Islamic art
Encyclopedia
Islamic art encompasses the visual arts
produced from the 7th century onwards by people (not necessarily Muslim
) who lived within the territory that was inhabited by or ruled by culturally Islamic populations. The huge field of Islamic architecture
is the subject of a separate article, leaving fields as varied as calligraphy
, painting
, glass
, ceramics
, and textiles, among others.
Islamic art is not at all restricted to religious art, but includes all the art of the rich and varied cultures of Islamic societies as well. It frequently includes secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians. Apart from the ever-present calligraphic inscriptions, specifically religious art is actually less prominent in Islamic art than in Western medieval art
, with the exception of Islamic architecture
where mosque
s and their complexes of surrounding buildings are the most common remains. Figurative painting may cover religious scenes, but normally in essentially secular contexts such as the walls of palaces or illuminated books of poetry. The calligraphy and decoration of manuscript Qu'rans is an important aspect, but other religious art such as glass mosque lamp
s and other mosque fittings such as tiles, woodwork and carpets usually have the same style and motifs as contemporary secular art, although with religious inscriptions even more prominent.
"Islamic art developed from many sources: Roman
, Early Christian art, and Byzantine
styles were taken over in early Islamic art and architecture; the influence of the Sassanian art of pre-Islamic Persia was of paramount significance; Central Asian styles were brought in with various nomadic incursions; and Chinese
influences had a formative effect on Islamic painting, pottery, and textiles." Though the whole concept of "Islamic art" has been criticised by some modern art historians, calling it a "figment of imagination" or a "mirage",
the similarities between art produced at widely different times and places in the Islamic world have been sufficient to keep the term in wide use by scholars.
There are repeating elements in Islamic art, such as the use of geometrical floral or vegetal designs in a repetition known as the arabesque
. The arabesque
in Islamic art is often used to symbolize the transcendent, indivisible and infinite nature of God. Mistakes in repetitions may be intentionally introduced as a show of humility by artists who believes only God can produce perfection, although this theory is disputed.
Typically, though not entirely, Islamic art has focused on the depiction of patterns and Arabic calligraphy, rather than on figures, because it is feared by many Muslims that the depiction of the human form is idolatry
and thereby a sin against God
, forbidden in the Qur'an
. Human portrayals can be found in all eras of Islamic art, above all in the more private form of miniatures, where their absence is rare. Human representation for the purpose of worship is considered idolatry
and is duly forbidden in Islamic law, known as Sharia
law. There are also many depictions of Muhammad
, Islam's chief prophet, in historical Islamic art. Small decorative figures of animals and humans, especially if they are hunting the animals, are found on secular pieces in many media from many periods, but portraits were slow to develop.
and naskh
scripts, which can be found adorning and enhancing the visual appeal of the walls and domes of buildings, the sides of minbar
s, and metalwork.
East Persian pottery from the 9th to 11th centuries decorated only with highly stylised inscriptions, called "epigraphic ware", has been described as "probably the most refined and sensitive of all Persian pottery". Large inscriptions made from tiles, sometimes with the letters raised in relief
, or the background cut away, are found on the interiors and exteriors of many important buildings. Complex carved calligraphy also decorates buildings. For most of the Islamic period the majority of coins only showed lettering, which are often very elegant despite their small size and nature of production. The tughra
or monogram of an Ottoman sultan was used extensively on official documents, with very elaborate decoration for important ones. Other single sheets of calligraphy, designed for albums, might contain short poems, Qu'ranic verses, or other texts.
The main languages, all using Arabic script, are Arabic
, always used for Qu'ranic verses, Persian in the Persianate
world, especially for poetry, and Turkish
, with Urdu
appearing in later centuries. Calligraphers usually had a higher status than other artists.
world, the best-surviving and highest developed form of painting in the Islamic world is the miniature
in illuminated manuscript
s, or later as a single page for inclusion in a muraqqa
or bound album of miniatures and calligraphy
. The tradition of the Persian miniature
has been dominant since about the 13th century, strongly influencing the Ottoman miniature
of Turkey and the Mughal miniature in India. Miniatures were especially an art of the court, and because they were not seen in public, constraints on the depiction of the human figure were much more relaxed, and indeed miniatures often contain great numbers of small figures, and from the 16th century portraits of single ones.
The largest commissions were usually classics of Persian poetry such as the epic Shahnameh
, although the Mughals
and Ottoman
s both produced lavish manuscripts of more recent history with the autobiographies of the Mughal emperors, and more purely military chronicles of Turkish conquests. Portraits of rulers developed in the 16th century, and later in Persia, then becoming very popular. Mughal portraits, normally in profile, are very finely drawn in a realist style, while the best Ottoman ones are vigorously stylized. Album miniatures typically featured picnic scenes, portraits of individuals or (in India especially) animals, or idealized youthful beauties of either sex.
Chinese influences included the early adoption of the vertical format natural to a book, which led to the development of a birds-eye view where a very carefully depicted background of hilly landscape or palace buildings rises up to leave only a small area of sky. The figures are arranged in different planes on the background, with recession (distance from the viewer) indicated by placing more distant figures higher up in the space, but at essentially the same size. The colours, which are often very well preserved, are strongly contrasting, bright and clear. The tradition reached a climax in the 16th and early 17th centuries, but continued until the early 19th century, and has been revived in the 20th.
). Their versatility is utilized in everyday Islamic and Muslim life, from floor coverings to architectural enrichment, from cushions to bolsters to bags and sacks of all shapes and sizes, and to religious objects (such as a prayer rug, which would provide a clean place to pray). They have been a major export to other areas since the late Middle Ages, used to cover not only floors but tables, for long a widespread European practice that is now common only in the Netherlands
. Carpet weaving is a rich and deeply embedded tradition in Islamic societies, and the practice is seen in large city factories as well as in rural communities and nomadic encampments. In earlier periods, special establishments and workshops were in existence that functioned directly under court patronage.
Very early Islamic carpets, which means before the 16th century, are extremely rare, indeed more have survived in the West, and oriental carpets in Renaissance painting
from Europe are a major source of information on them, as they were valuable imports that were painted accurately. The most natural and easy designs for a carpet weaver to produce consist of straight lines and edges, and the earliest Islamic carpets to survive or be shown in paintings have geometric designs, or centre on very stylized animals, made up in this way. Since the flowing loops and curves of the arabesque are central to Islamic art, the interaction and tension between these two styles was long a major feature of carpet design.
There are a few survivals of the grand Egyptian 16th century carpets, including one almost as good as new discovered in the attic of the Pitti Palace in Florence, whose complex patterns of octagon roundels and stars, in just a few colours, shimmer before the viewer. Production of this style of carpet began under the Mamluks but continued after the Ottomans conquered Egypt. The other sophisticated tradition was the Persian carpet which reached its peak in the 16th and early 17th century in works like the Ardabil Carpet
and Coronation Carpet
; during this century the Ottoman and Mughal courts also began to sponsor the making in their domains of large formal carpets, evidently with the involvement of designers used to the latest court style in the general Persian tradition. These use a design style shared with non-figurative Islamic illumination and other media, often with a large central gul
motif, and always with wide and strongly demarcated borders. The grand designs of the workshops patronized by the court spread out to smaller carpets for the merely wealthy and for export, and designs close to those of the 16th and 17th centuries are still produced in large numbers today. The description of older carpets has tended to use the names of carpet-making centres as labels, but often derived from the design rather than any actual evidence that they originated from around that centre. Research has clarified that designs were by no means always restricted to the centre they are traditionally associated with, and the origin of many carpets remains unclear.
As well as the major Persian, Turkish and Arab centres, carpets were also made across Central Asia, in India, and in Spain and the Balkans. Spanish carpets, which sometimes interrupted typical Islamic patterns to include coats of arms, enjoyed high prestige in Europe, being commissioned by royalty and for the Papal Palace, Avignon, and the industry continued after the Reconquista
. Armenian carpet
-weaving is mentioned by many early sources, and may account for a much larger proportion of East Turkish and Caucasian production than traditionally thought. The Berber carpet
s of North Africa have a distinct design tradition. Apart from the products of city workshops, in touch with trading networks that might carry the carpets to markets far away, there was also a large and widespread village and nomadic industry producing work that stayed closer to traditional local designs. As well as pile carpets, kelims and other types of flat-weave or embroidered textiles were produced, for use on both floors and walls. Figurative designs, sometimes with large human figures, are very popular in Islamic countries but relatively rarely exported to the West, where abstract designs are generally what the market expects.
and tile
s for walls, which in the absence of wall-paintings were taken to heights unmatched by other cultures. Early pottery is often unglazed, but tin-opacified glazing
was one of the earliest new technologies developed by the Islamic potters. The first Islamic opaque glazes can be found as blue-painted ware in Basra
, dating to around the 8th century. Another significant contribution was the development of stonepaste ceramics
, originating from 9th century Iraq. The first industrial complex for glass
and pottery
production was built in Ar-Raqqah, Syria
, in the 8th century. Other centers for innovative pottery in the Islamic world included Fustat (from 975 to 1075), Damascus (from 1100 to around 1600) and Tabriz
(from 1470 to 1550). Lusterware
s with iridescent colours may have continued pre-Islamic Roman and Byzantine techniques, but were either invented or considerably developed on pottery and glass in Persia and Syria from the 9th century onwards.
Islamic pottery was often influenced
by Chinese ceramics, whose achievements were greatly admired and emulated. This was especially the case in the periods after the Mongol invasions and those of the Timurids
. Techniques, shapes and decorative motifs were all affected. Until the Early Modern period Western ceramics had very little influence, but Islamic pottery was very sought after in Europe, and often copied. An example of this is the albarello
, a type of maiolica
earthenware jar originally designed to hold apothecaries'
ointments and dry drugs. The development of this type of pharmacy
jar had its roots in the Islamic Middle East. Hispano-Moresque
examples were exported to Italy, stimulating the earliest Italian examples, from 15th century Florence.
The Hispano-Moresque
style emerged in Al-Andaluz or Muslim Spain in the 8th century, under Egyptian influence, but most of the best production was much later, by potters presumed to have been largely Muslim but working in areas reconquered by the Christian kingdoms. It mixed Islamic and European elements in its designs, and much was exported across neighbouring European countries. It had introduced two ceramic
techniques to Europe
: glazing
with an opaque
white tin-glaze
, and painting in metallic lusters. Ottoman İznik pottery
produced most of the best work in the 16th century, in tiles and large vessels boldly decorated with floral motifs influenced, once again, by Chinese Yuan and Ming ceramics. These were still in earthenware; there was no porcelain made in Islamic countries until modern times, though Chinese porcelain was imported and admired.
The medieval Islamic world also had pottery with painted animal and human imagery. Examples are found throughout the medieval Islamic world, particularly in Persia
and Egypt
.
, in Jerusalem had interior walls decorated with mosaic
s in the Byzantine style, but without human figures. From the 9th century onwards the distinctive Islamic tradition of glazed and brightly coloured tiling for interior and exterior walls and domes developed. Some earlier schemes create designs using mixtures of tiles each of a single colour that are either cut to shape or are small and of a few shapes, used to create abstract geometric patterns. Later large painted schemes use tiles painted before firing with a part of the scheme - a technique requiring confidence in the consistent results of firing.
Some elements, especially the letters of inscriptions, may be moulded in three dimensional relief
, and in especially in Persia certain tiles in a design may have figurative painting of animals or single human figures. These were often part of designs mostly made up of tiles in plain colours but with larger fully painted tiles at intervals. The larger tiles are often shaped as eight-pointed stars, and may show animals or a human head or bust, or plant or other motifs. The geometric patterns, such as modern North African zellige
work, made of small tiles each of a single colour but different and regular shapes, are often referred to as "mosaic", which is not strictly correct.
The Mughals made much less use of tiling, preferring (and being able to afford) "parchin kari", a type of pietra dura
decoration from inlaid panels of semi-precious stones, with jewels in some cases. This can be seen at the Taj Mahal
, Agra Fort
and other imperial commissions. The motifs are usually floral, in a simpler and more realistic style than Persian or Turkish work, relating to plants in Mughal miniatures.
, exported to both Europe and China. Islam took over much of the traditional glass-producing territory of Sassanian and Ancient Roman glass, and since figurative decoration played a small part in pre-Islamic glass, the change in style is not abrupt, except that the whole area initially formed a political whole, and, for example, Persian innovations were now almost immediately taken up in Egypt
. For this reason it is often impossible to distinguish between the various centres of production, of which Egypt, Syria and Persia were the most important, except by scientific analysis of the material, which itself has difficulties. From various documentary references glassmaking and glass trading
seems to have been a speciality of the Jewish minority in several centres.
Between the 8th and early 11th centuries the emphasis in luxury glass is on effects achieved by "manipulating the surface" of the glass, initially by incising into the glass on a wheel, and later by cutting away the background to leave a design in relief. The very massive Hedwig glass
es, only found in Europe, but normally considered Islamic (or possibly from Muslim craftsmen in Norman Sicily), are an example of this, though puzzlingly late in date. These and other glass pieces probably represented cheaper versions of vessels of carved rock crystal (clear quartz
), themselves influenced by earlier glass vessels, and there is some evidence that at this period glass and hardstone
cutting were regarded as the same craft. From the 12th century the industry in Persia and Mesopotamia
appears to decline, and the main production of luxury glass shifts to Egypt and Syria, and decorative effects of colour on smooth surfaced glass. Throughout the period local centres made simpler wares such as Hebron glass
in Palestine
.
Lustre painting, by techniques similar to lustreware in pottery, dates back to the 8th century in Egypt, and became widespread in the 12th century. Another technique was decoration with threads of glass of a different colour, worked into the main surface, and sometimes manipulated by combing and other effects. Gilded
, painted and enamelled
glass were added to the repertoire, and shapes and motifs borrowed from other media, such as pottery and metalwork. Some of the finest work was in mosque lamp
s donated by a ruler or wealthy man. As decoration grew more elaborate, the quality of the basic glass decreased, and it "often has a brownish-yellow tinge, and is rarely free from bubbles". Aleppo
seems to have ceased to be a major centre after the Mongol invasion of 1260, and Timur
appears to have ended the Syrian industry about 1400 by carrying off the skilled workers to Samarkand
. By about 1500 the Venetians
were receiving large orders for mosque lamps.
, some pieces entirely in precious metals. In contrast surviving Islamic metalwork consists of practical objects mostly in bronze, brass
and steel, with simple, but often monumental, shapes, and surfaces highly decorated with dense decoration in a variety of techniques, but colour mostly restricted to inlays of gold, silver or black niello
. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadith
s, as was the wearing of gold rings. One thing Islamic metalworkers shared with European ones was high social status compared to other artists and craftsmen, and many larger pieces are signed.
Islamic work includes some three-dimensional animal figures as fountainheads or aquamanile
s, but only one significant enamelled object is known, using Byzantine cloisonne
techniques. The Pisa Griffin
is the largest surviving bronze animal, probably from 11th century Al-Andaluz. More common objects given elaborate decoration include massive low candlesticks and lamp-stands, lantern lights, bowls, dishes, basins, buckets (these probably for the bath), and ewers, as well as caskets, pen-cases and plaques. Ewers and basins were brought for hand-washing before and after each meal, so are often lavishly treated display pieces. Specialized objects include knives, arms and armour (always of huge interest to the elite) and scientific instruments such as astrolabe
s, as well as jewellery
. Decoration is typically densely packed and very often includes arabesques and calligraphy, sometimes naming an owner and giving a date.
s and jewellery, ivory carving, textiles and leatherwork. In the Middle Ages Islamic work in these fields was highly valued in other parts of the world, and often traded outside the Islamic zone. Apart from miniature painting and calligraphy, other arts of the book are decorative illumination, the only type found in Qu'ran manuscripts, and Islamic book covers, which are often highly decorative in luxury manuscripts, using either the geometric motifs found in illumination, or sometimes figurative images probably drawn for the craftsmen by miniature painters. Materials include coloured, tooled and stamped leather and lacquer
over paint.
Egyptian carving of rock crystal into vessels appears in the late 10th century, and virtually disappears after about 1040. There are a number of these vessels in the West, which apparently came on the market after the Cairo
palace of the Fatimid
Caliph
was looted by his mercenaries in 1062, and were snapped up by European buyers, mostly ending up in church treasuries. From later periods, especially the hugely wealthy Ottoman and Mughal courts, there are a considerable number of very lavish objects carved in semi-precious stones, with little surface decoration, but inset with jewels. Such objects may have been made in earlier periods, but very few have survived.
Older wood carving is typically relief or pierced work on flat objects for architectural use, such as screens, doors, roofs, beams and friezes. An important exception are the complex muqarnas
and mocárabe
designs giving roofs and other architectural elements a stalactite
-like appearance. These are often in wood, sometimes painted on the wood but often plastered over before painting; the examples at the Alhambra
in Granada, Spain are among the best known. Traditional Islamic furniture, except for chests, tended to be covered with cushions, with cupboards rather than cabinets for storage, but there are some pieces, including a low round (strictly twelve-sided) table of about 1560 from the Ottoman court, with marquetry
inlays in light wood, and a single huge ceramic tile or plaque on the tabletop. The very fine inlays typical of Ottoman court furniture may have developed from styles and techniques used in weapons and musical instruments, for which the finest craftsmanship available was used. There are also intricately decorated caskets and chests from various periods. A spectacular and famous (and far from flat) roof was one of the Islamic components of the 12th century Norman Cappella Palatina
in Palermo
, which picked from the finest elements of Catholic, Byzantine and Islamic art. Other famous wooden roofs are in the Alhambra
in Granada
.
Ivory carving
centred on the Mediterranean, spreading from Egypt, where a thriving Copt
ic industry had been inherited; Persian ivory is rare. The normal style was a deep relief with an even surface; some pieces were painted. Spain specialized in caskets and round boxes, which were probably used to keep jewels and perfumes. They were produced mainly in the approximate period 930-1050, and widely exported. Many pieces are signed and dated, and on court pieces the name of the owner is often inscribed; they were typically gifts from a ruler. As well as a court workshop, Cordoba
had commercial workshops producing goods of slightly lower quality. In the 12th and 13th century workshops in Norman Sicily produced caskets, apparently then migrating to Granada and elsewhere after persecution. Egyptian work tended to be in flat panels and friezes, for insertion into woodwork and probably furniture - most are now detached from their settings. Many were calligraphic, and others continued Byzantine traditions of hunting scenes, with backgrounds of arabesques and foliage in both cases.
Despite Hadithic sayings against the wearing of silk, the Byzantine and Sassanian traditions of grand figured silk woven cloth continued under Islam. Some designs are calligraphic, especially when made for palls to cover a tomb, but more are surprisingly conservative versions of the earlier traditions, with many large figures of animals, especially majestic symbols of power like the lion and eagle. These are often enclosed in roundels, as found in the pre-Islamic traditions. The majority of early silks have been recovered from tombs, and in Europe reliquaries, where the relics were often wrapped in silk. European clergy and nobility were keen buyers of Islamic silk from an early date and, for example, the body of an early bishop of Toul
in France was wrapped in a silk from the Bukhara
area in modern Uzbekistan
, probably when the body was reburied in 820. The Shroud of St Josse is a famous samite
cloth from East Persia, which originally had a carpet-like design with two pairs of confronted elephants, surrounded by borders including rows of camel
s and an inscription in Kufic
script, from which the date appears to be before 961. Other silks were used for clothes, hangings, altarcloths, and church vestments, which have nearly all been lost, except for some vestments.
Ottoman silks were less exported, and the many surviving royal kaftan
s have simpler geometric patterns, many featuring stylized "tiger-stripes" below three balls or circles. Other silks have foliage designs comparable to those on Iznik pottery or carpets, with bands forming ogival compartments a popular motif. Some designs begin to show Italian influence. By the 16th century Persian silk was using smaller patterns, many of which showed relaxed garden scenes of beautiful boys and girls from the same world as those in contemporary album miniatures, and sometimes identifiable scenes from Persian poetry. A 16th century circular ceiling for a tent, 97 cm across, shows a continuous and crowded hunting scene; it was apparently looted by the army of Suleiman the Magnificent
in his invasion of Persia in 1543-45, before being taken by a Polish general at the Siege of Vienna
in 1683. Mughal silks incorporate many Indian elements, and often feature relatively realistic "portraits" of plants, as found in other media.
. It is quite difficult to distinguish the earliest Islamic objects from their predecessors in Persian or Sassanid and Byzantine art
, and the conversion of the mass of the population, including artists, took a significant period, sometimes centuries, after the initial Muslim conquest. There was, notably, a significant production of unglazed ceramics, witnessed by a famous small bowl preserved in the Louvre
, whose inscription assures its attribution to the Islamic period. Plant motifs were the most important in these early productions.
Influences from the Sassanian artistic tradition include the image of the king as a warrior and the lion as a symbol of nobility and virility. Bedouin
tribal traditions mixed with the more sophisticated styles of the conquered territories. For an initial period coins had human figures in the Byzantine and Sassanian style, perhaps to reassure users of their continued value, before the Islamic style with lettering only took over.
s, when new concepts and new plans were put into practice.
The Dome of the Rock
in Jerusalem is one of the most important buildings in all of Islamic architecture, marked by a strong Byzantine influence (mosaic
against a gold background, and a central plan that recalls that of the Church of the Holy Sepulchre
), but already bearing purely Islamic elements, such as the great epigraphic frieze
. The desert palaces in Jordan
and Syria
(for example, Mshatta
, Qasr Amra
, and Khirbat al-Mafjar) served the caliphs as living quarters, reception halls, and baths, and were decorated, including some wall-paintings, to promote an image of royal luxury.
Work in ceramics was still somewhat primitive (unglazed) during this period. Some metal objects have survived from this time, but it remains rather difficult to distinguish these objects from those of the pre-Islamic period.
'Abd al-Malik introduced standard coinage that featured Arabic inscriptions, instead of images of the monarch. The quick development of a localized coinage around the time of the Dome of the Rock
's construction demonstrates the reorientation of Umayyad acculturation. This period saw the genesis of a particularly Islamic art.
In this period, Umayyad artists and artisans did not invent a new vocabulary, but began to prefer those received from Mediterranean and Iranian late antiquity
, which they adapted to their own artistic conceptions. For example, the mosaics in the Great Mosque of Damascus are based on Byzantine models, but replace the figurative elements with images of trees and cities. The desert palaces also bear witness to these influences. By combining the various traditions that they had inherited, and by readapting motifs and architectural elements, artists created little by little a typically Muslim art, particularly discernible in the aesthetic of the arabesque
, which appears both on monuments and in illuminated Qur'ān
.
- 1258) witnessed the movement of the capital from Damascus
to Baghdad
, and then from Baghdad to Samarra
. The shift to Baghdad influenced politics, culture, and art. Art historian
Robert Hillenbrand (1999) likens the movement to the foundation of an "Islamic Rome
", because the meeting of Eastern influences from Iranian, Eurasian steppe, Chinese, and Indian sources created a new paradigm for Islamic art. Classical forms inherited from Byzantine Europe and Greco-Roman sources were discarded in favor of those drawn from the new Islamic hub. Even the design of the city of Baghdad placed it in the "navel of the world," as 9th-century historian al-Ya'qubi wrote.
The ancient city of Baghdad cannot be excavated well, as it lies beneath the modern city. However, Samarra has been well studied, and is known for its extensive cultivation of the art of stucco
. Motifs known from the stucco at Samarra permit the dating of structures built elsewhere, and are furthermore found on portable objects, particular in wood, from Egypt through to Iran.
Samarra
witnessed the "coming of age" of Islamic art. Polychrome painted stucco
allowed for experimentation in new styles of moulding and carving. The Abbasid period also coincided with two major innovations in the ceramic arts: the invention of faience
, and of metallic lusterware. Hadith
ic prohibition of the use of golden or silver vessels led to the development of metallic lusterware
in pottery, which was made by mixing sulphur and metallic oxides to ochre and vinegar, painted onto an already glazed vessel and then fired a second time. It was expensive, and difficult to manage the second round through the kiln, but the need to replace fine Chinese pottery led to the development of this technique.
Though the common perception of Abbasid artistic production focuses largely on pottery, the greatest development of the Abbasid period was in textiles. Government-run workshops known as tiraz produced silks bearing the name of the monarch, allowing for aristocrats to demonstrate their loyalty to the ruler. Other silks were pictorial. The utility of silk-ware in wall decor, entrance adornment, and room separation were not as important as their cash value along the "silk route".
Calligraphy began to be used in surface decoration on pottery during this period. Illuminated Qur'an
s gained attention, letter-forms now more complex and stylized to the point of slowing down the recognition of the words themselves.
dynasty, that of the north African Fatimid
s, followed by the Umayyads in Spain, gave force to this opposition, as well as small dynasties and autonomous governors in Iran.
) was that of the Spanish Umayyads. As their name indicates, they were descended from the great Umayyads of Syria. After their fall, the Spanish Umayyads were replaced by various autonomous kingdoms, the taifa
s (1031–91), but the artistic production from this period does not differ significantly from that of the Umayyads. At the end of the 11th century, two Berber tribes, the Almoravids and the Almohads, captured the head of the Maghreb and Spain, successively, bringing Maghrebi influences into art. A series of military victories by Christian monarchs had reduced Islamic Spain by the end of the 14th century to the city of Granada
, ruled by the Nasirid dynasty, who managed to maintain their hold until 1492.
Al-Andalus was a great cultural center of the Middle Ages. Besides the great universities, which taught philosophies and sciences yet unknown in Christendom (such as those of Averroes
), the territory was an equally vital center for art.
Many techniques were employed in the manufacture of objects. Ivory was used extensively for the manufacture of boxes and caskets. The pyxis of al-Mughira is a masterwork of the genre. In metalwork, large sculptures in the round, normally rather scarce in the Islamic world, served as elaborate receptacles for water or as fountain spouts. A great number of textiles, most notably silks, were exported: many are found in the church treasuries of Christendom, where they served as covering for saints’ reliquaries. From the periods of Maghreb
i rule one may also note a taste for painted and sculpted woodwork.
The art of north Africa is not as well studied. The Almoravid and Almohad dynasties are characterized by a tendency toward austerity, for example in mosques with bare walls. Nevertheless, luxury arts continued to be produced in great quantity. The Marinid and Hafsid dynasties developed an important, but poorly understood, architecture, and a significant amount of painted and sculpted woodwork.
By the year 1070 the Seljuk
s emerged as the dominant political force in the Muslim world after they liberated Baghdad and defeated the Byzanties at Manzikert, during the rule of Malik Shah
the Seljuks excelled in arcetecture at the same time in Syria, the atabeg
s (governors of Seljuk princes) assumed power. Quite independent, they capitalized on conflicts with the Frankish crusaders
. In 1171, Saladin
seized Fatimid Egypt, and installed the transitory Ayyubid dynasty
on the throne. This period is notable for innovations in metallurgy and the widespread manufacture of the Damascus steel swords and daggers and the production ceramics, glass and metalwork of a high quality were produced without interruption, and enameled glass became another important craft.
In 1250 the Mamluk
s seized control of Egypt from the Ayyubids, and by 1261 had managed to assert themselves in Syria as well their most famous ruler was Baibars
. The Mamluks were not, strictly speaking, a dynasty, as they did not maintain a patrilineal mode of succession; in fact, Mamluks were freed Turkish and Caucasian slaves, who (in theory) passed the power to others of like station. This mode of government persevered for three centuries, until 1517, and gave rise to abundant architectural projects (many thousands of buildings were constructed during this period), while patronage of luxury arts favored primarily enameled glass and metalwork, and is remembered as the golden age of medieval Egypt. The "Baptistère de Saint-Louis" in the Louvre
is an example of the very high quality of metalwork at this period.
, Samanid
s, Ghaznavids
, and Ghurids
struggled for power in the 10th century, and art was a vital element of this competition. Great cities were built, such as Nishapur and Ghazni
, and the construction of the Great Mosque of Isfahan (which would continue, in fits and starts, over several centuries) was initiated. Funerary architecture was also cultivated, while potters developed quite individual styles: kaleidoscopic ornament on a yellow ground; or marbled decorations created by allowing colored glazes to run; or painting with multiple layers of slip under the glaze.
The Seljuqs
, nomads of Turkic origin from present-day Mongolia, appeared on the stage of Islamic history toward the end of the 10th century. They seized Baghdad in 1048, before dying out in 1194 in Iran, although the production of “Seljuq” works continued through the end of the 12th and beginning of the 13th century under the auspices of smaller, independent sovereigns and patrons. During their time, the center of culture, politics and art production shifted from Damascus
and Baghdad
to Merv
, Nishapur
, Rayy
, and Isfahan, all in Iran.
Popular patronage expanded because of a growing economy and new urban wealth. Inscriptions in architecture tended to focus more on the patrons of the piece. For example, sultans, viziers or lower ranking officials would receive often mention in inscriptions on mosques. Meanwhile, growth in mass market production and sale of art made it more commonplace and accessible to merchants and professionals. Because of increased production, many relics have survived from the Seljuk era and can be easily dated. In contrast, the dating of earlier works is more ambiguous. It is, therefore, easy to mistake Seljuk art as new developments rather than inheritance from classical Iranian and Turkic sources.
Innovations in the ceramic arts that date to this period include the production of minai ware and the manufacture of vessels, not out of clay, but out of a silicon paste (“frit-ware”), while metalworkers began to encrust bronze with precious metals. Across the Seljuk era, from Iran to Iraq, a unification of book painting can be seen. These paintings have animalistic figures that convey strong symbolic meaning of fidelity, treachery, and courage.
In the 13th century the Mongols
, under the leadership of Genghis Khan
, swept through the Islamic world. Upon the death of Genghis Khan, his empire was divided among his sons and many dynasties were thus formed: the Yuan
in China, the Ilkhanids
in Iran, and the Golden Horde
in northern Iran and southern Russia.
A rich civilization developed under these “little khans,” who were originally subservient to the Yuan emperor, but rapidly became independent. Architectural activity intensified as the Mongols became sedentary, and retained traces of their nomadic origins, such as the north-south orientation of the buildings. At the same time a process of “iranisation” took place, and construction according to previously established types, such as the “Iranian plan” mosques, was resumed. The art of the Persian book
was also born under this dynasty, and was encouraged by aristocratic patronage of large manuscripts such as the Jami' al-tawarikh by Rashid-al-Din Hamadani. New techniques in ceramics appeared, such as the lajvardina (a variation on luster-ware), and Chinese influence is perceptible in all arts.
The early arts of the nomads of the Golden Horde are poorly understood. Research is only beginning, and evidence for town planning and architecture has been discovered. There was also a significant production of works in gold, which often show a strong Chinese influence. Much of this work is preserved today in the Hermitage
.
The beginning of the third great period of medieval Iranian art, that of the Timurids
, was marked by the invasion of a third group of nomads, under the direction of Timur
. During the 15th century this dynasty gave rise to a golden age in Persian manuscript painting, including renowned painters such as Kamāl ud-Dīn Behzād
, but also a multitude of workshops and patrons.
in the Battle of Manzikert
(1071), and setting up a sultanate independent of the Iranian branch of the dynasty. Their power seems largely to have waned following the Mongol invasions in 1243, but coins were struck under their name until 1304. Architecture and objects synthesized various styles, both Iranian and Syrian, sometimes rendering precise attributions difficult. The art of woodworking was cultivated, and at least one illustrated manuscript dates to this period.
Caravanserai
s dotted the major trade routes across the region, placed at intervals of a day's travel. The construction of these caravanserai inns improved in scale, fortification, and replicability. Also, they began to contain central mosques.
The Turkmen
, nomads who settled in the area of Lake Van
, were responsible for a number of mosques, such as the Blue Mosque
in Tabriz
, and they had a decisive influence after the fall of the Anatolian Seljuqs. Starting in the 13th century, Anatolia was dominated by small Turkmen dynasties, which progressively chipped away at Byzantine territory. Little by little a major dynasty emerged, that of the Ottomans
, who, after 1450, are referred to as the “first Ottomans.” Patronage was exercised primarilyso be seen as the forerunners of Ottoman art, in particular the “Milet” ceramics and the first blue-and-white Anatolian works.
Islamic book painting witnessed its first golden age in the thirteenth century, mostly from Syria and Iraq. Influence from Byzantine visual vocabulary (blue and gold coloring, angelic and victorious motifs, symbology of drapery) combined with Mongoloid facial types in 12th-century book frontispiece
s.
Earlier coinage necessarily featured Arabic epigraph
s, but as Ayyubid society became more cosmopolitan and multi-ethnic, coinage began to feature astrological, figural (featuring a variety of Greek, Seleucid, Byzantine, Sasanian, and contemporary Turkish rulers' busts), and animal images.
Hillenbrand suggests that the medieval Islamic texts called Maqama
t, copied and illustrated by Yahya ibn Mahmud al-Wasiti
were some of the earliest "coffee table book
s." They were among the first texts to hold up a mirror to daily life in Islamic art, portraying humorous stories and showing little to no inheritance of pictorial tradition.
. Later other competing sultanates were founded in Bengal
, Kashmir, Gujarat, Jaunpur
, Malwa
, and in the north Deccan
(the Bahmanids
). They separated themselves little by little from Persian traditions, giving birth to an original approach to architecture and urbanism, marked in particular by interaction with Hindu
art. Study of the production of objects has hardly begun, but a lively art of manuscript illumination is known. The period of the sultanates ended with the arrival of the Mughals
, who progressively seized their territories.
, whose origins lie in the 14th century, continued in existence until shortly after World War I
. This impressive longevity, combined with an immense territory (stretching from Anatolia to Tunisia), led naturally to a vital and distinctive art, including plentiful architecture, mass production of ceramics for both tiles and vessels, most notably Iznik ware
, important metalwork and jewellery, Turkish paper marbling Ebru
, Turkish carpet
s as well as tapestries and exceptional Ottoman miniature
s and decorative Ottoman illumination
.
Masterpieces of Ottoman manuscript illustration include the two “books of festivals,” one dating from the end of the 16th century, and the other from the era of Sultan Murad III
. These books contain numerous illustrations and exhibit a strong Safavid
influence; thus they may have been inspired by books captured in the course of the Ottoman-Safavid wars of the 16th century.
The Ottomans are also known for their development of a bright red pigment, “Iznik red,” in ceramics, which reached their height in the 16th century, both in tile-work and pottery, using floral motifs that were considerably trasformed from their Chinese and Persian models. From the 18th century Ottoman art came under considerable European influence, the Turks adopting versions of Rococo
which had a lasting and not very beneficial effect, leading to over-fussy decoration.
in India lasted from 1526 until (technically) 1858, although from the late 17th century power flowed away from the emperors to local rulers, and later European powers, above all the British Raj
, who were the main power in India by the late 18th century. The period is most notable for luxury arts of the court, and Mughal styles heavily influenced local Hindu
and later Sikh
rulers as well. The Mughal miniature began by importing Persian artists, especially a group brought back by Humayun
when in exile in Safavid Persia, but soon local artists, many Hindu, were trained in the style. Realistic portraiture, and images of animals and plants, was developed in Mughal art beyond what the Persians had so far achieved, and the size of miniatures increased, sometimes onto canvas. The Mughal court had access to European prints and other art, and these had increasing influence, shown in the gradual introduction of aspects of Western graphical perspective, and a wider range of poses in the human figure. Some Western images were directly copied or borrowed from. As the courts of local Nawab
s developed, distinct provincial styles with stronger influence from traditional Indian painting
developed in both Muslim and Hindu princely courts.
The arts of jewelry and hardstone carving
of gemstones, such as jasper
, jade
, adorned with rubies, diamonds and emeralds are mentioned by the Mughal chronicler Abu'l Fazl
, and a range of examples survive; the series of hard stone daggers in the form of horses’ heads is particularly impressive.
The Mughals were also fine metallurgists they introduced Damascus steel
and refined the locally produced Wootz steel
, the Mughals also introduced the "bidri" technique of metalwork in which silver motifs are pressed against a black background. Famous Mughal metallurgists like Ali Kashmiri and Muhammed Salih Thatawi created the seamless
celestial globes.
, a dynasty stretching from 1501 to 1786, is distinguished from the Mughal and Ottoman Empires, and earlier Persian rulers, in part through the Shi'a faith of its shahs, which they succeeded in making the majority denomination in Persia. Ceramic arts are marked by the strong influence of Chinese porcelain, often executed in blue and white. Architecture flourished, attaining a high point with the building program of Shah Abbas
in Isfahan, which included numerous gardens, palaces (such as Ali Qapu
), an immense bazaar, and a large imperial mosque
.
The art of manuscript illumination also achieved new heights, in particular in the Shah Tahmasp
Shahnameh
, an immense copy of Ferdowsi
’s poem containing more than 250 paintings. In the 17th century a new type of painting develops, based around the album (muhaqqa). The albums were the creations of conoisseurs who bound together single sheets containing paintings, drawings, or calligraphy by various artists, sometimes excised from earlier books, and other times created as independent works. The paintings of Reza Abbasi
figure largely in this new art of the book, depicting one or two larger figures, typically idealized beauties in a garden setting, often using the grisaille
techniques previously used for border paintings for the background.
After the fall of the Safavids, the Qajars
, a Turkmen
tribe established from centuries on the banks of the Caspian Sea
, assumed power. Qajar art displays an increasing European influence, as in the large oil paintings portraying the Qajar shahs. Steelwork also assumed a new importance. Like the Ottomans, the Qajar dynasty survived until 1925, a few years after the First World War.
cloth was closely associated with Islam. The Islamic prohibition on certain images encouraged batik design to become more abstract and intricate. Realistic depictions of animals and humans are now rare on traditional batik, but puppet-shaped humans, dragons, and the Garuda
of Hindu mythology are all commonplace.
Although its existence in Indonesia pre-dates Islam, batik reached its high point in the royal Muslim courts such as Mataram
and Yogyakarta
, whose Muslim rulers encouraged and patronised batik production.
, largely closed, while others, like metalwork in brass
, became generally frozen in style, with much of their production going to tourists or exported as oriental exotica.
The carpet industry has remained large, but mostly uses designs that originated before 1700, and competes with machine-made imitations both locally and around the world. Arts and crafts with a broader social base, like the zellige
mosaic tiles of the Maghreb
, have often survived better. Islamic countries have developed modern and contemporary art, with very vigorous art worlds in some countries, but the degree to which these should be grouped in a special category as "Islamic art" is questionable, although many artists deal with Islam-related themes, and use traditional elements such as calligraphy.
----
Visual arts
The visual arts are art forms that create works which are primarily visual in nature, such as ceramics, drawing, painting, sculpture, printmaking, design, crafts, and often modern visual arts and architecture...
produced from the 7th century onwards by people (not necessarily Muslim
Muslim
A Muslim, also spelled Moslem, is an adherent of Islam, a monotheistic, Abrahamic religion based on the Quran, which Muslims consider the verbatim word of God as revealed to prophet Muhammad. "Muslim" is the Arabic term for "submitter" .Muslims believe that God is one and incomparable...
) who lived within the territory that was inhabited by or ruled by culturally Islamic populations. The huge field of Islamic architecture
Islamic architecture
Islamic architecture encompasses a wide range of both secular and religious styles from the foundation of Islam to the present day, influencing the design and construction of buildings and structures in Islamic culture....
is the subject of a separate article, leaving fields as varied as calligraphy
Calligraphy
Calligraphy is a type of visual art. It is often called the art of fancy lettering . A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner"...
, painting
Painting
Painting is the practice of applying paint, pigment, color or other medium to a surface . The application of the medium is commonly applied to the base with a brush but other objects can be used. In art, the term painting describes both the act and the result of the action. However, painting is...
, glass
Glass
Glass is an amorphous solid material. Glasses are typically brittle and optically transparent.The most familiar type of glass, used for centuries in windows and drinking vessels, is soda-lime glass, composed of about 75% silica plus Na2O, CaO, and several minor additives...
, ceramics
Ceramics (art)
In art history, ceramics and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial or applied art objects, or as...
, and textiles, among others.
Islamic art is not at all restricted to religious art, but includes all the art of the rich and varied cultures of Islamic societies as well. It frequently includes secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians. Apart from the ever-present calligraphic inscriptions, specifically religious art is actually less prominent in Islamic art than in Western medieval art
Medieval art
The medieval art of the Western world covers a vast scope of time and place, over 1000 years of art history in Europe, and at times the Middle East and North Africa...
, with the exception of Islamic architecture
Islamic architecture
Islamic architecture encompasses a wide range of both secular and religious styles from the foundation of Islam to the present day, influencing the design and construction of buildings and structures in Islamic culture....
where mosque
Mosque
A mosque is a place of worship for followers of Islam. The word is likely to have entered the English language through French , from Portuguese , from Spanish , and from Berber , ultimately originating in — . The Arabic word masjid literally means a place of prostration...
s and their complexes of surrounding buildings are the most common remains. Figurative painting may cover religious scenes, but normally in essentially secular contexts such as the walls of palaces or illuminated books of poetry. The calligraphy and decoration of manuscript Qu'rans is an important aspect, but other religious art such as glass mosque lamp
Mosque lamp
Mosque lamps of glass, enamelled and often with gilding, survive in considerable numbers from the Islamic art of the Middle Ages, especially the 13th and 14th centuries, with Cairo in Egypt and Aleppo and Damascus in Syria the most important centres of production...
s and other mosque fittings such as tiles, woodwork and carpets usually have the same style and motifs as contemporary secular art, although with religious inscriptions even more prominent.
"Islamic art developed from many sources: Roman
Roman art
Roman art has the visual arts made in Ancient Rome, and in the territories of the Roman Empire. Major forms of Roman art are architecture, painting, sculpture and mosaic work...
, Early Christian art, and Byzantine
Byzantine art
Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....
styles were taken over in early Islamic art and architecture; the influence of the Sassanian art of pre-Islamic Persia was of paramount significance; Central Asian styles were brought in with various nomadic incursions; and Chinese
Chinese art
Chinese art is visual art that, whether ancient or modern, originated in or is practiced in China or by Chinese artists or performers. Early so-called "stone age art" dates back to 10,000 BC, mostly consisting of simple pottery and sculptures. This early period was followed by a series of art...
influences had a formative effect on Islamic painting, pottery, and textiles." Though the whole concept of "Islamic art" has been criticised by some modern art historians, calling it a "figment of imagination" or a "mirage",
the similarities between art produced at widely different times and places in the Islamic world have been sufficient to keep the term in wide use by scholars.
There are repeating elements in Islamic art, such as the use of geometrical floral or vegetal designs in a repetition known as the arabesque
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements...
. The arabesque
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements...
in Islamic art is often used to symbolize the transcendent, indivisible and infinite nature of God. Mistakes in repetitions may be intentionally introduced as a show of humility by artists who believes only God can produce perfection, although this theory is disputed.
Typically, though not entirely, Islamic art has focused on the depiction of patterns and Arabic calligraphy, rather than on figures, because it is feared by many Muslims that the depiction of the human form is idolatry
Idolatry
Idolatry is a pejorative term for the worship of an idol, a physical object such as a cult image, as a god, or practices believed to verge on worship, such as giving undue honour and regard to created forms other than God. In all the Abrahamic religions idolatry is strongly forbidden, although...
and thereby a sin against God
God in Islam
In Islamic theology, God is the all-powerful and all-knowing creator, sustainer, ordainer, and judge of the universe. Islam puts a heavy emphasis on the conceptualization of God as strictly singular . God is unique and inherently One , all-merciful and omnipotent. According to the Islamic...
, forbidden in the Qur'an
Qur'an
The Quran , also transliterated Qur'an, Koran, Alcoran, Qur’ān, Coran, Kuran, and al-Qur’ān, is the central religious text of Islam, which Muslims consider the verbatim word of God . It is regarded widely as the finest piece of literature in the Arabic language...
. Human portrayals can be found in all eras of Islamic art, above all in the more private form of miniatures, where their absence is rare. Human representation for the purpose of worship is considered idolatry
Idolatry
Idolatry is a pejorative term for the worship of an idol, a physical object such as a cult image, as a god, or practices believed to verge on worship, such as giving undue honour and regard to created forms other than God. In all the Abrahamic religions idolatry is strongly forbidden, although...
and is duly forbidden in Islamic law, known as Sharia
Sharia
Sharia law, is the moral code and religious law of Islam. Sharia is derived from two primary sources of Islamic law: the precepts set forth in the Quran, and the example set by the Islamic prophet Muhammad in the Sunnah. Fiqh jurisprudence interprets and extends the application of sharia to...
law. There are also many depictions of Muhammad
Depictions of Muhammad
The permissibility of depictions of Muhammad, the founder of Islam, has long been a concern in the history of Islam. Oral and written descriptions are readily accepted by all traditions of Islam, but there is disagreement about visual depictions....
, Islam's chief prophet, in historical Islamic art. Small decorative figures of animals and humans, especially if they are hunting the animals, are found on secular pieces in many media from many periods, but portraits were slow to develop.
Calligraphy
Calligraphic design is omnipresent in Islamic art, where, as in Europe in the Middle Ages, religious exhortations, including Qur'anic verses, may be included in secular objects, especially coins, tiles and metalwork, and most painted miniatures include some script, as do many buildings. Other inscriptions include verses of poetry, and inscriptions recording ownership or donation. Two of the main scripts involved are the symbolic kuficKufic
Kufic is the oldest calligraphic form of the various Arabic scripts and consists of a modified form of the old Nabataean script. Its name is derived from the city of Kufa, Iraq, although it was known in Mesopotamia at least 100 years before the foundation of Kufa. At the time of the emergence of...
and naskh
Naskh (script)
Naskh is a specific calligraphic style for writing in the Arabic alphabet, thought to be invented by the Iranian calligrapher Ibn Muqlah Shirazi . The root of this Arabic term means "to copy". It either refers to the fact that it replaced its predecessor, Kufic script, or that this style allows...
scripts, which can be found adorning and enhancing the visual appeal of the walls and domes of buildings, the sides of minbar
Minbar
A minbar is a pulpit in the mosque where the imam stands to deliver sermons or in the Hussainia where the speaker sits and lectures the congregation...
s, and metalwork.
East Persian pottery from the 9th to 11th centuries decorated only with highly stylised inscriptions, called "epigraphic ware", has been described as "probably the most refined and sensitive of all Persian pottery". Large inscriptions made from tiles, sometimes with the letters raised in relief
Relief
Relief is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is thus to give the impression that the sculpted material has been raised above the background plane...
, or the background cut away, are found on the interiors and exteriors of many important buildings. Complex carved calligraphy also decorates buildings. For most of the Islamic period the majority of coins only showed lettering, which are often very elegant despite their small size and nature of production. The tughra
Tughra
A tughra is a calligraphic monogram, seal or signature of an Ottoman sultan that was affixed to all official documents and correspondence. It was also carved on his seal and stamped on the coins minted during his reign...
or monogram of an Ottoman sultan was used extensively on official documents, with very elaborate decoration for important ones. Other single sheets of calligraphy, designed for albums, might contain short poems, Qu'ranic verses, or other texts.
The main languages, all using Arabic script, are Arabic
Arabic language
Arabic is a name applied to the descendants of the Classical Arabic language of the 6th century AD, used most prominently in the Quran, the Islamic Holy Book...
, always used for Qu'ranic verses, Persian in the Persianate
Persianate
A Persianate/Persified society is a society that is either based on, or strongly influenced by the Persian language, culture, literature, art, and/or identity....
world, especially for poetry, and Turkish
Turkish language
Turkish is a language spoken as a native language by over 83 million people worldwide, making it the most commonly spoken of the Turkic languages. Its speakers are located predominantly in Turkey and Northern Cyprus with smaller groups in Iraq, Greece, Bulgaria, the Republic of Macedonia, Kosovo,...
, with Urdu
Urdu
Urdu is a register of the Hindustani language that is identified with Muslims in South Asia. It belongs to the Indo-European family. Urdu is the national language and lingua franca of Pakistan. It is also widely spoken in some regions of India, where it is one of the 22 scheduled languages and an...
appearing in later centuries. Calligraphers usually had a higher status than other artists.
Painting
Although there has been a tradition of wall-paintings, especially in the PersianatePersianate
A Persianate/Persified society is a society that is either based on, or strongly influenced by the Persian language, culture, literature, art, and/or identity....
world, the best-surviving and highest developed form of painting in the Islamic world is the miniature
Miniature (illuminated manuscript)
The word miniature, derived from the Latin minium, red lead, is a picture in an ancient or medieval illuminated manuscript; the simple decoration of the early codices having been miniated or delineated with that pigment...
in illuminated manuscript
Illuminated manuscript
An illuminated manuscript is a manuscript in which the text is supplemented by the addition of decoration, such as decorated initials, borders and miniature illustrations...
s, or later as a single page for inclusion in a muraqqa
Muraqqa
A Muraqqa is an album in book form containing Islamic miniature paintings and specimens of Islamic calligraphy, normally from several different sources, and perhaps other matter...
or bound album of miniatures and calligraphy
Calligraphy
Calligraphy is a type of visual art. It is often called the art of fancy lettering . A contemporary definition of calligraphic practice is "the art of giving form to signs in an expressive, harmonious and skillful manner"...
. The tradition of the Persian miniature
Persian miniature
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...
has been dominant since about the 13th century, strongly influencing the Ottoman miniature
Ottoman miniature
Ottoman Miniature or Turkish miniature was an art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman Book Arts together with illumination , calligraphy , marbling paper and bookbinding...
of Turkey and the Mughal miniature in India. Miniatures were especially an art of the court, and because they were not seen in public, constraints on the depiction of the human figure were much more relaxed, and indeed miniatures often contain great numbers of small figures, and from the 16th century portraits of single ones.
The largest commissions were usually classics of Persian poetry such as the epic Shahnameh
Shahnameh
The Shahnameh or Shah-nama is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 AD and is the national epic of Iran and related societies...
, although the Mughals
Mughal Empire
The Mughal Empire , or Mogul Empire in traditional English usage, was an imperial power from the Indian Subcontinent. The Mughal emperors were descendants of the Timurids...
and Ottoman
Ottoman Empire
The Ottoman EmpireIt was usually referred to as the "Ottoman Empire", the "Turkish Empire", the "Ottoman Caliphate" or more commonly "Turkey" by its contemporaries...
s both produced lavish manuscripts of more recent history with the autobiographies of the Mughal emperors, and more purely military chronicles of Turkish conquests. Portraits of rulers developed in the 16th century, and later in Persia, then becoming very popular. Mughal portraits, normally in profile, are very finely drawn in a realist style, while the best Ottoman ones are vigorously stylized. Album miniatures typically featured picnic scenes, portraits of individuals or (in India especially) animals, or idealized youthful beauties of either sex.
Chinese influences included the early adoption of the vertical format natural to a book, which led to the development of a birds-eye view where a very carefully depicted background of hilly landscape or palace buildings rises up to leave only a small area of sky. The figures are arranged in different planes on the background, with recession (distance from the viewer) indicated by placing more distant figures higher up in the space, but at essentially the same size. The colours, which are often very well preserved, are strongly contrasting, bright and clear. The tradition reached a climax in the 16th and early 17th centuries, but continued until the early 19th century, and has been revived in the 20th.
Rugs and carpets
No Islamic artistic product has become better known outside the Islamic world than the pile carpet, more commonly referred to as the Oriental carpet (oriental rugOriental rug
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile.By definition - Oriental rugs are rugs that come from the orient...
). Their versatility is utilized in everyday Islamic and Muslim life, from floor coverings to architectural enrichment, from cushions to bolsters to bags and sacks of all shapes and sizes, and to religious objects (such as a prayer rug, which would provide a clean place to pray). They have been a major export to other areas since the late Middle Ages, used to cover not only floors but tables, for long a widespread European practice that is now common only in the Netherlands
Netherlands
The Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders...
. Carpet weaving is a rich and deeply embedded tradition in Islamic societies, and the practice is seen in large city factories as well as in rural communities and nomadic encampments. In earlier periods, special establishments and workshops were in existence that functioned directly under court patronage.
Very early Islamic carpets, which means before the 16th century, are extremely rare, indeed more have survived in the West, and oriental carpets in Renaissance painting
Oriental carpets in Renaissance painting
Carpets of Middle-Eastern origin, either from the Ottoman Empire, Armenia, Azerbaijan, the Levant or the Mamluk state of Egypt or Northern Africa, were used as important decorative features in paintings from the 14th century onwards...
from Europe are a major source of information on them, as they were valuable imports that were painted accurately. The most natural and easy designs for a carpet weaver to produce consist of straight lines and edges, and the earliest Islamic carpets to survive or be shown in paintings have geometric designs, or centre on very stylized animals, made up in this way. Since the flowing loops and curves of the arabesque are central to Islamic art, the interaction and tension between these two styles was long a major feature of carpet design.
There are a few survivals of the grand Egyptian 16th century carpets, including one almost as good as new discovered in the attic of the Pitti Palace in Florence, whose complex patterns of octagon roundels and stars, in just a few colours, shimmer before the viewer. Production of this style of carpet began under the Mamluks but continued after the Ottomans conquered Egypt. The other sophisticated tradition was the Persian carpet which reached its peak in the 16th and early 17th century in works like the Ardabil Carpet
Ardabil Carpet
The Ardabil Carpet is either of a pair of two famous Persian carpets in the collections of the Victoria and Albert Museum in London and the Los Angeles County Museum of Art....
and Coronation Carpet
Coronation Carpet
The Coronation Carpet is a Persian carpet owned by the Danish Royal Family. It is stored at Rosenborg Castle in Copenhagen. According to the Royal Danish Collections, the carpet was made in Isfahan in the 17th century. The size is 12 feet, 2 inches by 17 feet, 1 inch...
; during this century the Ottoman and Mughal courts also began to sponsor the making in their domains of large formal carpets, evidently with the involvement of designers used to the latest court style in the general Persian tradition. These use a design style shared with non-figurative Islamic illumination and other media, often with a large central gul
Gul (design)
A gul is a medallion-like design element typical of traditional hand-woven carpets associated with Central and West Asia. They usually feature either twofold rotational symmetry or left/right reflection symmetry. Some are octagonal, or suggest approximations of octagons...
motif, and always with wide and strongly demarcated borders. The grand designs of the workshops patronized by the court spread out to smaller carpets for the merely wealthy and for export, and designs close to those of the 16th and 17th centuries are still produced in large numbers today. The description of older carpets has tended to use the names of carpet-making centres as labels, but often derived from the design rather than any actual evidence that they originated from around that centre. Research has clarified that designs were by no means always restricted to the centre they are traditionally associated with, and the origin of many carpets remains unclear.
As well as the major Persian, Turkish and Arab centres, carpets were also made across Central Asia, in India, and in Spain and the Balkans. Spanish carpets, which sometimes interrupted typical Islamic patterns to include coats of arms, enjoyed high prestige in Europe, being commissioned by royalty and for the Papal Palace, Avignon, and the industry continued after the Reconquista
Reconquista
The Reconquista was a period of almost 800 years in the Middle Ages during which several Christian kingdoms succeeded in retaking the Muslim-controlled areas of the Iberian Peninsula broadly known as Al-Andalus...
. Armenian carpet
Armenian carpet
The term Armenian carpet designates, but is not limited to, tufted rugs or knotted carpets woven in Armenia or by Armenians from pre-Christian times to the present...
-weaving is mentioned by many early sources, and may account for a much larger proportion of East Turkish and Caucasian production than traditionally thought. The Berber carpet
Berber carpet
Berber carpets are a modern style of carpet, distinguished by a loop pile construction type, and usually contain small flecks of dark color on lighter shades of background colors. They are typically in a plain color mix with no pattern, and are relatively cheap and durable, so popular for areas...
s of North Africa have a distinct design tradition. Apart from the products of city workshops, in touch with trading networks that might carry the carpets to markets far away, there was also a large and widespread village and nomadic industry producing work that stayed closer to traditional local designs. As well as pile carpets, kelims and other types of flat-weave or embroidered textiles were produced, for use on both floors and walls. Figurative designs, sometimes with large human figures, are very popular in Islamic countries but relatively rarely exported to the West, where abstract designs are generally what the market expects.
Ceramics
Islamic art has very notable achievements in ceramics, both in potteryPottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
and tile
Tile
A tile is a manufactured piece of hard-wearing material such as ceramic, stone, metal, or even glass. Tiles are generally used for covering roofs, floors, walls, showers, or other objects such as tabletops...
s for walls, which in the absence of wall-paintings were taken to heights unmatched by other cultures. Early pottery is often unglazed, but tin-opacified glazing
Tin-glazing
Tin-glazing is the process of giving ceramic items a tin-based glaze which is white, glossy and opaque, normally applied to red or buff earthenware. The opacity and whiteness of tin glaze make it valued by its ability to decorate with colour....
was one of the earliest new technologies developed by the Islamic potters. The first Islamic opaque glazes can be found as blue-painted ware in Basra
Basra
Basra is the capital of Basra Governorate, in southern Iraq near Kuwait and Iran. It had an estimated population of two million as of 2009...
, dating to around the 8th century. Another significant contribution was the development of stonepaste ceramics
Stoneware
Stoneware is a vitreous or semi-vitreous ceramic ware with a fine texture. Stoneware is made from clay that is then fired in a kiln, whether by an artisan to make homeware, or in an industrial kiln for mass-produced or specialty products...
, originating from 9th century Iraq. The first industrial complex for glass
Glass
Glass is an amorphous solid material. Glasses are typically brittle and optically transparent.The most familiar type of glass, used for centuries in windows and drinking vessels, is soda-lime glass, composed of about 75% silica plus Na2O, CaO, and several minor additives...
and pottery
Pottery
Pottery is the material from which the potteryware is made, of which major types include earthenware, stoneware and porcelain. The place where such wares are made is also called a pottery . Pottery also refers to the art or craft of the potter or the manufacture of pottery...
production was built in Ar-Raqqah, Syria
Syria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
, in the 8th century. Other centers for innovative pottery in the Islamic world included Fustat (from 975 to 1075), Damascus (from 1100 to around 1600) and Tabriz
Tabriz
Tabriz is the fourth largest city and one of the historical capitals of Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former...
(from 1470 to 1550). Lusterware
Lusterware
Lusterware or Lustreware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence, produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", reduction kiln, which excludes oxygen.The first use...
s with iridescent colours may have continued pre-Islamic Roman and Byzantine techniques, but were either invented or considerably developed on pottery and glass in Persia and Syria from the 9th century onwards.
Islamic pottery was often influenced
Chinese influences on Islamic pottery
Chinese influences on Islamic pottery cover a period starting from at least the 8th century CE to the 19th century. This influence of Chinese ceramics has to be viewed in the broader context of the considerable importance of Chinese culture on Islamic arts in general.-Early contacts with Central...
by Chinese ceramics, whose achievements were greatly admired and emulated. This was especially the case in the periods after the Mongol invasions and those of the Timurids
Timurid Dynasty
The Timurids , self-designated Gurkānī , were a Persianate, Central Asian Sunni Muslim dynasty of Turko-Mongol descent whose empire included the whole of Iran, modern Afghanistan, and modern Uzbekistan, as well as large parts of contemporary Pakistan, North India, Mesopotamia, Anatolia and the...
. Techniques, shapes and decorative motifs were all affected. Until the Early Modern period Western ceramics had very little influence, but Islamic pottery was very sought after in Europe, and often copied. An example of this is the albarello
Albarello
An albarello is a type of maiolica earthenware jar, originally a medicinal jar designed to hold apothecaries' ointments and dry drugs. The development of this type of pharmacy jar had its roots in the Middle East during the time of the Islamic conquests....
, a type of maiolica
Maiolica
Maiolica is Italian tin-glazed pottery dating from the Renaissance. It is decorated in bright colours on a white background, frequently depicting historical and legendary scenes.-Name:...
earthenware jar originally designed to hold apothecaries'
Apothecary
Apothecary is a historical name for a medical professional who formulates and dispenses materia medica to physicians, surgeons and patients — a role now served by a pharmacist and some caregivers....
ointments and dry drugs. The development of this type of pharmacy
Pharmacy
Pharmacy is the health profession that links the health sciences with the chemical sciences and it is charged with ensuring the safe and effective use of pharmaceutical drugs...
jar had its roots in the Islamic Middle East. Hispano-Moresque
Hispano-Moresque
Hispano-Moresque ware is a style of initially Islamic pottery created in Al Andalus or Muslim Spain, which continued to be produced under Christian rule in styles blending Islamic and European elements...
examples were exported to Italy, stimulating the earliest Italian examples, from 15th century Florence.
The Hispano-Moresque
Hispano-Moresque
Hispano-Moresque ware is a style of initially Islamic pottery created in Al Andalus or Muslim Spain, which continued to be produced under Christian rule in styles blending Islamic and European elements...
style emerged in Al-Andaluz or Muslim Spain in the 8th century, under Egyptian influence, but most of the best production was much later, by potters presumed to have been largely Muslim but working in areas reconquered by the Christian kingdoms. It mixed Islamic and European elements in its designs, and much was exported across neighbouring European countries. It had introduced two ceramic
Ceramic
A ceramic is an inorganic, nonmetallic solid prepared by the action of heat and subsequent cooling. Ceramic materials may have a crystalline or partly crystalline structure, or may be amorphous...
techniques to Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
: glazing
Ceramic glaze
Glaze is a layer or coating of a vitreous substance which has been fired to fuse to a ceramic object to color, decorate, strengthen or waterproof it.-Use:...
with an opaque
Opacity (optics)
Opacity is the measure of impenetrability to electromagnetic or other kinds of radiation, especially visible light. In radiative transfer, it describes the absorption and scattering of radiation in a medium, such as a plasma, dielectric, shielding material, glass, etc...
white tin-glaze
Tin-glazing
Tin-glazing is the process of giving ceramic items a tin-based glaze which is white, glossy and opaque, normally applied to red or buff earthenware. The opacity and whiteness of tin glaze make it valued by its ability to decorate with colour....
, and painting in metallic lusters. Ottoman İznik pottery
Iznik pottery
İznik pottery, named after the town in western Anatolia where it was made, is highly decorated ceramics that was produced between the late 15th and 17th centuries....
produced most of the best work in the 16th century, in tiles and large vessels boldly decorated with floral motifs influenced, once again, by Chinese Yuan and Ming ceramics. These were still in earthenware; there was no porcelain made in Islamic countries until modern times, though Chinese porcelain was imported and admired.
The medieval Islamic world also had pottery with painted animal and human imagery. Examples are found throughout the medieval Islamic world, particularly in Persia
Iran
Iran , officially the Islamic Republic of Iran , is a country in Southern and Western Asia. The name "Iran" has been in use natively since the Sassanian era and came into use internationally in 1935, before which the country was known to the Western world as Persia...
and Egypt
Egypt
Egypt , officially the Arab Republic of Egypt, Arabic: , is a country mainly in North Africa, with the Sinai Peninsula forming a land bridge in Southwest Asia. Egypt is thus a transcontinental country, and a major power in Africa, the Mediterranean Basin, the Middle East and the Muslim world...
.
Tiling
The earliest grand Islamic buildings, like the Dome of the RockDome of the Rock
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. The structure has been refurbished many times since its initial completion in 691 CE at the order of Umayyad Caliph Abd al-Malik...
, in Jerusalem had interior walls decorated with mosaic
Mosaic
Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
s in the Byzantine style, but without human figures. From the 9th century onwards the distinctive Islamic tradition of glazed and brightly coloured tiling for interior and exterior walls and domes developed. Some earlier schemes create designs using mixtures of tiles each of a single colour that are either cut to shape or are small and of a few shapes, used to create abstract geometric patterns. Later large painted schemes use tiles painted before firing with a part of the scheme - a technique requiring confidence in the consistent results of firing.
Some elements, especially the letters of inscriptions, may be moulded in three dimensional relief
Relief
Relief is a sculptural technique. The term relief is from the Latin verb levo, to raise. To create a sculpture in relief is thus to give the impression that the sculpted material has been raised above the background plane...
, and in especially in Persia certain tiles in a design may have figurative painting of animals or single human figures. These were often part of designs mostly made up of tiles in plain colours but with larger fully painted tiles at intervals. The larger tiles are often shaped as eight-pointed stars, and may show animals or a human head or bust, or plant or other motifs. The geometric patterns, such as modern North African zellige
Zellige
Zellige, zillij or zellij is terra cotta tilework covered with enamel in the form of chips set into plaster. It is one of the main characteristics of the Moroccan architecture...
work, made of small tiles each of a single colour but different and regular shapes, are often referred to as "mosaic", which is not strictly correct.
The Mughals made much less use of tiling, preferring (and being able to afford) "parchin kari", a type of pietra dura
Pietra dura
Pietra dura or pietre dure , called parchin kari in South Asia, is a term for the technique of using cut and fitted, highly-polished colored stones to create images. It is considered a decorative art...
decoration from inlaid panels of semi-precious stones, with jewels in some cases. This can be seen at the Taj Mahal
Taj Mahal
The Taj Mahal is a white Marble mausoleum located in Agra, India. It was built by Mughal emperor Shah Jahan in memory of his third wife, Mumtaz Mahal...
, Agra Fort
Agra Fort
Agra Fort, is a monument situated at Agra, is a UNESCO World Heritage site located in Agra, Uttar Pradesh, India. It is about 2.5 km northwest of its more famous sister monument, the Taj Mahal...
and other imperial commissions. The motifs are usually floral, in a simpler and more realistic style than Persian or Turkish work, relating to plants in Mughal miniatures.
Glass
For most of the Middle Ages Islamic glass was the most sophisticated in EurasiaEurasia
Eurasia is a continent or supercontinent comprising the traditional continents of Europe and Asia ; covering about 52,990,000 km2 or about 10.6% of the Earth's surface located primarily in the eastern and northern hemispheres...
, exported to both Europe and China. Islam took over much of the traditional glass-producing territory of Sassanian and Ancient Roman glass, and since figurative decoration played a small part in pre-Islamic glass, the change in style is not abrupt, except that the whole area initially formed a political whole, and, for example, Persian innovations were now almost immediately taken up in Egypt
Egypt
Egypt , officially the Arab Republic of Egypt, Arabic: , is a country mainly in North Africa, with the Sinai Peninsula forming a land bridge in Southwest Asia. Egypt is thus a transcontinental country, and a major power in Africa, the Mediterranean Basin, the Middle East and the Muslim world...
. For this reason it is often impossible to distinguish between the various centres of production, of which Egypt, Syria and Persia were the most important, except by scientific analysis of the material, which itself has difficulties. From various documentary references glassmaking and glass trading
Ancient glass trade
The ways in which glass was exchanged throughout ancient times is intimately related to its production and is a stepping stone to learning about the economies and interactions of ancient societies. Because of its nature it can be shaped into a variety of forms and as such is found in different...
seems to have been a speciality of the Jewish minority in several centres.
Between the 8th and early 11th centuries the emphasis in luxury glass is on effects achieved by "manipulating the surface" of the glass, initially by incising into the glass on a wheel, and later by cutting away the background to leave a design in relief. The very massive Hedwig glass
Hedwig glass
Hedwig glasses or Hedwig beakers are a type of glass beaker originating in the Middle East or Norman Sicily and dating from the 10th-12th centuries AD. They are named after the Silesian princess Saint Hedwig , to whom three of them are traditionally said to have belonged. So far, a total of 14...
es, only found in Europe, but normally considered Islamic (or possibly from Muslim craftsmen in Norman Sicily), are an example of this, though puzzlingly late in date. These and other glass pieces probably represented cheaper versions of vessels of carved rock crystal (clear quartz
Quartz
Quartz is the second-most-abundant mineral in the Earth's continental crust, after feldspar. It is made up of a continuous framework of SiO4 silicon–oxygen tetrahedra, with each oxygen being shared between two tetrahedra, giving an overall formula SiO2. There are many different varieties of quartz,...
), themselves influenced by earlier glass vessels, and there is some evidence that at this period glass and hardstone
Hardstone
Hardstone is a Kenyan musician. His music is a mixture of ragga, reggae and hiphop. He sings in English, Swahili and Kikuyu languages...
cutting were regarded as the same craft. From the 12th century the industry in Persia and Mesopotamia
Mesopotamia
Mesopotamia is a toponym for the area of the Tigris–Euphrates river system, largely corresponding to modern-day Iraq, northeastern Syria, southeastern Turkey and southwestern Iran.Widely considered to be the cradle of civilization, Bronze Age Mesopotamia included Sumer and the...
appears to decline, and the main production of luxury glass shifts to Egypt and Syria, and decorative effects of colour on smooth surfaced glass. Throughout the period local centres made simpler wares such as Hebron glass
Hebron glass
Hebron glass refers to glass produced in Hebron as part of a flourishing art industry established in the city during Roman rule in Palestine. For centuries, Hebron has been associated with glass production in the same way as Nablus has been associated with the production of soap...
in Palestine
Palestine
Palestine is a conventional name, among others, used to describe the geographic region between the Mediterranean Sea and the Jordan River, and various adjoining lands....
.
Lustre painting, by techniques similar to lustreware in pottery, dates back to the 8th century in Egypt, and became widespread in the 12th century. Another technique was decoration with threads of glass of a different colour, worked into the main surface, and sometimes manipulated by combing and other effects. Gilded
Gilding
The term gilding covers a number of decorative techniques for applying fine gold leaf or powder to solid surfaces such as wood, stone, or metal to give a thin coating of gold. A gilded object is described as "gilt"...
, painted and enamelled
Vitreous enamel
Vitreous enamel, also porcelain enamel in U.S. English, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C...
glass were added to the repertoire, and shapes and motifs borrowed from other media, such as pottery and metalwork. Some of the finest work was in mosque lamp
Mosque lamp
Mosque lamps of glass, enamelled and often with gilding, survive in considerable numbers from the Islamic art of the Middle Ages, especially the 13th and 14th centuries, with Cairo in Egypt and Aleppo and Damascus in Syria the most important centres of production...
s donated by a ruler or wealthy man. As decoration grew more elaborate, the quality of the basic glass decreased, and it "often has a brownish-yellow tinge, and is rarely free from bubbles". Aleppo
Aleppo
Aleppo is the largest city in Syria and the capital of Aleppo Governorate, the most populous Syrian governorate. With an official population of 2,301,570 , expanding to over 2.5 million in the metropolitan area, it is also one of the largest cities in the Levant...
seems to have ceased to be a major centre after the Mongol invasion of 1260, and Timur
Timur
Timur , historically known as Tamerlane in English , was a 14th-century conqueror of West, South and Central Asia, and the founder of the Timurid dynasty in Central Asia, and great-great-grandfather of Babur, the founder of the Mughal Dynasty, which survived as the Mughal Empire in India until...
appears to have ended the Syrian industry about 1400 by carrying off the skilled workers to Samarkand
Samarkand
Although a Persian-speaking region, it was not united politically with Iran most of the times between the disintegration of the Seleucid Empire and the Arab conquest . In the 6th century it was within the domain of the Turkic kingdom of the Göktürks.At the start of the 8th century Samarkand came...
. By about 1500 the Venetians
Venice
Venice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
were receiving large orders for mosque lamps.
Metalwork
Medieval Islamic metalwork offers a complete contrast to its European equivalent, which is dominated by modelled figures and brightly coloured decoration in enamelVitreous enamel
Vitreous enamel, also porcelain enamel in U.S. English, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C...
, some pieces entirely in precious metals. In contrast surviving Islamic metalwork consists of practical objects mostly in bronze, brass
Brass
Brass is an alloy of copper and zinc; the proportions of zinc and copper can be varied to create a range of brasses with varying properties.In comparison, bronze is principally an alloy of copper and tin...
and steel, with simple, but often monumental, shapes, and surfaces highly decorated with dense decoration in a variety of techniques, but colour mostly restricted to inlays of gold, silver or black niello
Niello
Niello is a black mixture of copper, silver, and lead sulphides, used as an inlay on engraved or etched metal. It can be used for filling in designs cut from metal...
. The use of drinking and eating vessels in gold and silver, the ideal in ancient Rome and Persia as well as medieval Christian societies, is prohibited by the Hadith
Hadith
The term Hadīth is used to denote a saying or an act or tacit approval or criticism ascribed either validly or invalidly to the Islamic prophet Muhammad....
s, as was the wearing of gold rings. One thing Islamic metalworkers shared with European ones was high social status compared to other artists and craftsmen, and many larger pieces are signed.
Islamic work includes some three-dimensional animal figures as fountainheads or aquamanile
Aquamanile
In modern usage, an aquamanile is a ewer or jug-type vessel in the form of one or more animal or human figures. It usually contained water for the washing of hands over a basin, which was part of both upper-class meals and the Christian Eucharist...
s, but only one significant enamelled object is known, using Byzantine cloisonne
Cloisonné
Cloisonné is an ancient technique for decorating metalwork objects, in recent centuries using vitreous enamel, and in older periods also inlays of cut gemstones, glass, and other materials. The resulting objects can also be called cloisonné...
techniques. The Pisa Griffin
Pisa Griffin
The Pisa Griffin is a large bronze sculpture of a griffin, a mythical beast, which has been in Pisa in Italy since the Middle Ages, though it is of Islamic origin. It is the largest medieval Islamic metal sculpture known, at over three feet tall , and was probably created in the 11th century in...
is the largest surviving bronze animal, probably from 11th century Al-Andaluz. More common objects given elaborate decoration include massive low candlesticks and lamp-stands, lantern lights, bowls, dishes, basins, buckets (these probably for the bath), and ewers, as well as caskets, pen-cases and plaques. Ewers and basins were brought for hand-washing before and after each meal, so are often lavishly treated display pieces. Specialized objects include knives, arms and armour (always of huge interest to the elite) and scientific instruments such as astrolabe
Astrolabe
An astrolabe is an elaborate inclinometer, historically used by astronomers, navigators, and astrologers. Its many uses include locating and predicting the positions of the Sun, Moon, planets, and stars, determining local time given local latitude and longitude, surveying, triangulation, and to...
s, as well as jewellery
Jewellery
Jewellery or jewelry is a form of personal adornment, such as brooches, rings, necklaces, earrings, and bracelets.With some exceptions, such as medical alert bracelets or military dog tags, jewellery normally differs from other items of personal adornment in that it has no other purpose than to...
. Decoration is typically densely packed and very often includes arabesques and calligraphy, sometimes naming an owner and giving a date.
Other applied arts
Very high levels of achievement were reached in other materials, including, hardstone carvingHardstone carving
Hardstone carving is a general term in art history and archaeology for the carving for artistic purposes of semi-precious stones, also known as gemstones, such as jade, rock crystal , agate, onyx, jasper, serpentine or carnelian, and for an object made in this way. Normally the objects are small,...
s and jewellery, ivory carving, textiles and leatherwork. In the Middle Ages Islamic work in these fields was highly valued in other parts of the world, and often traded outside the Islamic zone. Apart from miniature painting and calligraphy, other arts of the book are decorative illumination, the only type found in Qu'ran manuscripts, and Islamic book covers, which are often highly decorative in luxury manuscripts, using either the geometric motifs found in illumination, or sometimes figurative images probably drawn for the craftsmen by miniature painters. Materials include coloured, tooled and stamped leather and lacquer
Lacquer
In a general sense, lacquer is a somewhat imprecise term for a clear or coloured varnish that dries by solvent evaporation and often a curing process as well that produces a hard, durable finish, in any sheen level from ultra matte to high gloss and that can be further polished as required...
over paint.
Egyptian carving of rock crystal into vessels appears in the late 10th century, and virtually disappears after about 1040. There are a number of these vessels in the West, which apparently came on the market after the Cairo
Cairo
Cairo , is the capital of Egypt and the largest city in the Arab world and Africa, and the 16th largest metropolitan area in the world. Nicknamed "The City of a Thousand Minarets" for its preponderance of Islamic architecture, Cairo has long been a centre of the region's political and cultural life...
palace of the Fatimid
Fatimid
The Fatimid Islamic Caliphate or al-Fāṭimiyyūn was a Berber Shia Muslim caliphate first centered in Tunisia and later in Egypt that ruled over varying areas of the Maghreb, Sudan, Sicily, the Levant, and Hijaz from 5 January 909 to 1171.The caliphate was ruled by the Fatimids, who established the...
Caliph
Caliph
The Caliph is the head of state in a Caliphate, and the title for the ruler of the Islamic Ummah, an Islamic community ruled by the Shari'ah. It is a transcribed version of the Arabic word which means "successor" or "representative"...
was looted by his mercenaries in 1062, and were snapped up by European buyers, mostly ending up in church treasuries. From later periods, especially the hugely wealthy Ottoman and Mughal courts, there are a considerable number of very lavish objects carved in semi-precious stones, with little surface decoration, but inset with jewels. Such objects may have been made in earlier periods, but very few have survived.
Older wood carving is typically relief or pierced work on flat objects for architectural use, such as screens, doors, roofs, beams and friezes. An important exception are the complex muqarnas
Muqarnas
Muqarnas is a type of corbel used as a decorative device in traditional Islamic architecture. The term is similar to mocárabe, but mocárabe only refers to designs with formations resembling stalactites, by the use of elements known as alveole.Muqarnas takes the form of small pointed niches,...
and mocárabe
Mocárabe
Mocárabe, Honeycomb work, or Stalactite work is an ornamental design used in certain types of Islamic architecture that spread throughout the Islamic world in the 12th century. The design consists of a complex array of vertical prisms resembling stalactites...
designs giving roofs and other architectural elements a stalactite
Stalactite
A stalactite , "to drip", and meaning "that which drips") is a type of speleothem that hangs from the ceiling of limestone caves. It is a type of dripstone...
-like appearance. These are often in wood, sometimes painted on the wood but often plastered over before painting; the examples at the Alhambra
Alhambra
The Alhambra , the complete form of which was Calat Alhambra , is a palace and fortress complex located in the Granada, Andalusia, Spain...
in Granada, Spain are among the best known. Traditional Islamic furniture, except for chests, tended to be covered with cushions, with cupboards rather than cabinets for storage, but there are some pieces, including a low round (strictly twelve-sided) table of about 1560 from the Ottoman court, with marquetry
Marquetry
Marquetry is the art and craft of applying pieces of veneer to a structure to form decorative patterns, designs or pictures. The technique may be applied to case furniture or even seat furniture, to decorative small objects with smooth, veneerable surfaces or to freestanding pictorial panels...
inlays in light wood, and a single huge ceramic tile or plaque on the tabletop. The very fine inlays typical of Ottoman court furniture may have developed from styles and techniques used in weapons and musical instruments, for which the finest craftsmanship available was used. There are also intricately decorated caskets and chests from various periods. A spectacular and famous (and far from flat) roof was one of the Islamic components of the 12th century Norman Cappella Palatina
Cappella Palatina
The Palatine Chapel is the royal chapel of the Norman kings of Sicily situated on the ground floor at the center of the Palazzo Reale in Palermo, southern Italy....
in Palermo
Palermo
Palermo is a city in Southern Italy, the capital of both the autonomous region of Sicily and the Province of Palermo. The city is noted for its history, culture, architecture and gastronomy, playing an important role throughout much of its existence; it is over 2,700 years old...
, which picked from the finest elements of Catholic, Byzantine and Islamic art. Other famous wooden roofs are in the Alhambra
Alhambra
The Alhambra , the complete form of which was Calat Alhambra , is a palace and fortress complex located in the Granada, Andalusia, Spain...
in Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
.
Ivory carving
Ivory carving
Ivory carving is the carving of ivory, that is to say animal tooth or tusk, by using sharp cutting tools, either mechanically or manually. The ancient craft has now virtually ceased, as since CITES it is illegal under most circumstances throughout the world....
centred on the Mediterranean, spreading from Egypt, where a thriving Copt
Copt
The Copts are the native Egyptian Christians , a major ethnoreligious group in Egypt....
ic industry had been inherited; Persian ivory is rare. The normal style was a deep relief with an even surface; some pieces were painted. Spain specialized in caskets and round boxes, which were probably used to keep jewels and perfumes. They were produced mainly in the approximate period 930-1050, and widely exported. Many pieces are signed and dated, and on court pieces the name of the owner is often inscribed; they were typically gifts from a ruler. As well as a court workshop, Cordoba
Córdoba, Spain
-History:The first trace of human presence in the area are remains of a Neanderthal Man, dating to c. 32,000 BC. In the 8th century BC, during the ancient Tartessos period, a pre-urban settlement existed. The population gradually learned copper and silver metallurgy...
had commercial workshops producing goods of slightly lower quality. In the 12th and 13th century workshops in Norman Sicily produced caskets, apparently then migrating to Granada and elsewhere after persecution. Egyptian work tended to be in flat panels and friezes, for insertion into woodwork and probably furniture - most are now detached from their settings. Many were calligraphic, and others continued Byzantine traditions of hunting scenes, with backgrounds of arabesques and foliage in both cases.
Despite Hadithic sayings against the wearing of silk, the Byzantine and Sassanian traditions of grand figured silk woven cloth continued under Islam. Some designs are calligraphic, especially when made for palls to cover a tomb, but more are surprisingly conservative versions of the earlier traditions, with many large figures of animals, especially majestic symbols of power like the lion and eagle. These are often enclosed in roundels, as found in the pre-Islamic traditions. The majority of early silks have been recovered from tombs, and in Europe reliquaries, where the relics were often wrapped in silk. European clergy and nobility were keen buyers of Islamic silk from an early date and, for example, the body of an early bishop of Toul
Toul
Toul is a commune in the Meurthe-et-Moselle department in north-eastern France.It is a sub-prefecture of the department.-Geography:Toul is located between Commercy and Nancy, and situated between the Moselle River and the Canal de la Marne au Rhin....
in France was wrapped in a silk from the Bukhara
Bukhara
Bukhara , from the Soghdian βuxārak , is the capital of the Bukhara Province of Uzbekistan. The nation's fifth-largest city, it has a population of 263,400 . The region around Bukhara has been inhabited for at least five millennia, and the city has existed for half that time...
area in modern Uzbekistan
Uzbekistan
Uzbekistan , officially the Republic of Uzbekistan is a doubly landlocked country in Central Asia and one of the six independent Turkic states. It shares borders with Kazakhstan to the west and to the north, Kyrgyzstan and Tajikistan to the east, and Afghanistan and Turkmenistan to the south....
, probably when the body was reburied in 820. The Shroud of St Josse is a famous samite
Samite
Samite may refer to :* Samite, a heavy silk fabric, of a twill-type weave, worn in the Middle Ages* Samite Mulondo, Ugandan-American musician* SS Samite, a Liberty ship...
cloth from East Persia, which originally had a carpet-like design with two pairs of confronted elephants, surrounded by borders including rows of camel
Camel
A camel is an even-toed ungulate within the genus Camelus, bearing distinctive fatty deposits known as humps on its back. There are two species of camels: the dromedary or Arabian camel has a single hump, and the bactrian has two humps. Dromedaries are native to the dry desert areas of West Asia,...
s and an inscription in Kufic
Kufic
Kufic is the oldest calligraphic form of the various Arabic scripts and consists of a modified form of the old Nabataean script. Its name is derived from the city of Kufa, Iraq, although it was known in Mesopotamia at least 100 years before the foundation of Kufa. At the time of the emergence of...
script, from which the date appears to be before 961. Other silks were used for clothes, hangings, altarcloths, and church vestments, which have nearly all been lost, except for some vestments.
Ottoman silks were less exported, and the many surviving royal kaftan
Kaftan
A kaftan is a man's coat usually reaching to the ankles with long sleeves, and which buttons down the front. It can be made of wool, cashmere, silk, or cotton. It is often worn with a sash....
s have simpler geometric patterns, many featuring stylized "tiger-stripes" below three balls or circles. Other silks have foliage designs comparable to those on Iznik pottery or carpets, with bands forming ogival compartments a popular motif. Some designs begin to show Italian influence. By the 16th century Persian silk was using smaller patterns, many of which showed relaxed garden scenes of beautiful boys and girls from the same world as those in contemporary album miniatures, and sometimes identifiable scenes from Persian poetry. A 16th century circular ceiling for a tent, 97 cm across, shows a continuous and crowded hunting scene; it was apparently looted by the army of Suleiman the Magnificent
Suleiman the Magnificent
Suleiman I was the tenth and longest-reigning Sultan of the Ottoman Empire, from 1520 to his death in 1566. He is known in the West as Suleiman the Magnificent and in the East, as "The Lawgiver" , for his complete reconstruction of the Ottoman legal system...
in his invasion of Persia in 1543-45, before being taken by a Polish general at the Siege of Vienna
Siege of Vienna
The Siege of Vienna in 1529 was the first attempt by the Ottoman Empire, led by Suleiman the Magnificent, to capture the city of Vienna, Austria. The siege signalled the pinnacle of the Ottoman Empire's power, the maximum extent of Ottoman expansion in central Europe, and was the result of a...
in 1683. Mughal silks incorporate many Indian elements, and often feature relatively realistic "portraits" of plants, as found in other media.
Before the Dynasties
The period of a rapid expansion of the Islamic era forms a reasonably accurate beginning for the label of Islamic art. Early geographical boundaries of the Islamic culture were in present-day SyriaSyria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
. It is quite difficult to distinguish the earliest Islamic objects from their predecessors in Persian or Sassanid and Byzantine art
Byzantine art
Byzantine art is the term commonly used to describe the artistic products of the Byzantine Empire from about the 5th century until the Fall of Constantinople in 1453....
, and the conversion of the mass of the population, including artists, took a significant period, sometimes centuries, after the initial Muslim conquest. There was, notably, a significant production of unglazed ceramics, witnessed by a famous small bowl preserved in the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...
, whose inscription assures its attribution to the Islamic period. Plant motifs were the most important in these early productions.
Influences from the Sassanian artistic tradition include the image of the king as a warrior and the lion as a symbol of nobility and virility. Bedouin
Bedouin
The Bedouin are a part of a predominantly desert-dwelling Arab ethnic group traditionally divided into tribes or clans, known in Arabic as ..-Etymology:...
tribal traditions mixed with the more sophisticated styles of the conquered territories. For an initial period coins had human figures in the Byzantine and Sassanian style, perhaps to reassure users of their continued value, before the Islamic style with lettering only took over.
Umayyad art
Religious and civic architecture were developed under the UmayyadUmayyad
The Umayyad Caliphate was the second of the four major Arab caliphates established after the death of Muhammad. It was ruled by the Umayyad dynasty, whose name derives from Umayya ibn Abd Shams, the great-grandfather of the first Umayyad caliph. Although the Umayyad family originally came from the...
s, when new concepts and new plans were put into practice.
The Dome of the Rock
Dome of the Rock
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. The structure has been refurbished many times since its initial completion in 691 CE at the order of Umayyad Caliph Abd al-Malik...
in Jerusalem is one of the most important buildings in all of Islamic architecture, marked by a strong Byzantine influence (mosaic
Mosaic
Mosaic is the art of creating images with an assemblage of small pieces of colored glass, stone, or other materials. It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral...
against a gold background, and a central plan that recalls that of the Church of the Holy Sepulchre
Church of the Holy Sepulchre
The Church of the Holy Sepulchre, also called the Church of the Resurrection by Eastern Christians, is a church within the walled Old City of Jerusalem. It is a few steps away from the Muristan....
), but already bearing purely Islamic elements, such as the great epigraphic frieze
Frieze
thumb|267px|Frieze of the [[Tower of the Winds]], AthensIn architecture the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon...
. The desert palaces in Jordan
Jordan
Jordan , officially the Hashemite Kingdom of Jordan , Al-Mamlaka al-Urduniyya al-Hashemiyya) is a kingdom on the East Bank of the River Jordan. The country borders Saudi Arabia to the east and south-east, Iraq to the north-east, Syria to the north and the West Bank and Israel to the west, sharing...
and Syria
Syria
Syria , officially the Syrian Arab Republic , is a country in Western Asia, bordering Lebanon and the Mediterranean Sea to the West, Turkey to the north, Iraq to the east, Jordan to the south, and Israel to the southwest....
(for example, Mshatta
Mshatta facade
The Mshatta Facade is the decorated part of the facade of the 8th century Umayyad residential palace of Qasr Mshatta, one of the Desert Castles in Jordan, which is currently installed in the south wing of the Pergamon Museum in Berlin, Germany...
, Qasr Amra
Qasr Amra
Qasr Amra , often Quseir Amra or Qusayr Amra, is the best-known of the desert castles located in present-day eastern Jordan. It was built early in the 8th century by the Umayyad caliph Walid I whose dominance of the region was rising at the time...
, and Khirbat al-Mafjar) served the caliphs as living quarters, reception halls, and baths, and were decorated, including some wall-paintings, to promote an image of royal luxury.
Work in ceramics was still somewhat primitive (unglazed) during this period. Some metal objects have survived from this time, but it remains rather difficult to distinguish these objects from those of the pre-Islamic period.
'Abd al-Malik introduced standard coinage that featured Arabic inscriptions, instead of images of the monarch. The quick development of a localized coinage around the time of the Dome of the Rock
Dome of the Rock
The Dome of the Rock is a shrine located on the Temple Mount in the Old City of Jerusalem. The structure has been refurbished many times since its initial completion in 691 CE at the order of Umayyad Caliph Abd al-Malik...
's construction demonstrates the reorientation of Umayyad acculturation. This period saw the genesis of a particularly Islamic art.
In this period, Umayyad artists and artisans did not invent a new vocabulary, but began to prefer those received from Mediterranean and Iranian late antiquity
Late Antiquity
Late Antiquity is a periodization used by historians to describe the time of transition from Classical Antiquity to the Middle Ages, in both mainland Europe and the Mediterranean world. Precise boundaries for the period are a matter of debate, but noted historian of the period Peter Brown proposed...
, which they adapted to their own artistic conceptions. For example, the mosaics in the Great Mosque of Damascus are based on Byzantine models, but replace the figurative elements with images of trees and cities. The desert palaces also bear witness to these influences. By combining the various traditions that they had inherited, and by readapting motifs and architectural elements, artists created little by little a typically Muslim art, particularly discernible in the aesthetic of the arabesque
Arabesque
The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements...
, which appears both on monuments and in illuminated Qur'ān
Qur'an
The Quran , also transliterated Qur'an, Koran, Alcoran, Qur’ān, Coran, Kuran, and al-Qur’ān, is the central religious text of Islam, which Muslims consider the verbatim word of God . It is regarded widely as the finest piece of literature in the Arabic language...
.
Abbasid art
The Abbasid dynasty (750 A.D.Damascus
Damascus , commonly known in Syria as Al Sham , and as the City of Jasmine , is the capital and the second largest city of Syria after Aleppo, both are part of the country's 14 governorates. In addition to being one of the oldest continuously inhabited cities in the world, Damascus is a major...
to Baghdad
Baghdad
Baghdad is the capital of Iraq, as well as the coterminous Baghdad Governorate. The population of Baghdad in 2011 is approximately 7,216,040...
, and then from Baghdad to Samarra
Samarra
Sāmarrā is a city in Iraq. It stands on the east bank of the Tigris in the Salah ad-Din Governorate, north of Baghdad and, in 2003, had an estimated population of 348,700....
. The shift to Baghdad influenced politics, culture, and art. Art historian
Art history
Art history has historically been understood as the academic study of objects of art in their historical development and stylistic contexts, i.e. genre, design, format, and style...
Robert Hillenbrand (1999) likens the movement to the foundation of an "Islamic Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
", because the meeting of Eastern influences from Iranian, Eurasian steppe, Chinese, and Indian sources created a new paradigm for Islamic art. Classical forms inherited from Byzantine Europe and Greco-Roman sources were discarded in favor of those drawn from the new Islamic hub. Even the design of the city of Baghdad placed it in the "navel of the world," as 9th-century historian al-Ya'qubi wrote.
The ancient city of Baghdad cannot be excavated well, as it lies beneath the modern city. However, Samarra has been well studied, and is known for its extensive cultivation of the art of stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
. Motifs known from the stucco at Samarra permit the dating of structures built elsewhere, and are furthermore found on portable objects, particular in wood, from Egypt through to Iran.
Samarra
Samarra
Sāmarrā is a city in Iraq. It stands on the east bank of the Tigris in the Salah ad-Din Governorate, north of Baghdad and, in 2003, had an estimated population of 348,700....
witnessed the "coming of age" of Islamic art. Polychrome painted stucco
Stucco
Stucco or render is a material made of an aggregate, a binder, and water. Stucco is applied wet and hardens to a very dense solid. It is used as decorative coating for walls and ceilings and as a sculptural and artistic material in architecture...
allowed for experimentation in new styles of moulding and carving. The Abbasid period also coincided with two major innovations in the ceramic arts: the invention of faience
Faience
Faience or faïence is the conventional name in English for fine tin-glazed pottery on a delicate pale buff earthenware body, originally associated with Faenza in northern Italy. The invention of a white pottery glaze suitable for painted decoration, by the addition of an oxide of tin to the slip...
, and of metallic lusterware. Hadith
Hadith
The term Hadīth is used to denote a saying or an act or tacit approval or criticism ascribed either validly or invalidly to the Islamic prophet Muhammad....
ic prohibition of the use of golden or silver vessels led to the development of metallic lusterware
Lusterware
Lusterware or Lustreware is a type of pottery or porcelain with a metallic glaze that gives the effect of iridescence, produced by metallic oxides in an overglaze finish, which is given a second firing at a lower temperature in a "muffle kiln", reduction kiln, which excludes oxygen.The first use...
in pottery, which was made by mixing sulphur and metallic oxides to ochre and vinegar, painted onto an already glazed vessel and then fired a second time. It was expensive, and difficult to manage the second round through the kiln, but the need to replace fine Chinese pottery led to the development of this technique.
Though the common perception of Abbasid artistic production focuses largely on pottery, the greatest development of the Abbasid period was in textiles. Government-run workshops known as tiraz produced silks bearing the name of the monarch, allowing for aristocrats to demonstrate their loyalty to the ruler. Other silks were pictorial. The utility of silk-ware in wall decor, entrance adornment, and room separation were not as important as their cash value along the "silk route".
Calligraphy began to be used in surface decoration on pottery during this period. Illuminated Qur'an
Qur'an
The Quran , also transliterated Qur'an, Koran, Alcoran, Qur’ān, Coran, Kuran, and al-Qur’ān, is the central religious text of Islam, which Muslims consider the verbatim word of God . It is regarded widely as the finest piece of literature in the Arabic language...
s gained attention, letter-forms now more complex and stylized to the point of slowing down the recognition of the words themselves.
The medieval period (9th–15th centuries)
Beginning in the 9th century, Abbasid sovereignty was contested in the provinces furthest removed from the Iraqi center. The creation of a Shi'aShi'a Islam
Shia Islam is the second largest denomination of Islam. The followers of Shia Islam are called Shi'ites or Shias. "Shia" is the short form of the historic phrase Shīʻatu ʻAlī , meaning "followers of Ali", "faction of Ali", or "party of Ali".Like other schools of thought in Islam, Shia Islam is...
dynasty, that of the north African Fatimid
Fatimid
The Fatimid Islamic Caliphate or al-Fāṭimiyyūn was a Berber Shia Muslim caliphate first centered in Tunisia and later in Egypt that ruled over varying areas of the Maghreb, Sudan, Sicily, the Levant, and Hijaz from 5 January 909 to 1171.The caliphate was ruled by the Fatimids, who established the...
s, followed by the Umayyads in Spain, gave force to this opposition, as well as small dynasties and autonomous governors in Iran.
Spain and the Arab Maghreb
The first Islamic dynasty to establish itself in Spain (or al-AndalusAl-Andalus
Al-Andalus was the Arabic name given to a nation and territorial region also commonly referred to as Moorish Iberia. The name describes parts of the Iberian Peninsula and Septimania governed by Muslims , at various times in the period between 711 and 1492, although the territorial boundaries...
) was that of the Spanish Umayyads. As their name indicates, they were descended from the great Umayyads of Syria. After their fall, the Spanish Umayyads were replaced by various autonomous kingdoms, the taifa
Taifa
In the history of the Iberian Peninsula, a taifa was an independent Muslim-ruled principality, usually an emirate or petty kingdom, though there was one oligarchy, of which a number formed in the Al-Andalus after the final collapse of the Umayyad Caliphate of Córdoba in 1031.-Rise:The origins of...
s (1031–91), but the artistic production from this period does not differ significantly from that of the Umayyads. At the end of the 11th century, two Berber tribes, the Almoravids and the Almohads, captured the head of the Maghreb and Spain, successively, bringing Maghrebi influences into art. A series of military victories by Christian monarchs had reduced Islamic Spain by the end of the 14th century to the city of Granada
Granada
Granada is a city and the capital of the province of Granada, in the autonomous community of Andalusia, Spain. Granada is located at the foot of the Sierra Nevada mountains, at the confluence of three rivers, the Beiro, the Darro and the Genil. It sits at an elevation of 738 metres above sea...
, ruled by the Nasirid dynasty, who managed to maintain their hold until 1492.
Al-Andalus was a great cultural center of the Middle Ages. Besides the great universities, which taught philosophies and sciences yet unknown in Christendom (such as those of Averroes
Averroes
' , better known just as Ibn Rushd , and in European literature as Averroes , was a Muslim polymath; a master of Aristotelian philosophy, Islamic philosophy, Islamic theology, Maliki law and jurisprudence, logic, psychology, politics, Arabic music theory, and the sciences of medicine, astronomy,...
), the territory was an equally vital center for art.
Many techniques were employed in the manufacture of objects. Ivory was used extensively for the manufacture of boxes and caskets. The pyxis of al-Mughira is a masterwork of the genre. In metalwork, large sculptures in the round, normally rather scarce in the Islamic world, served as elaborate receptacles for water or as fountain spouts. A great number of textiles, most notably silks, were exported: many are found in the church treasuries of Christendom, where they served as covering for saints’ reliquaries. From the periods of Maghreb
Maghreb
The Maghreb is the region of Northwest Africa, west of Egypt. It includes five countries: Morocco, Algeria, Tunisia, Libya, and Mauritania and the disputed territory of Western Sahara...
i rule one may also note a taste for painted and sculpted woodwork.
The art of north Africa is not as well studied. The Almoravid and Almohad dynasties are characterized by a tendency toward austerity, for example in mosques with bare walls. Nevertheless, luxury arts continued to be produced in great quantity. The Marinid and Hafsid dynasties developed an important, but poorly understood, architecture, and a significant amount of painted and sculpted woodwork.
Arab Mashriq
The Fatamid dynasty, which reigned in Egypt from 909 and 1171 introduced crafts and knowledge from politically troubled Baghdad to Cairo.By the year 1070 the Seljuk
Great Seljuq Empire
The Great Seljuq Empire was a medieval Persianate, Turko-Persian Sunni Muslim empire, originating from the Qynyq branch of Oghuz Turks. The Seljuq Empire controlled a vast area stretching from the Hindu Kush to eastern Anatolia and from Central Asia to the Persian Gulf...
s emerged as the dominant political force in the Muslim world after they liberated Baghdad and defeated the Byzanties at Manzikert, during the rule of Malik Shah
Malik Shah I
Jalāl al-Dawlah Malik-shāh was born in 1055, succeeded Alp Arslan as the Seljuq Sultan in 1072, and reigned until his death in 1092....
the Seljuks excelled in arcetecture at the same time in Syria, the atabeg
Atabeg
Atabeg, Atabek, or Atabey is a hereditary title of nobility of Turkic origin, indicating a governor of a nation or province who was subordinate to a monarch and charged with raising the crown prince...
s (governors of Seljuk princes) assumed power. Quite independent, they capitalized on conflicts with the Frankish crusaders
Crusades
The Crusades were a series of religious wars, blessed by the Pope and the Catholic Church with the main goal of restoring Christian access to the holy places in and near Jerusalem...
. In 1171, Saladin
Saladin
Ṣalāḥ ad-Dīn Yūsuf ibn Ayyūb , better known in the Western world as Saladin, was an Arabized Kurdish Muslim, who became the first Sultan of Egypt and Syria, and founded the Ayyubid dynasty. He led Muslim and Arab opposition to the Franks and other European Crusaders in the Levant...
seized Fatimid Egypt, and installed the transitory Ayyubid dynasty
Ayyubid dynasty
The Ayyubid dynasty was a Muslim dynasty of Kurdish origin, founded by Saladin and centered in Egypt. The dynasty ruled much of the Middle East during the 12th and 13th centuries CE. The Ayyubid family, under the brothers Ayyub and Shirkuh, originally served as soldiers for the Zengids until they...
on the throne. This period is notable for innovations in metallurgy and the widespread manufacture of the Damascus steel swords and daggers and the production ceramics, glass and metalwork of a high quality were produced without interruption, and enameled glass became another important craft.
In 1250 the Mamluk
Mamluk
A Mamluk was a soldier of slave origin, who were predominantly Cumans/Kipchaks The "mamluk phenomenon", as David Ayalon dubbed the creation of the specific warrior...
s seized control of Egypt from the Ayyubids, and by 1261 had managed to assert themselves in Syria as well their most famous ruler was Baibars
Baibars
Baibars or Baybars , nicknamed Abu l-Futuh , was a Mamluk Sultan of Egypt. He was one of the commanders of the forces which inflicted a devastating defeat on the Seventh Crusade of King Louis IX of France and he led the vanguard of the Egyptian army at the Battle of Ain Jalut in 1260, which marked...
. The Mamluks were not, strictly speaking, a dynasty, as they did not maintain a patrilineal mode of succession; in fact, Mamluks were freed Turkish and Caucasian slaves, who (in theory) passed the power to others of like station. This mode of government persevered for three centuries, until 1517, and gave rise to abundant architectural projects (many thousands of buildings were constructed during this period), while patronage of luxury arts favored primarily enameled glass and metalwork, and is remembered as the golden age of medieval Egypt. The "Baptistère de Saint-Louis" in the Louvre
Louvre
The Musée du Louvre – in English, the Louvre Museum or simply the Louvre – is one of the world's largest museums, the most visited art museum in the world and a historic monument. A central landmark of Paris, it is located on the Right Bank of the Seine in the 1st arrondissement...
is an example of the very high quality of metalwork at this period.
Iran and Central Asia
In Iran and the north of India, the TahiridsTahirid dynasty
The Tahirid Dynasty, was a Persian dynasty that governed from 820 to 872 over the northeastern part of Greater Iran, in the region of Khorasan . The dynasty was founded by Tahir ibn Husayn, a leading general in the service of the Abbasid caliph al-Ma'mun...
, Samanid
Samanid
The Samani dynasty , also known as the Samanid Empire, or simply Samanids was a Persian state and empire in Central Asia and Greater Iran, named after its founder Saman Khuda, who converted to Sunni Islam despite being from Zoroastrian theocratic nobility...
s, Ghaznavids
Ghaznavid Empire
The Ghaznavids were a Persianate Muslim dynasty of Turkic slave origin which existed from 975 to 1187 and ruled much of Persia, Transoxania, and the northern parts of the Indian subcontinent. The Ghaznavid state was centered in Ghazni, a city in modern-day Afghanistan...
, and Ghurids
Ghurids
The Ghurids or Ghorids were a medieval Muslim dynasty of Iranian origin that ruled during the 12th and 13th centuries in Khorasan. At its zenith, their empire, centred at Ghōr , stretched over an area that included the whole of modern Afghanistan, the eastern parts of Iran and the northern section...
struggled for power in the 10th century, and art was a vital element of this competition. Great cities were built, such as Nishapur and Ghazni
Ghazni
For the Province of Ghazni see Ghazni ProvinceGhazni is a city in central-east Afghanistan with a population of about 141,000 people...
, and the construction of the Great Mosque of Isfahan (which would continue, in fits and starts, over several centuries) was initiated. Funerary architecture was also cultivated, while potters developed quite individual styles: kaleidoscopic ornament on a yellow ground; or marbled decorations created by allowing colored glazes to run; or painting with multiple layers of slip under the glaze.
The Seljuqs
Seljuq dynasty
The Seljuq ; were a Turco-Persian Sunni Muslim dynasty that ruled parts of Central Asia and the Middle East from the 11th to 14th centuries...
, nomads of Turkic origin from present-day Mongolia, appeared on the stage of Islamic history toward the end of the 10th century. They seized Baghdad in 1048, before dying out in 1194 in Iran, although the production of “Seljuq” works continued through the end of the 12th and beginning of the 13th century under the auspices of smaller, independent sovereigns and patrons. During their time, the center of culture, politics and art production shifted from Damascus
Damascus
Damascus , commonly known in Syria as Al Sham , and as the City of Jasmine , is the capital and the second largest city of Syria after Aleppo, both are part of the country's 14 governorates. In addition to being one of the oldest continuously inhabited cities in the world, Damascus is a major...
and Baghdad
Baghdad
Baghdad is the capital of Iraq, as well as the coterminous Baghdad Governorate. The population of Baghdad in 2011 is approximately 7,216,040...
to Merv
Merv
Merv , formerly Achaemenid Satrapy of Margiana, and later Alexandria and Antiochia in Margiana , was a major oasis-city in Central Asia, on the historical Silk Road, located near today's Mary in Turkmenistan. Several cities have existed on this site, which is significant for the interchange of...
, Nishapur
Nishapur
Nishapur or Nishabur , is a city in the Razavi Khorasan province in northeastern Iran, situated in a fertile plain at the foot of the Binalud Mountains, near the regional capital of Mashhad...
, Rayy
Rey, Iran
Rey or Ray , also known as Rhages and formerly as Arsacia, is the capital of Rey County, Tehran Province, Iran, and is the oldest existing city in the province....
, and Isfahan, all in Iran.
Popular patronage expanded because of a growing economy and new urban wealth. Inscriptions in architecture tended to focus more on the patrons of the piece. For example, sultans, viziers or lower ranking officials would receive often mention in inscriptions on mosques. Meanwhile, growth in mass market production and sale of art made it more commonplace and accessible to merchants and professionals. Because of increased production, many relics have survived from the Seljuk era and can be easily dated. In contrast, the dating of earlier works is more ambiguous. It is, therefore, easy to mistake Seljuk art as new developments rather than inheritance from classical Iranian and Turkic sources.
Innovations in the ceramic arts that date to this period include the production of minai ware and the manufacture of vessels, not out of clay, but out of a silicon paste (“frit-ware”), while metalworkers began to encrust bronze with precious metals. Across the Seljuk era, from Iran to Iraq, a unification of book painting can be seen. These paintings have animalistic figures that convey strong symbolic meaning of fidelity, treachery, and courage.
In the 13th century the Mongols
Mongols
Mongols ) are a Central-East Asian ethnic group that lives mainly in the countries of Mongolia, China, and Russia. In China, ethnic Mongols can be found mainly in the central north region of China such as Inner Mongolia...
, under the leadership of Genghis Khan
Genghis Khan
Genghis Khan , born Temujin and occasionally known by his temple name Taizu , was the founder and Great Khan of the Mongol Empire, which became the largest contiguous empire in history after his death....
, swept through the Islamic world. Upon the death of Genghis Khan, his empire was divided among his sons and many dynasties were thus formed: the Yuan
Yuan Dynasty
The Yuan Dynasty , or Great Yuan Empire was a ruling dynasty founded by the Mongol leader Kublai Khan, who ruled most of present-day China, all of modern Mongolia and its surrounding areas, lasting officially from 1271 to 1368. It is considered both as a division of the Mongol Empire and as an...
in China, the Ilkhanids
Ilkhanate
The Ilkhanate, also spelled Il-khanate , was a Mongol khanate established in Azerbaijan and Persia in the 13th century, considered a part of the Mongol Empire...
in Iran, and the Golden Horde
Golden Horde
The Golden Horde was a Mongol and later Turkicized khanate that formed the north-western sector of the Mongol Empire...
in northern Iran and southern Russia.
The Ilkhanids
A rich civilization developed under these “little khans,” who were originally subservient to the Yuan emperor, but rapidly became independent. Architectural activity intensified as the Mongols became sedentary, and retained traces of their nomadic origins, such as the north-south orientation of the buildings. At the same time a process of “iranisation” took place, and construction according to previously established types, such as the “Iranian plan” mosques, was resumed. The art of the Persian book
Persian miniature
A Persian miniature is a small painting on paper, whether a book illustration or a separate work of art intended to be kept in an album of such works called a muraqqa. The techniques are broadly comparable to the Western and Byzantine traditions of miniatures in illuminated manuscripts...
was also born under this dynasty, and was encouraged by aristocratic patronage of large manuscripts such as the Jami' al-tawarikh by Rashid-al-Din Hamadani. New techniques in ceramics appeared, such as the lajvardina (a variation on luster-ware), and Chinese influence is perceptible in all arts.
The Golden Horde and the Timurids
The early arts of the nomads of the Golden Horde are poorly understood. Research is only beginning, and evidence for town planning and architecture has been discovered. There was also a significant production of works in gold, which often show a strong Chinese influence. Much of this work is preserved today in the Hermitage
Hermitage Museum
The State Hermitage is a museum of art and culture in Saint Petersburg, Russia. One of the largest and oldest museums of the world, it was founded in 1764 by Catherine the Great and has been opened to the public since 1852. Its collections, of which only a small part is on permanent display,...
.
The beginning of the third great period of medieval Iranian art, that of the Timurids
Timurid Dynasty
The Timurids , self-designated Gurkānī , were a Persianate, Central Asian Sunni Muslim dynasty of Turko-Mongol descent whose empire included the whole of Iran, modern Afghanistan, and modern Uzbekistan, as well as large parts of contemporary Pakistan, North India, Mesopotamia, Anatolia and the...
, was marked by the invasion of a third group of nomads, under the direction of Timur
Timur
Timur , historically known as Tamerlane in English , was a 14th-century conqueror of West, South and Central Asia, and the founder of the Timurid dynasty in Central Asia, and great-great-grandfather of Babur, the founder of the Mughal Dynasty, which survived as the Mughal Empire in India until...
. During the 15th century this dynasty gave rise to a golden age in Persian manuscript painting, including renowned painters such as Kamāl ud-Dīn Behzād
Kamal ud-Din Behzad
Kamāl ud-Dīn Behzād , also known as Kamal al-din Bihzad or Kamaleddin Behzad , was a painter of Persian miniatures and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid periods.-Biography:...
, but also a multitude of workshops and patrons.
Syria, Iraq, and Anatolia
The Seljuq Turks pushed beyond Iran into Anatolia, winning a victory over the Byzantine EmpireByzantine Empire
The Byzantine Empire was the Eastern Roman Empire during the periods of Late Antiquity and the Middle Ages, centred on the capital of Constantinople. Known simply as the Roman Empire or Romania to its inhabitants and neighbours, the Empire was the direct continuation of the Ancient Roman State...
in the Battle of Manzikert
Battle of Manzikert
The Battle of Manzikert , was fought between the Byzantine Empire and Seljuq Turks led by Alp Arslan on August 26, 1071 near Manzikert...
(1071), and setting up a sultanate independent of the Iranian branch of the dynasty. Their power seems largely to have waned following the Mongol invasions in 1243, but coins were struck under their name until 1304. Architecture and objects synthesized various styles, both Iranian and Syrian, sometimes rendering precise attributions difficult. The art of woodworking was cultivated, and at least one illustrated manuscript dates to this period.
Caravanserai
Caravanserai
A caravanserai, or khan, also known as caravansary, caravansera, or caravansara in English was a roadside inn where travelers could rest and recover from the day's journey...
s dotted the major trade routes across the region, placed at intervals of a day's travel. The construction of these caravanserai inns improved in scale, fortification, and replicability. Also, they began to contain central mosques.
The Turkmen
Turkmen people
The Turkmen are a Turkic people located primarily in the Central Asian states of Turkmenistan, Afghanistan, and northeastern Iran. They speak the Turkmen language, which is classified as a part of the Western Oghuz branch of the Turkic languages family together with Turkish, Azerbaijani, Qashqai,...
, nomads who settled in the area of Lake Van
Lake Van
Lake Van is the largest lake in Turkey, located in the far east of the country in Van district. It is a saline and soda lake, receiving water from numerous small streams that descend from the surrounding mountains. Lake Van is one of the world's largest endorheic lakes . The original outlet from...
, were responsible for a number of mosques, such as the Blue Mosque
The Blue Mosque of Tabriz
The Blue Mosque is a famous historic mosque in Tabrīz, Iran. The mosque and some other public buildings were constructed in 1465 upon the order of Jahan Shah, the ruler of Kara Koyunlu....
in Tabriz
Tabriz
Tabriz is the fourth largest city and one of the historical capitals of Iran and the capital of East Azerbaijan Province. Situated at an altitude of 1,350 meters at the junction of the Quri River and Aji River, it was the second largest city in Iran until the late 1960s, one of its former...
, and they had a decisive influence after the fall of the Anatolian Seljuqs. Starting in the 13th century, Anatolia was dominated by small Turkmen dynasties, which progressively chipped away at Byzantine territory. Little by little a major dynasty emerged, that of the Ottomans
Ottoman Dynasty
The Ottoman Dynasty ruled the Ottoman Empire from 1299 to 1922, beginning with Osman I , though the dynasty was not proclaimed until Orhan Bey declared himself sultan...
, who, after 1450, are referred to as the “first Ottomans.” Patronage was exercised primarilyso be seen as the forerunners of Ottoman art, in particular the “Milet” ceramics and the first blue-and-white Anatolian works.
Islamic book painting witnessed its first golden age in the thirteenth century, mostly from Syria and Iraq. Influence from Byzantine visual vocabulary (blue and gold coloring, angelic and victorious motifs, symbology of drapery) combined with Mongoloid facial types in 12th-century book frontispiece
Book frontispiece
A frontispiece is a decorative illustration facing a book's title page. The frontispiece is the verso opposite the recto title page. Elaborate engraved frontispieces were in frequent use, especially in Bibles and in scholarly books, and many are masterpieces of engraving...
s.
Earlier coinage necessarily featured Arabic epigraph
Epigraphy
Epigraphy Epigraphy Epigraphy (from the , literally "on-writing", is the study of inscriptions or epigraphs as writing; that is, the science of identifying the graphemes and of classifying their use as to cultural context and date, elucidating their meaning and assessing what conclusions can be...
s, but as Ayyubid society became more cosmopolitan and multi-ethnic, coinage began to feature astrological, figural (featuring a variety of Greek, Seleucid, Byzantine, Sasanian, and contemporary Turkish rulers' busts), and animal images.
Hillenbrand suggests that the medieval Islamic texts called Maqama
Maqama
Maqāma are an Arabic literary genre of rhymed prose with intervals of poetry in which rhetorical extravagance is conspicuous. The 10th century author Badī' al-Zaman al-Hamadhāni is said to have invented the form, which was extended by al-Hariri of Basra in the next century...
t, copied and illustrated by Yahya ibn Mahmud al-Wasiti
Yahya ibn Mahmud al-Wasiti
Yahya ibn Mahmud al-Wasiti was a 13th-century Arab Islamic artist. Al-Wasiti was born in Wasit واسط southern Iraq. He was noted for his illustrations of the Maqam of al-Hariri.-References:*Yaḥyā ibn Maḥmūd al-Wāsiṭī. . In Encyclopædia Britannica...
were some of the earliest "coffee table book
Coffee table book
A coffee table book is a hardcover book that is intended to sit on a coffee table or similar surface in an area where guests sit and are entertained, thus inspiring conversation or alleviating boredom. They tend to be oversized and of heavy construction, since there is no pressing need for...
s.
South Asia
The Indian subcontinent, some northern parts of which conquered by the Ghaznavids and Ghurids in the 9th century, did not become autonomous until 1206, when the Muizzi, or slave-kings, seized power, marking the birth of the Delhi SultanateDelhi Sultanate
The Delhi Sultanate is a term used to cover five short-lived, Delhi based kingdoms or sultanates, of Turkic origin in medieval India. The sultanates ruled from Delhi between 1206 and 1526, when the last was replaced by the Mughal dynasty...
. Later other competing sultanates were founded in Bengal
Bengal
Bengal is a historical and geographical region in the northeast region of the Indian Subcontinent at the apex of the Bay of Bengal. Today, it is mainly divided between the sovereign land of People's Republic of Bangladesh and the Indian state of West Bengal, although some regions of the previous...
, Kashmir, Gujarat, Jaunpur
Jaunpur Sultanate
The Jaunpur sultanate was an independent kingdom of northern India between 1394 to 1479, whose rulers ruled from Jaunpur in the present day state of Uttar Pradesh. The Jaunpur sultanate was ruled by the Sharqi dynasty. The Khwajah-i-Jahan Malik Sarwar, the first ruler of the dynasty was a wazir ...
, Malwa
Malwa (Madhya Pradesh)
Malwa is a region in west-central northern India occupying a plateau of volcanic origin.Geologically, the Malwa Plateau generally refers to the volcanic upland south of the Vindhya Range. Politically and administratively, the historical Malwa region includes districts of western Madhya Pradesh and...
, and in the north Deccan
Deccan Plateau
The Deccan Plateau is a large plateau in India, making up the majority of the southern part of the country. It rises a hundred meters high in the north, rising further to more than a kilometers high in the south, forming a raised triangle nested within the familiar downward-pointing triangle of...
(the Bahmanids
Bahmani Sultanate
The Bahmani Sultanate was a Muslim state of the Deccan in southern India and one of the great medieval Indian kingdoms...
). They separated themselves little by little from Persian traditions, giving birth to an original approach to architecture and urbanism, marked in particular by interaction with Hindu
Hindu
Hindu refers to an identity associated with the philosophical, religious and cultural systems that are indigenous to the Indian subcontinent. As used in the Constitution of India, the word "Hindu" is also attributed to all persons professing any Indian religion...
art. Study of the production of objects has hardly begun, but a lively art of manuscript illumination is known. The period of the sultanates ended with the arrival of the Mughals
Mughal Empire
The Mughal Empire , or Mogul Empire in traditional English usage, was an imperial power from the Indian Subcontinent. The Mughal emperors were descendants of the Timurids...
, who progressively seized their territories.
Ottomans
The Ottoman EmpireOttoman Empire
The Ottoman EmpireIt was usually referred to as the "Ottoman Empire", the "Turkish Empire", the "Ottoman Caliphate" or more commonly "Turkey" by its contemporaries...
, whose origins lie in the 14th century, continued in existence until shortly after World War I
World War I
World War I , which was predominantly called the World War or the Great War from its occurrence until 1939, and the First World War or World War I thereafter, was a major war centred in Europe that began on 28 July 1914 and lasted until 11 November 1918...
. This impressive longevity, combined with an immense territory (stretching from Anatolia to Tunisia), led naturally to a vital and distinctive art, including plentiful architecture, mass production of ceramics for both tiles and vessels, most notably Iznik ware
Iznik pottery
İznik pottery, named after the town in western Anatolia where it was made, is highly decorated ceramics that was produced between the late 15th and 17th centuries....
, important metalwork and jewellery, Turkish paper marbling Ebru
Ebru
-Given name:*Ebru Destan, Turkish singer, actress and model*Ebru Gündeş, Turkish pop-folk singer, actress, and television personality*Ebru Kavaklıoğlu, Turkish long-distance runner*Ebru Yaşar, Turkish pop folk music singer...
, Turkish carpet
Turkish carpet
Turkish carpets come in distinct styles, from different regions of Turkey. Important differentiators between the types include the materials, construction and the patterns.-History:...
s as well as tapestries and exceptional Ottoman miniature
Ottoman miniature
Ottoman Miniature or Turkish miniature was an art form in the Ottoman Empire, which can be linked to the Persian miniature tradition, as well as strong Chinese artistic influences. It was a part of the Ottoman Book Arts together with illumination , calligraphy , marbling paper and bookbinding...
s and decorative Ottoman illumination
Ottoman illumination
Turkish or Ottoman illumination covers non-figurative painted or drawn decorative art in books or on sheets in muraqqa or albums, as opposed to the figurative images of the Ottoman miniature. In Turkish it is called “tezhip”, an Arabic word which means “ornamenting with gold”...
.
Masterpieces of Ottoman manuscript illustration include the two “books of festivals,” one dating from the end of the 16th century, and the other from the era of Sultan Murad III
Murad III
Murad III was the Sultan of the Ottoman Empire from 1574 until his death.-Biography:...
. These books contain numerous illustrations and exhibit a strong Safavid
Safavid dynasty
The Safavid dynasty was one of the most significant ruling dynasties of Iran. They ruled one of the greatest Persian empires since the Muslim conquest of Persia and established the Twelver school of Shi'a Islam as the official religion of their empire, marking one of the most important turning...
influence; thus they may have been inspired by books captured in the course of the Ottoman-Safavid wars of the 16th century.
The Ottomans are also known for their development of a bright red pigment, “Iznik red,” in ceramics, which reached their height in the 16th century, both in tile-work and pottery, using floral motifs that were considerably trasformed from their Chinese and Persian models. From the 18th century Ottoman art came under considerable European influence, the Turks adopting versions of Rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
which had a lasting and not very beneficial effect, leading to over-fussy decoration.
Mughals
The Mughal EmpireMughal Empire
The Mughal Empire , or Mogul Empire in traditional English usage, was an imperial power from the Indian Subcontinent. The Mughal emperors were descendants of the Timurids...
in India lasted from 1526 until (technically) 1858, although from the late 17th century power flowed away from the emperors to local rulers, and later European powers, above all the British Raj
British Raj
British Raj was the British rule in the Indian subcontinent between 1858 and 1947; The term can also refer to the period of dominion...
, who were the main power in India by the late 18th century. The period is most notable for luxury arts of the court, and Mughal styles heavily influenced local Hindu
Hindu
Hindu refers to an identity associated with the philosophical, religious and cultural systems that are indigenous to the Indian subcontinent. As used in the Constitution of India, the word "Hindu" is also attributed to all persons professing any Indian religion...
and later Sikh
Sikh
A Sikh is a follower of Sikhism. It primarily originated in the 15th century in the Punjab region of South Asia. The term "Sikh" has its origin in Sanskrit term शिष्य , meaning "disciple, student" or शिक्ष , meaning "instruction"...
rulers as well. The Mughal miniature began by importing Persian artists, especially a group brought back by Humayun
Humayun
Nasir ud-din Muhammad Humayun was the second Mughal Emperor who ruled present day Afghanistan, Pakistan, and parts of northern India from 1530–1540 and again from 1555–1556. Like his father, Babur, he lost his kingdom early, but with Persian aid, he eventually regained an even larger one...
when in exile in Safavid Persia, but soon local artists, many Hindu, were trained in the style. Realistic portraiture, and images of animals and plants, was developed in Mughal art beyond what the Persians had so far achieved, and the size of miniatures increased, sometimes onto canvas. The Mughal court had access to European prints and other art, and these had increasing influence, shown in the gradual introduction of aspects of Western graphical perspective, and a wider range of poses in the human figure. Some Western images were directly copied or borrowed from. As the courts of local Nawab
Nawab
A Nawab or Nawaab is an honorific title given to Muslim rulers of princely states in South Asia. It is the Muslim equivalent of the term "maharaja" that was granted to Hindu rulers....
s developed, distinct provincial styles with stronger influence from traditional Indian painting
Indian painting
Indian painting has a very long history, although the seasonally humid Indian climate was difficult for the long-term preservation of paintings and there are far fewer survivals than of other forms of Indian art. The earliest Indian paintings were the rock paintings of pre-historic times, the...
developed in both Muslim and Hindu princely courts.
The arts of jewelry and hardstone carving
Hardstone carving
Hardstone carving is a general term in art history and archaeology for the carving for artistic purposes of semi-precious stones, also known as gemstones, such as jade, rock crystal , agate, onyx, jasper, serpentine or carnelian, and for an object made in this way. Normally the objects are small,...
of gemstones, such as jasper
Jasper
Jasper, a form of chalcedony, is an opaque, impure variety of silica, usually red, yellow, brown or green in color; and rarely blue. This mineral breaks with a smooth surface, and is used for ornamentation or as a gemstone. It can be highly polished and is used for vases, seals, and at one time for...
, jade
Jade
Jade is an ornamental stone.The term jade is applied to two different metamorphic rocks that are made up of different silicate minerals:...
, adorned with rubies, diamonds and emeralds are mentioned by the Mughal chronicler Abu'l Fazl
Abu'l-Fazl ibn Mubarak
Shaikh Abu al-Fazl ibn Mubarak also known as Abu'l-Fazl, Abu'l Fadl and Abu'l-Fadl 'Allami was the vizier of the great Mughal emperor Akbar, and author of the Akbarnama, the official history of Akbar's reign in three volumes, and a Persian translation of the Bible...
, and a range of examples survive; the series of hard stone daggers in the form of horses’ heads is particularly impressive.
The Mughals were also fine metallurgists they introduced Damascus steel
Damascus steel
Damascus steel was a term used by several Western cultures from the Medieval period onward to describe a type of steel used in swordmaking from about 300 BCE to 1700 CE. These swords are characterized by distinctive patterns of banding and mottling reminiscent of flowing water...
and refined the locally produced Wootz steel
Wootz steel
Wootz steel is a steel characterized by a pattern of bands or sheets of micro carbides within a tempered martensite or pearlite matrix. It was developed in India around 300 BCE...
, the Mughals also introduced the "bidri" technique of metalwork in which silver motifs are pressed against a black background. Famous Mughal metallurgists like Ali Kashmiri and Muhammed Salih Thatawi created the seamless
Seamless
Seamless means not to have a seam and may refer to:* Seamless robe of Jesus** Seamless garment, an abortion-related phrase referenced to the above*** Seamless Garment Network, a pro-life organization founded in 1987Technology...
celestial globes.
Safavids and Qajars
The Iranian SafavidsSafavid dynasty
The Safavid dynasty was one of the most significant ruling dynasties of Iran. They ruled one of the greatest Persian empires since the Muslim conquest of Persia and established the Twelver school of Shi'a Islam as the official religion of their empire, marking one of the most important turning...
, a dynasty stretching from 1501 to 1786, is distinguished from the Mughal and Ottoman Empires, and earlier Persian rulers, in part through the Shi'a faith of its shahs, which they succeeded in making the majority denomination in Persia. Ceramic arts are marked by the strong influence of Chinese porcelain, often executed in blue and white. Architecture flourished, attaining a high point with the building program of Shah Abbas
Abbas I of Persia
Shāh ‘Abbās the Great was Shah of Iran, and generally considered the greatest ruler of the Safavid dynasty. He was the third son of Shah Mohammad....
in Isfahan, which included numerous gardens, palaces (such as Ali Qapu
Ali Qapu
Ālī Qāpū is a grand palace in Isfahan, Iran. It is located on the western side of the Naghsh-i Jahan Square opposite to Sheikh lotf allah mosque, and had been originally designed as a vast portal. It is forty-eight meters high and there are seven floors, each accessible by a difficult spiral...
), an immense bazaar, and a large imperial mosque
Shah Mosque
Imam Mosque, is a mosque in Isfahan, Iran standing in south side of Naghsh-i Jahan Square.Built during the Safavid period, it is an excellent example of Islamic architecture of Iran, and regarded as one of the masterpieces of Persian Architecture. The Shah Mosque of Esfahan is one of the...
.
The art of manuscript illumination also achieved new heights, in particular in the Shah Tahmasp
Tahmasp I
Tahmasp or Tahmasb I was an influential Shah of Iran, who enjoyed the longest reign of any member of the Safavid dynasty...
Shahnameh
Shahnameh
The Shahnameh or Shah-nama is a long epic poem written by the Persian poet Ferdowsi between c.977 and 1010 AD and is the national epic of Iran and related societies...
, an immense copy of Ferdowsi
Ferdowsi
Ferdowsi was a highly revered Persian poet. He was the author of the Shahnameh, the national epic of Iran and related societies.The Shahnameh was originally composed by Ferdowsi for the princes of the Samanid dynasty, who were responsible for a revival of Persian cultural traditions after the...
’s poem containing more than 250 paintings. In the 17th century a new type of painting develops, based around the album (muhaqqa). The albums were the creations of conoisseurs who bound together single sheets containing paintings, drawings, or calligraphy by various artists, sometimes excised from earlier books, and other times created as independent works. The paintings of Reza Abbasi
Reza Abbasi
Riza Abbasi, Riza yi-Abbasi or Reza-e Abbasi, رضا عباسی in Persian, usually "Riza" or Reza Abbasi also Aqa Riza or Āqā Riżā Kāshānī was the leading Persian miniaturist of the Isfahan School during the later Safavid period, spending most of his career working for Shah Abbas I...
figure largely in this new art of the book, depicting one or two larger figures, typically idealized beauties in a garden setting, often using the grisaille
Grisaille
Grisaille is a term for painting executed entirely in monochrome or near-monochrome, usually in shades of grey. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles in fact include a slightly wider colour range, like the Andrea del Sarto fresco...
techniques previously used for border paintings for the background.
After the fall of the Safavids, the Qajars
Qajar dynasty
The Qajar dynasty was an Iranian royal family of Turkic descent who ruled Persia from 1785 to 1925....
, a Turkmen
Turkmen people
The Turkmen are a Turkic people located primarily in the Central Asian states of Turkmenistan, Afghanistan, and northeastern Iran. They speak the Turkmen language, which is classified as a part of the Western Oghuz branch of the Turkic languages family together with Turkish, Azerbaijani, Qashqai,...
tribe established from centuries on the banks of the Caspian Sea
Caspian Sea
The Caspian Sea is the largest enclosed body of water on Earth by area, variously classed as the world's largest lake or a full-fledged sea. The sea has a surface area of and a volume of...
, assumed power. Qajar art displays an increasing European influence, as in the large oil paintings portraying the Qajar shahs. Steelwork also assumed a new importance. Like the Ottomans, the Qajar dynasty survived until 1925, a few years after the First World War.
Indonesian Batik
The development and refinement of Indonesian batikBatik
Batik is a cloth that traditionally uses a manual wax-resist dyeing technique. Batik or fabrics with the traditional batik patterns are found in Indonesia, Malaysia, Japan, China, Azerbaijan, India, Sri Lanka, Egypt, Nigeria, Senegal, and Singapore.Javanese traditional batik, especially from...
cloth was closely associated with Islam. The Islamic prohibition on certain images encouraged batik design to become more abstract and intricate. Realistic depictions of animals and humans are now rare on traditional batik, but puppet-shaped humans, dragons, and the Garuda
Garuda
The Garuda is a large mythical bird or bird-like creature that appears in both Hindu and Buddhist mythology.From an Indian perspective, Garuda is the Hindu name for the constellation Aquila and...
of Hindu mythology are all commonplace.
Although its existence in Indonesia pre-dates Islam, batik reached its high point in the royal Muslim courts such as Mataram
Mataram Sultanate
The Sultanate of Mataram was the last major independent Javanese empire on Java before the island was colonized by the Dutch. It was the dominant political force in interior Central Java from the late 16th century until the beginning of the 18th century....
and Yogyakarta
Yogyakarta Sultanate
Yogyakarta Sultanate is a Javanese monarchy in the province of Yogyakarta, Indonesia.-History:...
, whose Muslim rulers encouraged and patronised batik production.
Modern period
From the 15th century the number of smaller Islamic courts began to fall, as the Ottoman Empire, and later the Safavids and European powers, swallowed them up; this had an effect on Islamic art, which was usually strongly led by the patronage of the court. From at least the 18th century onwards, elite Islamic art was increasingly influenced by European styles, and in the applied arts either largely adopted Western styles, or ceased to develop, retaining whatever style was prevalent at some point in the late 18th or early 19th centuries. Many industries with very long histories, such as pottery in IranIranian pottery
Iranian pottery or Persian pottery production presents a continuous history from the beginning of Iranian history until the present day....
, largely closed, while others, like metalwork in brass
Brass
Brass is an alloy of copper and zinc; the proportions of zinc and copper can be varied to create a range of brasses with varying properties.In comparison, bronze is principally an alloy of copper and tin...
, became generally frozen in style, with much of their production going to tourists or exported as oriental exotica.
The carpet industry has remained large, but mostly uses designs that originated before 1700, and competes with machine-made imitations both locally and around the world. Arts and crafts with a broader social base, like the zellige
Zellige
Zellige, zillij or zellij is terra cotta tilework covered with enamel in the form of chips set into plaster. It is one of the main characteristics of the Moroccan architecture...
mosaic tiles of the Maghreb
Maghreb
The Maghreb is the region of Northwest Africa, west of Egypt. It includes five countries: Morocco, Algeria, Tunisia, Libya, and Mauritania and the disputed territory of Western Sahara...
, have often survived better. Islamic countries have developed modern and contemporary art, with very vigorous art worlds in some countries, but the degree to which these should be grouped in a special category as "Islamic art" is questionable, although many artists deal with Islam-related themes, and use traditional elements such as calligraphy.
External links
- ARCHNET: Islamic Architecture Community: Extensive archive of scholarly articles, full publications and pictures]
- Museum With No Frontiers: extensive site on Islamic art
- Victoria & Albert Museum: Islamic Middle East Collections including contemporary pieces
- Museum of Islamic Art:
- MATHAF: Arab Museum of Modern Art Qatar
- Muslim Heritage
- CalligraphyIslamic: Extensive site on Islamic Visual Art
- BBC Four documentary on art in Islamic Spain
- Palace and Mosque: Islamic Art from the Victoria and Albert Museum at the National Gallery of Art, Washington
- Artistic Exchange: Europe and the Islamic World Selections from the Permanent Collection at the National Gallery of Art
- Islamic Art Network - Thesaurus Islamicus Foundation
- Islamic Art Review
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