usually not contain more than three figures each, usually depicted individual scenes belonging to a broader context. It is rare for scenes to be distributed over several metopes; instead, a general narrative context, usually a battle, is created by the combination of multiple isolated scenes. Other thematical contexts could be depicted in this fashion. For example, the metopes at the front and back of the Temple of Zeus
Temple of Zeus
The Temple of Zeus at Olympia was an ancient Greek temple in Olympia, Greece, dedicated to the chief of the gods, Zeus. It was the very model of the fully developed classical Greek temple of the Doric order...
at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
depicted the Twelve Labours of Heracles
Heracles
Heracles ,born Alcaeus or Alcides , was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson of Perseus...
. Individual mythological scenes, like the abduction of Europa
Europa (mythology)
In Greek mythology Europa was a Phoenician woman of high lineage, from whom the name of the continent Europe has ultimately been taken. The name Europa occurs in Hesiod's long list of daughters of primordial Oceanus and Tethys...
or a cattle raid by the Dioscuri could be thus depicted, as could scenes from the voyage of the Argonauts
Argonauts
The Argonauts ) were a band of heroes in Greek mythology who, in the years before the Trojan War, accompanied Jason to Colchis in his quest to find the Golden Fleece. Their name comes from their ship, the Argo, which was named after its builder, Argus. "Argonauts", therefore, literally means...
or the Trojan War
Trojan War
In Greek mythology, the Trojan War was waged against the city of Troy by the Achaeans after Paris of Troy took Helen from her husband Menelaus, the king of Sparta. The war is among the most important events in Greek mythology and was narrated in many works of Greek literature, including the Iliad...
. The battles against the centaurs and amazons
Amazons
The Amazons are a nation of all-female warriors in Greek mythology and Classical antiquity. Herodotus placed them in a region bordering Scythia in Sarmatia...
, as well as the gigantomachy
Gigantomachy
In Greek mythology, Gigantomachy was the symbolic struggle between the cosmic order of the Olympians led by Zeus and the nether forces of Chaos led by the giant Alcyoneus...
, all three depicted on the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
, were recurring themes on many temples.
Friezes
Battle scenes of all kinds were also a common theme of Ionic friezes, e.g. the GigantomachyGigantomachy
In Greek mythology, Gigantomachy was the symbolic struggle between the cosmic order of the Olympians led by Zeus and the nether forces of Chaos led by the giant Alcyoneus...
on the temple of Hekate at Lagina
Lagina
Lagina is an ancient cult site of important archaeological and touristic value dating from the Carian period and extended under the Seleucid kings that is situated in southwestern Turkey and which is famous for its Hekate Sanctuary...
, or the Amazonomachy
Amazonomachy
An Amazonomachy was a portrayal of legendary battle between Greeks and Amazons...
on the temple of Artemis
Artemis
Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name and indeed the goddess herself was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals"...
at Magnesia on the Maeander
Magnesia on the Maeander
Magnesia or Magnesia on the Maeander was an ancient Greek city in Anatolia, considerable in size, at an important location commercially and strategically in the triangle of Priene, Ephesus and Tralles. The city was named Magnesia, after the Magnetes from Thessaly who settled the area along with...
, both from the late 2nd century BC. Complex compositions visualised the back and forth of fighting for the viewer. Such scenes were contrasted by more quiet or peaceful ones: The Assembly of the gods and a procession dominate the 160 m long frieze
Parthenon Frieze
The Parthenon frieze is the low relief, pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between ca. 443 and 438 BC, most likely under the direction of Pheidias. Of the of the original frieze, survives—some 80 percent...
that is placed on top of the naos walls of the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
.
Pediments
Special attention was paid to the decoration of the pedimentPediment
A pediment is a classical architectural element consisting of the triangular section found above the horizontal structure , typically supported by columns. The gable end of the pediment is surrounded by the cornice moulding...
al triangles, not least because of their size and frontal position. Originally, the pediments were filled with massive reliefs, e.g. shortly after 600 BC on the temple of Artemis
Artemis
Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name and indeed the goddess herself was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals"...
at Kerkyra, where the west pediment is taken up by the gorgon
Gorgon
In Greek mythology, the Gorgon was a terrifying female creature. The name derives from the Greek word gorgós, which means "dreadful." While descriptions of Gorgons vary across Greek literature, the term commonly refers to any of three sisters who had hair of living, venomous snakes, and a...
Medusa
Medusa
In Greek mythology Medusa , " guardian, protectress") was a Gorgon, a chthonic monster, and a daughter of Phorcys and Ceto. The author Hyginus, interposes a generation and gives Medusa another chthonic pair as parents. Gazing directly upon her would turn onlookers to stone...
and her children at the centre, flanked by panthers. Smaller scenes are displayed in the low corners of the pediments, e.g. Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
with a thunderbolt, fighting a Giant
Gigantes
In Greek mythology, the Giants were the children of Gaia, who was fertilized by the blood of Uranus, after Uranus was castrated by his son Cronus...
. The pedimental sculpture of the first peripteral temple on the Athenian Acropolis, from circa 570 BC, is nearly free-standing sculpture, but remains dominated by a central scene of fighting lions. Again, the corners contain separate scenes, including Heracles
Heracles
Heracles ,born Alcaeus or Alcides , was a divine hero in Greek mythology, the son of Zeus and Alcmene, foster son of Amphitryon and great-grandson of Perseus...
fighting Triton
Triton (mythology)
Triton is a mythological Greek god, the messenger of the big sea. He is the son of Poseidon, god of the sea, and Amphitrite, goddess of the sea, whose herald he is...
. After the mid-6th century BC, the compositional scheme changes: animal scenes are now placed in the corners, soon they disappear entirely. The central composition is now taken over by mythological fights or by rows of human figures. The high regard in which the Greeks held pedimental sculptures in demonstrated by the discovery of the sculptures from the Late Archaic temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Delphi
Delphi
Delphi is both an archaeological site and a modern town in Greece on the south-western spur of Mount Parnassus in the valley of Phocis.In Greek mythology, Delphi was the site of the Delphic oracle, the most important oracle in the classical Greek world, and a major site for the worship of the god...
, which had received a veritable burial after the temple's destruction in 373 BC. The themes of the individual pedimental scenes are increasingly dominated by myths connected with the locality. Thus, the east pediment at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
depicts the preparations for a chariot race between Pelops
Pelops
In Greek mythology, Pelops , was king of Pisa in the Peloponnesus. He was the founder of the House of Atreus through his son of that name....
and Oinomaos, the mythical king of nearby Pisa
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
. It is the foundation myth of the sanctuary itself, displayed here in its most prominent position. A similarly direct association is provided by the birth of Athena
Athena
In Greek mythology, Athena, Athenê, or Athene , also referred to as Pallas Athena/Athene , is the goddess of wisdom, courage, inspiration, civilization, warfare, strength, strategy, the arts, crafts, justice, and skill. Minerva, Athena's Roman incarnation, embodies similar attributes. Athena is...
on the east pediment of the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
, or the struggle for Attica
Attica
Attica is a historical region of Greece, containing Athens, the current capital of Greece. The historical region is centered on the Attic peninsula, which projects into the Aegean Sea...
between her and Poseidon
Poseidon
Poseidon was the god of the sea, and, as "Earth-Shaker," of the earthquakes in Greek mythology. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology: both were sea gods analogous to Poseidon...
on its west pediment. The pediment of the later temple of the Kabeiroi at Samothrace
Samothrace
Samothrace is a Greek island in the northern Aegean Sea. It is a self-governing municipality within the Evros peripheral unit of Thrace. The island is long and is in size and has a population of 2,723 . Its main industries are fishing and tourism. Resources on the island includes granite and...
, late 3rd century BC, depicted a probably purely local legend, of no major interest to Greece as a whole.
Roofs
The roofs were crowned by acroteria, originally in the form of elaborately painted clay disks, from the 6th century BC onwards as fully sculpted figures placed on the corners and ridges of the pediments. They could depict bowls and tripodTripod
A tripod is a portable three-legged frame, used as a platform for supporting the weight and maintaining the stability of some other object. The word comes from the Greek tripous, meaning "three feet". A tripod provides stability against downward forces, horizontal forces and moments about the...
s, griffin
Griffin
The griffin, griffon, or gryphon is a legendary creature with the body of a lion and the head and wings of an eagle...
s, spinxes, and especially mythical figures and deities. For example, depictions of the running Nike
Nike (mythology)
In Greek mythology, Nike was a goddess who personified victory, also known as the Winged Goddess of Victory. The Roman equivalent was Victoria. Depending upon the time of various myths, she was described as the daughter of Pallas and Styx and the sister of Kratos , Bia , and Zelus...
crowned the Alcmaeonid
Alcmaeonidae
The Alcmaeonidae or Alcmaeonids were a powerful noble family of ancient Athens, a branch of the Neleides who claimed descent from the mythological Alcmaeon, the great-grandson of Nestor....
temple of Apollo at Delphi, and mounted amazons formed the corner akroteria of the temple of Asklepios in Epidauros. Pausanias
Pausanias (geographer)
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the times of Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece , a lengthy work that describes ancient Greece from firsthand observations, and is a crucial link between classical...
(5, 10, 8) describes bronze tripods forming the corner akroteria and statues of Nike by Paeonios forming the ridge ones on the Temple of Zeus
Temple of Zeus
The Temple of Zeus at Olympia was an ancient Greek temple in Olympia, Greece, dedicated to the chief of the gods, Zeus. It was the very model of the fully developed classical Greek temple of the Doric order...
at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
.
Columns
For the sake of completeness, a further potential bearer of sculptural decoration should be mentioned here: the columnae celetae of the Ionic temples at Ephesos and DidymaDidyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
. Here, already on the Archaic temples, the lower parts of the column shafts were decorated by protruding relief decorations, originally depicting rows of figures, replaced on their late Classical and Hellenistic successors with mythological scenes and battles.
Cult statue and cella
The functions of the temple mainly concentrated on the cella, the "dwelling" of the cult statue. The elaboration of the temple's external aspects served to stress the dignity of the cella. In contrast, the cella itself was often finished with some moderation. The only source of light for cella and cult statue was the cellas frontal door. Thus, the interior only received a limited amount of light. Exceptions are found in the temples of Apollo at BassaeBassae
Bassae or Bassai, Vassai or Vasses , meaning "little vale in the rocks", is an archaeological site in the northeastern part of Messinia Prefecture that was a part of Arcadia in ancient times. Bassae lies near the village of Skliros, northeast of Figaleia, south of Andritsaina and west of Megalopolis...
and of Athena at Tegea
Tegea
Tegea was a settlement in ancient Greece, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Tripoli, of which it is a municipal unit. Its seat was the village Stadio....
, where the southern cella wall had a door, potentially allowing more light into the interior. A special situation applies to the temples of the Cyclades
Cyclades
The Cyclades is a Greek island group in the Aegean Sea, south-east of the mainland of Greece; and a former administrative prefecture of Greece. They are one of the island groups which constitute the Aegean archipelago. The name refers to the islands around the sacred island of Delos...
, where the roof was usually of marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
tiles. Marble roofs also covered the temple of Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
and the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
. As marble is not entirely opaque, those cellas may have been permeated with a distinctive diffused light. For cultic reasons, but also to use the light of the rising sun, virtually all Greek temples were oriented to the east. Some exceptions existed, e.g. the west-facing temples of Artemis
Artemis
Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name and indeed the goddess herself was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron: "Artemis of the wildland, Mistress of Animals"...
at Ephesos and at Magnesia on the Maeander
Magnesia on the Maeander
Magnesia or Magnesia on the Maeander was an ancient Greek city in Anatolia, considerable in size, at an important location commercially and strategically in the triangle of Priene, Ephesus and Tralles. The city was named Magnesia, after the Magnetes from Thessaly who settled the area along with...
, or the north-south oriented temples of Arcadia
Arcadia
Arcadia is one of the regional units of Greece. It is part of the administrative region of Peloponnese. It is situated in the central and eastern part of the Peloponnese peninsula. It takes its name from the mythological character Arcas. In Greek mythology, it was the home of the god Pan...
. Such exceptions are probably connected with cult practice.
Refinements
The cult statue was often oriented towards an altarAltar
An altar is any structure upon which offerings such as sacrifices are made for religious purposes. Altars are usually found at shrines, and they can be located in temples, churches and other places of worship...
, placed axially in front of the temple. To preserve this connection, the single row of columns often found along the central axis of the cella in early temples was replaced by two separate rows towards the sides. The central one of the three aisles thereby created was often emphasised as the main one. The dignity of the central aisle of the cella could be underlined by the use of special elements of design. For example, the oldest known Corinthian capitals are from the naoi of Doric temples. The impressiveness of the internal aisle could be emphasised further by having a third row of columns along the back, as is the case at the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
and at the temple of Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
in Nemea
Nemea
Nemea is an ancient site near the head of the valley of the River Elissos in the northeastern part of the Peloponnese, in Greece. Formerly part of the territory of Cleonae in Argolis, it is today part of the prefecture of Corinthia...
. The Parthenon cella, also had another impressive feature, namely two tiers of columns atop each other, as did the temple of Aphaia on Aegina
Aegina
Aegina is one of the Saronic Islands of Greece in the Saronic Gulf, from Athens. Tradition derives the name from Aegina, the mother of Aeacus, who was born in and ruled the island. During ancient times, Aegina was a rival to Athens, the great sea power of the era.-Municipality:The municipality...
. The temple of Athena at Tegea
Tegea
Tegea was a settlement in ancient Greece, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Tripoli, of which it is a municipal unit. Its seat was the village Stadio....
shows another variation, where the two column rows are indicated by half-columns protruding from the side walls and crowned with Corinthian capitals. An early form of this solution can be seen at Bassae, where the central column of the back portico remains free-stading, while the columns along the sides are in fact semi-columns connected with the walls by curved protrusions.
Restricted access
The cella of a Greek temple was entered only rarely and by very few visitors. Generally, entry to the room, except during important festivals or other special occasions, was limited to the priests. Sometimes, the divine character of the cult image was stressed even more by removing it further into a separate space within the cella, the adytonAdyton
The adyton or adytum was a restricted area within the cella of a Greek or Roman temple. Its name meant "inaccessible" or "do not enter". The adyton was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just nine by twelve feet. The adyton would...
. Especially in Magna Graecia
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
, this tradition continued for a long time. Over the decades and centuries, numerous votive offerings could be placed in the cella, giving it a museum-like character (Pausanias 5, 17).
Opisthodomos
The back room of the temple, the opisthodomos, usually served as a storage space for cult equipment. It could also hold the temple treasury. For some time, the opisthodomus of the Athenian ParthenonParthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
contained the treasury of the Delian League
Delian League
The Delian League, founded in circa 477 BC, was an association of Greek city-states, members numbering between 150 to 173, under the leadership of Athens, whose purpose was to continue fighting the Persian Empire after the Greek victory in the Battle of Plataea at the end of the Greco–Persian Wars...
, thus directly protected by the deity. Pronaos and opisthodomos were often closed off from the peristasis by wooden barriers or fences.
Peristasis
Like the cella, the peristasis could serve the display and storage of votives, often placed between the columns. In some cases, votive offerings could also be directly affixed to the columns, as is visible e.g. on the Temple of Hera at OlympiaTemple of Hera (Olympia)
The Temple of Hera is an ancient Doric Greek temple at Olympia, Greece. The Temple of Hera was destroyed by an earthquake in the early 4th century AD, and never rebuilt...
. The peristasis could also be used for cult procession
Procession
A procession is an organized body of people advancing in a formal or ceremonial manner.-Procession elements:...
s, or simply as shelter from the elements, a function emphasised by Vitruvius (III 3, 8f).
Public and private sponsors
The sponsors of Greek temples usually belonged to one of two groups: on the one hand public sponsors, including the bodies and institutions that administrated important sanctuaries; on the other hand influential and affluent private sponsors, especially Hellenistic kingKing
- Centers of population :* King, Ontario, CanadaIn USA:* King, Indiana* King, North Carolina* King, Lincoln County, Wisconsin* King, Waupaca County, Wisconsin* King County, Washington- Moving-image works :Television:...
s. The financial needs were covered by income from taxes or special levies, or by the sale of raw materials like silver. The collection of donations also occurred, especially for supra-regional sanctuaries like Delphi
Delphi
Delphi is both an archaeological site and a modern town in Greece on the south-western spur of Mount Parnassus in the valley of Phocis.In Greek mythology, Delphi was the site of the Delphic oracle, the most important oracle in the classical Greek world, and a major site for the worship of the god...
or Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
. Hellenistic monarchs could appear as private donors in cities outside their immediate sphere of influence and sponsor public buildings, as exemplified by Antiochos IV, who ordered the rebuilding of the Olympieion at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
. In such cases, the money came from the private treasury of the donor.
Organization
Building contracts were advertised after a popular or elected assembly had passed the relevant motion. An appointed committee would chose the winner among the submitted plans. Afterwards, another committee would supervise the building process. Its responsibilities included the advertising and awarding of individual contracts, the practical supervision of the construction, the inspection and acceptance of completed parts, and the paying of wages. The original advert contained all the information necessary to enable a contractor to make a realistic offer for completing the task. Contracts were normally awarded to the competitor offering the most complete service for the cheapest price. In the case of public buildings, the materials were normally provided by the public sponsor, exceptions were clarified in the contract. Contractors were usually only responsible for specific parts of the overall construction, as most businesses were small. Originally, payment was by person and day, but from the 5th century onwards, payment by piece or construction stage became common.Costs
The costs could be immense. For example, surviving receipts show that in the rebuilding of the Artemision of Ephesos, a single column cost 40,000 drachmas. Considering that a worker was paid about two drachmas, that equals nearly 2 million Euro (on a modern west European wage scale). Since the overall number of columns required for the design was 120, even this aspect of the building would have caused costs equivalent to those of major projects today (circa 360 million Euro)Temples of the different architectural orders
One of the criteria by which Greek temples are classified is the Classical orderClassical order
A classical order is one of the ancient styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. Three ancient orders of architecture—the Doric, Ionic, and Corinthian—originated in...
chosen as their basic aesthetic principle. This choice, which was rarely entirely free, but normally determined by tradition and local habit, would lead to widely differing rules of design. According to the three major orders, a basic distinction can be made between the Doric, the Ionic and the Corinthian Temple.
Doric temples
The modern image of Greek temple architecture is strongly influenced by the numerous reasonably well-preserved temples of the Doric orderDoric order
The Doric order was one of the three orders or organizational systems of ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian.-History:...
. Especially the ruins of Southern Italy
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
and Sicily were accessible to western travellers quite early in the development of Classical studies, e.g. the temples at Paestum
Paestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
, Akragas or Segesta
Segesta
Segesta was the political center of the Elymian people, located in the northwestern part of Sicily, in what are now the province of Trapani and the comune of Calatafimi-Segesta....
, but the Hephaisteion and the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
of Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
also influenced scholarship and Neoclassical architecture
Neoclassical architecture
Neoclassical architecture was an architectural style produced by the neoclassical movement that began in the mid-18th century, manifested both in its details as a reaction against the Rococo style of naturalistic ornament, and in its architectural formulas as an outgrowth of some classicizing...
from an early point onwards.
Beginnings
The beginnings of Greek temple construction in the Doric order can be traced to early in the 7th century BC. With the transition to stone architecture around 600 BC, the order was fully developed; from then on, only details were changed, developed and refined, mostly in the context of solving the challenges posed by the design and construction of monumental temples.First monumental temples
Apart from early forms, occasionally still with apsidal backs and hipped roofs, the first 100 feet (30.5 m) peripteral temples occur quite soon, before 600 BC. An example is Temple C at ThermosThermos
Thermos may refer to:* A vacuum flask generically known as a "thermos"* a brand of domestic vacuum flask made by Thermos L.L.C.* Thermos , an ancient Greek city, the capital city of the Aetolian League...
, circa 625 BC, a 100 feet (30.5 m) hekatompedos, surrounded by a peristasis of 5 x 15 columns, its cella divided in two aisles by a central row of columns. Its entirely Doric entablature is indicated by painted clay plaques, probably early example of metopes, and clay triglyphs. It appears to be the case that all temples erected within the spheres of influence of Corinth
Corinth
Corinth is a city and former municipality in Corinthia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Corinth, of which it is the seat and a municipal unit...
and Argos
Argos
Argos is a city and a former municipality in Argolis, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Argos-Mykines, of which it is a municipal unit. It is 11 kilometres from Nafplion, which was its historic harbour...
in the 7th century BC were Doric peripteroi. The earliest stone columns did not display the simple squatness of the high and late Archaic specimens, but rather mirror the slenderness of their wooden predecessors. Already around 600 BC, the demand of viewability from all sides was applied to the Doric temple, leading to the mirroring of the frontal pronaos by an opisthodomos at the back. This early demand continued to affect Doric temples especially in the Greek motherland. Neither the Ionic temples, nor the Doric specimens in Magna Graecia
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
followed this principle The increasing monumentalisation of stone buildings, and the transfer of the wooden roof construction to the level of the geison removed the fixed relationship between the naos and the peristasis. This relationship between the axes of walls and columns, almost a matter of course in smaller structures, remained undefined and without fixed rules for nearly a century: the position of the naos "floated" within the peristasis.
The Heraion at Olympia (c. 600 BC)
The Heraion of Olympia
Temple of Hera (Olympia)
The Temple of Hera is an ancient Doric Greek temple at Olympia, Greece. The Temple of Hera was destroyed by an earthquake in the early 4th century AD, and never rebuilt...
(circa 600 BC) exemplifies the transition from wood to stone construction. This building, initially constructed entirely of wood and mudbrick, had its wooden columns gradually replaced with stone ones over time. Like a museum of Doric columns and Doric capitals, it contains examples of all chronological phases, up to the Roman period. One of the columns in the opisthodomos remained wooden at least until the 2nd century AD, when Pausanias
Pausanias (geographer)
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the times of Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece , a lengthy work that describes ancient Greece from firsthand observations, and is a crucial link between classical...
described it. This 6 by 16 column temple already called for a solution to the Doric corner conflict
Doric order
The Doric order was one of the three orders or organizational systems of ancient Greek or classical architecture; the other two canonical orders were the Ionic and the Corinthian.-History:...
. It was achieved through a reduction of the corner intercolumniations the so-called corner contraction. The Heraion is most advanced in regards to the relationship between naos and peristasis, as it uses the solution that became canonical decades later, a linear axis running along the external faces of the outer naos walls and through the central axis of the associated columns. Its differentiation between wider intercolumnia on the narrow sides and narrower ones on the long sides was also an influential feature, as was the positioning of the columns within the cella, corresponding with those on the outside, a feature not repeated until the construction of the temple at Bassae
Bassae
Bassae or Bassai, Vassai or Vasses , meaning "little vale in the rocks", is an archaeological site in the northeastern part of Messinia Prefecture that was a part of Arcadia in ancient times. Bassae lies near the village of Skliros, northeast of Figaleia, south of Andritsaina and west of Megalopolis...
150 years later.
Temple of Artemis, Kerkyra (early 6th century)
The oldest Doric temple entirely built of stone is represented by the early 6th century BC Artemis Temple
Temple of Artemis (Corfu)
The Temple of Artemis is an ancient edifice in Corfu, Greece, built in archaic-style around 580 BC in the ancient city of Korkyra, in what is known today as the suburb of Garitsa. The temple was dedicated to Artemis and functioned as a sanctuary. It is known as the first Doric temple exclusively...
in Kerkyra (modern Corfu
Corfu
Corfu is a Greek island in the Ionian Sea. It is the second largest of the Ionian Islands, and, including its small satellite islands, forms the edge of the northwestern frontier of Greece. The island is part of the Corfu regional unit, and is administered as a single municipality. The...
). All parts of this building are bulky and heavy, its columns reach a height of barely five times their bottom diameter and were very closely spaced with an intercolumniation of a single column width. The individual members of its Doric orders all differ considerably from the later canon, although all essential Doric features are present. Its ground plan of 8 by 17 columns, probably pseudoperipteral, is unusual.
Archaic Olympieion, Athens
Among the Doric temples, the Peisistratid Olympieion at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
has a special position. Although this building was never completed, its architect apparently attempted to adapt the Ionic dipteros. Column drums built into the later foundations indicate that it was originally planned as a Doric temple. Nonetheless, its ground plan follows the Ionic examples of Samos
Samos Island
Samos is a Greek island in the eastern Aegean Sea, south of Chios, north of Patmos and the Dodecanese, and off the coast of Asia Minor, from which it is separated by the -wide Mycale Strait. It is also a separate regional unit of the North Aegean region, and the only municipality of the regional...
so closely that it would be hard to reconcile such a solution with a Doric triglyph frieze. After the expulsion of Hippias in 510 BC, work on this structure was stopped: Democratic Athens
Athenian democracy
Athenian democracy developed in the Greek city-state of Athens, comprising the central city-state of Athens and the surrounding territory of Attica, around 508 BC. Athens is one of the first known democracies. Other Greek cities set up democracies, and even though most followed an Athenian model,...
had no desire to continue a monument of tyrannical
Tyrant
A tyrant was originally one who illegally seized and controlled a governmental power in a polis. Tyrants were a group of individuals who took over many Greek poleis during the uprising of the middle classes in the sixth and seventh centuries BC, ousting the aristocratic governments.Plato and...
self-aggrandisation.
Classical period: canonisation
Apart from this exception and some examples in the more experimental poleisPolis
Polis , plural poleis , literally means city in Greek. It could also mean citizenship and body of citizens. In modern historiography "polis" is normally used to indicate the ancient Greek city-states, like Classical Athens and its contemporaries, so polis is often translated as "city-state."The...
of Greater Greece
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
, the Classical Doric temple type remained the peripteros. Its perfection was a priority of artistic endeavour throughout the Classical period
Classical Greece
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC. This classical period had a powerful influence on the Roman Empire and greatly influenced the foundation of Western civilizations. Much of modern Western politics, artistic thought, such as...
.
Temple of Zeus, Olympia (460 BC)
The canonical solution was found fairly soon by the architect Libon
Libon
Libon was a 5th century BC Greek architect. Born in Elis, he built the Doric temple to Zeus at Olympia in about 460 BC. Libon, through his work on the Temple of Zeus at Olympia, is said to have inspired the technique and design of the Parthenon on the Athenian Acropolis - though this was obviously...
of Elis
Elis
Elis, or Eleia is an ancient district that corresponds with the modern Elis peripheral unit...
, who erected the Temple of Zeus
Temple of Zeus
The Temple of Zeus at Olympia was an ancient Greek temple in Olympia, Greece, dedicated to the chief of the gods, Zeus. It was the very model of the fully developed classical Greek temple of the Doric order...
at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
around 460 BC. With its 6 x 13 columns or 5 x 12 intercolumniations, this temple was designed entirely rationally. Its column bays (axis to axis) measured 16 feet (4.9 m), a triglyph + metope 8 feet (2.4 m), a mutulus plus the adjacent space (via) 4 feet (1.2 m), the tile width of the marble roof was 2 foot (0.6096 m). Its columns are powerful, with only a slight entasis; the echinus
Echinus
Echinus may refer to:* Mallotus , synonym for a genus of the plant* Echinus , a genus of animals* Echinus , a window manager* Molding , similar to the ovolo molding...
of the capitals is already nearly linear at 45°. All of the superstructure is affected by curvature. The cella measures exactly 3 x 9 column distances (axis to axis), its external wall faces are aligned with the axes of the adjacent columns.
Other canonical Classical temples
6 x 13 columns, the Classical proportion, is taken up by numerous temples, e.g. the Temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
on Delos
Delos
The island of Delos , isolated in the centre of the roughly circular ring of islands called the Cyclades, near Mykonos, is one of the most important mythological, historical and archaeological sites in Greece...
(circa 470 BC), the Temple of Hephaistos at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
and the temple of Poseidon on Cape Sounion. A slight variation, with 6 x 12 columns or 5 x 11 intercolumniations occurs as frequently.
The Parthenon (450 BC)
The Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
maintains the same proportion at a larger scale of 8 x 17 columns, but follows the same principles. In spite of the eight columns on its front, the temple is a pure peripteros, its external cella walls align with the axes of the 2nd and 7th columns. In other regards, the Parthenon is distinguished as an exceptional example among the mass of Greek peripteroi by many distinctive aesthetic solutions in detail. For example, the antae of pronaos and opisthodomos are shortened so as to form simple pillars. Instead of longer antae, there are prostyle colonnades inside the peristasis on the front and back, reflecting Ionic habits. The execution of the naos, with a western room containing four columns, is also exceptional. The Parthenon's Archaic predecessor
Older Parthenon
The Older Parthenon or Pre‐Parthenon, as it is frequently referred to, constitutes the first endeavour to build a sanctuary for Athena Parthenos on the site of the present Parthenon, Athens, Greece. It was begun shortly after the battle of Marathon upon a massive limestone foundation that extended...
already contained such a room. All measurements in the Parthenon are determined by the proportion 4:9. It determines column width to column distance, width to length of the stylobate, and of the naos without antae. The temple's width to height up to the geison is determined by the reverse proportion 9:4, the same proportion squared, 81:16, determines temple length to height. All of this mathematical rigour is relaxed and loosened by the optical refinements mentioned above, which affect the whole building, from layer to layer, and element to element. 92 sculpted metopes decorate its triglyph frieze: centauromachy, amazonomachy
Amazonomachy
An Amazonomachy was a portrayal of legendary battle between Greeks and Amazons...
and gigantomachy
Gigantomachy
In Greek mythology, Gigantomachy was the symbolic struggle between the cosmic order of the Olympians led by Zeus and the nether forces of Chaos led by the giant Alcyoneus...
are its themes. The external walls of the naos are crowned with a figural frieze
Parthenon Frieze
The Parthenon frieze is the low relief, pentelic marble sculpture created to adorn the upper part of the Parthenon’s naos. It was sculpted between ca. 443 and 438 BC, most likely under the direction of Pheidias. Of the of the original frieze, survives—some 80 percent...
surrounding the entire cella and depicting the Panathenaic procession as well as the Assembly of the Gods. Large format figures decorate the pediments on the narrow sides. This conjunction of strict principles and elaborate refinements makes the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
the paradigmatic Classical
Classical architecture
Classical architecture is a mode of architecture employing vocabulary derived in part from the Greek and Roman architecture of classical antiquity, enriched by classicizing architectural practice in Europe since the Renaissance...
temple. The Temple of Hephaistos at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
, erected shortly after the Parthenon, uses the same aesthetic and proportional principles, without adhering as closely to the 4:9 proportion.
Late Classical and Hellenistic: changing proportions
In the 4th century BC, a few Doric temples were erected with 6 x 15 or 6 x 14 columns, probably referring to local Archaic predecessors, e.g. the Temple of Zeus in NemeaNemea
Nemea is an ancient site near the head of the valley of the River Elissos in the northeastern part of the Peloponnese, in Greece. Formerly part of the territory of Cleonae in Argolis, it is today part of the prefecture of Corinthia...
and that of Athena in Tegea
Tegea
Tegea was a settlement in ancient Greece, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Tripoli, of which it is a municipal unit. Its seat was the village Stadio....
. Generally, Doric temples followed a tendency to become lighter in their superstructures. Columns became narrower, intercolumniations wider. This shows a growing adjustment to the proportion and weight of Ionic temples, mirrored by a progressive tendency among Ionic temples to become somewhat heavier. In the light of this mutual influence it is not surprising that in the late 4th century BC temple of Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
at Nemea
Nemea
Nemea is an ancient site near the head of the valley of the River Elissos in the northeastern part of the Peloponnese, in Greece. Formerly part of the territory of Cleonae in Argolis, it is today part of the prefecture of Corinthia...
, the front is emphasised by a pronaos two intercolumniations deep, while the opisthodomos is suppressed. Frontality is a key feature of Ionic temples. The emphasis on the pronaos already occurred in the slightly older temple of Athena
Athena
In Greek mythology, Athena, Athenê, or Athene , also referred to as Pallas Athena/Athene , is the goddess of wisdom, courage, inspiration, civilization, warfare, strength, strategy, the arts, crafts, justice, and skill. Minerva, Athena's Roman incarnation, embodies similar attributes. Athena is...
at Tegea
Tegea
Tegea was a settlement in ancient Greece, and it is also a former municipality in Arcadia, Peloponnese, Greece. Since the 2011 local government reform it is part of the municipality Tripoli, of which it is a municipal unit. Its seat was the village Stadio....
, but there it was repeated in the opisthodomos. Both temples continued the tendency towards more richly equipped interiors, in both cases with engaged or full columns of the Corinthian order.
The increasing reduction of the number of columns along the long sides, clearly visible on Ionic temples, is mirrored in Doric constructions. A small temple at Kournó has a peristasis of merely 6 x 7 columns, a stylobate of only 8 x 10 m and corners executed as pilasters towards the front. The peristasis of monumental Doric temples is merely hinted at here; the function as a simple canopy for the shrine of the sult statue is clear
Doric temples in Magna Graecia
Sicily and Southern Italy hardly participated in these developments. Here, most temple construction took place during the 6th and 5th centuries BC. Later, the Western Greeks showed a pronounced tendency to develop unusual architectural solutions, more or less unthinkable in the mother poleis of their colonies. For example, there are two examples of temples with uneven column numbers at the front, Temple of Hera I at PaestumPaestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
and Temple of Apollo A at Metapontum
Metapontum
Metapontum, Metapontium or Metapontion , was an important city of Magna Graecia, situated on the gulf of Tarentum, between the river Bradanus and the Casuentus . It was distant about 20 km from Heraclea and 40 from Tarentum...
. Both temples had fronts of nine columns.
The technical possibilities of the western Greeks, which had progressed beyond those in the motherland, permitted many deviations. For example, innovations regarding the construction of the entablature developed in the west allowed the spanning of much wider spaces than before, leading to some very deep peristaseis and broad naoi. The peristasis often had a depth of two column distances, e.g. at Temple of Hera I, Paestum
Paestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
, and temples C, F and G at Selinus, classifying them as pseudodipteroi. The opisthodomos only played a subsidiary role, but did occur sometimes, e.g. at the tenple of Poseidon
Poseidon
Poseidon was the god of the sea, and, as "Earth-Shaker," of the earthquakes in Greek mythology. The name of the sea-god Nethuns in Etruscan was adopted in Latin for Neptune in Roman mythology: both were sea gods analogous to Poseidon...
in Paestum
Paestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
. Much more frequently, the temples included a separate room at the back end of the cella, entrance to which was usually forbidden, the adyton
Adyton
The adyton or adytum was a restricted area within the cella of a Greek or Roman temple. Its name meant "inaccessible" or "do not enter". The adyton was frequently a small area at the farthest end of the cella from the entrance: at Delphi it measured just nine by twelve feet. The adyton would...
. In some cases, the adyton was a free-standing structure within the cella, e.g. temple G in Selinus. If possible, columns inside the cella were avoided, allowing for open roof constructions of up to 13 m width.
The largest such structure was the Olympieion
Temple of Olympian Zeus (Agrigento)
The Temple of Olympian Zeus in Agrigento, Sicily was the largest Doric temple ever constructed, although it was never completed and now lies in ruins...
of Akragas, an 8 x 17 column peripteros, but in many regards an absolutely "un-Greek" structure, equipped with details such as engaged, figural pillars (Telamon
Telamon
In Greek mythology, Telamon , son of the king Aeacus, of Aegina, and Endeis and brother of Peleus, accompanied Jason as one of his Argonauts, and was present at the hunt for the Calydonian Boar. In the Iliad he was the father of Greek heroes Ajax the Great and Teucer the Archer by different...
s), and a peristasis partially closed off by walls. With external dimensions of 56 x 113 m, it was the largest Doric building ever to be completed. If the colonies showed remarkable independence and will to experiment in basic terms, they did so even more in terms of detail. For example, the lower surfaces of Doric geisa could be decorated with coffer
Coffer
A coffer in architecture, is a sunken panel in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault...
s instead of mutuli.
Although a strong tendency to emphasize the front, e.g. through the addition of ramps or stairs with up to eight steps (at Temple C in Selinus), or a pronaos depth of 3.5 column distances (temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Syracuse
Syracuse, Italy
Syracuse is a historic city in Sicily, the capital of the province of Syracuse. The city is notable for its rich Greek history, culture, amphitheatres, architecture, and as the birthplace of the preeminent mathematician and engineer Archimedes. This 2,700-year-old city played a key role in...
) had been become a key principle of design, this was relativised by the broadening of column distances on the long sides, e.g. Temple of Hera I at Paestum
Paestum
Paestum is the classical Roman name of a major Graeco-Roman city in the Campania region of Italy. It is located in the north of Cilento, near the coast about 85 km SE of Naples in the province of Salerno, and belongs to the commune of Capaccio, officially also named...
. Only in the colonies could the Doric corner conflict be ignored. If South Italian architects tried to solve it, they used a variety of solutions: broadening of the corner metopes or triglyphs, variation of column distance or metopes. In some cases, different solutions were used on the broad and narrow sides of the same building.
Origins
For the early period, before the 6th century BC, the term Ionic temple can, at best, designate a temple in the Ionian areas of settlementIonia
Ionia is an ancient region of central coastal Anatolia in present-day Turkey, the region nearest İzmir, which was historically Smyrna. It consisted of the northernmost territories of the Ionian League of Greek settlements...
. No fragments of architecture belonging to the Ionic order
Ionic order
The Ionic order forms one of the three orders or organizational systems of classical architecture, the other two canonic orders being the Doric and the Corinthian...
have been found from this time. Nonetheless, some early temples in the area already indicate the rational system that was to characterise the Ionic system later on, e.g. the Heraion II of Samos
Samos Island
Samos is a Greek island in the eastern Aegean Sea, south of Chios, north of Patmos and the Dodecanese, and off the coast of Asia Minor, from which it is separated by the -wide Mycale Strait. It is also a separate regional unit of the North Aegean region, and the only municipality of the regional...
. Thus, even at an early point, the axes of the cella walls aligned with the column axes, whereas in Doric architecture, the external wall faces do so. The early temples also show no concern for the typical Doric feature of viewability from all sides, they regularly lack an opisthodomos; the peripteros only became widespread in the area in the 4th century BC. In contrast, from an early point, Ionic temples stress the front by using double porticos. Elongated peristaseis became a determining element. At the same time, the Ionic temples were characterised by their tendency to use varied and richly decorated surfaces, as well as the widespread use of light-shade contrasts.
The Heraion of Samos
As soon as the Ionic order becomes recognisable in temple architecture, it is increased to monumental sizes. The temple in the Heraion of Samos, erected by Rhoikos
Rhoecus
Rhoecus was a Samian sculptor of the 6th century BCE. He and his son Theodorus were especially noted for their work in bronze. Herodotus says that Rhoecus built the temple of Hera at Samos, which was destroyed by fire c. 530 BCE. In the temple of Artemis at Ephesus was a marble figure of night by...
around 560 BC, is the first known dipteros, with outside dimensions of 52 x 105 m. A double portico of 8 x 21 columns enclosed the naos, the back even had ten columns. The front used differing column distances, with a wider central opening. In proportion to the bottom diameter, the columns reached three times the height of a Doric counterpart. 40 flutings enriched the complex surface structure of the column shafts. Samian column bases were decorated with a sequence of horizontal flutings, but in spite of this playfulness they weighed 1,500 kg a piece. The capitals of this structure were probably still entirely of wood, as was the entablature. Ionic volute capitals survive from the outer peristasis of the later rebuilding by Polycrates
Polycrates
Polycrates , son of Aeaces, was the tyrant of Samos from c. 538 BC to 522 BC.He took power during a festival of Hera with his brothers Pantagnotus and Syloson, but soon had Pantagnotus killed and exiled Syloson to take full control for himself. He then allied with Amasis II, pharaoh of Egypt, as...
. The columns of the inner peristasis had leaf decoration and no volutes.
Cycladic Ionic
In the Cyclades
Cyclades
The Cyclades is a Greek island group in the Aegean Sea, south-east of the mainland of Greece; and a former administrative prefecture of Greece. They are one of the island groups which constitute the Aegean archipelago. The name refers to the islands around the sacred island of Delos...
, there were early temples entirely built of marble. Volute capitals have not been found associated with these, but their marble entablatures belonged to the Ionic order.
The Artemision of Ephesos
Roughly beginning with the erection of the older Artemision of Ephesos around 550 BC the quantity of archaeological remains of Ionic temples increases. The Artemision was planned as a dipteros, its architect Theodoros
Theodorus of Samos
Theodorus of Samos was a 6th century BC ancient Greek sculptor and architect from the Greek island of Samos. Along with Rhoecus, he was often credited with the invention of ore smelting and, according to Pausanias, the craft of casting. He is also credited with inventing a water level, a...
had been one of the builders of the Samian Heraion. With a substructure of 55 x 115 m, the Artemision outscaled all precedents. Its cella was exceuted as unroofed internal peristyle
Peristyle
In Hellenistic Greek and Roman architecture a peristyle is a columned porch or open colonnade in a building surrounding a court that may contain an internal garden. Tetrastoon is another name for this feature...
courtyard, the so-called sekos. The building was entirely of marble.The temple was considered as one of the seven wonders of the ancient world
Seven Wonders of the Ancient World
The Seven Wonders of the World refers to remarkable constructions of classical antiquity listed by various authors in guidebooks popular among the ancient Hellenic tourists, particularly in the 1st and 2nd centuries BC...
, which may be justified, considering the efforts involved in its construction. The columns stood on ephesian bases, 36 of them were decorated with life-sized friezes of human figures at the bottom of the shaft, the so-called columnae caelatae. The columns had between 40 and 48 flutings, some of them cut to alternate between a wider and a narrower fluting. The oldest marble architraves of Greek architecture, found at the Atemision, also spanned the widest distances ever achieved in pure stone. The middle architrave block was 8.74 m long and weighed 24 metric tons; it had to be lifted to its final position, 20 m above ground, with a system of pulleys. Like its precedents, the temple used differentiated column widths in the front, and had a higher number of columns at the back. According to ancient sources, Kroisos
Croesus
Croesus was the king of Lydia from 560 to 547 BC until his defeat by the Persians. The fall of Croesus made a profound impact on the Hellenes, providing a fixed point in their calendar. "By the fifth century at least," J.A.S...
was one of the sponsors. An inscription referring to his sponsorship was indeed found on one of the columns. The temple was burnt down by Herostratos in 356 BC and reerected soon thereafter. For the replacement, a crepidoma
Crepidoma
Crepidoma is an architectural term related to ancient Greek buildings. The crepidoma is the platform of, usually, three levels upon which the superstructure of the building is erected. The levels typically decrease in size incrementally, forming a series of steps along all or some sides of the...
of ten or more steps was erected. Older Ionic temples normally lacked a specific visible substructure. This emphasised basis had to be balanced out be a heightened entablature, producing not only a visual contrast to, but also a major weight upon the slender columns.
Temple of Apollo at Didyma
The temple of Apollo at Didyma
Didyma
Didyma was an ancient Ionian sanctuary, the modern Didim, Turkey, containing a temple and oracle of Apollo, the Didymaion. In Greek didyma means "twin", but the Greeks who sought a "twin" at Didyma ignored the Carian origin of the name...
near Miletus
Miletus
Miletus was an ancient Greek city on the western coast of Anatolia , near the mouth of the Maeander River in ancient Caria...
, begun around 540 BC, was another dipteros with open internal courtyard The interior was structured with powerful pilasters, their rhythm reflecting that of the external peristasis. The columns, with 36 flutings, were executed as columnae caelatae with figural decoration, like those at Ephesos. Construction ceased around 500 BC, but was restarted in 331 BC and finally completed in the 2nd century BC. The enormous costs involved may have been one of the reasons for the long period of construction. The building was the first Ionic temple to follow the Attic tradition of uniform column distances, the frontal diffentiation was not practised any more.
Temple of Athena Polias, Priene
Ionic peripteroi were usually somewhat smaller and shorter in their dimensions than Doric ones. E.g. the temple of Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
at Labraunda
Labraunda
In Antiquity, Labraunda in the mountains near the coast of Caria in Asia Minor was held sacred by Carians and Mysians alike. The site amid its sacred plane trees was enriched in the Hellenistic style by the Hecatomnid dynasty of Mausolus, satrap of Persia , for whom it was the ancestral sacred...
had only 6 × 8 columns, the temple of Aphrodite
Aphrodite
Aphrodite is the Greek goddess of love, beauty, pleasure, and procreation.Her Roman equivalent is the goddess .Historically, her cult in Greece was imported from, or influenced by, the cult of Astarte in Phoenicia....
in Samothrace
Samothrace
Samothrace is a Greek island in the northern Aegean Sea. It is a self-governing municipality within the Evros peripheral unit of Thrace. The island is long and is in size and has a population of 2,723 . Its main industries are fishing and tourism. Resources on the island includes granite and...
only 6 × 9. The temple of Athena Polias at Priene
Priene
Priene was an ancient Greek city of Ionia at the base of an escarpment of Mycale, about north of the then course of the Maeander River, from today's Aydin, from today's Söke and from ancient Miletus...
, already considered in antiquity as the Classical example of a Ionic temple, has partially survived. It was the first monumental peripteros of Ionia, erected between 350 and 330 BC by Pytheos
Pythis
Pythius, also known as Pytheos or Pythis, was a Greek architect of the 4th century BCE. He built the Temple of Athena Polias cited by Vitruvius : "Pythius, the celebrated builder of the temple of Minerva at Priene"...
. It is based on a 6 by 6 ft (1.8 by 1.8 m) grid (the exact dimensions of its plinths). The temple had 6 × 11 columns, i.e. a proportion of 5:10 or 1:2 intercolumnia. Walls and columns were aligned axially, according to Ionic tradition. The peristasis was of equal depth on all sides, eliminating the usual emphasis on the front, an opisthodomos, integrated into the back of the cella, is the first proper example in Ionic architecture. The evident rational-mathematical aspect to the design suits Ionic Greek culture, with its strong tradition of natural philosophy
Natural philosophy
Natural philosophy or the philosophy of nature , is a term applied to the study of nature and the physical universe that was dominant before the development of modern science...
. Pytheos was to be of major influence far beyond his lifetime. Hermogenes
Hermogenes
Hermogenes is a Greek name . It may refer to:* Hermogenes , Attic Greek potter* Hermogenes , Greek* Hermogenes of Priene , Greek architect...
, who probably came from Priene, was a deserving successor and achieved the final flourish of Ionic architecture around 200 BC.
The Artemision of Magnesia
One of the projects led by Hermogenes was the Artemision of Magnesia on the Maeander
Magnesia on the Maeander
Magnesia or Magnesia on the Maeander was an ancient Greek city in Anatolia, considerable in size, at an important location commercially and strategically in the triangle of Priene, Ephesus and Tralles. The city was named Magnesia, after the Magnetes from Thessaly who settled the area along with...
, one of the first pseudodipteroi. (other early pseudodipteroi include the temple of Aphrodite at Messa on Lesbos, belonging to the age of Hermogenes or earlier, the temple of Apollo Sminthaios on Chryse
Chryse Island
Chryse ) was a small island in the Aegean Sea mentioned by Sophocles and Pausanias.The island's main feature was said to be its temple to Apollo, and its patron deity a goddess named Chryse. The Greek archer Philoctetes stopped here on his way to Troy and was fatally bitten by a viper. Lucullus...
and the temple of Apollo
Apollo
Apollo is one of the most important and complex of the Olympian deities in Greek and Roman mythology...
at Alabanda
Alabanda
Alabanda – also hê Alabanda, ta Alabanda, Alabandeus, Alabandensis, Alabandenus, and for a time, Antiochia of the Chrysaorians – was an ancient city of Caria, Anatolia, the site of which is now located near Doğanyurt , Aydin Province, in the Asian part of Turkey.The city is located in...
. The arrangement of the pseudodipteros, omitting the interior row of columns while maintaining a peristasis with the width of two column distances, produces a massively broadened portico, comparable to the contemporaneous hall architecture. The grid of the temple of Magnesia was based on a 12 by 12 ft (3.7 by 3.7 m) square. The peristasis was surrounded by 8 × 15 columns or 7 × 14 intercolumnia, i.e. a 1:2 proportion. The naos consisted of a pronaos of four column depths, a four column cella, and a 2 column opisthodomos. Above the architrave of the peristasis, there was a figural frieze of 137 m length, depicting the amazonomachy
Amazonomachy
An Amazonomachy was a portrayal of legendary battle between Greeks and Amazons...
. Above it lay the dentil
Dentil
In classical architecture a dentil is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect Vitruvius In classical architecture a dentil (from Lat. dens, a tooth) is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect...
, the Ionic geison and the sima.
Attic Ionic
Although Athens and Attica were also ethnically Ionian, the Ionic order was of minor importance in this area. The Temple of Nike Aptera on the Acropolis, a small amphiprostyle temple completed around 420 BC, with Ionic columns on plinthless Attic bases, a triple-layered architrave and a figural frieze, but without the typical Ionic dentil
Dentil
In classical architecture a dentil is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect Vitruvius In classical architecture a dentil (from Lat. dens, a tooth) is a small block used as a repeating ornament in the bedmould of a cornice.The Roman architect...
, is notable. The east and north halls of the Erechtheion, completed in 406 BC, follow the same succession of elements.
Epidauros
An innovative Ionic temple was that of Asklepios in Epidaurus
Epidaurus
Epidaurus was a small city in ancient Greece, at the Saronic Gulf. Two modern towns bear the name Epidavros : Palaia Epidavros and Nea Epidavros. Since 2010 they belong to the new municipality of Epidavros, part of the peripheral unit of Argolis...
, one of the first of the pseudoperipteros type. This small ionic prostyle temple had engaged columns along the sides and back, the peristasis was thus reduced to a mere hint of a full portico facade.
Magna Graecia
There is very little evidence of Ionic temples in Magna Graecia
Magna Graecia
Magna Græcia is the name of the coastal areas of Southern Italy on the Tarentine Gulf that were extensively colonized by Greek settlers; particularly the Achaean colonies of Tarentum, Crotone, and Sybaris, but also, more loosely, the cities of Cumae and Neapolis to the north...
. One of the few exceptions is the early Classical Temple D, an 8 x 20 columnn peripteros, at Metapontum
Metapontum
Metapontum, Metapontium or Metapontion , was an important city of Magna Graecia, situated on the gulf of Tarentum, between the river Bradanus and the Casuentus . It was distant about 20 km from Heraclea and 40 from Tarentum...
. Its architect combined the dentil, typicalm of Asia Minor, with an Attic frieze, thus proving that the colonies were quite capable of partaking in the developments of the motherland. A small Ionic Hellenistic prostyle temple was found on the Poggetto San Nicola at Agrigento
Agrigento
Agrigento , is a city on the southern coast of Sicily, Italy, and capital of the province of Agrigento. It is renowned as the site of the ancient Greek city of Akragas , one of the leading cities of Magna Graecia during the golden...
.
Corinthian temples
Beginnings
The youngest of the three Classical Greek orders, the Corinthian orderCorinthian order
The Corinthian order is one of the three principal classical orders of ancient Greek and Roman architecture. The other two are the Doric and Ionic. When classical architecture was revived during the Renaissance, two more orders were added to the canon, the Tuscan order and the Composite order...
came to be used for the external design of Greek temples quite late. After it had proved its adequacy, e.g. on a mausoleum
Mausoleum
A mausoleum is an external free-standing building constructed as a monument enclosing the interment space or burial chamber of a deceased person or persons. A monument without the interment is a cenotaph. A mausoleum may be considered a type of tomb or the tomb may be considered to be within the...
of at modern-day Belevi
Belevi Mausoleum
The Belevi Mausoleum, also known as the Mausoleum at Belevi is a Hellenistic monument tomb located in Turkey. The monument was the burial place of the Seleucid Greek King Antiochus II Theos who reigned 261 BC-246 BC.-Location of Mausoleum:...
(near Ephesos), it appears to have found increasing popularity in the 2nd half of the 3rd century BC. Early examples probably include the Serapeum
Serapeum
A serapeum is a temple or other religious institution dedicated to the syncretic Hellenistic-Egyptian god Serapis, who combined aspects of Osiris and Apis in a humanized form that was accepted by the Ptolemaic Greeks of Alexandria...
of Alexandria
Alexandria
Alexandria is the second-largest city of Egypt, with a population of 4.1 million, extending about along the coast of the Mediterranean Sea in the north central part of the country; it is also the largest city lying directly on the Mediterranean coast. It is Egypt's largest seaport, serving...
and a temple at Hermopolis Magna, both erected by Ptolemaios III. A small temple of Athena Limnastis at Messene
Messene
Messene , officially Ancient Messene, is a Local Community of the Municipal Unit , Ithomi, of the municipality of Messini within the Regional Unit of Messenia in the Region of Peloponnēsos, one of 7 Regions into which the Hellenic Republic has been divided by the Kallikratis...
, definitely Corinthian, is only attested through drawings by early travellers and very scarce fragments. It probably dates to the late 3rd century BC.
Hellenistic Temple of Olympian Zeus, Athens
The first dateable and well-preserved presence of the Corinthian temple is the Hellenistic rebuilding of the Olympieion of Athens, planned and started between 175 and 146 BC. This mighty dipteros with its 110 × 44 m substructure and 8 × 20 columns was to be one of the largest Corinthian temples ever. Donated by Antiochus IV Epiphanes, it combined all elements of the asian/Ionic
Ionic order
The Ionic order forms one of the three orders or organizational systems of classical architecture, the other two canonic orders being the Doric and the Corinthian...
order with the Corinthian capital. Its Asian elements and its conception as a dipteros made the temple an exception in Athens.
Olba
Around the middle of the 2nd century BC, a 6 × 12 column Corinthian peripteros was built in Olba-Diokaisarea in Rugged Cilicia. Its columns, mostly still upright, stand on Attic bases without plinths, exceptional for the period. The 24 flutings of the columns are only indicated by facets in the lower third. Each of the Corinthian capitals is made of three separate parts, an exceptional form. The entablature of the temple was probably in the Doric order, as is suggested by fragments of mutuli scattered among the ruins. All of these details suggest an Alexandrian workshop, since Alexandria
Alexandria
Alexandria is the second-largest city of Egypt, with a population of 4.1 million, extending about along the coast of the Mediterranean Sea in the north central part of the country; it is also the largest city lying directly on the Mediterranean coast. It is Egypt's largest seaport, serving...
showed the greatest tendency to combine Doric entablatures with Corinthian capitals and to do without the plinth under Attic bases.
Temple of Hekate at Lagina
A further plan option is shown by the temple of Hekate at Lagina
Lagina
Lagina is an ancient cult site of important archaeological and touristic value dating from the Carian period and extended under the Seleucid kings that is situated in southwestern Turkey and which is famous for its Hekate Sanctuary...
, a small pseudoperipteros of 8 × 11 columns. Its architectural members are entirely in keeping with the Asian/Ionic canon. Its distinctive feature, a rich figural frieze, makes this building, erected around 100 BC, an architectural gem. Further late Greek temples in the Corinthian order are known e.g. at Mylasa and, on the middle gymnasium terrace at Pergamon
Pergamon
Pergamon , or Pergamum, was an ancient Greek city in modern-day Turkey, in Mysia, today located from the Aegean Sea on a promontory on the north side of the river Caicus , that became the capital of the Kingdom of Pergamon during the Hellenistic period, under the Attalid dynasty, 281–133 BC...
.
Distinctive uses of Corinthian temples, influence
The few Greek temples in the Corinthian order are almost always exceptional in form or ground plan and are initially usually an expression of royal patronage. The Corinthian order permitted a considerable increase of the material and technical effort invested in a building, which made its use attractive for the purposes of royals self-aggrandisement. The demise of the Hellenistic monarchies and the increasing power of Rome and her allies placed mercantile elites and sanctuary administrations in the positions of building sponsors. The construction of Corinthian temples became a typical expression of self-confidence and independence. As an element of Roman architectureRoman architecture
Ancient Roman architecture adopted certain aspects of Ancient Greek architecture, creating a new architectural style. The Romans were indebted to their Etruscan neighbors and forefathers who supplied them with a wealth of knowledge essential for future architectural solutions, such as hydraulics...
, the Corinthian temple came to be widely distributed in all of the Graeco-Roman world, especially in Asia Minor, until the late Imperial period.
See also
- Ancient Greek architecture
- Art in ancient GreeceArt in Ancient GreeceThe arts of ancient Greece have exercised an enormous influence on the culture of many countries all over the world, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models...
- Religion in ancient Greece
- Classical orderClassical orderA classical order is one of the ancient styles of classical architecture, each distinguished by its proportions and characteristic profiles and details, and most readily recognizable by the type of column employed. Three ancient orders of architecture—the Doric, Ionic, and Corinthian—originated in...
- List of Ancient Greek temples
- List of Greek mythological figures
- Greek culture
- List of Greco-Roman roofs
- List of ancient architectural records
- Greek technology
- Greek theatre*Greek Revival architectureGreek Revival architectureThe Greek Revival was an architectural movement of the late 18th and early 19th centuries, predominantly in Northern Europe and the United States. A product of Hellenism, it may be looked upon as the last phase in the development of Neoclassical architecture...
External links
- University of Chicago: Gallery with images of Greek Temples
- Archaeology Image Bank, several thousand images of Greek Temples